Este artigo tematiza o apóstolo Pedro como personagem no evangelho de Mateus. O objetivo é identificar as nuances e transformações do personagem Pedro no evangelho. Para tanto, tomo como ponto de partida a pertença do evangelho ao gênero literário biografia greco-romana, que apresenta Jesus Cristo como protagonista. Os demais personagens são desenvolvidos em relação com ele. O mesmo se dá com o apóstolo Pedro. O texto se desenvolve a partir da teoria narrativa, de modo particular a caracterização de personagens. Identifico, (...) a partir de Erich Auerbach e Robert Alter, as características de personagens bíblicos, tecendo comparações com teorias do personagem no romance moderno. A análise de textos do evangelho de Mateus que retratam o personagem Pedro leva à conclusão que suas principais características são a complexidade e a inversão. Elas produzem uma visão geral da involução do personagem na narrativa do evangelho de Mateus. Palavras-chave: Pedro. Evangelho de Mateus. Teoria narrativa. Complexidade. Inversão.This article focuses on the apostle Peter as a character in the Gospel of Matthew. It aims at identifying the nuances and changes of the character Peter in the Gospel. For this purpose, I take as a starting point that the gospel belongs to the literary genre of ancient Greco-Roman Biography, which presents Jesus Christ as the protagonist. The other characters are developed in relationship with him. The same is true with the Apostle Peter. The article unfolds from narrative theory, in particular the categorization of characters. I categorize, based on Erich Auerbach and Robert Alter, the features of biblical characters, developing comparisons with theories of the character in the modern novel. The analysis of the main texts from the Gospel of Matthew that portray the character Peter leads to the conclusion that its main features are complexity and inversion. They produce an overview of the involution of the character in the narrative of the Gospel of Matthew. Key words: Peter. Gospel of Matthew. Narrative theory. Complexity. Inversion. (shrink)

An Example of Emancipation through Art: Brecht’s Galileo The challenge which Brecht set himself was to make theatre a means of emancipation, by placing it in the service of the revolution. His work dealing with the exemplary figure of Galileo, which mobilised his energies between 1938 and his death in 1959, testifies to the succession of problems he came up against in his attempt to carry out this programme. For Brecht, the attempt to arrive at a scenic (...) presentation of the complex relations between science and its social environment implied the endeavour to engage the audience in the formulation of a problem for which the theatrical performance eschewed the option of any ready-made solution. To do so could only be way of the representation of a model which was both attractive and repulsive, and by highlighting what was a fluctuating complex of contradictions. For Brecht, the status of art is thus to constitute an open-ended inquiry rather than the presentation, for propaganda purposes, of a set of cut-and dried ideas. (shrink)

When in the Autumn of 1991 I learned of the program in Philosophy for Children originated by Matthew Lipman, I discovered that it had a definite relationship with Francisco Giner de los Rios, a Spanish author with whom I was familiar. The same philosophic and pegagogic interests and the same goals could be observed in both Lipman and Giner. Searching for Giner's sources of inspiration, I found that American pedagogy occupied a very important place in his thoughts. The presence (...) of "American philosopher", John Dewey, along with others, could be discerned in his writings. Dewey's contributions to the formation of a philosophy and a theory of American education, with its own character, makes it inevitable that every American philosopher has an important debt to him. Lipman's Philosophy for Children is no exception. Dewey is an author referred to and commented upon frequently in the Philosophy for Children literature, although some of his positions are criticized. He belongs, along with Socrates, Plato and Wittgenstein, to the main philosophic antecedents of Philosophy for Children. (shrink)

