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  1.  17
    Varieties of Musical Experience.Jamshed J. Bharucha, Meagan Curtis & Kaivon Paroo - 2006 - Cognition 100 (1):131-172.
  2.  20
    Affective Spectra, Synchronization, and Motion: Aspects of the Emotional Response to Music.Jamshed J. Bharucha & Meagan Curtis - 2008 - Behavioral and Brain Sciences 31 (5):579-579.
    We propose three extensions of the theory developed by Juslin & Vll (J&V). First, motion should be considered as an additional mechanism. Second, synchronization plays a role in eliciting emotion. And, third, the spectrum of musical affect or feelings is denser and broader than the spectrum of emotions, suggesting an expansion of the scope of the theory beyond emotions.
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  3.  5
    Alignment of Brain States.Jamshed Bharucha & Meagan Curtis - 2011 - In Patrick Rebuschat, Martin Rohrmeier, John A. Hawkins & Ian Cross (eds.), Language and Music as Cognitive Systems. Oxford University Press. pp. 139.
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  4.  5
    Remembering Melodies From Another Culture: Turkish and American Listeners Demonstrate Implicit Knowledge of Musical Scales.Timothy Justus, Charles Yates, Nart Bedin Atalay, Nazike Mert & Meagan Curtis - 2019 - Analytical Approaches to World Music 7 (1).
    Beyond the major-minor tonality that characterizes classical and contemporary Western musical genres, Turkish classical and folk music offer experimental psychologists a rich modal system in which cognition, development, and enculturation can be studied. Here, we present a cross-cultural experiment concerning implicit knowledge of musical scales. Five groups of participants—American musicians and nonmusicians, Turkish musicians and nonmusicians, and Turkish classical and folk music listeners—were asked to listen to brief melodies composed using the member tones of either the major scale or the (...)
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