Results for 'Me Wagner Alves Guedes'

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  1.  15
    Hegel: A pertinência da arte E sua função na história do homem.Prof Me Wagner Alves Guedes - 2012 - Revista de Teologia 6 (10):75-80.
    A pesquisa procura não só conceituar e expor a estética de Hegel, mas também elucidar seu pensamento referente à questão. Em suas palavras, estética seria o belo artístico, criado pelo homem. Nesse sentido, a ascendência da arte está na precisão que o homem tem de objetivar seu espírito, morfosiando o mundo e também se transformando. Assim, nas páginas que se seguem há uma exposição do conceito vulgar de estética em contraponto a visão hegeliana, para tanto, o filósofo cita a ascensão (...)
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  2.  11
    Hegel: A pertinência da arte E sua função na história do homem.Me Wagner Alves Guedes - 2012 - Revista de Teologia 6 (10):p. 75-80.
    A pesquisa procura não só conceituar e expor a estética de Hegel, mas também elucidar seu pensamento referente à questão. Em suas palavras, estética seria o belo artístico, criado pelo homem. Nesse sentido, a ascendência da arte está na precisão que o homem tem de objetivar seu espírito, morfosiando o mundo e também se transformando. Assim, nas páginas que se seguem há uma exposição do conceito vulgar de estética em contraponto a visão hegeliana, para tanto, o filósofo cita a ascensão (...)
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  3.  17
    L'élévation de l''me à Dieu par les sacrements selon saint François de Sales.Jean-Pierre Wagner - 2004 - Revue des Sciences Religieuses 78 (2):183-203.
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  4.  43
    A testemunha E a vítima: Uma leitura hermenêutica do capítulo V da obra “memórias de auschwitz” de Reyes mate.Wagner Guedes - 2013 - Revista de Teologia 7 (11):89-98.
    Na perspectiva de que nosso presente está construído sobre muitas injustiças, a pesquisa busca por meio de uma releitura da obra “Memórias de Auschwitz”: atualidade moral e política , de Reyes Mate, resgatar questões ligadas diretamente aos relatos dos sobreviventes, feitos a partir de um roteiro previamente estabelecido, cuja natureza, intenção e resultados são induzidos a questionamentos e reflexões. No limiar do trabalho há também um levante sobre a luz da ética e moral dentro das considerações a respeito das características (...)
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  5.  7
    A captação do sentido e símbolos dos textos na perspectiva de Paul Ricoeur.Wagner Guedes - 2014 - Revista de Teologia 8 (13):16-29.
    This article searches in this pages that follow to reflect on the uptake of symbols and meanings of texts from the perspective of the French philosopher Paul Ricoeur. For this, as foundation brings up the discussion of the elements that make up its hermeneutic phenomenology of associative manner, aiming, in turn, to go beyond the task of capturing the meaning of texts and symbols. Thus, the research notes that the philosopher seems to want to apply a legitimate effort in understanding (...)
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  6.  59
    Realistic Opinion Aggregation: Lehrer-Wagner with a Finite Set of Opinion Values.R. Bradley & C. Wagner - 2012 - Episteme 9 (2):91-99.
    An allocation problem is a type of aggregation problem in which the values of individuals' opinions on some set of variables sum to a constant. This paper shows that for realistic allocation problems, namely ones in which the set of possible opinion values is finite, the only universal aggregation methods that satisfy two commonly invoked conditions are the dictatorial ones. The two conditions are, first, that the aggregate opinion on any variable depends only on the individuals' opinions on that variable (...)
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  7.  51
    Hans Wagner: Kleinere Schriften I: Systematische Abhandlungen. Hrsg. v. Bernward Grünewald.Hans Wagner, Bernward Grünewald & Reinhold Breil - 2016 - Philosophischer Literaturanzeiger 69 (2):153-165.
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  8.  57
