60 found
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  1. La parola dell àugure Merleau-Ponty e la «filosofia del freudismo».Mauro Carbone - 2004 - Daimon: Revista Internacional de Filosofía 32:95-116.
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  2.  49
    The Thinking of the Sensible: Merleau-Ponty's a-Philosophy.Mauro Carbone - 2004 - Northwestern University Press.
    In this first English publication of a well-known and widely respected Italian scholar, readers will encounter the preeminent interpreter of the works of Maurice Merleau-Ponty engaged in a dialogue of critical concern to contemporary philosophy. In subtle and sensitive language eminently suited to the style and substance of Merleau-Ponty's own writings, Mauro Carbone fashions four essays around a central theme-the relations of the sensible and the intelligible, and of philosophy and non-philosophy-that occupied Merleau-Ponty in his later work. An original and (...)
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  3. An Unprecedented Deformation: Marcel Proust and the Sensible Ideas.Mauro Carbone - 2010 - State University of New York Press.
    Philosophical interpretation of Proust based on the work of Merleau-Ponty and Deleuze.
     
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  4.  45
    Presentazione.Mauro Carbone & Leonard Lawlor - 2001 - Chiasmi International 3:11-11.
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  5.  15
    Présentation.Mauro Carbone & Helen A. Fielding - 2005 - Chiasmi International 7:11-12.
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  6.  30
    Présentation.Mauro Carbone & Leonard Lawlor - 2001 - Chiasmi International 3:9-9.
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  7.  13
    Introduction.Mauro Carbone & Helen A. Fielding - 2005 - Chiasmi International 7:13-14.
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  8.  35
    The Caducity of Beauty and Aesthetic Temporality.Mauro Carbone - 1998 - Axiomathes 9 (1-2):125-129.
  9.  22
    Ad limina philosophiae (riassunto).Mauro Carbone - 2001 - Chiasmi International 3:329-330.
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  10.  17
    Un posto in cui si parlava Merleau-Pontiano.Mauro Carbone - 2001 - Chiasmi International 3:13-15.
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  11.  16
    Les années Quatre-vingt-dix en Italie (résumé).Mauro Carbone - 1999 - Chiasmi International 1:18-18.
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  12.  15
    Abstract: Pistorius, Aesthetics and the Reversing of Platonism.Mauro Carbone - 2008 - Chiasmi International 10:46-46.
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  13.  25
    Love and Music.Mauro Carbone - 2009 - Chiasmi International 11:63-78.
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  14.  13
    Presentazione.Mauro Carbone & Helen A. Fielding - 2005 - Chiasmi International 7:15-16.
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  15.  17
    Sur la Possibilite de la Philosophie Aujourd’Hui.Mauro Carbone - 2003 - Chiasmi International 5:333-336.
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  16.  26
    Flesh: Towards the History of a Misunderstanding.Mauro Carbone - 2002 - Chiasmi International 4:49-62.
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  17.  19
    Résumé : Amour et musique.Mauro Carbone - 2009 - Chiasmi International 11:78-79.
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  18.  16
    Nature And Logos (Abstract).Mauro Carbone - 2000 - Chiasmi International 2:278-279.
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  19.  16
    Gli anni Novanta in Italia.Mauro Carbone - 1999 - Chiasmi International 1:15-17.
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  20.  10
    Nature Et Logos.Mauro Carbone - 2000 - Chiasmi International 2:261-278.
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  21.  20
    Natura e Logos (riassunto).Mauro Carbone - 2000 - Chiasmi International 2:279-279.
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  22.  12
    The Sensible Ideas Between Life and Philosophy.Mauro Carbone & Translated by Robin M. Muller - 2009 - Graduate Faculty Philosophy Journal 30 (1):125-135.
  23.  12
    résumé: Chair: Pour l’histoire d’un malentendu.Mauro Carbone - 2002 - Chiasmi International 4:62-63.
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  24.  20
    Le Philosophe et Le Cinéaste (French).Mauro Carbone - 2010 - Chiasmi International 12:47-70.
    The Philosopher and the Moviemaker.Merleau-Ponty and the Thinking of CinemaAs its subtitle indicates, the present article is devoted to the relations between Maurice Merleau-Ponty’s philosophy and the thinking of cinema. The first section focuses on two topics, each underlying the lecture on cinema given by Merleau-Ponty in 1945. On the one hand, we find the reflection about the peculiarities of expression in film and cinematic image; on the other, we see the convergence between the inspiration of cinema and that of (...)
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  25.  6
    The Mutation of Our Relations with Screens as a Mutation of Our Relations with Being.Mauro Carbone - 2016 - Studia Phaenomenologica 16:325-342.