La présente étude propose une relecture de trois théoriciens dont les investigations continuent à servir de pierre angulaire à la théâtrologie : celles d'Aristote dont La Poétique, outre le fait qu'elle consacre le théâtre occidental, sert de fondement à l'esthétique dramatique et celles, plus récentes, d'Antonin Artaud et de Bertolt Brecht qui, bien qu'ils aient réfuté radicalement les théories aristoté- liciennes, ne se sont pas moins distingués l'un de l'autre pour donner les deux grandes voies que l'on sait à (...) la réflexion dramaturgique contemporaine. Ces spéculations seront envisagées sous l'éclairage décisif de la mimèsis et de la catharsis qui ne se posent pas chez eux comme des notions distinctes, mais comme l'avers et l'envers d'un même travail sur un réel à chaque fois redéfini, qu'il s'agisse de l'obéissance aristotélicienne à une stricte logique narrative, de l'utopique déculturation artaudienne ou de l'engagement brechtien.The author proposes a review of three major theoreticians whose works are considered to be the corner-stones of theatrical studies : Aristotle, whose Poetics, the first reflexion on Occidental theatre, also serve as the foundation of the aesthetics of drama, and, closer to us, Antonin Artaud and Bertolt Brecht who, although unanimous in rejecting the Aristotelian theory, have quite different views on contemporary theatre. Their definitions are analyzed in the light of mimesis and catharsis, which are not taken here as separate notions, but rather as a mean of grasping the fluctuant outlines of the concept of "reality", be it Aristotle's obedience to a strict narrative structure, Artaud's denial of culture or Brecht's political commitment. (shrink)

Two sixteenth-century manuscripts, Vat. 217 and 1338, each contain, as an appendix to the works of Sextus Empiricus, a small Sophistic treatise now usually referred to as the. The two appendices were first collated, it would seem, by Conrad Trieber, who planned to publish an edition of the treatise. He died, however, before the project was completed, and his notes passed into the possession of Wilamowitz, who allowed H. Mutschmann to consult them for purposes of writing his own article on (...) Sextus. (shrink)

Two sixteenth-century manuscripts, Vat. 217 and 1338, each contain, as an appendix to the works of Sextus Empiricus, a small Sophistic treatise now usually referred to as the . The two appendices were first collated, it would seem, by Conrad Trieber, who planned to publish an edition of the treatise. He died, however, before the project was completed, and his notes passed into the possession of Wilamowitz, who allowed H. Mutschmann to consult them for purposes of writing his own article (...) on Sextus. (shrink)

A Lei de Diretrizes e Bases 9.394/96 inseriu a Filosofia nos currículos do Ensino Médio com o indicativo de interdisciplinaridade, permanecendo em aberto questões acerca de como fazer com que a Filosofia potencialize a experiência interdisciplinar. Com o objetivo de correlacionar interdisciplinaridade e Filosofia, o artigo resulta de uma análise hermenêutica que confronta reflexões de Hannah Arendt sobre a crise na educação e a proposta da comunidade de investigação de Lipman. Parte da noção de que em meados do século XX, (...) a educação tradicional foi substituída pela pedagogia progressista e a educação passou a ser pensada como ciência do ensino em geral, a fim de atender à dinâmica do avanço científico e tecnológico. A visão analítica e linear das especialidades não responde satisfatoriamente às demandas atuais de uma ciência complexa, articulada e em rápida transformação. Diante do requisito interdisciplinar da ciência, o específico da Filosofia é a problematização e a sistematização do filosofar; de mediação entre as disciplinas, em virtude da dimensão holística de seus conteúdos, e de vigilância epistemológica como recurso de revisão e atualização dos saberes. Palavras-chave: Interdisciplinaridade. Filosofia. Ciência. Crise na educação. Comunidade de investigação. (shrink)

El presente trabajo investiga las tesis sobre el poder civil de Alonso de la Veracruz que buscan incorporar en la comunidad política española a los habitantes autóctonos del Nuevo Mundo, tesis que suelen relacionarse con F. de Vitoria y el tomismo español, y que últimamente son consideradas parte del republicanismo novohispano elaborado desde la periferia americana. Se busca demostrar que su propósito era aplicar una teoría de derechos naturales, sin que ello implique participación política de los indios americanos. Se analiza (...) la postura del fraile frente a la diversidad cultural y la guerra contra los indios. The paper explores Alonso de la Veracruz's theses on civil power, which sought to integrate the native inhabitants of the New World into the Spanish political community. These theses, which have usually been associated with F. de Vitoria and Spanish Thomism, have recently come to be considered part of a Novohispanic republicanism developed in the American periphery. The article seeks to show that the purpose of such theses was to apply a theory of natural rights that did not entail the political participation of the indigenous population, as well as to analyze Veracruz's position regarding cultural diversity and the war against the indigenous peoples. (shrink)

