Results for 'Melody Wiseheart'

172 found
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  1.  21
    Musical Training, Bilingualism, and Executive Function: A Closer Look at Task Switching and Dual‐Task Performance.Linda Moradzadeh, Galit Blumenthal & Melody Wiseheart - 2015 - Cognitive Science 39 (5):992-1020.
    This study investigated whether musical training and bilingualism are associated with enhancements in specific components of executive function, namely, task switching and dual-task performance. Participants belonging to one of four groups were matched on age and socioeconomic status and administered task switching and dual-task paradigms. Results demonstrated reduced global and local switch costs in musicians compared with non-musicians, suggesting that musical training can contribute to increased efficiency in the ability to shift flexibly between mental sets. On dual-task performance, musicians also (...)
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  2.  58
    Learning and Liking of Melody and Harmony: Further Studies in Artificial Grammar Learning.Psyche Loui - 2012 - Topics in Cognitive Science 4 (4):554-567.
    Much of what we know and love about music is based on implicitly acquired mental representations of musical pitches and the relationships between them. While previous studies have shown that these mental representations of music can be acquired rapidly and can influence preference, it is still unclear which aspects of music influence learning and preference formation. This article reports two experiments that use an artificial musical system to examine two questions: (1) which aspects of music matter most for learning, and (...)
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  3.  17
    Sublime Kinetic Melody: Kelly Slater and the Extreme Spectator.Carl Thomen - 2010 - Sport, Ethics and Philosophy 4 (3):319-331.
    This paper aims to examine the awesome, almost spiritual feeling I experience as an?extreme spectator? while watching Kelly Slater ride the monstrous waves of Pipeline. Drawing on the aesthetics of Kant and Schopenhauer, I examine the experience of the sublime and how it, in conjunction with the perceived kinetic melody of Slater's movements and his karmic connection to the environment in which he thrives, gives rise to the deeply felt awe of the extreme spectator. My intention is to use (...)
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  4. Melody and Metaphorical Movement.Rafael De Clercq - 2007 - British Journal of Aesthetics 47 (2):156-168.
    In recent issues of this journal, Roger Scruton and Malcolm Budd have debated the question whether hearing a melody in a sequence of sounds necessarily involves an ‘unasserted thought’ about spatial movement. According to Scruton, the answer is ‘yes’; according to Budd, the answer is ‘no’. The conclusion of this paper is that, while Budd may have underestimated the viability of Scruton's thesis in one of its possible interpretations, there is no good reason to assume that the thesis is (...)
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  5.  16
    Melody and Law's Mindfulness of Time.Gerald J. Postema - 2004 - Ratio Juris 17 (2):203-226.
    . A structured awareness of time lies at the core of the law's distinctive normativity. Melody is offered as a rough model of this mindfulness of time, since some important features of this awareness are also present in a hearer's grasp of melody. The model of melody is used, first, to identify some temporal dimensions of intentional action and then to highlight law's mindfulness of time. Its role in the structure of legal thinking, and especially in precedent‐sensitive (...)
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  6.  20
    Melody as a Primordial Legacy From Early Roots of Language.Kathleen Wermke & Werner Mende - 2006 - Behavioral and Brain Sciences 29 (3):300-300.
    The stormy development of vocal production during the first postnatal weeks is generally underestimated. Our longitudinal studies revealed an amazingly fast unfolding and combinatorial complexification of pre-speech melodies. We argue that relying on “melody” could provide for the immature brain a kind of filter to extract life-relevant information from the complex speech stream.
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  7.  12
    Melody and Word Accent Relationships in Ancient Greek Musical Documents: The Pitch Height Rule.Charles H. Cosgrove & Mary C. Meyer - 2006 - Journal of Hellenic Studies 126:66-81.
    It has long been known from the extant ancient Greek musical documents that some composers correlated melodic contour with word accents. Up to now, the evidence of this compositional technique has been judged impressionistically. In this article a statistical method of interpretation through computer simulation is set forth and applied to the musical texts, focusing on the convention of correlating a word¿s accent with the highest pitch level in the melody for that word: the Pitch Height Rule. The results (...)
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  8. The Melody of Time: Music and Temporality in the Romantic Era.Benedict Taylor - 2016 - Oxford University Press USA.
    Music has been seen since the Romantic era as the quintessentially temporal art, possessing a unique capacity to invoke the human experience of time. The Melody of Time explores the multiple ways in which music may provide insight into the problematics of time, spanning the dynamic century between Beethoven and Elgar.
     
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  9. The Mere Exposure Phenomenon: A Lingering Melody by Robert Zajonc.Richard L. Moreland & Sascha Topolinski - 2010 - Emotion Review 2 (4):329-339.
    The mere exposure phenomenon (repeated exposure to a stimulus is sufficient to improve attitudes toward that stimulus) is one of the most inspiring phenomena associated with Robert Zajonc’s long and productive career in social psychology. In the first part of this article, Richard Moreland (who was trained by Zajonc in graduate school) describes his own work on exposure and learning, and on the relationships among familiarity, similarity, and attraction in person perception. In the second part, Sascha Topolinski (a recent graduate (...)
