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Mary Sirridge [38]Mary J. Sirridge [4]Mary Jeannette Sirridge [1]
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  1.  12
    Love's Knowledge: Essays on Philosophy and Literature.Mary Sirridge - 1992 - Journal of Aesthetics and Art Criticism 50 (1):61-65.
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  2. The Identity Crisis in Dance.Adina Armelagos & Mary Sirridge - 1978 - Journal of Aesthetics and Art Criticism 37 (2):129-139.
  3. The Role of "Natural Expressiveness" in Explaining Dance.Mary Sirridge & Adina Armelagos - 1983 - Journal of Aesthetics and Art Criticism 41 (3):301-307.
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  4.  1
    6 Philosophy in Beauvoir's Fiction.Mary Sirridge - 2003 - In Claudia Card (ed.), The Cambridge Companion to Simone de Beauvoir. Cambridge University Press. pp. 129.
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  5.  67
    Artistic Intention and Critical Prerogative.Mary Sirridge - 1978 - British Journal of Aesthetics 18 (2):137-154.
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  6.  56
    “Utrum Idem Sint Dicere Et Intelligere Sive Videre in Mente”: Robert Kilwardby, Quaestiones in Librum Primum Sententiarum.Mary Sirridge - 2007 - Vivarium 45 (s 2-3):253-268.
    In his Questions I, qq. 35-36 Sent. Robert Kilwardby asks whether divine understanding (intelligere) is the same as the divine speaking (dicere), as Anselm says in Monologion, ch. 63, just as for us mental speaking (mentis locutio) is the same as the thinker's examination (inspectio cogitantis) or mental seeing (videre in mente). His answer is that neither for us nor for God is the equation correct, because understanding lacks an essential characteristic of speech, i.e. referentiality, and because speaking is active (...)
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  7.  44
    The In's and Out's of Dance: Expression as an Aspect of Style.Mary Sirridge & Adina Armelagos - 1977 - Journal of Aesthetics and Art Criticism 36 (1):15-24.
  8.  48
    Supposition and the Fallacy of Figure of Speech in the Abstractiones.Mary Sirridge - 2013 - Vivarium 51 (1-4):147-168.
    I undertake to examine the practice of Richard, Master of Abstractions, with respect to supposition in his dealing with the fallacy of figure of speech. His practice turns out to support the ‘single theory’ account of the theory of personal supposition, as does his treatment of a functional equivalent of simple supposition, but his practice of proposing additional solutions points to changing attitudes with respect to species as separate entities. Questions having to do with material supposition and the like are (...)
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  9.  66
    Dream Bodies and Dream Pains in Augustine's "de Natura Et Origine Animae".Mary Sirridge - 2005 - Vivarium 43 (2):213-249.
    In his De Natura et Origine Animae, an answer to a work by Vincentius Victor, Augustine was drawn into attempting to answer some questions about what kind of reality dream-bodies, dream-worlds and dream-pains have. In this paper I concentrate on Augustine's attempts to show that none of Victor's arguments for the corporeality of the soul are any good, and that Victor's inflated claims about the extent of the soul's self-knowledge are the result of mistaking self-awareness for self-knowledge. Augustine takes the (...)
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  10.  16
    Augustine.Mary Sirridge - 1976 - New Scholasticism 50 (2):183-192.
  11.  21
    The Cambridge Companion to Medieval Philosophy. A. S. McGrade.Mary Sirridge - 2005 - Speculum 80 (3):929-931.
  12.  10
    Augustine: Every Word is a Name.Mary Sirridge - 1976 - New Scholasticism 50 (2):183-192.
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  13.  53
    J. R. Tolkien and Fairy Tale Truth.Mary Sirridge - 1975 - British Journal of Aesthetics 15 (1):81-92.
    Fantasy can thus be explained as a sudden glimpse of the underlying reality or truth. It is not only a consolation for the sorrow of this world, but an answer to that question, ‘Is it true?’ J. R. Tolkien.
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  14.  38
    Formalizing Medieval Logic: Suppositio, Consequentiae and Obligationes (Review).Mary Sirridge - 2009 - Journal of the History of Philosophy 47 (3):pp. 469-470.
    The overarching aim of this excellent book is to demonstrate the common ground between medieval logic and logical theories of the twentieth century by analyzing some important medieval approaches to three important topics in medieval logic and then showing that in each case, once we determine what is really going on in the medieval theory, it can be formalized in such a way as to show how it resembles one or more developments in twentieth-century logical theory. Analysis in terms of (...)
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  15.  21
    Metaphor.Mary Sirridge - 1983 - Teaching Philosophy 6 (1):48-52.
  16.  11
    Nicholas of Amsterdam: Commentary on the Old Logic by Egbert P. Bos.Mary Sirridge - 2017 - Journal of the History of Philosophy 55 (3):540-542.
    This is an edition of commentaries on Porphyry's Isagoge and Aristotle's Categories and On Interpretation attributed to Nicholas of Amsterdam, who taught as magister Erfordiensis at the University of Rostock. Nicholas's own position is what he calls "the position of the moderns", which in this instance means that he adopts and defends primarily the approach of John Buridan and Marsilius of Inghen, including their conceptualism. As Bos notes, Nicholas is thus a good source of information about how the works of (...)
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  17.  17
    Boethius on Signification and Mind.John Magee. [REVIEW]Mary Sirridge - 1992 - Speculum 67 (3):716-718.
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  18.  18
    Paper Tigers: The Ideal Fictions of Jorge Luis Borges (Review).Mary Sirridge - 1978 - Philosophy and Literature 2 (2):275-276.
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  19.  14
    St. Augustine and “The Deputy Theory”.Mary J. Sirridge - 1975 - Augustinian Studies 6:107-116.
  20.  12
    Real and Imagined Worlds (Review).Mary Sirridge - 1978 - Philosophy and Literature 2 (1):124-125.
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  21.  10
    Abstract of Comments: A Reply to Louise Mackey.Mary Sirridge - 1983 - Noûs 17 (1):34 -.
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  22.  13
    The Abstractiones: A Tradition in Evolution.Mary J. Sirridge - 2011 - Bulletin de Philosophie Medievale 53:61 - 80.
    In this essay, the structure and content of theiones, a mid-thirteenthcentury collection of sophismata ascribed to a ‘Magister Ricardus’, are described. It is then argued that the text of the Abstractiones itself together with its “descendant” works present us with a case of textual evolution: the main text appears itself to be the result of patchwork and development, with each manuscript in effect a variation of the work; the descendant works continue the job of modifying the text, now so selectively (...)
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  23.  8
    Formalizing Medieval Logic: Suppositio, Consequentiae and Obligationes : Dutilh NovaesCatarina.Formalizing Medieval Logical Theories: Suppositio, Consequentiae and Obligationes. [REVIEW]Mary Sirridge - 2009 - Journal of the History of Philosophy 47 (3):469-470.
  24.  13
    William of Sherwood on Propositions and Their Parts.Mary J. Sirridge - 1974 - Notre Dame Journal of Formal Logic 15 (3):462-464.
  25. John Magee, Boethius on Signification and Mind.(Philosophia Antiqua, 52.) Leiden: EJ Brill, 1989. Paper. Pp. Xiv, 165. Hfl 90. [REVIEW]Mary Sirridge - 1992 - Speculum 67 (3):716-718.
  26.  14
    The Moral of the Story: Exemplification and the Literary Work.Mary Sirridge - 1980 - Philosophical Studies 38 (4):391 - 402.
    So in literature we have two (perhaps identical) syntactically articulate vocabularies, the terms of each taking the terms of the other as referents, with both of the resultant systems — the one a system of denotation, the other of exemplification — being syntactically articulate and semantically dense. Thus, even though a literary work is articulate and may exemplify or express what is articulate, endless search is always required here as in other arts to determine precisely what is exemplified or expressed.
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  27.  12
    Buridan: ''Every Proposition is False'' is False.Mary Sirridge - 1978 - Notre Dame Journal of Formal Logic 19 (3):397-404.
  28.  4
    St. Augustine and “The Deputy Theory”.Mary J. Sirridge - 1975 - Augustinian Studies 6:107-116.
  29.  11
    Donkeys, Stars, and Illocutionary Acts.Mary Sirridge - 1987 - Journal of Aesthetics and Art Criticism 45 (4):381-388.
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  30.  5
    The Treachery of the Commonplace.Mary Sirridge - 2009 - In Noël Carroll & Lester H. Hunt (eds.), Philosophy in the Twilight Zone. Wiley-Blackwell. pp. 58--76.
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  31.  2
    As It Is, It Is an Ax.Mary Sirridge - 1997 - Medieval Philosophy & Theology 6 (1):1-24.
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  32. Personal Style and Performance Prerogatives.Adina Armelagos & Mary Sirridge - 1984 - In Maxine Sheets-Johnstone (ed.), Illuminating Dance: Philosophical Explorations. pp. 85--99.
     