We investigate some basic descriptive set theory for countably based completely quasi-metrizable topological spaces, which we refer to as quasi-Polish spaces. These spaces naturally generalize much of the classical descriptive set theory of Polish spaces to the non-Hausdorff setting. We show that a subspace of a quasi-Polish space is quasi-Polish if and only if it is Π20 source in the Borel hierarchy. Quasi-Polish spaces can be characterized within the framework of Type-2 Theory of Effectivity as precisely the countably based spaces (...) that have an admissible representation with a Polish domain. They can also be characterized domain theoretically as precisely the spaces that are homeomorphic to the subspace of all non-compact elements of an ω-continuous domain. Every countably based locally compact sober space is quasi-Polish, hence every ω-continuous domain is quasi-Polish. A metrizable space is quasi-Polish if and only if it is Polish. We show that the Borel hierarchy on an uncountable quasi-Polish space does not collapse, and that the Hausdorff–Kuratowski theorem generalizes to all quasi-Polish spaces. (shrink)

Dans un ouvrage récent, Not for Profit, Martha C. Nussbaum a pris fait et cause pour la philosophie pour enfants . En fait, ce renvoi n’est pas isolé car de nombreux échanges entre Nussbaum et Matthew Lipman ont existé. Dans cet article, je ne m’intéresse pas aux citations de l’un à l’autre mais pars de l’œuvre de Nussbaum pour esquisser ce qu’il en est de l’éducation à la démocratie. Pour commencer, je rappelle la théorie des « capabilités », ou (...) capacités réelles ; je montre en outre l’importance des émotions dans une démocratie. Ensuite, je traite de la culture des émotions en démocratie. L’éducation concerne certes les adultes, mais elle touche bien davantage les enfants. L’exemple du dégoût sert à montrer l’importance d’une prise en charge des émotions dès l’enfance, particulièrement à l’école. Enfin, je regarde la manière dont on peut, dans une pratique de classe, promouvoir l’esprit critique en suivant les préceptes donnés par Nussbaum. Comment, dans une communauté de recherche, prêter davantage attention à autrui ? Comment exploiter en philosophie pour enfants la thèse selon laquelle les émotions sont des jugements de valeur ? Pour conclure, j’essaie d’approfondir le lien entre Nussbaum et Gareth B. Matthews : sans doute l’insistance de la première sur la valeur formatrice des récits aurait-elle dû l’amener à se pencher davantage sur la pratique philosophique avec les enfants du second. In a recent work, Not for Profit, Martha C. Nussbaum stood for the Philosophy for Children movement. In fact, this mention is not isolated, for many exchanges took place between Nussbaum and Matthew Lipman. I don’t focus on quotations from the one by the other but instead, starting from Nussbaum’s work, sketch her conception of training for democracy. First of all, I remember her theory of capabilities and show furthermore the importance of emotions in a democracy. I treat then the culture of emotions in a democracy. Of course, education refers to adults too. Still, it concerns children more heavily. The instance of disgust helps in showing the importance of dealing with emotions since childhood, particularly at schools. Finally, I get a look on how, in a classroom, critical thinking may be improved using Nussbaum’s precepts. How can be paid more attention to the other in a community of inquiry? How is in P4C the thesis that emotions are judgments of value to be exploited? In conclusion, I try to deepen the link between Nussbaum and Gareth B. Matthews: the stress laid by the latter on the formative value of narratives might have driven her to bend herself more on the philosophical practice of the former. (shrink)

