13 found
Order:
Disambiguations
Marvin Carlson [10]Marvin A. Carlson [3]
  1.  11
    The audience as/for Accomplice: Code-breaking in the comedy thriller.Marvin Carlson - 1992 - Semiotica 92 (3-4):287-308.
    Direct download (2 more)  
     
    Export citation  
     
    Bookmark   2 citations  
  2.  25
    Theories of the Theatre: A Historical and Critical Survey, from the Greeks to the Present.Marvin Carlson - 1987 - Journal of Aesthetics and Art Criticism 45 (3):312-313.
    Direct download (2 more)  
     
    Export citation  
     
    Bookmark   2 citations  
  3.  40
    The Resistance to Theatricality.Marvin A. Carlson - 2002 - Substance 31 (2/3):238.
  4.  17
    Role Playing and Identity: The Limits of Theatre as Metaphor.Marvin Carlson - 1985 - Noûs 19 (4):644-646.
    No categories
    Direct download (2 more)  
     
    Export citation  
     
    Bookmark   2 citations  
  5.  5
    Contemporary concerns in the semiotics of theatre.Marvin A. Carlson - 1984 - Semiotica 48 (3-4).
    Direct download (2 more)  
     
    Export citation  
     
    Bookmark  
  6.  7
    Deathtraps: The Postmodern Comedy Thriller.Marvin Carlson - 1993 - Georgetown University Press.
    "This is an extremely intelligent, interesting, and well written book." --Murder Is Academic "... compelling analysis of the comedy thriller... " --Theatre Studies "... almost as much fun to read as is seeing the actual plays discussed... " --Journal of Popular Culture The phenomenal success of such plays as Deathtrap and Sleuth heralded the advent of a new form of detective play--the comedy thriller. Carlson takes the wraps off the comedy thriller and reveals its postmodern effects. He looks at all (...)
    No categories
    Direct download  
     
    Export citation  
     
    Bookmark  
  7.  22
    Intercultural theory, postcolonial theory, and semiotics: The road not (yet) taken.Marvin Carlson - 2008 - Semiotica 2008 (168):129-142.
    Direct download (2 more)  
     
    Export citation  
     
    Bookmark  
  8.  3
    Local semiosis and theatrical interpretation.Marvin Carlson - 1989 - Semiotica 73 (3-4):249-262.
    Direct download (2 more)  
     
    Export citation  
     
    Bookmark  
  9. Theater as event.Marvin Carlson - 1985 - Semiotica 56 (3/4):309-14.
     
    Export citation  
     
    Bookmark  
  10.  10
    The Old Vic: A semiotic analysis.Marvin Carlson - 1988 - Semiotica 71 (3-4):187-212.
    Direct download (2 more)  
     
    Export citation  
     
    Bookmark  
  11.  12
    The semiotics of character names in the drama.Marvin Carlson - 1983 - Semiotica 44 (3-4).
    Direct download (2 more)  
     
    Export citation  
     
    Bookmark   1 citation  
  12.  2
    Thé'tre, modes d'approche.André Helbo & Marvin A. Carlson - 1987 - Bruxelles : Editions Labor ; [Paris] : Méridiens Klincksieck.
    No categories
    Direct download  
     
    Export citation  
     
    Bookmark  
  13.  10
    Goethe and the Weimar Theatre.Susan Roberts & Marvin Carlson - 1979 - Substance 8 (2/3):199.
    Direct download (2 more)  
     
    Export citation  
     
    Bookmark