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  1.  11
    Looking Through Lidless Eyes: Friedrich, Kleist and the Logic of Sensation.Matthew Beaumont - 2018 - Angelaki 23 (6):3-19.
    The German painter Caspar David Friedrich’s The Monk by the Sea, a picture that has played an important role in accounts of the prehistory of twentieth-century abstract art, is significant among other reasons because it bravely refused painting’s narrative vocation and in so doing radicalized the optics characteristic of the contemporary aesthetics of the sublime. Friedrich’s contemporary, the novelist and dramatist Heinrich von Kleist, intuited precisely this in his scintillating comments on the painting at the time it appeared. Invoking the (...)
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  2.  11
    Not Yet: Reconsidering Ernst Bloch.Matthew Beaumont - 1997 - Historical Materialism 1 (1):175-184.
  3. Global Genome: Biotechnology, Politics, and Culture; Code: Collaborative Ownership and the Digital Economy. [REVIEW]James Tobias, Dustin Mcwherter, Iain Grant, Matthew Beaumont & Jarkko Toikkanen - 2007 - Radical Philosophy 144.
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