Este artigo apresenta uma proposta para a interpretação de Mateus 6.19-34 a partir da análise das formas. A atenção dada pelo autor às estruturas poéticas desta unidade textual é aqui destacada para que os textos sejam lidos de acordo com suas próprias exigências estilísticas. Além destes textos, que tratam especificamente do problema econômico dentro do grupo mateano, a estrutura dada pelo autor ao chamado sermão da montanha (caps. 5-7) também é abordada como evidência do esmero formal próprio de Mateus. Ao (...) tratar desta pequena amostra de textos, pretende-se esboçar algumas imagens para compreender sócio-economicamente o grupo de Mateus em seu ambiente urbano na Galiléia ao final do século I, cenário que o distinguia dos seguidores de Jesus da primeira geração que eram camponeses pauperizados que se tornavam profetas itinerantes. Por fim, a exegese nos conduz à hipótese de que por suas peculiaridades o grupo mateano é forçado a reler as tradições herdadas sob novas perspectivas, onde a pobreza é uma opção obrigatória para esse novo e judaísmo-cristão citadino. Palavras-chaves: Evangelho de Mateus; Exegese; Cristianismo primitivo; Economia; Sermão da Montanha.This article offers an interpretation of Matthew 6, 19-34 starting from the analysis of forms. The poetic structure of this textual unit is highlighted so that the texts can be read according to their own stylistic framework. Besides that text, which deals specifically with economic problems in Matthew's group, the structure of the Sermon on the Mountain (Mt 5-7) is also evidence of the formal care typical of Matthew. This little sample of texts aims to delineate some images in order to know Matthew's group, in social and economic terms, within the urban environment in Galilee by the end of the 1st century, a milieu that distinguished the group from the first generation of Christians, all of them poor farmers transformed into wandering prophets. Finally, the exegesis leads to the hypothesis that, given its personal characteristics, Matthew's group is forced into a re-reading of Christian traditions in a new perspective, in which poverty is a mandatory option to this new Jewish-Christian urban movement. Key words: Gospel of Matthew; Exegesis; Primitive Phristianity; Economy; Sermon of the Mountain. (shrink)

A concepção teatral de Brecht não é radicalmente oposta à de Aristóteles. A estética brechtiana, em muitos aspectos, é herdeira das idéias de Aristóteles. O teatro épico proposto por Brecht tem em seu horizonte de combate o teatro de matriz naturalista e o drama psicológico. Mimese e catarse não significam identificação do público com a cena e com o herói.

Ao colocar em evidência a legitimidade de uma instituição defendida por Locke, ou seja, o direito genérico que todos os membros da espécie humana têm de utilizar os recursos da natureza para preservar a sua existência, fca nítido que a propriedade privada exclusiva só é justifcável com o acréscimo de obrigações sociais rigorosas, apresentadas pelo próprio autor, para garantir que ela não prejudique a preservação da existência de qualquer dos membro da espécie, pelo simples fato de que a realidade de (...) uma instituição não pode contradizer o fundamento que lhe confere legitimidade. A partir disso, este texto se propõe a contestar a conclusão de Matthew Kramer de que a tentativa de Locke de estabelecer a legitimidade da propriedade privada no estado de natureza está fadada ao fracasso. (shrink)

Comment l’identité narrative de Jésus se décline-t-elle dans l’évangile selon Matthieu? La question est traitée en quatre étapes, à commencer par un examen de l’impact christologique des limites du récit matthéen (commencement et finale). Dans un deuxième temps, l’attention se porte sur le développement de l’intrigue de résolution et, en troisième lieu, sur l’intrigue de révélation. En finale, une réflexion est proposée sur la christologie de Mt à la croisée des chemins. L’hypothèse est que la rédaction de Mt s’inscrit sous (...) le signe d’une double marginalité: celle d’une communauté chrétienne vivant à l’intérieur du monde juif dont elle fait toujours partie, mais avec laquelle les tensions vont croissant; celle aussi d’une communauté judéo-chrétienne qui peine à se positionner au sein d’un christianisme de plus en plus tourné vers les païens. Du coup, le Jésus présenté par Mt est moins énigmatique que celui de Mc; il est plus clairement défini et son autorité est plus affirmée.// What are the varieties of the narrative identity of Jesus in the Gospel of Matthew? The question is treated in four stages, starting with the Christological impact of the limits of the Matthean narrative (beginning and finale). In a second section, attention is given to the development of the plot of resolution, thirdly to the plot of revelation. Finally a reflection is proposed on the Christology of Mt at the crossroads. The hypothesis given is that the redaction of Mt took place under the sign of a double marginality: that of a Christian community living within the Jewish world of which it was still part but with which there were increasing tensions, also that of a Jewish-Christian community which had more and more difficulties of situating itself within a Christianity which was more and more orientated towards the pagans. As a result, the Jesus presented by Mt is less enigmatic than that of Mk, he is more clearly defined and his authority is more strongly asserted. (shrink)

