This paper attempts to elucidate the nature of kinesthetic memory, demonstrate itscentrality to everyday human movement, and thereby promote fresh cognitive andphenomenological understandings of movement in everyday life. Prominent topics in this undertaking include kinesthesia, dynamics, and habit. The endeavor has both a critical and constructive dimension.
This article begins with a summary phenomenological analysis of movement in conjunction with the question of “quality” in movement. It then specifies the particular kind of memory involved in a dancer’s memorization of a dance. On the basis of the phenomenological analysis and specification of memory, it proceeds to a clarification of meaning in dance. Taking its clue from the preceding sections, the concluding section of the article sets forth reasons why present-day cognitive science is unable to provide insights into (...) dance, notably because being largely tethered to happenings in the brain, it lacks foundational grounding in experience, specifically, the actual experience of movement, which is to say in kinesthesia. (shrink)
Three methodologically distinctive empirical studies of the emotions carry forward Darwin's work on the emotions, vindicate Sperry's finding that the brain is an organ of and for movement, and implicitly affirm that affectivity is tied to the tactile-kinesthetic body. A phenomenological analysis of movement deepens these empirical findings by showing how the dynamic character of movement gives rise to kinetic qualia. Analysis of the qualitative structure of movement shows in turn how motion and emotion are dynamically congruent. Three experiences of (...) fear are presented--phenomenological, ethological, and literary--to demonstrate the dynamic congruency. Five implications follow from the analysis, including the implications that movement is not equivalent to behavior, experience is not physiological activity, and a brain is not a body. (shrink)
This paper considers dimensions of animate life that are readily “embodied” by phenomenologists and by other philosophy and science researchers as well. The paper demonstrates how the practice of “embodying” short-circuits veritable phenomenological accounts of experience through a neglect of attention to Husserl’s basic conception of, and consistent concern with, animate organism. The paper specifies how in doing so, the practice muddies a clear distinction between the body ‘I have’ and the body ‘I am’, and a clear account of their (...) lived conjunction in existential fit. In turn, the paper shows how the practice falls short of recognizing synergies of meaningful movement created by animate organisms; how it is tethered to talk of posture and sensation over kinesthesia and dynamics; and how, in general, the practice of embodying generates static rather than dynamic understandings of everyday life. The paper then critically considers how such liabilities preclude in-depth phenomenological insights into topics such as ‘ownership’ and ‘agency,’ and why inquiries into the nature of animate organisms require nothing less than fine-tuned attention to foundational experiences of animate life, including foundational ontogenetical experiences that undergird adult proficiencies and abilities, and hence fine-tuned attention to learning and to retaining what is learned in kinesthetic memory. (shrink)
This article begins with a critical discussion of the commonly used phenomenological term “self-affection,” showing how the term is problematic. It proceeds to clarify obscurities and other impediments in current usage of the term through initial analyses of experience and to single out a transcendental clue found in Husserl’s descriptive remarks on wakeful world-consciousness, a clue leading to a basic phenomenological truth of wakeful human life. The truth centers on temporality and movement, and on animation. The three detailed investigations that (...) follow – of sensations and dynamics with respect to affectivity and movement, of the experiential connection between affectivity and movement, and of the defining features that Husserl identifies as “the sphere of ownness” – show specifically how temporality and movement are linked and how animation is at the heart of what is called ‘self-affection’. They show further that Nature in the form of the felt dynamics of life itself warrants substantive and assiduous phenomenological elucidation. (shrink)
Animation is by definition the basis of animate life. Movement is thus of prime significance and its dynamics warrant close study in terms of the tactile-kinaesthetic body, its relation to cognition and affectivity, and its anchorage in ontogeny and phylogeny. Riveted attention on the brain deflects attention from animate movement, as does the degeneration of movement into a motorology and the extensive and broadly indiscriminate use of the lexical band-aid of embodiment and its derivatives. Critical attention is paid to just (...) such present-day practices in neuroscience, and in cognitive science and philosophy, practices that, by impeding investigations of the tactilekinaesthetic body, impede understandings of how kinaesthetic experience is at the core of those synergies of meaningful movement that constitute animate life. (shrink)