    Wagner, Richard, Fichtes.Anteil an der Einführung der Pestalozzischen Methode in Preußen.Richard Wagner - 1920 - Kant-Studien 24 (1).
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  9.  31
    Hans Wagner: Die Würde des Menschen. Wesen und Normfunktion. Hrsg. v. Stephan Nachtsheim.Hans Wagner & Reinhold Breil - 2015 - Philosophischer Literaturanzeiger 68 (1):022-032.
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  10. "I Still Maintain That This Session Should Have Been Called" An Evening with Alfred Schutz," Maybe with the Addition in Small Print:" as Seen Through the Re-Presentations of His Student Helmut Wagner.Helmut R. Wagner - 1985 - Human Studies 8 (33).
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  11.  20
    Aristoteles-Erwähnungen im Mittelalter: Fritz Wagner.Fritz Wagner - 1987 - In Vivian Nutton, Jutta Kolesh, H. J. Lulofs & Jürgen Wiesner (eds.), Kommentierung, Überlieferung, Nachleben. De Gruyter. pp. 498-514.
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  12.  16
    Art, Ideology, and Politics at Bayreuth, 1876-1976Studien Zur Geschichte Der Bayreuther Festspiele.Richard Wagner in Bayreuth 1876-1976.Der Bayreuther Kreis. Wagnerkult und Kultur-Reform im Geiste Volkischer Weltanschauung.Die Tagebucher. [REVIEW]David C. Large, Michael Karbaum, Hans Mayer, Winfried Schuler & Cosima Wagner - 1978 - Journal of the History of Ideas 39 (1):149.
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  13.  55
    Conflict & Compassie: een hedendaagse blik op Wagner en een wagneriaanse blik op onszelf.Machiel Keestra - 2014 - In Rutger Helmers & Philip Westbroek (eds.), Conflict en compassie. 200 jaar Richard Wagner. Nationale Opera & Ballet. pp. 157-166.
    (text in Dutch) Mediated by the so-called Dream-organ ('Traumorgan') which opera composer Richard Wagner mentions in his writings, the author engages in a fictitious dialogue with Wagner. Their dialogue focuses on a few topics related to the conference theme 'Conflict and compassion' that were of concern to Wagner in his days and which have undergone some serious changes since his death. The author discusses with Wagner the 'death of tragedy', sexuality and desire after the sexual revolution, (...)
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  14. For-Me-Ness: What It is and What It is Not.Dan Zahavi & Uriah Kriegel - 2015 - In D. Dahlstrom, A. Elpidorou & W. Hopp (eds.), Philosophy of Mind and Phenomenology. Routledge. pp. 36-53.
    The alleged for-me-ness or mineness of conscious experience has been the topic of considerable debate in recent phenomenology and philosophy of mind. By considering a series of objections to the notion of for-me-ness, or to a properly robust construal of it, this paper attempts to clarify to what the notion is committed and to what it is not committed. This exercise results in the emergence of a relatively determinate and textured portrayal of for-me-ness as the authors conceive of it.
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  15. I Me Mine: On a Confusion Concerning the Subjective Character of Experience.Marie Guillot - 2016 - Review of Philosophy and Psychology (1):1-31.
    In recent debates on phenomenal consciousness, a distinction is sometimes made, after Levine (2001) and Kriegel (2009), between the “qualitative character” of an experience, i.e. the specific way it feels to the subject (e.g. blueish or sweetish or pleasant), and its “subjective character”, i.e. the fact that there is anything at all that it feels like to her. I argue that much discussion of subjective character is affected by a conflation between three different notions. I start by disentangling the three (...)
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  16. Twilight of the Idols.Friedrich Nietzsche - 1997 - Oxford University Press UK.
    `Anyone who wants to gain a quick idea of how before me everything was topsy-turvy should make a start with this work. That which is called idol on the title-page is quite simply that which was called truth hitherto. Twilight of the Idols - in plain words: the old truth is coming to an end...' Nietzsche intended Twilight of the Idols to serve as a short introduction to his philosophy, and as a result it is the most synoptic of all (...)
     
