96 found
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  1. A Taste for the Secret.Jaques Derrida & Maurizio Ferraris - 2001 - Polity.
     
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  2. Documentalità: Perché È Necessario Lasciar Tracce.Maurizio Ferraris - 2009 - Laterza.
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  3.  6
    Documentality: A Theory of Social Reality.Maurizio Ferraris & Giuliano Torrengo - 2014 - Rivista di Estetica 57:11-27.
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  4.  14
    Interview: Maurizio Ferraris.Maurizio Ferraris & Manuel Carta - 2016 - Philosophy Now 113:11-13.
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  5.  48
    Hylas e Philonous dieci anni dopo.Maurizio Ferraris & Achille C. Varzi - 2013 - SpazioFilosofico 8 (2):219–227.
    This is a sequel to our dialogue "Che cosa c'è e che cos'è (2003), focusing on the interplay between what there is and what there could be—between actuality and possibility—from the perspective of Hylas (here: the realist philosopher) and from the perspective of Philonous (here: the conventionalist anti-realist).
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  6.  98
    Che cosa c’è e che cos’è.Maurizio Ferraris & Achille C. Varzi - 2003 - Nous. Postille Su Pensieri 1:81–101.
    A philosophical exchange broadly inspired by the characters of Berkeley’s Three Dialogues. Hylas is the realist philosopher: the view he stands up for reflects a robust metaphysic that is reassuringly close to common sense, grounded on the twofold persuasion that the world comes structured into entities of various kinds and at various levels and that it is the task of philosophy, if not of science generally, to “bring to light” that structure. Philonous, by contrast, is the anti-realist philosopher (though not (...)
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  7.  17
    Scrittura, archiscrittura, pensiero.Maurizio Ferraris - 2010 - Rivista di Estetica 44 (1):45-60.
    Traditionally, from Aristotle to Hegel, has been considered as valuable the following sequence: Thought → Word → Writing. In this essay I claim that the right order of the sequence is utterly the opposite: oral language does not come first, gesture does; writing is independent from language both because gesture comes first and because writing, differently from language, can record; finally the capacity of recording and of communicating is typical of the soul seen as a tabula.
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  8.  20
    The Philosopher-Son.Maurizio Ferraris - 2007 - The European Legacy 12 (4):409-418.
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  9.  26
    Percezione.Maurizio Ferraris - 2012 - Aisthesis. Pratiche, Linguaggi E Saperi Dell’Estetico 5.
    The essay concerns the notion of realism and its relationship with the notion of perception. The ontological meaning of aesthetics as aisthesis is in fact in the non-amendable nature of perception. From this non-amendability the essay outlines four traces through which aisthesis leads to realism: “nonconceptual content”, “object”, “naivety”, “ontology”.
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  10.  40
    Documentality, or Europe.Maurizio Ferraris - 2009 - The Monist 92 (2):286-314.
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  11.  51
    Jacques Derrida's Writing and Difference.Maurizio Ferraris - 2007 - Topoi 26 (2):279-286.
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  12. History of Hermeneutics.Maurizio Ferraris - 1996 - Humanities Press.
     
