Matthew Stuart offers a fresh interpretation of John Locke's Essay Concerning Human Understanding, arguing for the work's profound contribution to metaphysics. He presents new readings of Locke's accounts of personal identity and the primary/secondary quality distinction, and explores Locke's case against materialism and his philosophy of action.
In this book Nicholas Wolterstorff, a well-known proponent of “Reformed epistemology,” sets out to investigate the modern origins of the evidentialist and foundationalist tradition that he opposes. He locates these origins in book 4 of Locke’s Essay Concerning Human Understanding. Wolterstorff tells us that he had to overcome strong prejudices in writing the book, for “in the philosophical world I inhabit, Locke has the reputation of being boringly chatty and philosophically careless”. He suggests that the earlier parts of the Essay (...) deserve that reputation, but says that while reading book 4 he felt himself to be “present at the making of the modern mind”. To Wolterstorff’s credit, he seems to have vanquished some of his prejudices, for this book offers careful and charitable readings of many important strands in Locke’s epistemology. (shrink)
What sort of property did Locke take colors to be? He is sometimes portrayed as holding that colors are wholly subjective. More often he is thought to identify colors with dispositions—powers that bodies have to produce certain ideas in us. Many interpreters find two or more incompatible strands in his account of color, and so are led to distinguish an “official,” prevailing view from the conflicting remarks into which he occasionally lapses. Many who see him as officially holding that colors (...) are dispositions concede that some of his remarks imply that colors are in us rather than in objects. After raising some difficulties for these readings, I offer an alternative. I will argue that Locke takes colors to be relational, but not dispositional, properties of the objects around us. On his view, an object is red if and only if it is actually causing a certain sensation in some observer. (shrink)
This collection of 28 original essays examines the diverse scope of John Locke’s contributions as a celebrated philosopher, empiricist, and father of modern political theory. Explores the impact of Locke’s thought and writing across a range of fields including epistemology, metaphysics, philosophy of science, political theory, education, religion, and economics Delves into the most important Lockean topics, such as innate ideas, perception, natural kinds, free will, natural rights, religious toleration, and political liberalism Identifies the political, philosophical, and religious contexts in (...) which Locke’s views developed, with perspectives from today’s leading philosophers and scholars Offers an unprecedented reference of Locke’s contributions and his continued influence. (shrink)
Locke’s remarks about attention have not received a great deal of attention from commentators. In Section 1, I make the case that attention plays an important role in his philosophy. In Section 2, I describe and discuss five Lockean claims about attention. In Section 3, I explore Locke’s views about attention in relation to his account of sense perception. He thinks that we attend to objects by attending to ideas, and I argue that he treats sensory ideas as transparent in (...) a particular sense. In Section 4, I raise the worry that some of Locke’s remarks about attention seem at odds with his doctrine of the transparency of the mind. I offer two ways of resolving the problem, and suggest that they are parts of a single story. (shrink)
Our understanding of Locke’s theory of ideas is stymied by his reticence about what he means by ‘idea’. I attempt to work around the problem by focusing on some neglected questions that afford us a better picture of his theory. I ask not what his ideas are, but what kinds of states or episodes he counts as someone’s having an idea, and what is involved in having simple and complex ideas. I argue that although we can make sense of much (...) of what he says about having simple and complex ideas, he is muddled about simplicity and complexity. (shrink)
This intelligent and often subtle introduction to rationalist metaphysics focuses on the development of the concept of substance in Descartes, Spinoza, and Leibniz. After briefly reviewing the Aristotelian background in the introduction, Woolhouse spends the first three chapters presenting the broad outlines of each thinker’s account of substance. These are followed by three chapters devoted more specifically to the metaphysics of extended substance and to foundational issues in early modern physics. Next come two chapters on thinking substance and its relation (...) to extended substance, and finally a chapter on the relation between created and uncreated substance, which Woolhouse describes as "an organizing centre of the whole book". (shrink)
What sort of property did Locke take colors to be? He is sometimes portrayed as holding that colors are wholly subjective. More often he is thought to identify colors with dispositions—powers that bodies have to produce certain ideas in us. Many interpreters find two or more incompatible strands in his account of color, and so are led to distinguish an “official,” prevailing view from the conflicting remarks into which he occasionally lapses. Many who see him as officially holding that colors (...) are dispositions concede that some of his remarks imply that colors are in us rather than in objects. After raising some difficulties for these readings, I offer an alternative. I will argue that Locke takes colors to be relational, but not dispositional, properties of the objects around us. On his view, an object is red if and only if it is actually causing a certain sensation in some observer. (shrink)
Serious philosophical reflection on the nature of experiment began in earnest in the seventeenth century. This paper expounds the most influential philosophy of experiment in seventeenth-century England, the Bacon-Boyle-Hooke view of experiment. It is argued that this can only be understood in the context of the new experimental philosophy practised according to the Baconian theory of natural history. The distinctive typology of experiments of this view is discussed, as well as its account of the relation between experiment and theory. This (...) leads into an assessment of other recent discussions of early modern experiment, namely, those of David Gooding, Thomas Kuhn, J.E. Tiles and Peter Dear. (shrink)
What sort of property did Locke take colors to be? He is sometimes portrayed as holding that colors are wholly subjective. More often he is thought to identify colors with dispositions—powers that bodies have to produce certain ideas in us. Many interpreters find two or more incompatible strands in his account of color, and so are led to distinguish an “official,” prevailing view from the conflicting remarks into which he occasionally lapses. Many who see him as officially holding that colors (...) are dispositions concede that some of his remarks imply that colors are in us rather than in objects. After raising some difficulties for these readings, I offer an alternative. I will argue that Locke takes colors to be relational, but not dispositional, properties of the objects around us. On his view, an object is red if and only if it is actually causing a certain sensation in some observer. (shrink)
I examine two strands in Locke's thought which seem to conflict with his corpuscularian sympathies: his repeated suggestion that natural philosophy is incapable of being made a science, and his claim that some of the properties of bodies--secondary qualities, powers of gravitation, cohesion and maybe even thought--are arbitrarily "superadded" by God. ;Locke often says that a body's properties flow from its real essence as the properties of a triangle flow from its definition. He is widely read as having thought that (...) if we had ideas of a body's real essence, we would be able to perceive a priori a necessary connection between that body's real essence and its observable properties. I argue that this leaves Locke's skepticism without any rationale, making it depend entirely upon our ignorance of corpuscular structures when in fact he never rules out the possibility of our acquiring ideas of corpuscular structures through improvements in microscopy. I argue that Locke's geometrical analogy is better understood as an endorsement of deductivism about scientific explanation. He thinks that knowledge of corpuscular structures is a necessary, but not a sufficient, condition for scientific knowledge of bodies. The deeper source of his skepticism is his view that we cannot have universal and certain knowledge of the laws of nature because they are contingent. ;I approach the subject of Locke's attitude toward mechanism by examining his superaddition doctrine. In contrast with M. R. Ayers, I attribute to Locke what I call strong voluntarism: the view that a body's powers to interact with other bodies are not fully determined by the essence of matter, and that they are at least partly determined by the will of God. I argue that Descartes and Boyle are also strong voluntarists, but that Locke's voluntarism differs in that he maintains that bodies have some powers which are not even partly explicable in terms of the motions of matter. Locke's position is thus incompatible with the mechanism of Descartes and Boyle. (shrink)