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  17.  37
    Mathematics and Fiction II: Analogy.Robert Thomas - 2002 - Logique Et Analyse 45:185-228.
    The object of this paper is to study the analogy, drawn both positively and negatively, between mathematics and fiction. The analogy is more subtle and interesting than fictionalism, which was discussed in part I. Because analogy is not common coin among philosophers, this particular analogy has been discussed or mentioned for the most part just in terms of specific similarities that writers have noticed and thought worth mentioning without much attention's being paid to the larger picture. I intend with this (...)
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  18. Wagner und Hanslick. Kurze Geschichte einer Feindschaft.Christian Jung - 2012 - Österreichische Musikzeitschrift 67 (6):14-21.
    The controversy between Richard Wagner and his critic Eduard Hanslick is well known, but rarely looked at in detail. It is mostly believed that Hanslick was unable to see Wagner's genius, stuck deeply in an antiquated aesthetical world. By reassessing Wagner's and Hanslick's letters and publications it can be seen, however, that Hanslick's detailed criticism (and also appreciation) was much more objective and less spiteful than is often assumed.
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  19. Preispitivanje Pojma Međunarodnog Prava – o Metodološkim Aspektima.Miodrag Jovanović - 2014 - Revus 22:121-144.
    Ovaj rad se bavi metodološkim aspektima obnovljenih pravno-filozofskih nastojanja da se preispita pojam međunarodnog prava. Posle kratkog osvrta na istoriju pravne filozofije i ključne tačke Hartovog i Kelzenovog pozitivističkog stanovišta, u radu se dalje ispituje na koji način se savremene pravne teorije, kako u pozitivističkoj, tako i u ne-pozitivističkoj tradiciji, bave međunarodnim pravom. Poslednji deo rada predstavlja pokušaj da se skiciraju određene smernice za novi početak u filozofskoj obradi međunarodnog prava. Prvo, istorija rasprava u ovoj oblasti svedoči o tome da (...)
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  20.  16
    Complexity and Ambivalence in Nietzsche’s Relationship with Wagner Some Ideas and Formulations in This Essay Are Drawn From My Recent Books: Nietzsche’s Jewish Problem: Between Anti-Semitism and Anti-Judaism , and Nietzsche and the Nineteenth Century: Social Questions and Philosophical Interventions.Robert C. Holub - 2017 - Nietzsche-Studien 47 (1):422-441.
    This review essay expands on two excellent collections dealing with Nietzsche and Wagner and is drawn from the proceedings of conferences in the bicentennial year of Wagner’s birth. It points to four areas underplayed in the contributions. The first involves Nietzsche’s adoption of Wagnerian ideology, especially anti-Judaism, in the late 1860s and early 1870s. The second deals with Nietzsche’s actual activities and sentiments regarding the inaugural Bayreuth festival in 1876 and his later reports of these activities and sentiments. (...)
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  21.  16
    Meditating on the Vitality of the Musical Object: A Spiritual Exercise Drawn From Richard Wagner’s Metaphysics of Music.Eli Kramer - 2019 - Eidos. A Journal for Philosophy of Culture 3 (3):29-42.
    In 1870, Wilhelm Richard Wagner wrote an essay to celebrate the centennial of Beethoven’s birth. In this essay Wagner made the case that music is, unlike any other object we create or are attentive to in experience, in an immediate analogical relationship with the activity of the Schopenhauerian “will” and is always enlivened. By drawing on this idea, we can not only conceive of music as in an immediate analogical relationship with our personal experience, but as perhaps the (...)
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  22.  23
    The Origins of Species: The Debate Between August Weismann and Moritz Wagner[REVIEW]Charlotte Weissman - 2010 - Journal of the History of Biology 43 (4):727 - 766.
