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Martin Seel [42]Martin R. Seel [1]
  1. Versuch über die Form des Glücks: Studien zur Ethik.Martin Seel - 1999 - Suhrkamp.
    Die vier Studien dieses Bandes behandeln alle das Problem, wie sich ein gutes Leben zu einem moralisch guten Leben verhält. Jede untersucht dieses Verhältnis von einer anderen Seite her; jede führt auf ihre Weise zu dem Schluß, daß der Zusammenhang zwischen dem Guten und dem moralisch Guten weder als letztendliche Identität noch als begriffliche Priorität einer der beiden Komponenten verstanden werden darf. Zusammen bilden sie den Entwurf einer praktischen Philosophie, die die Begriffe des individuellen Guten und des moralisch Richtigen als (...)
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  2. On Rightness and Truth: Reflections On the Concept of World Disclosure.Martin Seel - 1994 - Thesis Eleven 37 (1):64-81.
  3. Realism and Anti-Realism in Film Theory.Martin Seel - 2008 - Critical Horizons 9 (2):157-175.
    This essay argues that film as a medium breaks through the clearly delineated boundaries between realism and anti-realism that have been established by film theory. Film itself is basically indifferent to each. As an alternative to both, I put forward a thesis of indeterminism, which argues that films engender a unique event of sight and sound that does not have to be perceived to be a real event or an illusion of such an event.
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  4.  30
    Well-Being: On a Fundamental Concept of Practical Philosophy.Martin Seel - 1997 - European Journal of Philosophy 5 (1):39–49.
  5. The Ability to Deliberate.Martin Seel - 2009 - Tópicos: Revista de Filosofía 36:121-139.
     
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  6.  1
    Well‐Being: On a Fundamental Concept of Practical Philosophy.Martin Seel - 1997 - European Journal of Philosophy 5 (1):39-49.
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  7.  36
    Adorno's Contemplative Ethics.Martin Seel - 2004 - Critical Horizons 5 (1):259-269.
    This paper argues that there is an ethics of contemplation that is internal to Adorno's critique of modern functionalised and administered societies. It is argued here that 'contemplation' is Adorno's name for a praxis by which one is open to the other, and yet can let the other be. Adorno sees a kernel of experience in such contemplative practices, which, although increasingly being stripped bare by the modern world, is the basis for its possible critique.
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  8. Faith, Hope, Love-Not Only Three Christian Virtues.Martin Seel - 2011 - Revue Internationale de Philosophie 65258 (4):67-79.
     
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  9. The Aesthetics of Appearing.Martin Seel - 2003 - Radical Philosophy 118.
     
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  10.  40
    Art as Appearance: Two Comments on Arthur C. Danto's After the End of Art.Martin R. Seel - 1998 - History and Theory 37 (4):102–114.
    In his latest book about art Arthur Danto claims that aesthetic appearance-visuality in the visual arts-has become more and more irrelevant for most of contemporary art. This essay first immanently critiques the distinction between the aesthetic and artistic properties underlying this claim. Danto's claim about the irrelevance of the aesthetic is not compatible with the spirit of his own writings: what Danto denies in After the End of Art has been a cornerstone of his theoretical work since The Transfiguration of (...)
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  11.  16
    Active Passivity: On the Aesthetic Variant of Freedom.Martin Seel - 2014 - Estetika 51 (2):269-281.
    ‘Being with oneself in the other’ is a well-known formula that Hegel uses to characterize the basic relation of subjective freedom. This phrase points to the fact that subjects can only come to themselves if they remain capable of going beyond themselves. This motif also plays a significant role in Hegel’s philosophy of art. The article further develops this motif by exploring the extent to which this polarity of selfhood and otherhood is also characteristic of states of aesthetic freedom. It (...)
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  12.  12
    The Career of Aesthetics in German Thinking.Martin Seel - 1999 - Royal Institute of Philosophy Supplement 44:399-412.
    In German philosophy of the last 250 years, aesthetics has played a leading part. Any arbitrary list of great names contains mainly authors who either have written classical texts on aesthetics or are strongly influenced by aesthetic reflection, for instance, Kant, Hegel, Schelling, Schopenhauer, Marx, Nietzsche, Dilthey, Heidegger, Wittgenstein, Gadamer, and Adorno – the few exceptions being Husserl and Frege. It is not by chance that Frege is one of the founding fathers of modern Anglo-Saxon philosophy, where, generally speaking, aesthetics (...)