Dans cette leçon inaugurale, l'auteur se penche sur l'Évangile, compris au sens large de «promesse», comme objet et comme source de subversion. Deux textes bibliques illustrent chacun de ces deux aspects : le livre de Job et la parabole matthéenne des ouvriers de la onzième heure (Mt 20, 1-16). Une troisième et dernière partie porte sur la relation entre révélation et mystère. Le style oral a été en partie conservé. In this inaugural lecture, delivered on September 24, 2012 at the (...) Faculty of Theology of the University of Geneva, the author develops the theme of the Gospel — understood broadly as «promise» — as both the object and subject of subversion. Two biblical texts are taken as illustrations of these two aspects: the book of Job and Matthew's parable of the vineyard workers of the eleventh hour (Mt 20:1-16). A third and final part focuses on the relation between revelation and mystery. The original style of the lecture has been partly maintained. (shrink)

La peinture de Caravage occupe une position stratégique entre l'art religieux du XVIe siècle, dont le naturalisme, ainsi chez Carracci, est imprégné de présence divine, et le réalisme sécularisé qui triomphera au XIXe siècle. Aussi a-t-elle été l'objet d'incessants conflits d'interprétation, commencés déjà de son temps. Elle ne paraissait pas d'accord, en effet, avec les consignes d'orthodoxie données aux artistes par les théologiens de la Contre-Réforme, et clairement rappelées à Caravage dans le contrat qui lui avait été fixé en 1565 (...) pour représenter les scènes de la vie de S. Matthieu dans l'église S. Louis des Français à Rome. Il interpréta ce contrat selon des critères tout nouveaux et personnels. La composition de l'espace et de la lumière, la disposition des personnages et des clairs-obscurs sont significatives de la vision moderne du monde et de l'homme qui commence à se mettre en place à cette époque. Le rayon de lumière qui traverse une scène sans noblesse plongée dans l'obscurité immobilise un instant de vérité et de choix, l'événement de la rencontre de Jésus et de Matthieu, l'instant d'une communication de parole entre Dieu et l'homme, l'heure où chacun est appelé à décider du sens de son existence personnelle, sans autre intervention divine, dans la banalité de sa vie quotidienne. Ce monde n'est pas vide de Dieu, mais Dieu ne fait qu'y passer ; il se retire, pour laisser le monde à son autonomie, et l'homme à la conscience de sa liberté.Caravaggio's painting holds a strategic position between the religions art of the sixteenth century, the naturalism of which is pervaded by divine presence – e.g. in Carracci's art –, and the secularized realism which is to flourish in the nineteenth century. It has therefore been the subject of unceasing controversies in its interpretation, beginning in Caravaggio’s times already. Indeed, Caravaggio’s painting did not seem in line with the instructions given to the artists by Counter-Reformation’s theologians, urging them to follow the Orthodox line. Caravaggio had been clearly reminded of those instructions in the contract he had signed in 1565 to portray the scenes of Saint Matthew’s life in Saint Louis des Français’Church in Roma. He interpretated this contract according to very innovative and personal criteria. The composition of space and light, the layout of characters and chiaroscuros are revealing of the modern vision of the world and of the man that was emerging in those times. The light ray that crosses a scene devoid of nobleness and plunged into darkness, immobilises a moment of truth and choice : the event of Jesus meeting Matthew, the instant of an oral communication between God and man, the time when everyone is called to decide his of her personal existence in the triviality of his or her daily life, without God intervening in the process. This world is not void of God’s presence, but God only passes through it. He withdraws to let the world face its autonomy, and man face the awareness of his freedom. (shrink)

