66 found
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  1.  6
    John McDowell.Maximilian De Gaynesford - 2004 - Malden, MA: Polity.
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  2.  5
    I: The Meaning of the First Person Term.Maximilian de Gaynesford - 2006 - Oxford, GB: Clarendon Press.
    The central claim of this book is that I is a deictic term, like the other singular personal pronouns You and He/She. This is true of the logical character, inferential role, referential function, expressive use, and communicative role of all and only expressions used to formulate first-personal reference in any language. The first part of the book shows why the standard account of I as a ‘pure indexical’ (‘purism’) should be rejected. Purism requires three mutually supportive doctrines which turn out (...)
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  3.  7
    John Mcdowell.Maximilian De Gaynesford - 2004 - Malden, MA: Polity.
  4.  37
    Uptake in action.Maximilian De Gaynesford - 2017 - In Savas L. Tsohatzidis (ed.), Interpreting J. L. Austin: Critical Essays. Cambridge University Press.
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  5. I. The Meaning of the First-Person Term.Maximilian de Gaynesford - 2007 - Tijdschrift Voor Filosofie 69 (1):185-185.
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  6.  12
    How Not To Do Things With Words: J. L. Austin on Poetry: Articles.Maximilian de Gaynesford - 2011 - British Journal of Aesthetics 51 (1):31-49.
    If philosophy and poetry are to illuminate each other, we should first understand their tendencies to mutual antipathy. Examining mutual misapprehension is part of this task. J. L. Austin's remarks on poetry offer one such point of entry: they are often cited by poets and critics as an example of philosophy's blindness to poetry. These remarks are complex and their purpose obscure—more so than those who take exception to them usually allow or admit. But it is reasonable to think that, (...)
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  7.  2
    The rift in the lute: attuning poetry and philosophy.Maximilian De Gaynesford - 2017 - Oxford University Press.
    What is it for poetry to be serious and to be taken seriously? What is it to be open to poetry, exposed to its force, attuned to what it says and alive to what it does? These are important questions that call equally on poetry and philosophy. But poetry and philosophy, notoriously, have an ancient quarrel. Maximilian de Gaynesford sets out to understand and convert their mutual antipathy into something mutually enhancing, so that we can begin to answer these and (...)
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  8.  13
    Putnam's Model‐Theoretic Argument.Maximilian de Gaynesford - 2010 - In Steven D. Hales (ed.), A Companion to Relativism. Malden, MA: Wiley-Blackwell. pp. 569–587.
    This chapter contains sections titled: Abstract The Model ‐ Theoretic Argument Difficulties and Differences Putnam's Progress Implications Objections and Replies References.
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  9.  7
    The Rift In The Lute: Attuning Poetry and Philosophy.Maximilian De Gaynesford - 2017 - Oxford, UK: Oxford University Press.
    What is it for poetry to be serious and to be taken seriously? What is it to be open to poetry, exposed to its force, attuned to what it says and alive to what it does? These are important questions that call equally on poetry and philosophy. But poetry and philosophy, notoriously, have an ancient quarrel. Maximilian de Gaynesford sets out to understand and convert their mutual antipathy into something mutually enhancing, so that we can begin to answer these and (...)
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  10.  16
    Uptake in action.Maximilian De Gaynesford - unknown
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  11.  12
    Incense and Insensibility: Austin on the ‘Non‐Seriousness’ of Poetry.Maximilian De Gaynesford - 2009 - Ratio 22 (4):464-485.
    What is at stake when J. L. Austin calls poetry ‘non‐serious’, and sidelines it in his speech act theory? (I). Standard explanations polarize sharply along party lines: poets (e.g. Geoffrey Hill) and critics (e.g. Christopher Ricks) are incensed, while philosophers (e.g. P. F. Strawson; John Searle) deny cause (II). Neither line is consistent with Austin's remarks, whose allusions to Plato, Aristotle and Frege are insufficiently noted (III). What Austin thinks is at stake is confusion, which he corrects apparently to the (...)
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  12.  10
    Hilary Putnam.Maximilian De Gaynesford - 2006 - Chesham, Bucks: Routledge.
    Putnam is one of the most influential philosophers of recent times, and his authority stretches far beyond the confines of the discipline. However, there is a considerable challenge in presenting his work both accurately and accessibly. This is due to the width and diversity of his published writings and to his frequent spells of radical re-thinking. But if we are to understand how and why philosophy is developing as it is, we need to attend to Putnam's whole career. He has (...)
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  13.  27
    How to be radical in philosophy.Maximilian De Gaynesford - unknown
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  14.  10
    Geoffrey Hill and performative utterance.Maximilian De Gaynesford - unknown
    Utterance of a sentence in poetry can be performative, and explicitly so. The best-known of Geoffrey Hill’s critical essays denies this, but his own poetry demonstrates it. I clarify these claims and explain why they matter. What Hill denies illuminates anxieties about responsibility and commitment that poets and critics share with philosophers. What Hill demonstrates affords opportunities for mutual benefit between philosophy and criticism.
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  15.  8
    Is I Guaranteed to Refer?Maximilian De Gaynesford - 2003 - Pacific Philosophical Quarterly 84 (2):109-126.