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  10.  12
    Expectancy in Melody: Tests of the Implication-Realization Model.E. Schellenberg - 1996 - Cognition 58 (1):75-125.
  11.  23
    Memory for Melody: Infants Use a Relative Pitch Code.Judy Plantinga & Laurel J. Trainor - 2005 - Cognition 98 (1):1-11.
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  12.  15
    A Probabilistic Model of Melody Perception.David Temperley - 2008 - Cognitive Science 32 (2):418-444.
  13.  9
    A Vocal Basis for the Affective Character of Musical Mode in Melody.Daniel L. Bowling - 2013 - Frontiers in Psychology 4.
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  14.  69
    Conscious Machines: Memory, Melody and Muscular Imagination. [REVIEW]Susan A. J. Stuart - 2010 - Phenomenology and the Cognitive Sciences 9 (1):37-51.
    A great deal of effort has been, and continues to be, devoted to developing consciousness artificially (A small selection of the many authors writing in this area includes: Cotterill (J Conscious Stud 2:290–311, 1995 , 1998 ), Haikonen ( 2003 ), Aleksander and Dunmall (J Conscious Stud 10:7–18, 2003 ), Sloman ( 2004 , 2005 ), Aleksander ( 2005 ), Holland and Knight ( 2006 ), and Chella and Manzotti ( 2007 )), and yet a similar amount of effort has (...)
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  15.  60
    Emotional Prosody: Sex Differences in Sensitivity to Speech Melody.Mireille Besson, Cyrille Magne & Daniele Schön - 2002 - Trends in Cognitive Sciences 6 (10):405-407.
  16.  5
    Expectancy in Melody: Tests of Children and Adults.E. Glenn Schellenberg, Mayumi Adachi, Kelly T. Purdy & Margaret C. McKinnon - 2002 - Journal of Experimental Psychology: General 131 (4):511-537.
  17.  21
    Hearing a Melody in Different Ways: Multistability of Metrical Interpretation, Reflected in Rate Limits of Sensorimotor Synchronization.Bruno H. Repp - 2007 - Cognition 102 (3):434-454.
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  18.  5
    Integration of Melody and Text in Memory for Songs.M. Serafine - 1984 - Cognition 16 (3):285-303.
  19.  18
    Processing Interactions Between Phonology and Melody: Vowels Sing but Consonants Speak.Régine Kolinsky, Pascale Lidji, Isabelle Peretz, Mireille Besson & José Morais - 2009 - Cognition 112 (1):1-20.
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  20.  23
    ‘I Heard a Plaintive Melody’.Oswald Hanfling - 1990 - Royal Institute of Philosophy Supplement 28:117-133.
    Asked about Wittgenstein's contribution to aesthetics, one might think first of all of his discussion of ‘family resemblance’ concepts, in which he argued that the various instances of games, for example, need not have any feature or set of features in common, in virtue of which they are all called games; the concept of a game can function perfectly well without any such set of conditions. This insight was soon applied to the much debated quest for a definition of the (...)
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  21.  16
    The Melody of Life and the Motif of Philosophy.Ted Toadvine - 2005 - Chiasmi International 7:263-278.
  22.  39
    A Silent Melody.James J. Crile - 2012 - Newman Studies Journal 9 (2):79-90.
    Although Newman’s Fifteenth Oxford University Sermon is often considered a precursor to An Essay on the Development of Christian Doctrine (1845), the following essay views this Sermon as an expression of Newman’s personal struggle from 1839 to 1845: in the midst of confusion, he pondered; against the threat of liberal skepticism, he defended truth; in the face of doubt, he reaffirmed his relationship with God.
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  23.  5
    The Melody of Life and the Motif of Philosophy.Ted Toadvine - 2005 - Chiasmi International 7:263-278.
  24.  2
    A Musical Approach to Speech Melody.Ivan Chow & Steven Brown - 2018 - Frontiers in Psychology 9.
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  25.  36
    The Great Melody: A Thematic Biography and Commented Anthology of Edmund Burke, by Conor Cruise O'Brien.John P. McCarthy - 1995 - The Chesterton Review 21 (1/2):139-147.
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  26.  28
    Consideration of Infants' Vocal Imitation Through Modeling Speech as Timbre-Based Melody.Nobuaki Minematsu & Tazuko Nishimura - 2008 - In Satoh (ed.), New Frontiers in Artificial Intelligence. Springer. pp. 26--39.
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  27.  13
    Melody and Rhythm at Plato’s Symposium 187d2.Jerry Green - 2015 - Classical Philology 110.
    In Plato’s Symposium Eryximachus provides a metaphysical theory based on the attraction of basic elements which he applies to a variety of domains, including music. In the text of his speech there is a variation in the manuscripts at 187d2 between two readings, “μέλεσί τε καὶ μέτροις” and “μέλεσί τε καὶ ῥυθμοῖς”. Though the former is almost universally followed, I argue that the latter is the correct reading, based on three sources of evidence: (1) the manuscript tradition, (2) Plato’s style (...)