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  13.  27
    Form as an Organization of Time.Martin Seel - 2007 - Critical Horizons 8 (2):157-168.
    This paper argues that time, not space, is the highlight of aesthetic and especially artistic form. Spatial relations must be translated into temporal relations and experienced as such if they are to be experienced as aesthetic form. The reverse is not the case, for aesthetic and artistic forms are not generally there to create spaces, at least not in a literal sense, but to give time in a very literal sense. The meaning of form is time.
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  14.  18
    The Music of Thinking: A Literary Experiment with the Great Themes of Philosophy.Martin Seel - 2012 - Nordic Journal of Aesthetics 23 (42).
    In his book Theorien (Frankfurt am Main: S. Fischer, 2009) Martin Seel presents a philosophical and literary experiment in which he desists from introducing a single grand theory in favour of offering a number of smaller theories. In an aphoristic manner these personal and poetic observations are linked to rigorous reflections on the classical themes of human selfunderstanding: happiness and morality, failure and beauty, sickness and death, sense and understanding, knowledge and freedom, religion and music. Staying clear of disciplinary formations, (...)
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  15.  10
    Das Radikale und das Moderate Erkundungen in einem spannungsreichen Begriffsfeld.Martin Seel - 2012 - Zeitschrift für Kulturphilosophie 2012 (2):261-271.
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  16. Un Paso Al Interior de la Estética.Martin Seel - 2007 - Estudios de Filosofía 36:117-132.
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  17.  5
    Zur ästhetischen Praxis der Kunst.Martin Seel - 1993 - Deutsche Zeitschrift für Philosophie 41 (1):31-43.
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  18.  2
    The Ethos of Cinema.Martin Seel - forthcoming - Contemporary Aesthetics.
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  19.  4
    Über Richtigkeit und Wahrheit Erläuterungen zum Begriff der Welterschließung.Martin Seel - 1993 - Deutsche Zeitschrift für Philosophie 41 (3):509-524.
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  20.  2
    Landscapes of Human Experience.Martin Seel - 2015 - Contemporary Aesthetics 13.
    This essay begins with some observations concerning the interaction between nature and art. Relying on these reflections, in the second part experience of landscape will be interpreted as a model for the human stance within the natural as well as the historical world. In the third part some consequences for an ethics and politics of saving the conditions for individual as well as social well-being will be drawn.
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  21.  5
    Escribir sobre sí mismo: Consideraciones sobre el estilo tardío de Nietzsche.Martin Seel - 2012 - Signos Filosóficos 14 (27):149-166.
    El objetivo del artículo es reflexionar sobre el concepto de revuelta popular para precisar su valor heurístico en relación con la comunidad política. Para ello se realiza un recorrido teórico de la idea de revuelta popular en algunos textos de Arendt, Rancière, Blanchot, Nancy, Agamben y Esposito. Propongo que la revuelta debe ser entendida en el marco de una ontología de la comunidad. Se concluye que la revuelta popular supone el rechazo de un orden de desigualdad sostenido en un desacuerdo (...)
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  22.  1
    Aporien rationaler Selbstbegrenzung.Martin Seel - 1997 - In Christoph Hubig (ed.), Cognitio Humana - Dynamik des Wissens Und der Werte: Xvii. Deutscher Kongreß Für Philosophie Leipzig 23.–27. September 1996, Kongreßband: Vorträge Und Kolloquien. De Gruyter. pp. 57-68.
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  23.  3
    Glaube, Hoffnung, Liebe – drei nicht allein christliche Tugenden.Martin Seel - 2011 - Revue Internationale de Philosophie 258 (4):67-79.
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  24.  2
    Fotografien sind wie Namen.Martin Seel - 1995 - Deutsche Zeitschrift für Philosophie 43 (3):465-478.
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  25.  3
    Ein Skeptiker voller Vertrauen.Martin Seel - 2009 - Deutsche Zeitschrift für Philosophie 57 (3):481-489.
