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Michael H. Mitias [67]Michael Mitias [14]Michael Hanna Mitias [1]
  1.  16
    John Dewey’s Theory of Art, Experience and Nature: The Horizons of Feeling.Michael H. Mitias - 1987 - Journal of Aesthetics and Art Criticism 46 (4):526-528.
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  2.  28
    The Aesthetic Experience of the Architectural Work.Michael H. Mitias - 1999 - Journal of Aesthetic Education 33 (3):61.
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  3.  72
    Philosophy and Architecture.Michael H. Mitias (ed.) - 1994 - Rodopi.
    Contents: PART I: AESTHETICS OF ARCHITECTURE: QUESTIONS. Francis SPARSHOTT: The Aesthetics of Architecture and the Politics of Space. Arnold BERLEANT: Architecture and the Aesthetics of Continuity. Stephen DAVIES: Is Architecture Art? PART II: NATURE OF ARCHITECTURE. B.R. TILGHMAN: Architecture, Expression, and the Understanding of a Culture. David NOVITZ: Architectural Brilliance and the Constraints of Time. Michael H. MITIAS: Expression in Architecture. Ralf WEBER: The Myth of Meaningful Forms. Michael H. MITIAS: Is Meaning in Architecture a Myth? A Response to Ralf (...)
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  4.  32
    What makes an experience aesthetic?Michael H. Mitias - 1982 - Journal of Aesthetics and Art Criticism 41 (2):157-169.
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  5. What Makes an Experience Aesthetic?Michael H. Mitias - 1991 - Tijdschrift Voor Filosofie 53 (1):170-170.
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  6.  4
    Friendship: A Central Moral Value.Michael H. Mitias (ed.) - 2012 - Editions Rodopi.
    Friendship was recognized as a central moral value in the classical period, but it was dismissed from medieval, modern, and twentieth century moral theories. This book argues that this dismissal is unjustifiable. The validity of this claim is established in four steps. First, it proposes the concept of moral paradigm. This concept enables us to explore the source of moral value and to provide a criterion for the evaluation of the adequacy of moral theory. Second, the book explains why medieval, (...)
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  7.  27
    Dewey's Theory of Expression.Michael H. Mitias - 1992 - Journal of Aesthetic Education 26 (3):41.
  8.  2
    Love Letters: The Abyss of Loneliness.Michael H. Mitias - 2009 - Hamilton Books.
    This book is an in-depth discussion that seeks to answer two main questions: what is the nature of romantic love? What is the meaning of human life? The author argues that the longing for romantic love is part of the quest for meaningful life and human fulfillment.
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  9. Art as a Social Institution.Michael H. Mitias - 1975 - Pacific Philosophical Quarterly 56 (3):330.
     
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  10. academic Board of the European Society for Dialogue and Universalism.Michael H. Mitias - 2004 - Dialogue and Universalism 14 (1-2):125-126.
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  11.  57
    Aesthetic Quality and Aesthetic Experience.Michael H. Mitias (ed.) - 1988 - Königshausen & Neumann.
    PREFACE One of the most difficult yet sadly neglected questions in the extant spectrum of contemporary aesthetic analysis is the relationship between ...
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  12. Basis of moral respect for the environment.Michael H. Mitias - 1997 - Dialogue and Universalism 7 (1-6).
     
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  13. Creativity and human loving.Michael H. Mitias - 1985 - In Creativity in Art, Religion, and Culture. Distributed in the U.S.A. By Humanities Press.
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  14.  17
    Creativity in Art, Religion, and Culture.Michael H. Mitias (ed.) - 1985 - Distributed in the U.S.A. By Humanities Press.
    PREFACE It became clear to me in the past few years that any human quest or endeavor — whether it is in art, religion, business, politics, science, ...
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  15. Crystal Palace: A Concept of Universal Society.Michael H. Mitias - 2003 - Dialogue and Universalism 13 (6):43-58.
     
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  16. Hegel on the art object.Michael H. Mitias - 1980 - In Warren E. Steinkraus & Kenneth L. Schmitz (eds.), Pacific Philosophical Quarterly. Harvester Press. pp. 67--76.
     
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  17. Hegel on the Source of Political Authority.Michael Mitias - 1984 - Interpretation 12 (1):29-48.
     
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  18. Hegel on the Art Object.Michael H. Mitias - 1975 - Pacific Philosophical Quarterly 56 (3):301.
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  19. International Law and World Peace.Michael H. Mitias - 1990 - Dialectics and Humanism 17 (3):187-199.
  20. Is Wine an Art Object?Michael H. Mitias - 1973 - Pacific Philosophical Quarterly 54 (2):188.
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  21. Law as the Basis of the State: Hegel.Michael Mitias - 1981 - Interpretation 9 (2/3):279-300.
     