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  13.  20
    “A Psychic Which is Not the One of Psychology” (Abstract).Maurizio Ferraris - 1999 - Chiasmi International 1:135-136.
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  14.  14
    Pleurer et rire pour de vrai.Maurizio Ferraris - 2013 - Philosophiques 40 (1):23-44.
    Maurizio Ferraris | : L’une des réponses au paradoxe de la fiction consiste à dire que les émotions que nous éprouvons face aux oeuvres de fiction ne sont pas véritables. Mais qu’est-ce que pleurer ou rire pour de vrai ? En fait, presque toutes les formes de rire ou de larmes, et de réactions émotionnelles, sont compatibles avec la fiction, y compris celles qui sont des émotions vraies. Ce qui pose problème dans le paradoxe est la prémisse selon laquelle nos (...)
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  15.  4
    A Brief History of New Realism.Maurizio Ferraris - 2016 - Filozofija I Društvo 27 (3):591-609.
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  16.  14
    “Un psychique qui n'est pas celui de la psychologie” (résumé).Maurizio Ferraris - 1999 - Chiasmi International 1:135-135.
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  17.  14
    Inemendabilità, ontologia, realtà sociale.Maurizio Ferraris - 2002 - Rivista di Estetica 19 (1):160-199.
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  18.  9
    Total Mobilization.Maurizio Ferraris - 2014 - The Monist 97 (2):200-221.
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  19.  11
    Globalized Philosophy.Maurizio Ferraris - 2012 - Iride: Filosofia e Discussione Pubblica 25 (2):403-412.
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  20.  1
    Il complotto di Heidegger.Maurizio Ferraris - 2016 - Rivista di Estetica 62:133-142.
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  21.  9
    La ontología de Kant como naturalización de la física.Maurizio Ferraris - 2003 - Laguna 13:9-39.
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  22.  16
    “Uno psichico che non è quello della psicologia”.Maurizio Ferraris - 1999 - Chiasmi International 1:121-134.
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  23.  7
    A Che punto è la notte. Dialogo sull'ontologia dell'arte.Maurizio Ferraris - 2003 - Rivista di Estetica 43 (23):48-54.
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  24.  9
    Documentalità e ontologia sociale.Maurizio Ferraris - 2009 - Quaestio 9 (1):389-406.
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  25.  3
    Nuovo Realismo.Maurizio Ferraris - 2011 - Rivista di Estetica 48 (1):69-93.
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  26.  3
    Opera d'aura.Maurizio Ferraris - 2013 - Rivista di Estetica 52 (1):97-115.
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  27.  4
    Kant and Social Objects.Maurizio Ferraris - 2013 - In Margit Ruffing, Claudio La Rocca, Alfredo Ferrarin & Stefano Bacin (eds.), Kant Und Die Philosophie in Weltbürgerlicher Absicht: Akten des Xi. Kant-Kongresses 2010. De Gruyter. pp. 587-596.
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  28. 3.1. Intenzionalitagrave; E Documentalita.Maurizio Ferraris - 2012 - Rivista di Estetica 49 (1):161-182.
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  29.  2
    Risposte ai miei critici.Maurizio Ferraris - 2012 - Rivista di Estetica 50 (1):391-409.
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  30.  3
    On Jacques Derrida's The Beast and the Sovereign.Adriana Cavarero & Maurizio Ferraris - 2010 - Iris. European Journal of Philosophy and Public Debate 2 (4):491-506.
  31.  3
    Collective Intentionality or Documentality?Maurizio Ferraris - 2015 - Philosophy and Social Criticism 41 (4-5):423-433.
    In this article I defend two theses. The first is that the centrality of recording in the social world is manifested through the production of documents, a phenomenon which has been present since the earliest phases of society and which has undergone an exponential growth through the technological developments of the last decades. The second is that the centrality of documents leads to a view of normativity according to which human beings are primarily passive receptors of rules manifested through documents. (...)
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  32.  3
    Ding an Sich.Maurizio Ferraris - 2015 - In Andreas Speer, Wolfram Hogrebe & Markus Gabriel (eds.), Das Neue Bedürfnis Nach Metaphysik / the New Desire for Metaphysics. De Gruyter. pp. 119-132.
  33.  3
    Science of Recording.Maurizio Ferraris - 2008 - In Alois Pichler & Herbert Hrachovec (eds.), Philosophy of the Information Society: Proceedings of the 30th International Ludwig Wittgenstein-Symposium in Kirchberg, 2007. De Gruyter. pp. 109-124.
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  34.  3
    Nuovo Realismo FAQ: New Realism FAQ.Maurizio Ferraris - 2011 - Nóema 2:1-14.
    Il vero punto, nel confronto tra realisti e postmodernisti, non è ovviamente l’affermazione o negazione dell’esistenza del mondo esterno, ma il costruzionismo: quanto incidono gli schemi concettuali nella costruzione della realtà naturale e sociale? Infatti nessun realista negherebbe che l’IVA dipenda da schemi concettuali . Quello che il realista si chiede è, appunto, fin dove si spinge l’azione degli schemi concettuali, ed è qui che si manifesta il dissidio tra realisti e postmodernisti. Questi ultimi sono molto più generosi nella lista (...)
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  35.  2
    Responses to Quaestio.Maurizio Ferraris - 2012 - Quaestio 12:485-501.
    In this article I wish to illustrate realism’s position with regard to modern and contemporary philosophy and its transcendental turn. I will posit that new realism, while being very well aware of this turn , rejects it: in fact, from a realist perspective, the existence of ancestral beings, existing long before humans, proves that reality cannot be regarded as a correlate of human thought. I will therefore respectively refute the theories positing the dependency of reality on thought, arguing that the (...)
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  36.  3
    La bestia e il Sovrano di Jacques Derrida.Adriana Cavarero & Maurizio Ferraris - 2010 - Iride: Filosofia e Discussione Pubblica 23 (1):209-222.
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  37.  1
    Adieu, Adieu, Adieu. Remember Me.Maurizio Ferraris - 2010 - Rivista di Estetica 45 (1):135-137.
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  38.  1
    Otherness: The Prevalence of the Real.Maurizio Ferraris - 2014 - Rivista di Estetica 56:87-95.
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  39.  1
    Silvaplana, 14 August 1881.Maurizio Ferraris - 2013 - New Nietzsche Studies 9 (1):155-166.
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  40. Il Gusto Del Segreto.Jacques Derrida & Maurizio Ferraris - 1997
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  41. adieu, Adieu, Adieu. Remember Me.Maurizio Ferraris - 2010 - Rivista di Estetica 45 (1):135-137.
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  42. Analogon Rationis.Maurizio Ferraris & Pietro Kobau - 1994 - Cuem.
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  43. Badola e gavagai.Maurizio Ferraris - 2007 - Rivista di Estetica 47 (34):251-262.
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  44. Cocktail di Searle.Maurizio Ferraris - 2006 - Rivista di Estetica 46 (33):205-209.
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  45. Come guarire dal nichilismo con meno di 1 euro.Maurizio Ferraris - 2006 - Rivista di Estetica 46 (32):151-156.
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  46. Cristo è veramente risorto? L’estetica come filosofia prima.Maurizio Ferraris - 1997 - Rivista di Estetica 37 (1).
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  47. Dibattito: Interventi di: Maurizio Ferraris, Gianni Carchia, Piero Palmero, Gianni Vattimo, Franco Rella, Fausto Curi.Maurizio Ferraris, Gianni Carchia, Piero Palmero, Gianni Vattimo & Franco Rella - 1983 - Studi di Estetica 2:90-112.
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  48. Documentalità: Ontologia Del Mondo Sociale.Maurizio Ferraris - 2007 - Etica E Politica 9 (2):240-329.
    Objects come in three kinds: physical objects that exist in space and in time, and are independent from subjects knowing them, even though they may have built them, as for artifacts ; ideal objects that exist outside of space and time, and are independent from the subjects knowing them, but which, after having been discovered, can be socialized; social objects, that do not exist as such in space, since their physical presence is limited to the inscription, but last in time, (...)
     
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  49. Discorso per il conferimento del Premio Castiglioncello, 25 febbraio 2006.Maurizio Ferraris - 2006 - Rivista di Estetica 46 (31):215-220.
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  50. Editoriale.Maurizio Ferraris - 2008 - Rivista di Estetica 48 (2):5-6.
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