    Traces of Maurice Merleau-Ponty’s constant philosophical interest in cinema have been multiplying since the mid-1990s. These traces lead us to understand that such an interest was implicitly linked to the effort of ontologically rehabilitating the screen understood as the condition of possibility of our vision. Therefore I believe that the late Merleau-Ponty was trying to elaborate a conception of our way of seeing that can no longer be shaped on the representative window model, but rather on the screen model. In (...)
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  26.  10
    The Sensible Ideas Between Life and Philosophy.Mauro Carbone - 2009 - Graduate Faculty Philosophy Journal 30 (1):125-135.
  27.  8
    Note From the Editorial Team.Mauro Carbone, Federico Leoni & Ted Toadvine - 2015 - Chiasmi International 17:19-20.
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  28.  13
    Résumé: Pistorius, l’esthétique et Ie renversement du platonisme.Mauro Carbone - 2008 - Chiasmi International 10:45-45.
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  29.  11
    Le Philosophe et Le Cinéaste.Mauro Carbone - 2010 - Chiasmi International 12:47-70.
    The Philosopher and the Moviemaker.Merleau-Ponty and the Thinking of CinemaAs its subtitle indicates, the present article is devoted to the relations between Maurice Merleau-Ponty’s philosophy and the thinking of cinema. The first section focuses on two topics, each underlying the lecture on cinema given by Merleau-Ponty in 1945. On the one hand, we find the reflection about the peculiarities of expression in film and cinematic image; on the other, we see the convergence between the inspiration of cinema and that of (...)
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  30.  18
    riassunto: Carne. Per la storia di un fraintendimento.Mauro Carbone - 2002 - Chiasmi International 4:63-64.
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  31.  18
    II tempo mitico delle idee.Mauro Carbone - 1999 - Chiasmi International 1:213-229.
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  32.  19
    The Mythical Time of Ideas (Abstract).Mauro Carbone - 1999 - Chiasmi International 1:231-231.
  33.  7
    Note des Directeurs.Mauro Carbone, Federico Leoni & Ted Toadvine - 2015 - Chiasmi International 17:17-18.
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  34.  11
    Riassunto: Amore e musica.Mauro Carbone - 2009 - Chiasmi International 11:79-80.
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  35.  11
    The Nineties in Italy (Abstract).Mauro Carbone - 1999 - Chiasmi International 1:18-18.
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  36.  11
    Introduction.Mauro Carbone - 2008 - Chiasmi International 10:15-16.
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  37.  11
    Le temps mythique des idées (résumé).Mauro Carbone - 1999 - Chiasmi International 1:230-230.
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  38.  16
    Pistorius, l’estetica e il rovesciamento del platonismo.Mauro Carbone - 2008 - Chiasmi International 10:35-44.
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  39.  6
    Ad Limina Philosophiae.Mauro Carbone - 2001 - Chiasmi International 3:311-327.
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  40.  10
    The Mythical Time of the Ideas: Merleau-Ponty and Deleuze as Readers of Proust.Mauro Carbone - 2008 - Journal of the British Society for Phenomenology 39 (1):12-26.
  41.  5
    Présentation.Mauro Carbone - 2008 - Chiasmi International 10:13-14.
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  42.  4
    Nota dei Direttori.Mauro Carbone, Federico Leoni & Ted Toadvine - 2015 - Chiasmi International 17:21-22.
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  43.  5
    «Personne n'a été plus loin que Proust».Mauro Carbone - 2000 - Études Phénoménologiques 16 (31-32):35-66.
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  44.  4
    Ad limina philosophiae.Mauro Carbone - 2001 - Chiasmi International 3:328-329.
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  45.  4
    Présentation.Mauro Carbone - 2002 - Chiasmi International 4:10-10.
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  46.  4
    Presentazione.Mauro Carbone - 2008 - Chiasmi International 10:11-12.
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  47.  5
    Buonarroti, Michelangelo 284.Liliana Albertazzi, Ignacio Angelelli, David Armstrong, Lewis Beck, Bruce Bégout, Jocelyn Benoist, Laura Boella, Eugen V. Bohm-Bawerk, Léon Brunschvicg & Mauro Carbone - 2009 - In Beatrice Centi & Huemer Wolfgang (eds.), Value and Ontology. Ontos. pp. 293.
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  48.  3
    Presentazione.Mauro Carbone - 2002 - Chiasmi International 4:9-9.
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  49.  2
    Lo Schermo, la Tela, la Finestra.Mauro Carbone - 2014 - Rivista di Estetica 55:21-34.
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  50.  2
    O Que É Uma Filosofia-Cinema?Mauro Carbone - 2013 - Revista de Filosofia Aurora 25 (37):343.
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