The Bertold Brecht's conception of the theater is not radically opposed to that of Aristotle. Brechtian aesthetics is, in many aspects, heiress of Aristotle's ideas. The epic theater proposed by Brecht opposes naturalistic theater and psychological drama. Mimesis and catharsis don't mean the identification of the public with the scene and the hero.A concepção teatral de Brecht não é radicalmente oposta à de Aristóteles. A estética brechtiana, em muitos aspectos, é herdeira das idéias de Aristóteles. O teatro (...) épico proposto por Brecht tem em seu horizonte de combate o teatro de matriz naturalista e o drama psicológico. Mimese e catarse não significam identificação do público com a cena e com o herói. (shrink)

Matthew Walker’s book argues that contemplation is not useless as “traditionally” claimed, but serves the crucial function of guiding what Walker frequently refers to as human life activities, most importantly the self-maintenance of the human organism. By this phrase, he includes the full range of psychic functions essential to a perishable organism, extending down to nourishment and reproduction. As such, contemplation not only becomes the central organizing principle of Aristotle’s ethics, but also must be understood in connection with Aristotle’s (...) natural philosophy.The book’s early chapters strike me as following something like the order of the De anima, leading from what is perhaps... (shrink)

After decades of armed conflict in Colombia, how do those most affected by that conflict understand forgiveness? While others have researched Colombians' views of forgiveness, this study is the first to do so through discussion of a narrative of forgiveness. Readings of the biblical narrative chosen for this study, the Parable of the Unforgiving Debtor, can enable North Atlantic scholars to discover dimensions of the parable revealed by those who live lives that mirror the realities of the parable, unlike such (...) scholars. The study aims to understand how conflict survivors, especially internally displaced persons, understand forgiveness and its relation to politics. The study also aims to identify how these women and men read Matthew 18:21-35 differently from academics. Groups in eight locations around Colombia discussed Matthew 18:21-35. Researchers led lectura popular de la Biblia [people's readings of the Bible], inviting participants to say how the parable related to their lives and to discuss the political consequences that would come from imitating characters in the parable. Conflict survivors said that forgiving was essential if their communities were going to be communities at all, especially communities at peace, offering freedom and economic opportunity. Unlike commentators, they read Matthew 18:21-35 as enjoining forgiveness towards those beyond their local church and for wrongs involving money and violence. As Colombian churches seek to counter resentment with forgiveness, they should be aware of the power of lectura popular, especially of this parable, to create a safe environment where conflict survivors can speak candidly. (shrink)

El autor recoge el versículo 13 del capítulo 19 del Evangelio atribuido a San Mateo reza así : "porque a cualquiera que tiene, le será dado, y tendrá más; pero al que no tiene, aún lo que tiene le será quitado", y lo vincula a la sociología de la ciencia, para a través del "efecto San Mateo" -los investigadores científicos eminentes cosechan aplausos mucho más nutridos, que otros investigadores, menos conocidos, por contribuciones equivalentes- exponer la estratificación social de las comunidades (...) científicas. (shrink)

Os dois primeiros capítulos dos Evangelhos canônicos de Mateus e Lucas têm dois conceitos teológicos que precisam ser mais investigados. Trata-se de “justiça” e “virgindade”, que podem ser entendidos como “tópoi”, isto é, palavras ou conceitos muito especiais. A tentativa desde artigo é abrir o debate a respeito e propor uma nova leitura dos relatos de Anunciação, desta-cando as figuras fundamentais de José e Maria, referências específicas de Jesus: sua messiani-dade e sua humanidade.

Short commentaries on Christian de Quincey' paper by Michael Beaton, Jonathan Bricklin, Louis Charland, Jonathan Edwards, Ilya Farber, Bill Faw, Rocco Gennaro, Christian Kaernbach, Chris Nunn, Jaak Panksepp, Jesse Prinz, Matthew Ratcliffe, J. Andrew Ross, Murray Shanahan, Henry Stapp, Douglas Watt.