This book argues the case for a foundationalist ethics centrally based on an empirical understanding of human nature. For Maxine Sheets-Johnstone, “an ethics formulated on the foundations of anything other than human nature, hence on anything other than an identification of pan-cultural human realities, lacks solid empirical moorings. It easily loses itself in isolated hypotheticals, reductionist scenarios, or theoretical abstractions—in the prisoner’s dilemma, selfish genes, dedicated brain modules, evolutionary altruism, or psychological egoism, for example—or it easily becomes itself an ethical (...) system over and above the ethics it formulates,” such as the deontological ethics of Kantian categorical imperatives, the utilitarianism of Bentham and Mill, or the ethics of care. Taking her cue from Hume, especially his _Treatise on Human Nature_, where he grounds “the moral sense” in human nature seen as always in tension between the natural tendencies of selfish acquisitiveness and sympathy for others, Sheets-Johnstone pursues her phenomenological investigation of the natural basis of human morality by directing her attention, first in Part I, to what is traditionally considered the dark side of human nature, and then, in Part II, to the positive side. The tension between the two calls for an interdisciplinary therapeutic resolution, which she offers in the Epilogue by arguing for the value of a moral education that enlightens humans about their own human nature, highlighting both the socialization of fear and the importance of play and creativity. (shrink)
As its title indicates, this article shows animation to be the fundamental, essential, and properly descriptive concept to understandings of animate life. A critical and constructive path is taken toward an illumination of these threefold dimensions of animation. The article is critical in its attention to a central linguistic formulation in cognitive neuroscience, namely, enaction ; it is constructive in setting forth an analysis of affectivity as exemplar of a staple of animate life, elucidating its biological and existential foundations in (...) animation. (shrink)
The basic question cognitivists and most analytic philosophers of mind ask is how consciousness arises in matter. This article outlines basic reasons for thinking the question spurious. It does so by examining 1) definitions of life, 2) unjustified and unjustifiable uses of diacritical markings to distinguish real cognition from metaphoric cognition, 3) evidence showing that corporeal consciousness is a biological imperative, 4) corporeal matters of fact deriving from the evolution of proprioception. Three implications of the examination are briefly noted: 1) (...) the need to re-think the common assumption that unconsciousness historically preceded consciousness; 2) the need to delve as deeply and seriously into natural history as into brains and their computational analogues; 3) the need for a critical stance toward arm-chair judgments about consciousness and a correlative turn toward corporeal matters of fact. (shrink)
This paper takes five different perspectives on kinesthesia, beginning with its evolution across animate life and its biological distinction from, and relationship to proprioception. It proceeds to document the historical derivation of “the muscle sense,” showing in the process how analytic philosophers bypass the import of kinesthesia by way of “enaction,” for example, and by redefinitions of “tactical deception.” The article then gives prominence to a further occlusion of kinesthesia and its subduction by proprioception, these practices being those of well-known (...) phenomenologists, practices that exemplify an adultist perspective supported in large part by the writings of Merleau-Ponty. Following this extended critical review, the article shows how Husserl’s phenomenology enlightens us about kinesthesia and in doing so offers us substantive clues to the phenomenology of learning as it takes place in the development and acquisition of skillful movement. It shows further how phenomenological methodology contrasts markedly with existential analysis, most significantly in its recognition of, and its ability to set forth a developmental history, a veritable genetic phenomenology that is basically a phenomenology of learning anchored in kinesthesia. After showing how that phenomenology of learning finds mutual validation in a classic empirical study of infant movement, the article ends by highlighting how human “I cans” are grounded in “I move,” specifically, in the pan-human ability to learn one’s body and learn to move oneself. (shrink)
This paper raises fundamental questions about the claims of art historian David Freedberg and neuroscientist Vittorio Gallese in their article "Motion, Emotion and Empathy in Esthetic Experience." It does so from several perspectives, all of them rooted in the dynamic realities of movement. It shows on the basis of neuroscientific research how connectivity and pruning are of unmistakable import in the interneuronal dynamic patternings in the human brain from birth onward. In effect, it shows that mirror neurons are contingent on (...) morphology and corporeal-kinetic tactile-kinesthetic experience. Accordingly, it poses and answers the overlooked but seminally important question of how mirror neurons come to be. The original neuromuscular research of Parma neuroscientists and the findings of Marc Jeannerod concerning kinesthesia support the answer that the "underpinnings" of visual art appreciation are themselves underpinned. An abbreviated phenomenological analysis of movement and its implications regarding the fact that the making of all art is quintessentially contingent on movement, hence a dynamic enterprise, further bolster the given answer as does a brief review of an empirical phenomenological analysis of the natural dynamic congruency of emotions and movement. In the end, the paper shows that movement and life are of a piece in the creation and appreciation of art as in everyday life. (shrink)
