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  1.  30
    Hypogram and Inscription: Michael Riffaterre's Poetics of ReadingSemiotics of PoetryLa Production du TexteEssais de Stylistique Structurale"La Trace de l'Intertexte" in La Pensee, 215. [REVIEW]Paul De Man & Michael Riffaterre - 1981 - Diacritics 11 (4):17.
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  2.  68
    Intertextual Representation: On Mimesis as Interpretive Discourse.Michael Riffaterre - 1984 - Critical Inquiry 11 (1):141-162.
    If we try to arrive at the simplest and most universally valid definition of the representation of reality in literature, we may dispense with grammatical features such as verisimilitude or with genres such as realism, since these are not universal categories. Their applicability depends on historical circumstances or authorial intent. The most economic and general definition, however, must at least include the following two features. First, any representation presupposes the existence of its object outside of the text and preexistent to (...)
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  3.  24
    Syllepsis.Michael Riffaterre - 1980 - Critical Inquiry 6 (4):625-638.
    Ambiguity is not the polysemy most words display as dictionary entries but results from the context's blocking of the reader's choice among competing meanings, as when, to use an example from Derrida, a French context hinders the reader from deciding whether plus de means "lack" or "excess" .1 In this case, the undecidability is due entirely to the fact that the reader is playing a score, the syntax, that will not let him choose. This must be because the score is (...)
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  4.  24
    The Intertextual Unconscious.Michael Riffaterre - 1987 - Critical Inquiry 13 (2):371-385.
    Literature is open to psychoanalysis as is any other form of expression—this much is obvious. Less so is the relevancy of analysis to the specificity of literary texts, to what differentiates them from other linguistic utterances; in short, the literariness of literature.The analyst cannot avoid this problem of focus. If he did, he would treat verbal art as a document for purposes other than an understanding of its defining difference. He would simply be seeking one more set of clues to (...)
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  5.  18
    Sade, or Text as Fantasy. [REVIEW]Michael Riffaterre - 1972 - Diacritics 2 (3):2.
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  6.  28
    The Interpretant in Literary Semiotics.Michael Riffaterre - 1985 - American Journal of Semiotics 3 (4):41-55.
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  7.  6
    How Do Images Signify?Michael Riffaterre - 1994 - Diacritics 24 (1):2.
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  8.  8
    La ilusión referencial.Michael Riffaterre & Juanita Olivera Vélez - 2017 - Co-herencia 14 (27):13-37.
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  9.  23
    Hypersigns.Michael Riffaterre - 1987 - American Journal of Semiotics 5 (1):1-12.
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  10.  8
    Flaubert's Presuppositions.Michael Riffaterre - 1981 - Diacritics 11 (4):2.
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  11.  3
    Interview: Michael Riffaterre.Michael Riffaterre - 1981 - Diacritics 11 (4):12.
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  12.  7
    The Self-Sufficient Text.Michael Riffaterre - 1973 - Diacritics 3 (3):39.
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  13.  4
    Up Against the TextEssais de Stylistique StructuraleSemiotics of PoetryLa Production du Texte.Marc Eli Blanchard & Michael Riffaterre - 1981 - Diacritics 11 (3):13.
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  14.  2
    The Interpretant in Literary Semiotics in Intertextuality.Michael Riffaterre - 1985 - American Journal of Semiotics 3 (4):41-55.
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  15.  7
    Poetic Words.Michael Riffaterre - 1981 - Semiotica 37 (s1).
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  16. 6. Interpretation and Descriptive Poetry.Michael Riffaterre - 1981 - In Robert Young (ed.), Untying the Text: A Post-Structuralist Reader. Routledge & Kegan Paul. pp. 103.
     
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