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  28.  29
    The Journeying Voice: Melody and Metaphysics in Aristoxenian Science.Andrew Barker - 2005 - Apeiron 38 (3):161 - 184.
  29.  4
    From the Body to the Melody: “Relearning” the Experience of Time in the Later Merleau-Ponty.Jessica Wiskus - 2018 - Avant: Trends in Interdisciplinary Studies 9 (2):129-140.
    If, as Maurice Merleau-Ponty writes, “True philosophy consists in relearning to look at the world,” and if Merleau-Ponty is accordingly often described as a philosopher of the body or a philosopher of painting, how are we to understand the apparently new turn to music that Merleau Ponty makes toward the end of the final completed chapter, entitled “The Intertwining—The Chiasm,” of The Visible and the Invisible? I argue that the course of the “Chiasm” chapter moves from a concern for the (...)
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  30.  12
    Efficacy of Melody-Based Aphasia Therapy May Strongly Depend on Rhythm and Conversational Speech Formulas.Stahl Benjamin - 2014 - Frontiers in Psychology 5.
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  31.  13
    The Melody Unheard: Husserl on the Natural Attitude and its Discontinuation: Section II, Chapter 1, The Thesis of the Natural Attitude and its Suspension.Andrea Staiti - 2015 - In Commentary on Husserl's. De Gruyter. pp. 69-94.
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  32.  13
    The Melody of Chaos. [REVIEW]Helen Huss Parkhurst - 1931 - Journal of Philosophy 28 (10):275-277.
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  33.  6
    Klopstocks Harmonie Und MelodieKlopstock’s Harmony and Melody.Boris Previšić - 2018 - Deutsche Vierteljahrsschrift für Literaturwissenschaft Und Geistesgeschichte 92 (1):1-14.
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  34.  4
    Rhythm and Melody Tasks for School-Aged Children With and Without Musical Training: Age-Equivalent Scores and Reliability.Kierla Ireland, Averil Parker, Nicholas Foster & Virginia Penhune - 2018 - Frontiers in Psychology 9.
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  35.  8
    A Grand Gesture: Vocal and Corporeal Control in Melody, Rhythm, and Emotion.Iain Morley - 2011 - In Patrick Rebuschat, Martin Rohrmeier, John A. Hawkins & Ian Cross (eds.), Language and Music as Cognitive Systems. Oxford University Press. pp. 110.
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  36.  7
    The Melody of Chaos.Houston Peterson - 1931 - Journal of Philosophy 28 (10):275-277.
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  37.  5
    Knowledge Representation of the Melody and Rhythm in Koto Songs.Sachiko Deguchi & Katsuhiko Shirai - 2003 - Transactions of the Japanese Society for Artificial Intelligence 18:153-160.
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  38.  5
    Shelley's Venomed Melody. Nora Crook, Derek Guiton.G. S. Rousseau - 1989 - Isis 80 (1):96-97.
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  39.  5
    Dr. Meyer's 'Elements of a Psychological Theory of Melody.'.Charles K. Wead - 1900 - Psychological Review 7 (4):400-405.
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  40. Knowledge in Music Theory by Logical Constants of Melody.Crinuţa Popescu - 2011 - Analysis and Metaphysics 10:144-149.
     
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  41.  4
    No Disillusions in Auditory Extinction: Perceiving a Melody Comprised of Unperceived Notes.Leon Y. Deouell - 2008 - Frontiers in Human Neuroscience 1.
  42.  4
    XI. Melody as Death.Raymond Geuss - 2009 - In Politics and the Imagination. Princeton University Press. pp. 164-166.
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  43.  4
    Shelley's Venomed Melody by Nora Crook; Derek Guiton. [REVIEW]G. Rousseau - 1989 - Isis 80:96-97.
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  44.  3
    Elements of Psychological Theory of Melody.Max Meyer - 1900 - Psychological Review 7 (3):241-273.
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  45.  2
    Studies of Melody in English Speech. [REVIEW]James Burt Miner - 1903 - Psychological Review 10 (2):216-217.
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  46.  1
    Word and Melody: Songs for the Arab School in Israel. [REVIEW]Hanan Bruen - 1986 - Journal of Aesthetic Education 20 (2):113.
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  47. Kindship of Speaking and Voice Education Through Speaking Melody.Kıvanç Aycan - 2012 - Journal of Turkish Studies 7:299-306.
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  48. Ingham's Studies in Melody[REVIEW]T. L. Bolton - 1911 - Journal of Philosophy 8 (2):48.
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  49. Is the Melody of Gesture a Vocal Mimic.I. Guaitella - 1995 - Semiotica 103 (3-4):253-276.
     
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  50. Hecuba's Newly-Learned Melody: Nussbaum on Philosophy Learning From Euripides.K. Lycos - 1988 - Critical Philosophy 4:161.
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