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  22. Locus of Aesthetic Quality.Michael H. Mitias - 1988 - In Aesthetic Quality and Aesthetic Experience. Königshausen & Neumann. pp. 25--44.
     
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  23.  7
    Moral Foundation of the State in Hegel's Philosophy of Right: Anatomy of an Argument.Michael H. Mitias (ed.) - 1984 - Rodopi.
    Anatomy of an Argument Michael H. Mitias. FOUR LOVE AS THE BASIS OF THE FAMILY Let us grant, for the sake of argument, my critic would object, that Hegel has made a distinction between a universal or natural law and a human law, ...
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  24. Moral Foundation of the State in Hegel's Philosophy of Right : Anatomy of an Argument, coll. « Elementa, 34 ».Michael H. Mitias - 1985 - Revue Philosophique de la France Et de l'Etranger 175 (1):38-39.
     
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  25. Moral Foundations of the State In Hegel’s Philosophy of Right: Anatomy of an Argument.Michael H. Mitias - 1984 - Tijdschrift Voor Filosofie 48 (2):350-351.
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  26. Murray Krieger, Arts on the Level: the Fall of the Elite Object. [REVIEW]Michael Mitias - 1983 - Philosophy in Review 3:70-72.
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  27. Normative Ground of the Judgement of Moral Obligation.Michael Mitias - 1979 - Journal of Dharma 4 (4):398-406.
     
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  28. Possibility of Friendship between Religions.Michael Mitias - 2021 - Dialogue and Universalism 31 (9999):9-38.
    The majority of theologians, philosophers, and religious leaders have, during the past five decades, either argued or taken it for granted that the primary aim of interreligious dialogue is mutual understanding and that the purpose of realizing this aim is mitigation of alienation, hatred, and violence between the religions and cooperation on worthwhile projects. On the contrary, the author of this paper argues that the primary aim of interreligious dialogue should be to create a bond of friendship between the various (...)
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  29.  8
    Possibility of the Aesthetic Experience.Michael H. Mitias (ed.) - 1986 - Distributors for the U.S. And Canada, Kluwer Academic.
    The majority of aestheticians have focused their attention during the past three decades on the identity, or essential nature, of art: can 'art' be defined? What makes an object a work of art? Under what conditions can we characterize in a classificatory sense an object as an art work? The debate, and at times controversy, over these questions proved to be constructive, intellectually stimulating, and in many cases suggestive of new ideas. I hope this debate continues in its momentum and (...)
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  30. The Institutional Theory of the Aesthetic Object.Michael Mitias - 1977 - Pacific Philosophical Quarterly 58 (2):147.
     
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  31. Universalism and the Meaning of History.Michael H. Mitias - 1995 - Dialogue and Universalism 5 (1):103-113.
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  32. Universalism and the Meaning of History.Michael H. Mitias - 1994 - Dialogue and Humanism 4 (5):27-38.
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  33. Winand Klassen, Architecture and Philosophy Reviewed by.Michael Mitias - 1991 - Philosophy in Review 11 (4):261-263.
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  34. Winand Klassen, Architecture and Philosophy. [REVIEW]Michael Mitias - 1991 - Philosophy in Review 11:261-263.
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  35. Why Universalism?Michael H. Mitias - 2003 - Dialogue and Universalism 13 (7-8):15-16.
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  36. Taking Religious Claims Seriously a Philosophy of Religion.Warren E. Steinkraus & Michael H. Mitias - 1998
     