    Weismann's ideas on species transmutation were first expressed in his famous debate with Moritz Wagner on the mechanism of speciation. Wagner suggested that the isolation of a colony from its original source is a preliminary and necessary factor for speciation. Weismann accepted a secondary, facilitating role for isolation, but argued that natural and sexual selection are the primary driving forces of species transmutation, and are always necessary and often sufficient causes for its occurrence. The debate with Wagner, (...)
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  23.  19
    Finding an Ending: Reflections on Wagner's Ring.Philip Kitcher & Richard Schacht - 2005 - Oup Usa.
    Few musical works loom as large in Western culture as Richard Wagner's four-part Ring of the Nibelung. In Finding an Ending, two eminent philosophers, Philip Kitcher and Richard Schacht, offer an illuminating look at this greatest of Wagner's achievements, focusing on its far-reaching and subtle exploration of problems of meanings and endings in this life and world. Kitcher and Schacht plunge the reader into the heart of Wagner's Ring, drawing out the philosophical and human significance of the (...)
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  24.  67
    O Beethoven-Schrift: Richard Wagner teórico.Henry Burnett - 2009 - Trans/Form/Ação 32 (1):159-173.
    Quando consideramos a extensão da obra dramática de Richard Wagner, não causa estranheza que seus textos teóricos sejam praticamente desconhecidos. No entanto, um de seus escritos, intitulado Beethoven, influenciou decisivamente a elaboração de um livro famoso, hoje considerado um capítulo importante da história da estética, O nascimento da tragédia. Este artigo pretende analisar este escrito de Wagner na intenção de desvendar o que pode ter sido tão determinante na leitura que Nietzsche fez dele, e que o levou ao (...)
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  25.  51
    The Epistemology of Unjust War.Hilary Putnam - 2006 - Royal Institute of Philosophy Supplement 58:173-188.
    My friend Steven Wagner, a philosopher I very much admire, recently wrote me that he finds ‘Just War Theory’ in its present form wholly untenable. With his permission, I shall quote part of what he wrote.
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  26.  23
    The Vector Space Kinna-Wagner Principle is Equivalent to the Axiom of Choice.Kyriakos Keremedis - 2001 - Mathematical Logic Quarterly 47 (2):205-210.
    We show that the axiom of choice AC is equivalent to the Vector Space Kinna-Wagner Principle, i.e., the assertion: “For every family [MATHEMATICAL SCRIPT CAPITAL V]= {Vi : i ∈ k} of non trivial vector spaces there is a family ℱ = {Fi : i ∈ k} such that for each i ∈ k, Fiis a non empty independent subset of Vi”. We also show that the statement “every vector space over ℚ has a basis” implies that every infinite (...)
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  27.  27
    Basic Questions of Philosophy. Selected "Problems" of "Logic.".Miles Groth - 1995 - Review of Metaphysics 49 (2):411-413.
    This is the ninth volume of translations of major works by Martin Heidegger to be published by Indiana University Press. It is the second translation of one of his lecture courses by the late Andre Schuwer and Richard Rojcewicz. No other thinker who wrote in German brings to the fore more seriously the problems of the translation of his texts into English than Martin Heidegger. In a certain sense, one of the major themes of his work is translation. In a (...)
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  28.  27
    The Poetry of Nachoem M. Wijnberg.Vincent W. J. Van Gerven Oei - 2011 - Continent 1 (2):129-135.
    continent. 1.2 (2011): 129-135. Introduction Vincent W.J. van Gerven Oei Successions of words are so agreeable. It is about this. —Gertrude Stein Nachoem Wijnberg (1961) is a Dutch poet and novelist. He also a professor of cultural entrepreneurship and management at the Business School of the University of Amsterdam. Since 1989, he has published thirteen volumes of poetry and four novels, which, in my opinion mark a high point in Dutch contemporary literature. His novels even more than his poetry are (...)
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  29.  24
