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  1.  20
    Pseudo-Senecan Epigrams Breitenbach Die Pseudo-Seneca-Epigramme der Anthologia Vossiana. Ein Gedichtbuch aus der mittleren Kaiserzeit. Pp. x + 270, pls. Hildesheim, Zurich and New York: Georg Olms, 2010. Paper, €58. ISBN: 978-3-487-14344-6. [REVIEW]Martin T. Dinter - 2012 - The Classical Review 62 (1):173-174.
  2.  10
    Contexts of War: Manipulation of Genre in Virgilian Battle Narrative (Review).Martin T. Dinter - 2005 - Classical World: A Quarterly Journal on Antiquity 99 (1):85-86.
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  3.  5
    A Commentary on Lucan,_ De Bello Civili _IV: Introduction, Edition, and Translation.Martin T. Dinter - 2012 - Classical World: A Quarterly Journal on Antiquity 105 (4):555-556.
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  4.  5
    Textual Permanence: Roman Elegists and the Epigraphical Tradition (Review).Martin T. Dinter - 2010 - Classical World: A Quarterly Journal on Antiquity 103 (2):262-264.
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  5.  4
    Textual Permanence: Roman Elegists and the Epigraphical Tradition.Martin T. Dinter - 2010 - Classical World: A Quarterly Journal on Antiquity 103 (2):262-264.
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  6.  3
    Brill’s Companion to Silius Italicus Ed. By Antony Augoustakis.Martin T. Dinter - 2014 - Classical World: A Quarterly Journal on Antiquity 107 (3):413-414.
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  7.  2
    M. Annaeus Lucanus: Bellum Civile, Liber IX. Einleitung, Text und Übersetzung, and: M. Annaeus Lucanus: Bellum Civile, Liber IX. Kommentar (review). [REVIEW]Martin T. Dinter & David Sider - 2008 - Classical World: A Quarterly Journal on Antiquity 101 (2):253-254.
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  8.  17
    Epic From Epigram: The Poetics of Valerius Flaccus' Argonautica.Martin T. Dinter - 2009 - American Journal of Philology 130 (4):533-566.
    This article makes the case for the importance of epigram, in terms of both form and content, for Valerius Flaccus' Argonautica. In the battle scenes of Books 3 and 6, in particular, recurrent allusions to epigrammatic themes unveil Valerius' poetics of epigram that evoke the dead for poetic purposes. As part of this, the apostrophe te quoque serves as an epitaphic gesture that marks the Argonautica, with its recurrent civil war imagery, as an epitaph on the golden age. In addition, (...)
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