    One claim about I, regularly made and almost universally endorsed, is that uses of the term are logically guaranteed to refer successfully (if they refer at all). The claim is only rarely formulated perspicuously or argued for. Such obscurity helps disguise the fact that those who profess to advance the claim actually turn out to support not a logical guarantee at all but merely high security through fortunate coincidence. This is not surprising. For we have no good reason to accept (...)
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  16.  12
    Speech acts, responsibility and commitment in poetry.Maximilian De Gaynesford - unknown
    Philosophy has tended to regard poetry primarily in terms of truth and falsity, assuming that its business is to state or describe states of affairs. Speech act theory transforms philosophical debate by regarding poetry in terms of action, showing that its business is primarily to do things. The proposal can sharpen our understanding of types of poetry; examples of the ‘Chaucer-Type’ and its variants demonstrate this. Objections to the proposal can be divided into those that relate to the agent of (...)
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  17.  13
    Incense and insensibility: Austin on the ‘non-seriousness’ of poetry.Maximilian De Gaynesford - 2009 - Ratio 22 (4):464-485.
    What is at stake when J. L. Austin calls poetry ‘non-serious’, and sidelines it in his speech act theory?. Standard explanations polarize sharply along party lines: poets and critics are incensed, while philosophers deny cause. Neither line is consistent with Austin's remarks, whose allusions to Plato, Aristotle and Frege are insufficiently noted. What Austin thinks is at stake is confusion, which he corrects apparently to the advantage of poets. But what is actually at stake is the possibility of commitment and (...)
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  18.  6
    The Bishop, The Chambermaid, The Wife, and The Ass: What difference does it make if something is mine?Maximilian de Gaynesford - 2010 - In Brian Feltham & John Cottingham (eds.), Partiality and impartiality: morality, special relationships, and the wider world. Oxford: Oxford University Press.
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  19.  38
    The mind of Pope Francis: a review article by Professor Max De Gaynesford (t86).Maximilian De Gaynesford - forthcoming - Ampleforth Journal.
    I dispute the commonly held impression that Pope Francis is a compassionate shepherd and determined leader but that he lacks the intellectual depth of his recent predecessors.
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  20.  4
    Agents and Their Actions.Maximilian De Gaynesford (ed.) - 2011 - Malden, MA: Wiley-Blackwell.
    Reflecting a recent flourishing of creative thinking in the field, _Agents and Their Actions_ presents seven newly commissioned essays by leading international philosophers that highlight the most recent debates in the philosophy of action Features seven internationally significant authors, including new work by two of philosophy's ‘super stars’, John McDowell and Joseph Raz Presents the first clear indication of how John McDowell is extending his path-breaking work on intentionality and perceptual experience towards an account of action and agency Covers all (...)
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  21.  23
    Attuning film and philosophy: the space-time continuum.Maximilian De Gaynesford - 2023 - In Craig Fox & Britt Harrison (eds.), Philosophy of Film Without Theory. Palgrave Macmillan.
    Ordinarily, what we experience does not jump from one place or time to another—we have to pass through all the intermediate times and places. But in films, what we experience can jump in both dimensions, both separately and together. This phenomenon has been memorably described in film criticism by Rudolph Arnheim and it has been deployed philosophically by Suzanne Langer and Colin McGinn. But discussion of space-time discontinuity remains hampered by the lack of attunement between film critical and philosophical investigations. (...)
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  22.  30
    Ascent: Philosophy and Paradise Lost.Maximilian De Gaynesford - 2019 - British Journal of Aesthetics 59 (4):491-494.
    Ascent: Philosophy and Paradise LostZamirTzachioup. 2018. pp. 218. £36.49.
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  23.  8
    Being at home : human beings and human bodies.Maximilian de Gaynesford - 2007 - In Brian Leiter & Michael Rosen (eds.), The Oxford handbook of continental philosophy. New York: Oxford University Press.
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  24. Being at home : human beings and human bodies.Maximilian de Gaynesford - 2007 - In Brian Leiter & Michael Rosen (eds.), The Oxford handbook of continental philosophy. New York: Oxford University Press.
     
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  25.  5
    Blue book ways of telling: Criteria, openness and other minds.Maximilian De Gaynesford - 2002 - Philosophical Investigations 25 (4):319–330.
  26.  32
    Balance in the golden bowl: attuning philosophy and literary criticism.Maximilian De Gaynesford - 2005 - In Yemima Ben-Menahem (ed.), Hilary Putnam. New York: Cambridge University Press.
    This paper argues that Henry James’ treatment of balancing in The Golden Bowl—to which Putnam insightfully draws attention—calls for the attunement of philosophy and literary criticism. The process may undermine Putnam’s own reading of the novel, but it also finds new reasons to endorse what his reading was meant to deliver: the confidence that philosophy and thoughtful appreciation of literature have much to contribute to each other, and the conviction that morality can incorporate (Kantian) seriousness about rules alongside (Aristotelian) sensitivity (...)