This article identifies already existing theoretical and methodological commonalities between evolutionary biology and phenomenology, concentrating specifically on their common pursuit of origins. It identifies in passing theoretical support from evolutionary biology for present-day concerns in philosophy, singling out Sartre’s conception of fraternity as an example. It anchors its analysis of the common pursuit of origins in Husserl’s consistent recognition of the grounding significance of Nature and in his consistent recognition of animate forms of life other than human. It enumerates and (...) exemplifies five basic errors of continental philosophers with respect to Nature, errors testifying to a philosophical fundamentalism that distorts the intricate interconnections and relationships of Nature in favor of a preferred knowledge rooted in ontological reductionism. It shows that to discover and appreciate the common ground, one must indeed study “the things themselves.”. (shrink)
Competition obscures the realities and significance of play, in particular, the bodily play originating in infancy and typical of young children. A multidisciplinary perspective on child's play elucidates the nature of child's play and validates the distinction between competition and play. The article begins with a consideration of ethological research on play in young human and nonhuman animals, proceeds to a consideration of psychological research on laughter as a primary kinetic marker of play, and ends with a philosophical examination of (...) the foundational moral significances of child's play. (shrink)
This article highlights a neglected, if not wholly overlooked, topic in phenomenology, a topic central to Husserl’s writings on animate organism, namely, animation. Though Husserl did not explore animation to the fullest in his descriptions of animate organism, his texts are integral to the task of fathoming animation. The article’s introduction focuses on seminal aspects of animate organisms found within several such texts and elaborates their significance for a phenomenological understanding of animation. The article furthermore highlights Husserl’s pointed recognition of (...) “the problem of movement,” movement being an essential dimension of animation if not definitive of animation itself. Succeeding sections testify to “the problem of movement” and the need to address it. They do so by answering the following basic questions: What indeed is livingly present in the experience of movement, whether our own movement and the movement of other animate beings, or the movement of leaves, clouds, and so on? What distinguishes kinesthetic from kinetic experiences of movement? How are movement and time related? Just what is the problem of movement and how do we address it? In what way is movement pertinent to receptivity and responsivity? Throughout these sections the article encompasses phenomenological analyses, elaborations, and implications of animation. (shrink)
This paper attempts to elucidate the nature of kinesthetic memory, demonstrate itscentrality to everyday human movement, and thereby promote fresh cognitive andphenomenological understandings of movement in everyday life. Prominent topics in this undertaking include kinesthesia, dynamics, and habit. The endeavor has both a critical and constructive dimension.
Genuine reconciliation between first- and third-person methodologies and knowledge requires respect for both phenomenological and scientific epistemologies. Recent pragmatic, theoretical, and verbal attempts at reconciliation by cognitive scientists compromise phenomenological method and knowledge. The basic question is thus: how do we begin reconciling first- and third-person epistemologies? Because life is the unifying concept across phenomenological and cognitive disciplines, a concept consistently if differentially exemplified in and by the phenomenon of movement, conceptual complementarities anchored in the animate properly provide the foundation (...) for reconciliation. Research by people in neuroscience and in dynamic systems theory substantiate this thesis, providing fundamental examples of conceptual complementarity between phenomenology and science. (shrink)
This article examines immortality ideologies in Western philosophy as exemplified in the writings of Descartes, Heidegger, and Derrida, showing in each instance the distinctiveness of the ideology. The distinctiveness is doubly significant: it broadens understandings of the nature of immortality ideologies generally and deepens comparative understandings of the ideologies of the philosophers discussed. Pertinent writings of Otto Rank, the psychiatrist who first wrote of immortality ideologies, contribute in fundamental ways to the discussion as do pertinent writings of cultural anthropologist Ernest (...) Becker, who elaborated and publicized Rank's thesis concerning immortality ideologies. The notion of an ideology, clarified in the beginning as an empirically unfounded belief structure, hence an illusion, is taken up briefly but pointedly at the end in the context of Rank's distinction between rational and irrational elements of the self as they are played out in the creations of the hero-artist. The article ends by examining his distinction in the context of the philosophic perspectives discussed, most notably the perspective of Heidegger. (shrink)