This book moves beyond traditional readings of Alexis de Tocqueville and his relevance to contemporary democracy by emphasizing the relationship of his life and work to modern feminist thought. Within the resurgence of political interest in Tocqueville during the past two decades, especially in the United States, there has been significant scholarly attention to the place of gender, race, and colonialism in his work. This is the first edited volume to gather together a range of this creative scholarship. It reveals (...) a tidal shift in the reception history of Tocqueville as a result of his serious engagement by feminist, gender, postcolonial, and critical race theorists. The volume highlights the expressly normative nature of Tocqueville’s project, thus providing an overdue counterweight to the conventional understanding of Tocquevillean America as an actual place in time and history. By reading Tocqueville alongside the writings of early women’s rights activists, ethnologists, critical race theorists, contemporary feminists, neoconservatives, and his French contemporaries, among others, this book produces a variety of Tocquevilles that unsettles the hegemonic view of his work. Seen as a philosophical source and a political authority for modern democracies since the publication of the twin volumes of _Democracy in America _, Tocqueville emerges from this collection as a vital interlocutor for democratic theorists confronting the power relations generated by intersections of gender, sexual, racial, class, ethnic, national, and colonial identities. In addition to the editors, the contributors are Jocelyn Boryczka, Richard Boyd, Christine Carey, Barbara Cruikshank, Laura Janara, Matthew Holbreich, Kathleen S. Sullivan, Alvin B. Tillery Jr., Lisa Pace Vetter, Dana Villa, Cheryl B. Welch, and Delba Winthrop. (shrink)

In this paper I offer an alternative phenomenological account of depression as consisting of a degradation of the degree to which one is situated in and attuned to the world. This account contrasts with recent accounts of depression offered by Matthew Ratcliffe and others. Ratcliffe develops an account in which depression is understood in terms of deep moods, or existential feelings, such as guilt or hopelessness. Such moods are capable of limiting the kinds of significance and meaning that one (...) can come across in the world. I argue that Ratcliffe’s account is unnecessarily constrained, making sense of the experience of depression by appealing only to changes in the mode of human existence. Drawing on Merleau-Ponty’s critique of traditional transcendental phenomenology, I show that many cases of severe psychiatric disorders are best understood as changes in the very structure of human existence, rather than changes in the mode of human existence. Working in this vein, I argue that we can make better sense of many first-person reports of the experience of depression by appealing to a loss or degradation of the degree to which one is situated in and attuned to the world, rather than attempting to make sense of depression as a particular mode of being situated and attuned. Finally, I argue that drawing distinctions between disorders of structure and mode will allow us to improve upon the currently heterogeneous categories of disorder offered in the DSM-5. (shrink)

A number of influential biologists are currently pursuing efforts to restore previously extinct species. But for decades, philosophers of biology have regarded “de-extinction” as conceptually incoherent. Once a species is gone, it is gone forever. We argue that a range of metaphysical, biological, and ethical grounds for opposing de-extinction are at best inconclusive and that a pragmatic stance that allows for its possibility is more appealing.

Technical results about the time dependence of eigenvectors of reduced density operators are considered, and the relevance of these results is discussed for modal interpretations of quantum mechanics which take the corresponding eigenprojections to represent definite properties. Continuous eigenvectors can be found if degeneracies are avoided. We show that, in finite dimensions, the space of degenerate operators has co-dimension 3 in the space of all reduced operators, suggesting that continuous eigenvectors almost surely exist. In any dimension, even when degeneracies are (...) hit, we find conditions under which a theorem due to Rellich can provide continuous eigenvectors. We use this result to formulate an extended version of the modal interpretation. We also discuss eigenvector instability which we argue poses a serious problem for the modal interpretation, even in our extended version. Many examples are given to illustrate the mathematics. (shrink)

In this article, I first show in what way Augustine's 'De doctrina Christiana' actually concerns liberal education, or at least includes it within its scope. Second, I articulate the new 'modus' of education, its new “mode” or “measure,” presented in 'De doctrina'. Third, I exemplify the modification of education by briefly considering Augustine’s treatment of rhetoric in Book IV of 'De doctrina'. Fourth and finally, I conclude with general remarks that attempt to situate the sort of education of which Augustine (...) speaks in 'De doctrina' among some current alternatives with which we are familiar. (shrink)