16 found
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  1.  42
    The Science of Art: Optical Themes in Western Art From Brunelleschi to SeuratPerspective as Symbolic Form.Patrick Maynard, Martin Kemp, Erwin Panofsky & Christopher S. Wood - 1994 - Journal of Aesthetics and Art Criticism 52 (2):243.
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  2.  12
    “The Testimony of My Own Eyes”: The Strange Case of the Mammal with a Beak.Martin Kemp - 2012 - Spontaneous Generations 6 (1):43-49.
    There has always been a significant element of trust when we look at an image of something we have not seen, above all when it looks naturalistic and convincing. Illustrators often employ naturalistic tricks in the service of the “rhetoric of reality.” The case study is the Australian Duck-Billed Platypus, which stretched credibility when it was first discovered, resembling an artificially confected monster. The first scientific account, by George Shaw in T he Naturalist’s Miscellany in 1799, is a masterpiece of (...)
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  3. Seen Unseen: Art, Science, and Intuition From Leonardo to the Hubble Telescope.Martin Kemp - 2006 - Oxford University Press UK.
    Seen | Unseen is a richly illustrated, analysis of the interconnections between science and the visual arts as Martin Kemp explores the responses of artists, scientists and their instruments, to the world. From Leonardo, Durer and the inventors of photography to contemporary sculptors, and from Galileo and Darwin to Stephen J. Gould, Kemp considers the way in which scientists and artists have perceived the world and responded to its patterns.
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  4.  26
    'Il Concetto Dell'anima' in Leonardo's Early Skull Studies.Martin Kemp - 1971 - Journal of the Warburg and Courtauld Institutes 34:115-134.
  5.  28
    Dissection and Divinity in Leonardo's Late Anatomies.Martin Kemp - 1972 - Journal of the Warburg and Courtauld Institutes 35:200-225.
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  6.  25
    Leonardo and the Visual Pyramid.Martin Kemp - 1977 - Journal of the Warburg and Courtauld Institutes 40:128-149.
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  7.  9
    La Fabbrica Del Corpo: Libri E Dissectione Nel Rinascimento by Andrea Carlino. [REVIEW]Martin Kemp - 1997 - Isis: A Journal of the History of Science 88:138-139.
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  8.  9
    Transmutations: Alchemy in Art: Selected Works From the Eddleman and Fisher Collections at the Chemical Heritage Foundation. [REVIEW]Martin Kemp - 2003 - Isis: A Journal of the History of Science 94:527-528.
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  9.  7
    Jean A. Givens, Karen M. Reeds and Alain Touwaide , Visualizing Medieval Medicine and Natural History, 1200–1550. AVISTA Studies in the History of Medieval Technology, Science and Art. Aldershot: Ashgate, 2006. Pp. Xx+278. ISBN 0-7546-5296-3. £55.00. [REVIEW]Martin Kemp - 2009 - British Journal for the History of Science 42 (4):602.
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  10.  7
    La fabbrica del corpo: Libri e dissectione nel Rinascimento. Andrea Carlino.Martin Kemp - 1997 - Isis 88 (1):138-139.
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  11.  11
    Navis Ecclesiae: An Ambrosian Metaphor in Leonardo's Allegory of the Nautical Wolf and Imperious Eagle.Martin Kemp - 1981 - Bibliothèque d'Humanisme Et Renaissance 43 (2):257-268.
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  12.  9
    Book Reviews. [REVIEW]Martin Kemp - 1997 - British Journal of Aesthetics 37 (2):175-177.
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  13.  3
    Lawrence M. Principe;, Lloyd DeWitt. Transmutations: Alchemy in Art: Selected Works From the Eddleman and Fisher Collections at the Chemical Heritage Foundation. Vii + 40 Pp., Illus. Philadelphia: Chemical Heritage Foundation, 2002. $25. [REVIEW]Martin Kemp - 2003 - Isis 94 (3):527-528.
  14. Acts of Seeing: Artists, Scientists and the History of the Visual: A Volume Dedicated to Martin Kemp.Assimina Kaniari, Marina Wallace & Martin Kemp (eds.) - 2009 - Artakt & Zidane Press.
     
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  15. First Page Preview.Martin Kemp - 2005 - International Studies in the Philosophy of Science 19 (3).
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  16. Review. [REVIEW]Martin Kemp - 1982 - Bibliothèque d'Humanisme Et Renaissance 44 (1):157-159.
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