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  33. The Pupils of the Master of Abstractions: Abstractiones Digbeianae, Regiae & Venetae.Sten Ebbesen, Mary Sirridge & Paul Streveler - 2003 - Cahiers de l'Institut du Moyen-Âge Grec Et Latin 74:89-150.
  34. As It Is, It Is an Ax: Some Medieval Reflections on De Anima II.1.Mary Sirridge - 1997 - Journal of Nietzsche Studies 6 (1):1-24.
     
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  35. Augustine's Two Theories of Language.Mary Sirridge - 2000 - Documenti E Studi Sulla Tradizione Filosofica Medievale 11:35-57.
     
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  36. Brill Online Books and Journals.Mary Sirridge - 2005 - Vivarium 43 (2).
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  37. Formalism and Internal Evidence.Mary Sirridge - 1979 - Reason Papers 5:27-39.
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  38. Francis Sparshott, Off the Ground: First Steps to a Philosophical Consideration of the Dance Reviewed By.Mary Sirridge - 1989 - Philosophy in Review 9 (5):206-208.
     
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  39. Hospers on the Artist's Intentions.Mary Sirridge - 1988 - Reason Papers 13:143-151.
     
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  40. Notulae Super Priscianum Minorem Magistri Jordani.Mary Sirridge - 1980 - Cahiers de l'Institut du Moyen-Âge Grec Et Latin 36:1-108.
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  41. Socrates’ Hood. Lexical Meaning and Syntax in Jordanus and Kilwardby.Mary Sirridge - 1983 - Cahiers de l'Institut du Moyen-Âge Grec Et Latin 44:102-121.
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  42. Shorter Reviews.Mary Sirridge - 1978 - Philosophy and Literature 2 (1):124.
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