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  37.  58
    Marx and the human individual.Michael H. Mitias - 1972 - Studies in East European Thought 12 (3):245-254.
    In both Marx and Schaff, Marxism does not provide an adequate interpretation of the individual. The main reason for this is that there is no satisfactory analysis of autonomy.
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  38.  24
    Benedetto Croce Reconsidered: Truth and Error In Theories of Art. [REVIEW]Michael H. Mitias - 1992 - Idealistic Studies 22 (3):270-271.
    Precision, lucidity, richness of insight, and critical, objective judgment are, I think, some of the essential features of good philosophical thought. This book exemplifies, to a good extent, these features. In it the author tries to achieve two main goals: first, to distinguish what still “lives” in Croce’s philosophy “from what may be advantageously discarded, that is, the idealistic implications that he drew from his tenet that historical knowledge is self-knowledge.” Here Moss argues that “Croce’s idealist epistemological assumptions along with (...)
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  39.  43
    Does an Islamic Architecture Exist?Abdullah Al-Jasmi & Michael H. Mitias - 2004 - Revista Portuguesa de Filosofia 60 (1):197 - 214.
    Oleg Grabar has argued that there was not a system of visual symbols in Islamic culture; consequently it is difflcult to hold that an Islamic architecture exists; that is, if we were to stand before a mosque and try to experience it aesthetically or see what kind of building it is we would not be able to say that it is a mosque. In this paper we argue against this proposition. We, first, present a brief analysis of Grabar's view. Second, (...)
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  40.  2
    Form and Function in the Congregational Mosque.Michael H. Mitias & Abdullah Al Jasmi - 2020 - Estetika: The European Journal of Aesthetics 55 (1):25.
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  41.  21
    Universalism as a Metaphilosophy.Michael H. Mitias - 2004 - Dialogue and Universalism 14 (10):87-101.
    In this article I offer an account of what it means for Universalism to be a metaphilosophy. I first argue that traditional philosophical systems and views suffer from two main defects. First, they are closed, in the sense that they have made their final judgment on what the world is like. Second, they are mostly Eurocentric; regardless of their attempt to be objective and universalist in their orientation, they express the European values, beliefs, and world views. As a metaphilosophy, Universalism (...)
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  42.  42
    Introduction: On raising value questions in business. [REVIEW]Michael H. Mitias - 1982 - Journal of Business Ethics 1 (4):255 - 258.
    This essay is an attempt to stress the need to understand and evaluate the human issues or values, which are implicit in business, on the one hand, and which arise in the course of business activity, on the other: e.g., freedom, responsibility, and human well-being. Business is a social institution; as such, it affects and is affected by our values as a cultured society.
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  43.  26
    Whitehead, Process Philosophy, and Education.Michael H. Mitias - 1983 - Idealistic Studies 13 (3):267-268.
    This insightful and meticulous book is composed of two major parts. In the first part Brumbaugh argues that the classical concepts of space, time, and causality underlie contemporary understanding of the meaning and aims of education. But these concepts, like the Cartesian concept of “insular space,” are one-sided. Human beings are viewed as self-enclosed entities, as external to each other. Though rejected nowadays, this idea shapes educational thinking. We still consider the student as a kind of mental box which needs (...)
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  44.  25
    Art and the Absolute: A Study In Hegel’s Aesthetics.Michael H. Mitias - 1989 - Idealistic Studies 19 (1):89-90.
    We are told by its author that Art and the Absolute is a study of Hegel’s Aesthetics, but it is not; it is mainly an attempt to elucidate certain principles and categories in Hegel’s aesthetic theory and show their relevance and importance—or more concretely, the relevance and importance of Hegel’s aesthetic insight—in analyzing some of the central questions and issues in contemporary philosophy of art.
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  45.  7
    Janusz Kuczyński’s Philosophy of Universalism.Michael H. Mitias - 2020 - Dialogue and Universalism 30 (2):35-57.
    This paper is a critical analysis of the conditions under which a decent world order is possible, an order in which the different peoples of the world can thrive under the conditions of peace, cooperation, freedom, justice, and prosperity. This analysis is done from the standpoint of Janusz Kuczyński’s philosophy of universalism as a metaphilosophy. More than any other in the contemporary period, this philosophy has advanced a focused, systematic, and comprehensive analysis of these conditions on the basis of a (...)
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  46.  26
    Dewey on Moral Obligation.Michael H. Mitias - 1976 - Southwestern Journal of Philosophy 7 (1):75-82.
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  47. Creativity and aesthetics.Michael H. Mitias - 1985 - In Creativity in Art, Religion, and Culture. Distributed in the U.S.A. By Humanities Press.
     
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  48.  83
    Hegel On International Law.Michael H. Mitias - 1984 - Perspektiven der Philosophie 10:37-51.
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  49.  8
    Czarnocka’s Conception of Symbolic Truth.Michael H. Mitias - 2019 - Dialogue and Universalism 29 (2):189-216.
    The proposition I elucidates and defend in this paper is that the Transcendent can be an object of genuine knowledge and that the knowledge the philosophical mystic claims of it is symbolic in nature. In my endeavor to achieve this aim I rely on Małgorzata Czarnocka’s conception of symbolic truth as a model of explanation. I am inclined to think that, as a model of explanation, this conception sheds ample light on the possibility of having a cognitive experience of the (...)
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  50.  22
    Another Look at the Ontological Status of the Aesthetic Object.Michael H. Mitias - 1972 - Southwestern Journal of Philosophy 3 (2):29-49.
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