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  1.  82
    Relativism: Interpretation and Confrontation.Michael Krausz (ed.) - 1989 - Notre Dame University Press.
    Recent years have seen a vigorous revival of interest in relativism - both in support and in opposition. This collection of 21 essays, 16 of which appear in print here for the first time, advances the discussion found in an earlier volume, Relativism: Cognitive and Moral. These present selections focus on philosophical and methodological issues of relativism by exhibiting its varieties and by rehearsing its virtues and vices. The contributions concern relativism in a wide range of practices in the human (...)
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  2.  25
    Varieties of relativism.Rom Harré & Michael Krausz - 1996 - Cambridge, Mass., USA: Blackwell. Edited by Michael Krausz.
  3. Varieties of Relativism.Rom Harré & Michael Krausz - 1997 - Revue Philosophique de la France Et de l'Etranger 187 (2):251-253.
     
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  4.  52
    Relativism: A Contemporary Anthology.Michael Krausz (ed.) - 2010 - Columbia University Press.
    The thirty-three essays in <I>Relativism: A Contemporary Anthology</I> grapple with one of the most intriguing, enduring, and far-reaching philosophical problems of our age. Relativism comes in many varieties. It is often defined as the belief that truth, goodness, or beauty is relative to some context or reference frame, and that no absolute standards can adjudicate between competing reference frames. Michael Krausz's anthology captures the significance and range of relativistic doctrines, rehearsing their virtues and vices and reflecting on a spectrum of (...)
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  5.  45
    The Idea of Creativity.Karen Bardsley, Denis Dutton & Michael Krausz (eds.) - 2009 - Brill.
    Seventeen philosophical thinkers ask: What is creativity? What are the criteria of creativity? Should we assign logical priority to creative persons, processes, or products? How do various forms of creativity relate to different domains of human activity?
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  6. Relativism Cognitive and Moral.Jack W. Meiland & Michael Krausz - 1985 - Revue de Métaphysique et de Morale 90 (2):273-273.
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  7.  23
    Is There a Single Right Interpretation?Michael Krausz (ed.) - 2002 - Pennsylvania State University Press.
    Is there a single right interpretation for such cultural phenomena as works of literature, visual artworks, works of music, the self, and legal and sacred texts? In these essays, almost all written especially for this volume, twenty leading philosophers pursue different answers to this question by examining the nature of interpretation and its objects and ideals. The fundamental conflict between positions that universally require the ideal of a single admissible interpretation and those that allow a multiplicity of some admissible interpretations (...)
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  8. Is There a Single Right Interpretation?Michael Krausz - 2005 - Journal of Aesthetics and Art Criticism 63 (2):200-202.
     
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  9. Mapping relativism.Michael Krausz - 2010 - In Relativism: A Contemporary Anthology. Columbia University Press. pp. 13--30.
     
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  10. The Interpretation of music: philosophical essays.Michael Krausz (ed.) - 1993 - New York: Oxford University Press.
    This volume looks at the symbiotic relationship between the philosophical inquiry into the presuppositions of musical interpretation and the interpretation of particular musical works by musicians. Characteristically, interpreters of music entertain philosophical views about musical interpretation. For example, an interpreter's decision whether to play one or another version of a piece, whether to use one instrument or another, whether to emphasize certain elements, depends in part upon certain convictions of a philosophical nature. An interpreter's resolution of such questions will involve (...)
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  11.  34
    Varieties of Relativism and the Reach of Reasons.Michael Krausz - 2010 - In Steven D. Hales (ed.), A Companion to Relativism. Malden, MA: Wiley-Blackwell. pp. 70–84.
    This chapter contains sections titled: Abstract Definition General Contrasts between Relativism and Absolutism Reference Frames Domains Levels Values Absolutist Strands a Relativist Might Negate On the Putative Self ‐ Contradiction of Relativism Reach of Reasons Conclusion Bibliography.
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  12.  53
    Critical essays on the philosophy of R. G. Collingwood.Michael Krausz (ed.) - 1972 - Oxford,: Clarendon Press.
    Comprises of critical essays on Collingwood's contribution to all the major areas of philosophy.
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  13.  16
    The Concept of creativity in science and art.Denis Dutton & Michael Krausz (eds.) - 1981 - Hingham, MA: Distributors for the U.S. and Canada, Kluwer Boston.
  14.  40
    Rightness and reasons: interpretation in cultural practices.Michael Krausz - 1993 - Ithaca: Cornell University Press.
    Introduction Vv hich interpretation of Beethoven's First Symphony is the single right one: one that strictly adheres to the score or one that does not? ...
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  15.  30
    (1 other version)Critical Essays on the Philosophy of R. G. Collingwood.Michael Krausz - 1973 - Journal of Aesthetics and Art Criticism 31 (3):424-424.
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  16.  10
    Oneness and the Displacement of Self: Dialogues on Self-realization.Michael Krausz (ed.) - 2013 - Rodopi.
    This book presents a fictional dialogue among four former college friends about Oneness and self-realization. News of the sudden death of a relative occasions their discussion. One friend, a devotee of the Advaita or non-duality school of Hindu philosophy, seeks to short-circuit the pain and suffering characteristically associated with anxieties about human mortality. According to her, to be is to be the ultimate ineffable undifferentiated Being, the birthless and the deathless—the One. The other friends, whose philosophical attitudes are broadly pragmatist, (...)
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  17.  22
    The Concept of Creativity in Science and Art.Marcia M. Eaton, Dennis Dutton & Michael Krausz - 1983 - Journal of Aesthetic Education 17 (3):109.
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  18.  11
    (1 other version)Interview With Ven. Lobsang Gyatso.Lobsang Gyatso & Michael Krausz - 1996 - Journal of Indian Philosophy and Religion 1:104-134.
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  19.  14
    Art and Its Mythologies: A Relativist View.Michael Krausz - 1986 - In Joseph Margolis, Michael Krausz & Richard M. Burian (eds.), Rationality, relativism, and the human sciences. Boston: M. Nijhoff. pp. 189--208.
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  20. A Critique of R.G. Collingwood's Theory of Absolute Presuppositions.Michael Krausz - 1969 - Dissertation, University of Toronto (Canada)
     