‘Phenomenology and Agency,’ an invited response to Galen Strawson's article on ‘The Self,’ shows how Strawson's putative phenomenological approach to the problem of the self fails to qualify as phenomenology and in turn fails to undergird his metaphysics of the self. It shows further how an item on his own list of fundamental experiences or conceptions of the self languishes for want of attention: Strawson virtually ignores ‘agency.’ The phenomenological procedure of bracketing, the concept of the non-alien that Husserl presents (...) in his Fifth Cartesian Meditation, and developmental accounts of the self are discussed. Conclusions and implications are specified, including the dual implication that a metaphyiscs offered in advance of a bona fide epistemology is imprudent and that a recognition of the metaphysical corollary of materialism--animism, in the sense of being imbued with life, animated--is required for a veridical concept of ‘the self.’. (shrink)
This article shows how the proper question to answer concerning consciousness is not ‘how consciousness arises in matter’, but how consciousness is part and parcel of the evolution of animate forms. The article traces out just such an evolution by consideration of real life forms including bacteria and invertebrates. It vindicates the evolutionary thesis that external proprioceptive organs, as evidenced in their own right, were modified and internalized over time into kinesthetic organs, sustaining, in effect, a directly movement sensitive corporeal (...) consciousness across virtually all forms of evolutionary life. The paper specifies significant consequences of the thesis having to do with the unconscious, with present-day focal studies of the brain that neglect a correlative natural history, and with the need to attend to corporeal matters of fact. (shrink)
Addressed to educated nonspecialists, they discuss such topics as Eastern bodywork, the body as healer, art as the speech of the body. No index. Paper edition (unseen), $16.95. Annotation copyrighted by Book News, Inc., Portland, OR.
Descriptive foundations and a concern with origins are integral to both Husserlian phenomenology and Darwinian evolutionary biology. These complementary aspects are rooted in the lifeworld as it is experienced. Detailed specifications of the complementary aspects testify to a mutual relevance of phenomenology to evolutionary biology and of evolutionary biology to phenomenology. Exemplifications of the mutual relevance are given in terms of both human and nonhuman agentive abilities. The experiential exemplifications show that agentive abilities are rooted in the kinetic sequence: I (...) move, I do, I can. The kinetic sequence in turn testifies to an ability to think in movement, a thinking that engenders corporeal concepts. It also, however, attests to the need for a veritable phenomenology of learning on the one hand and for a veritable recognition of mindful bodies on the other, mindful bodies that are a driving force both in the evolution of animate forms of life and in the evolution of repertoires of I cans. (shrink)
Developmental and clinical psychological findings on infancy over the past twenty years and more refute in striking ways both Piaget's and Lacan's negative characterizations of infants. Piaget's thesis is that the infant has an undifferentiated sense of self; Lacan's thesis is that the infant is no more than a fragmented piece of goods — a corps morcelé. Through an examination of recent and notable analyses of infancy by infant psychiatrist Daniel Stern, this paper highlights important features within the radically different (...) accounts. In particular, it examines Stern's account of self-agency —a facet of the core self. In doing so, the paper brings to light corporeal matters of fact and shows :how recent developmental-clinical data on infants accord with facets of bodily life described by Husserl. The paper contrasts these corporeal matters of fact and facets of bodily life with Piaget's and Lacan's notion of an infant as incompetent and deficient. On the basis of its empirical-phenomenological findings, the paper underscores the need to recognize the richness of nonverbal life and to give movement and the tactile-kinesthetic body their conceptual due. (shrink)
How is it that in anxiety Dasein gets brought before itself through its own Being, so that we can define phenomenologically the character of the entity disclosed in anxiety, and define it as such in its Being, or make adequate preparations for doing so?This “bodily nature” [of Dasein] hides a whole problematic of its own, though we shall not treat it here.Is the phenomenological disclosure that Heidegger seeks with respect to anxiety possible short of a disclosure of the felt body, (...) the affective/ tactile-kinesthetic body? Is the being that Heidegger describes as Being-toward-death actually poor in body in a way analogous to the way in which he describes animals being “poor in world”? Can there be angst short of a.. (shrink)
[Kinesthetic Memory] This paper attempts to elucidate the nature of kinesthetic memory, demonstrate its centrality to everyday human movement, and thereby promote fresh cognitive and phenomenological understandings of movement in everyday life. Prominent topics in this undertaking include kinesthesia, dynamics, and habit. The endeavor has both a critical and constructive dimension.