    Mathématiques et Naturphilosophie : L'exemple de la controverse entre Johann Jakob Wagner et Johann Schön (1803-1804).Thomas Morel - 2013 - Revue d'Histoire des Sciences 66 (1):73-105.
    Johann Jakob Wagner (1775-1841), disciple de Schelling et important acteur de la Naturphilosophie allemande, publie en 1803 un ouvrage intitulé Von der Natur der Dinge où il lance le projet d’une réforme de la mathématique visant à l’intégrer à la philosophie. Il provoque ainsi un débat animé dans lequel divers acteurs, scientifiques et philosophes, vont exprimer leur point de vue sur la relation entre les deux disciplines. Nous nous intéresserons en particulier à la réponse de Johann Schön (1771-1839), un (...)
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  30.  13
    Cum on Feel the Noize.Jamie Allen - 2012 - Continent 2 (1):56-58.
    continent. 2.1 (2012): 56–58 Nechvatal, Joseph, Immersion Into Noise , Open Humanities Press, 2011, 267 pp, $23.99 (pbk), ISBN 1-60785-241-1. As someone who’s knowledge of “art” mostly began with the domestic (Western) and Japanese punk and noise scenes of the late 80’s and early 90’s, practices and theories of noise fall rather close to my heart. It is peeking into the esoteric enclaves of weird music and noise that helped me understand what I think I might like art to be: (...)
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  31.  3
    Der Bildner des Übermenschen und der dithyrambische Künstler: Michelangelo und Wagner in Also sprach Zarathustra.Vivetta Vivarelli - 2018 - Nietzsche Studien Gesamtregister Bände 1-20 47 (1):326-339.
    The Sculptor of the Overman and the Dithyrambic Artist: Michelangelo and Wagner in Thus Spoke Zarathustra. This paper draws on the work of Mazzino Montinari in order to explore the relations between Nietzsche’s image of Michelangelo and specific elements of Thus Spoke Zarathustra. These elements concern the idea of the overman and the figure which is sleeping in the stone. A biography of Michelangelo by the art historian Herman Grimm, a correspondent of Ralph Waldo Emerson, may be the source (...)
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  32.  8
    Cinematic Incorporation: Literature in My Life Without Me.Sarah Dillon - 2015 - Film-Philosophy 19 (1):55-66.
    This essay considers the relationship between literature and film through a reading of Isabel Coixet's film My Life Without Me. The first half of the essay explores how two recent theorisations of the term incorporation allow us to read, on the one hand, the film's relationship to Nanci Kincaid's short story 'Pretending the Bed is a Raft' in particular and to literature in general and, on the other, the narrative consequences of the protagonist Ann's decision to keep her terminal illness (...)
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  33.  2
    Complexity and Ambivalence in Nietzsche’s Relationship with Wagner.Robert C. Holub - 2018 - Nietzsche Studien Gesamtregister Bände 1-20 47 (1):422-441.
    This review essay expands on two excellent collections dealing with Nietzsche and Wagner and is drawn from the proceedings of conferences in the bicentennial year of Wagner’s birth. It points to four areas underplayed in the contributions. The first involves Nietzsche’s adoption of Wagnerian ideology, especially anti-Judaism, in the late 1860s and early 1870s. The second deals with Nietzsche’s actual activities and sentiments regarding the inaugural Bayreuth festival in 1876 and his later reports of these activities and sentiments. (...)
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  34. Nietzsche, Wagner and the Philosophy of Pessimism.Roger Hollinrake - 1982 - Allen & Unwin.
    Nietzsche’s relationship with Wagner has long been a source of controversy and has given rise to a number of important studies, including this major breakthrough in Nietzsche scholarship, first published in 1982. In this work Hollinrake contends that the nature and extent of the anti-Wagnerian pastiche and polemic in Thus Spake Zarathustra is arguably the most important factor in the association between the two. Thus Wagner, as the purveyor of a particular brand of Schopenhauerian pessimism, is here revealed (...)
     