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  21.  32
    A reply to vaidya.Michael Krausz - 2014 - Comparative Philosophy 5 (1).
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  22.  6
    Crossing cultures: Two universalisms and two relativisms.Michael Krausz - 1991 - In Marcelo Dascal (ed.), Cultural Relativism and Philosophy: North and Latin American Perspectives. E.J. Brill. pp. 233.
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  23.  33
    Critical Essays on the Philosophy of R. G. CollingwoodVelazguez, Goya and the Dehumanization of ArtOther Criteria, Confrontations with Twentieth Century Art.Michael Krausz, R. G. Collingwood, José Ortega Y. Gasset, A. Brown & Leo Steinberg - 1973 - Journal of Aesthetics and Art Criticism 31 (3):424.
  24.  8
    Dialogues on Relativism, Absolutism, and Beyond: Four Days in India.Michael Krausz - 2011 - Rowman & Littlefield Publishers.
    What is truth, goodness, or beauty? Can we really define these concepts without the idea of a frame of reference? In the newest addition to the New Dialogues in Philosophy series, Michael Krausz presents fictional dialogues between four former classmates who hold significantly different views about these questions. As they travel in India, a place with unfamiliar concepts and customs, these four friends debate the rightness of relativism and absolutism. Are these concepts irreconcilable? Might there be a better view that (...)
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  25.  50
    History and Its Objects.Michael Krausz - 1991 - The Monist 74 (2):217-229.
    Two views about the objects of history have traditionally been opposed: the realist, which holds that history is about past actuality: and the constructionist, which holds that history cannot be about a past actuality but rather it is about what survives the materials and procedures of historical research. I shall suggest that both of these views may well agree that, as regards the practice of historical inquiry, an historian is constrained by what survives the materials and procedures of historical research. (...)
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  26.  42
    Historical explanation, re-enactment, and practical inference.Michael Krausz - 1980 - Metaphilosophy 11 (2):143–154.
  27.  7
    7 Interpretation and Its Objects.Michael Krausz - 2002 - In Is There a Single Right Interpretation? Pennsylvania State University Press. pp. 122-144.
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  28.  29
    Interpretation and its “Metaphysical” Entanglements.Michael Krausz - 2000 - Metaphilosophy 31 (1&2):125-147.
    Singularism is the view that for a given object of interpretation there must be one and only one admissible interpretation of it. And multiplism is the view that for a given object of interpretation there may be more than one admissible interpretation of it. My book, Rightness and Reasons, argued that singularism and multiplism are logically detachable from the ontological theories of realism and constructivism. This paper extends the range of ontologies to include constructive realism, whose versions include those of (...)
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  29.  34
    Interpretation and Its Art Objects.Michael Krausz - 1990 - The Monist 73 (2):222-232.
    This article arises from selected issues on interpretation raised in a session entitled ‘Danto on Margolis/margolis on Danto’ at the Eastern Division meeting of the American Society for Aesthetics, April 25, 1989, at the University of Arts, Philadelphia. In Part I, principally for dialectical purposes, I recapitulate some of Arthur Danto’s and Joseph Margolis’s points in an attempt to idealize two opposing views: constructionist and realist. It should be said at the outset that the constructionist and realist positions need not (...)
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  30.  31
    Interpretation and Transformation: Explorations in Art and the Self.Michael Krausz (ed.) - 2007 - Rodopi.
    In this book, Michael Krausz addresses the concept of interpretation in the visual arts, the emotions, and the self. He examines competing ideals of interpretation, their ontological entanglements, reference frames, and the relation between elucidation and self-transformation. The series Interpretation and Translation explores philosophical issues of interpretation and its cultural objects. It also addresses commensuration and understanding among languages, conceptual schemes, symbol systems, reference frames, and the like. The series publishes theoretical works drawn from philosophy, rhetoric, linguistics, anthropology, religious studies, (...)
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  31.  8
    Introduction.Michael Krausz - 2002 - In Is There a Single Right Interpretation? Pennsylvania State University Press. pp. 1-6.
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  32.  8
    Interpretation, relativism, and the metaphysics of culture: themes in the philosophy of Joseph Margolis.Michael Krausz & Richard Shusterman (eds.) - 1999 - Amherst, N.Y.: Humanity Books.
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  33. Interpretation, Relativism, and Metaphysics: Themes from the Philosophy of Joseph Margolis.Michael Krausz & Richard Shusterman - 2002 - Journal of Aesthetics and Art Criticism 60 (1):89-91.
     