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  26.  2
    Ästhetische Argumente in der Ethik der Natur.Martin Seel - 1991 - Deutsche Zeitschrift für Philosophie 39 (8):901-913.
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  27.  1
    Bestimmen und Bestimmenlassen.Martin Seel - 1998 - Deutsche Zeitschrift für Philosophie 46 (3).
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  28.  1
    Die Fähigkeit zu überlegen.Martin Seel - 2005 - Deutsche Zeitschrift für Philosophie 53 (4).
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  29.  1
    Unter Panzerknackern.Martin Seel - 2004 - Deutsche Zeitschrift für Philosophie 52 (1).
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  30.  1
    Übertriebenes Reinheitsgebot.Martin Seel - 2006 - Deutsche Zeitschrift für Philosophie 54 (3):483-484.
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  31. Überlegungen Zum Begriff der Selbstbestimmung.Martin Seel - 2004 - In Matthias Lutz-Bachmann & Jan Szaif (eds.), Was Ist Das Für den Menschen Gute? / What is Good for a Human Being?: Menschliche Natur Und Güterlehre / Human Nature and Values. Walter de Gruyter.
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  32. Arthur C. Danto: Die Verklärung des Gewöhnlichen.Martin Seel - 1985 - Philosophische Rundschau 32:264.
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  33.  30
    Aesthetics of Appearing.Martin Seel - 2005 - Stanford University Press.
    This book proposes that aesthetics begin not with concepts of being or semblance, but with a concept of appearing. Appearing bespeaks of the reality that all aesthetic objects share, however different they may otherwise be. For Martin Seel, appearing plays its part everywhere in the aesthetic realm, in all aesthetic activity. In his book, Seel examines the existential and cultural meaning of aesthetic experience. In doing so, he brings aesthetics and philosophy of art together again, which in continental as well (...)
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  34. Über die Reichweite ästhetischer Erfahrung: Fünf Thesen.Martin Seel - 2004 - In Gerd Mattenklott (ed.), Ästhetische Erfahrung im Zeichen der Entgrenzung der Künste. Epistemische, ästhetische und religiöse Formen von Erfahrung im Vergleich. Hamburg: Meiner. pp. 73-81.
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  35. Drei Formen des Humors.Martin Seel - 2002 - Deutsche Vierteljahrsschrift für Literaturwissenschaft Und Geistesgeschichte 76 (2):300-305.
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  36. Die fähigkeit zu überlegen elemente einer philosophie des geistes.Martin Seel - 2005 - Deutsche Zeitschrift für Philosophie 53 (4).
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  37. Die Kunst der Entzweiung. Zum Begriff der ästhetischen Rationalität.Martin Seel - 1987 - Zeitschrift für Philosophische Forschung 41 (2):339-342.
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  38. "Hinweise auf": E. Kessler, ch. Lohr, W. Sparn : Aristotelismus und renaissance; Otto Friedrich Bollnow: Zwischen philosophie und pädagogik. [REVIEW]Martin Seel - 1989 - Philosophische Rundschau 36:340.
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  39. KARLHEINZ LÜDEKIND: Analytische Philosophie der Kunst. [REVIEW]Martin Seel - 1989 - Philosophische Rundschau 36:337.
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  40. Rezension zu'Die Kunst der Gesellschaft'von Niklas Luhmann.Martin Seel - 1996 - European Journal of Philosophy 4:390-393.
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  41. Ästhetik des Erscheinens.Martin Seel - 2000
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  42. Tre regole per utopisti [Three rules for utopists].Martin Seel - 2006 - la Società Degli Individui 27:37-48.
    Il saggio intende recuperare un’idea di utopia realistica e priva di illusioni come nucleo propulsivo del pensiero politico. Questo tipo di utopia si distingue sia dall’immaginazione fantastica di stati di cose non realizzabili, sia dall’avvicinamento asintotico a qualcosa che in realtà non corrisponde ai desideri umani, com’è per l’idea regolativa di Kant. Tre condizioni rendono realistiche e sensate le utopie politiche: il poter essere pensato, il poter essere soddisfatto e il poter essere conseguito. L’idea di Rawls di una pace tra (...)
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  43. Was ist ein ästhetisches Argument?Martin Seel - 1987 - Philosophisches Jahrbuch 94 (1):42-63.
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