Eleven interdisciplinary essays investigate embodiment in contexts including epistemology, medicine and psycho-therapeutics, language, and art. An excellent resource for education in medicine, psychology, and other healing arts, as well as for researchers and others concerned with the body. Each essay opens meanings in the increasingly active field of philosophy of body. Western and non-Western sources contribute to "a metaphysics that upholds the truths of experience.".
This article is far less a position paper or a descriptive analysis than an attempt to illuminate the lines that connect commonly recognized realities of human life: unfamiliar others in the form of strangers, interpersonal feelings in the form of trust, and organized belief systems in the form of religion. Its epistemological and even ontological conclusion may be sketched as follows: where belief overtakes wonder, religion fails in its mission to enhance life. When fear overtakes wonder, individuals fail in the (...) promise of their aliveness. In particular, when belief overtakes wonder, religion fails in the sense of constraining or even shutting the individual off from investigation and exploration of the unknown or unfamiliar, or from what is not sanctioned as proper. When fear overtakes simple curiosity and the desire to know, the individual fails in the sense of simply reacting, prejudging a situation or a person as threatening or dangerous in advance of actual experience. When belief and fear together take over, human experience is shackled and crippled. It remains ideologically tethered and affectively maimed. The effect of this tethering and maiming has moral consequences having to do with a recognition or non-recognition of the foundational common humanness of humans. (shrink)
[Kinesthetic Memory] This paper attempts to elucidate the nature of kinesthetic memory, demonstrate its centrality to everyday human movement, and thereby promote fresh cognitive and phenomenological understandings of movement in everyday life. Prominent topics in this undertaking include kinesthesia, dynamics, and habit. The endeavor has both a critical and constructive dimension.
An examination of animate from reveals corporeal archetypes that underlie both human sexual behavior and the reigning Western biological paradigm of human sexuality that reworks the archetypes to enforce female oppression. Viewed within the framework of present-day social constructionist theory and Western biology, I show how both social constructionist feminists who disavow biology and biologists who reduce human biology to anatomy forget evolution and thereby forego understandings essential to the political liberation of women.
L’article montre que la question appropriée en matière de conscience n’est pas « comment la conscience s’articule dans la matière » mais de quelle manière la conscience est-elle un élément de l’évolution des formes animées. L’article décrit justement cette évolution en examinant des formes de vie réelles, y compris des bactéries et des invertébrés. Il donne raison à la thèse évolutionnaire selon laquelle les organes proprioceptifs externes, en tant que tels, se sont transformés et intériorisés au fil du temps en (...) organes kinesthésiques tout en maintenant de fait une conscience corporelle du mouvement sensible à travers quasiment toutes les formes de l’évolution de la vie. Le texte précise les conséquences significatives de la thèse concernant l’inconscient, sur des études actuelles centrées sur le cerveau qui négligent l’histoire naturelle corrélative, ainsi que sur le besoin de suivre les aspects corporels. (shrink)
In diesem Artikel wird gezeigt, dass die angemessene Fragestellung bezüglich des Bewusstseins nicht darauf abzielt, wie sich Bewusstsein in der Materie niederschlägt, sondern auf die Art und Weise, in der das Bewusstsein als fester Bestandteil zur Evolution der Lebensformen gehört. Die Verfasserin zeichnet eine solche Evolution nach, indem sie reale Lebensformen einschließlich Bakterien und Wirbellose berücksichtigt, und vertritt die evolutionäre These, dass externe propriozeptive Organe – wie anhand ihrer selbst nachgewiesen wurde – sich im Laufe der Zeit modifiziert und zu (...) inneren kinästhetischen Organen gewandelt und so das motorisch sensorische Körperbewusstsein während des Bestehens aller möglichen evolutionären Lebensformen aufrechterhalten haben. Ferner spezifiziert die Autorin bedeutende Konsequenzen ihrer These, die sich zum einen auf das Unbewusste beziehen, des Weiteren auf aktuelle Brennpunktstudien über das Gehirn, bei der die korrelative Naturgeschichte in Abrede gestellt wird, sowie auf das Bedürfnis, sich mit körperbezogenen Tatsachen zu befassen. (shrink)