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  34.  16
    Jean Potter 1923-1995.Michael Krausz & Mary Patterson McPherson - 1996 - Proceedings and Addresses of the American Philosophical Association 69 (5):135 -.
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  35.  5
    Limits of Rightness.Michael Krausz - 2000 - Rowman & Littlefield Publishers.
    Do cultural artifacts admit of only one single admissible interpretation? Or do they admit of several admissible interpretations? If so, do such multiple interpretations arise only in connection with the material world? And what is the relation between such ideals of interpretation and the ontology of their objects? in his searching book, Krausz explores and develops varieties of realism, constructivism, and constructive realism. Finally, Krausz extends the notions of singularism and mutliplism to directional life paths and projects. In the course (...)
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  36. Limits of Rightness.Michael Krausz - 2002 - Journal of Aesthetics and Art Criticism 60 (2):189-190.
     
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  37. Note on an Alleged Mistake in the Interpretation of Collingwood.Michael Krausz - 2004 - Collingwood and British Idealism Studies 10:98-102.
     
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  38. Philip Alperson, ed., What is Music?: An Introduction to the Philosophy of Music Reviewed by.Michael Krausz - 1990 - Philosophy in Review 10 (2):47-51.
     
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  39.  43
    Popper's Objective Knowledge.Michael Krausz - 1974 - Dialogue 13 (2):347-351.
  40.  28
    Relativism and Foundationalism.Michael Krausz - 1984 - The Monist 67 (3):395-404.
    Various issues are characteristically associated with discussions about relativism. The first concerns defining relativism—which is not an easy matter, since there seems to be no clear and well established usage to which one might appeal. Some stipulation is required, though this need not be arbitrary. One may proceed by distinguishing relativism from its putative contrast: absolutism, although defining this latter notion is as difficult as defining the former. Absolutism, however, at least, holds that the truth or the truth value of (...)
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  41.  60
    Rightness and reasons: A reply to Stecker.Michael Krausz - 1997 - Journal of Aesthetics and Art Criticism 55 (4):415-418.
  42. Replies and reflections.Michael Krausz - 2018 - In Christine M. Koggel & Andreea Ritivoi (eds.), Interpretation, Relativism, and Identity: Essays on the Philosophy of Michael Krausz. Lanham: Lexington Books.
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  43.  23
    Relativism and Rationality.Michael Krausz - 1973 - American Philosophical Quarterly 10 (4):307 - 312.
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  44.  7
    Relativisms and Their Opposites.Michael Krausz - 2017 - In Katharina Neges, Josef Mitterer, Sebastian Kletzl & Christian Kanzian (eds.), Realism - Relativism - Constructivism: Proceedings of the 38th International Wittgenstein Symposium in Kirchberg. Boston: De Gruyter. pp. 187-202.
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  45.  25
    Replies.Michael Krausz - 2005 - Philosophy in the Contemporary World 12 (1):103-114.
    I am honored to have this special issue devoted to themes in my philosophical work. This testimony is especially meaningful to me since I have benefitted so much from numerous meetings of the Society for Philosophy in the Contemporary World. I extend thanks to Joe Jones who proposed the idea to the editorial board, and to Jim Sauer who, as editor, saw it through to its publication. Grateful thanks go to Michael McKenna who, as guest editor, brought the collection together. (...)
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  46.  5
    Roots in the Air: A Philosophical Autobiography of a Philosopher, Artist, and Musician.Michael Krausz - 2018 - Boston: Brill | Rodopi.
    By way of dialogues, Michael Krausz offers philosophical reflections about his life as a philosopher, artist, and musician. After providing biographical accounts of his years of experience in these areas, he rehearses his views about relativism, interpretation, creativity, and self-realization.
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  47.  10
    Relativism in the philosophy of science.Michael Krausz - 2010 - In Relativism: A Contemporary Anthology. Columbia University Press.
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  48. Searle's Philosophy and Chinese Philosophy: Constructive Engagement.Michael Krausz (ed.) - 2008 - Brill Academic Publishers.
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  49.  34
    The tonal and the foundational: Ansermet on stravinsky.Michael Krausz - 1984 - Journal of Aesthetics and Art Criticism 42 (4):383-386.
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  50. Philosophy of the Social Sciences.Joseph Margolis, Michael Krausz & Richard M. Burian (eds.) - 1986 - M. Nijhoff.
     
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