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  27. Contempt and Integrity.Maximilian De Gaynesford - 2008 - In John Cottingham, Nafsika Athanassoulis & Samantha Vice (eds.), The moral life: essays in honour of John Cottingham. New York: Palgrave-Macmillan.
     
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  28.  8
    Corporeal objects and the interdependence of perception and action.Maximilian De Gaynesford - 2002 - Ratio 15 (4):335-353.
    This paper is about how action and perception are related in self–awareness. The main positive claim is that bodily awareness may consist in perceptual experiences that are sufficient to provide corporeal objects with introspective self–awareness. The short–term goal is to examine the grounds and motivations for strong versions of the claim that the self–awareness of corporeal objects is dependent on the exercise of their agency. As examples of ‘patient perceivers’ show, we should not underestimate the resources that perceptual experience alone (...)
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  29.  6
    Ethics at the Cinema.Maximilian de Gaynesford - 2013 - Philosophical Papers 42 (3):391 - 397.
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  30.  3
    'Eyes in Each Other’s Eyes’: Beckett, Kleist and the Fencing Bear.Maximilian De Gaynesford - unknown
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  31.  5
    Hilary Putnam.Maximilian De Gaynesford - 2006 - Chesham, Bucks: Routledge.
    Putnam is one of the most influential philosophers of recent times, and his authority stretches far beyond the confines of the discipline. However, there is a considerable challenge in presenting his work both accurately and accessibly. This is due to the width and diversity of his published writings and to his frequent spells of radical re-thinking. But if we are to understand how and why philosophy is developing as it is, we need to attend to Putnam's whole career. He has (...)
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  32.  3
    Integrity and grace.Maximilian De Gaynesford - unknown
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  33.  6
    Incense and Insensibility: Austin on the ‘Non‐Seriousness’ of Poetry.Maximilian de Gaynesford - 2010 - In Severin Schroeder (ed.), Philosophy of Literature. Malden, MA: Wiley-Blackwell. pp. 90–111.
    This chapter contains sections titled: I II III IV V.
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  34.  11
    Integrity Over Time: Korsgaard and the Unity Criterion.Maximilian De Gaynesford - 2012 - The Harvard Review of Philosophy 18 (1):50-72.
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  35.  10
    Integrity over time: Korsgaard and the unity criterion.Maximilian De Gaynesford - unknown
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  36.  5
    Kant and Strawson on the First Person.Maximilian De Gaynesford - 2003 - In Hans-Johann Glock (ed.), Strawson and Kant. New York: Oxford University Press.
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  37.  16
    Metaphysical Exile: On J. M. Coetzee’s Jesus Fictions, by Robert Pippin.Maximilian De Gaynesford - 2022 - Mind 133 (530):578-587.
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  38.  4
    Ne rien laisser en arrière, tr. Jeanne-Marie Roux.Maximilian De Gaynesford - unknown
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  39.  7
    Object-dependence in language and thought.Maximilian De Gaynesford - 2001 - Language and Communication 21 (2).
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  40.  16
    Pledging my time.Maximilian De Gaynesford - forthcoming - In C. Sandis & G. Browning (eds.), Dylan at 80. Imprint Academic.
    Prompted by Bob Dylan's song of this title: an essay on the philosophical issues raised by the idea of pledging one's time, and doing so in and by performing a song.
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  41.  7
    Poetic utterances: attuning poetry and philosophy.Maximilian De Gaynesford - unknown
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  42.  7
    Self-knowing agents • by Lucy O'Brien.Maximilian de Gaynesford - 2009 - Analysis 69 (1):187-188.
    How is it that we think and refer in the first-person way? For most philosophers in the analytic tradition, the problem is essentially this: how two apparently conflicting kinds of properties can be reconciled and united as properties of the same entity. What is special about the first person has to be reconciled with what is ordinary about it . The range of responses reduces to four basic options. The orthodox view is optimistic: there really is a way of reconciling (...)
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  43.  5
    Speech, Action and Uptake.Maximilian De Gaynesford - 2011 - In Agents and Their Actions. Malden, MA: Wiley-Blackwell.
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  44.  3
    Scepticism in the sonnets.Maximilian De Gaynesford - 2017 - In Craig Bourne & Emily Caddick Bourne (eds.), The Routledge Companion to Shakespeare and Philosophy. Routledge.
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  45.  2
    Spinning Threads: On Peacocke's Moderate Rationalism.Maximilian de Gaynesford - 2006 - Philosophical Books 47 (2):111-119.
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  46.  13
    The mind of Pope Francis: a review article.Maximilian De Gaynesford - manuscript
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  47.  19
    The old quarrel.Maximilian De Gaynesford - unknown
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  48.  6
    Thucydides of the cool hour.Maximilian De Gaynesford - 2008 - Ratio 21 (3):360-367.
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  49.  14
    The sonnets and attunement.Maximilian De Gaynesford - 2017 - In Craig Bourne & Emily Caddick Bourne (eds.), The Routledge Companion to Shakespeare and Philosophy. Routledge.
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  50.  7
    What are we? A study in personal ontology – Eric T. Olson.Maximilian de Gaynesford - 2010 - Philosophical Quarterly 60 (238):208-211.
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