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  35. Correspondence 1925-1935.Henri Lonitz & Wieland Hoban (eds.) - 2005 - Polity.
    In December 1945 Thomas Mann wrote a famous letter to Adorno in which he formulated the principle of montage adopted in his novel Doctor Faustus. The writer expressly invited the philosopher to 'consider, with me, how such a work - and I mean Leverkuhn's work - could more or less be practically realized'. Their close collaboration on questions concerning the character of the fictional composer's putatively late works effectively laid the basis for a further exchange of letters. The ensuing correspondence (...)
     
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  36. Correspondence 1925-1935.Henri Lonitz & Wieland Hoban (eds.) - 2005 - Polity.
    In December 1945 Thomas Mann wrote a famous letter to Adorno in which he formulated the principle of montage adopted in his novel Doctor Faustus. The writer expressly invited the philosopher to 'consider, with me, how such a work - and I mean Leverkuhn's work - could more or less be practically realized'. Their close collaboration on questions concerning the character of the fictional composer's putatively late works effectively laid the basis for a further exchange of letters. The ensuing correspondence (...)
     
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  37. The Birth of Tragedy and the Case of Wagner.Friedrich Nietzsche - 1967 - Vintage Books.
     
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  38.  8
    Ethical Classification of ME/CFS in the United Kingdom.Diane O'Leary - 2019 - Bioethics 33 (6):716-722.
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  39. Wagner and Philosophy.Bryan Magee - 2000
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  40.  58
    Registro sintético de uma vida: entrevista com Fábio Alves dos Santos (Synthetic record of a life - Interview with Fabio Alves dos Santos).Fábio Alves dos Santos - 2013 - Horizonte 11 (32):1637-1649.
    Fábio Alves dos Santos (1954-2013) cursou Pedagogia, Ciências Sociais e Teologia, era Especialista em Filosofia da Religião (PUC Minas), Advogado (PUC Minas) e Mestre em Direito Constitucional (UFMG). Lecionou na PUC Minas como professor de Cultura Religiosa e depois como professor no Curso de Direito, atuando principalmente no Serviço de Assistência Judiciária – SAJ, especialmente cuidado de causas populares como as da ASMARE (Associação dos Catadores de Papel, Papelão e Material Reaproveitável de Belo Horizonte), da Pastoral de Rua, da (...)
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  41.  65
    Troubles with Wagner's Reading of Millikan.Ruth Garrett Millikan - 1997 - Philosophical Studies 86 (1):93-96.
  42. Darwin, Marx, Wagner Critique of a Heritage.Jacques Barzun - 1942 - Doubleday.
     
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  43.  10
    Improving Independence of Elderly People by Introducing Smart Products: The Guide Me Localization Case.J. P. Joore - 2007 - Knowledge, Technology & Policy 20 (1):59-69.
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  44. Richard Wagner E Friedrich Nietzsche.Enrico Fubini, Italy) Goethe-Institut Turin & Università di Torino - 1984
     
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  45. Wagner, Nietzsche, Thomas Mann Festschrift Für Eckhard Heftrich.Eckhard Heftrich, Heinz Gockel, Michael Neumann & Ruprecht Wimmer - 1993
     
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  46. Wagner Und Nietzsche, Ihr Kampf Gegen Das Neunzehnte Jahrhundert.Kurt Hildebrandt - 1924 - F. Hirt.
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  47. The Tristan Chord Wagner and Philosophy.Bryan Magee - 2001
     
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  48. Richard Wagner Und Die Indische Geisteswelt. Suneson (ed.) - 1989 - Brill.
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  49. Redemption or Annihilation? Love Versus Power in Wagner's Ring.John Tietz - 1999
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  50. Wagner Und Nietzsche.Johannes Maria Verweyen - 1926 - Strecker Und Schröder.
     
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