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Michael Squire
St. Mary's University, Texas
  1.  46
    Greek Sculpture and Modern Art - E. Prettejohn the Modernity of Ancient Sculpture. Greek Sculpture and Modern Art From Winckelmann to Picasso. Pp. XVI + 332, Ill. London and New York: I.B. Tauris, 2012. Paper, £18.99 . Isbn: 978-1-848-85903-6. [REVIEW]Michael Squire - 2013 - The Classical Review 63 (2):605-607.
  2.  14
    Ars in Their ‘I's: Authority and Authorship in Graeco-Roman Visual Culture1.Michael Squire - 2013 - In Anna Marmodoro & Jonathan Hill (eds.), The Author's Voice in Classical and Late Antiquity. Oxford University Press. pp. 357.
    This chapter investigates the hermeneutics of the signature in Greek and Roman visual culture. Ancient artists, it argues, exploited artistic agency as a meaning-making mechanism. The chapter focusses on the common practice of craftsmen working under the name of a more celebrated artist, taking as a particular case study the Iliac tablets. Created in the first century AD, several associate themselves with the ‘Theodorean techne’. This chapter argues that this is a form of pseudonymity: the creator wished to imbue his (...)
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  3.  41
    Making Myron's Cow Moo?: Ecphrastic Epigram and the Poetics of Simulation.Michael Squire - 2010 - American Journal of Philology 131 (4):589-634.
    Myron's bronze sculpture of a cow proved an extraordinarily popular subject for Greek and Latin epigram over an exceptionally long time-span. But why the fascination? This article reads the image as an icon for the poetic simulations of ecphrastic epigram. First, it emphasises the ambivalence with which the poems celebrates the statue's verisimilitude: Myron's bronze cow at once convinces and fails to convince. Second, it relates the mimetic make-believe of the statue to the illusionism of literary epigram, especially epigrams on (...)
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  4.  24
    The Laocoon - Gall, Wolkenhauer Laokoon in Literatur Und Kunst. Schriften des Symposions ‘Laokoon in Literatur Und Kunst’, Vom 30.11.2006, Universität Bonn. Pp. Xx + 266, Ill., Pls. Berlin and New York: Walter de Gruyter, 2009. Cased, €98, US$137. ISBN: 978-3-11-020126-0. [REVIEW]Michael Squire - 2010 - The Classical Review 60 (1):275-278.
  5.  22
    Contemporary Artists, Classical Themes - (I.L.) Wallace, (J.) Hirsh (Edd.) Contemporary Art and Classical Myth. Pp. Xviii + 376, Ills. Colour Pls. Farnham, Surrey and Burlington, VT: Ashgate, 2011. Cased, £70. ISBN: 978-0-7546-6974-6. [REVIEW]Michael Squire - 2012 - The Classical Review 62 (1):305-307.
  6.  13
    The Boundaries of Art and Social Space in Rome: The Caged Bird and Other Art Forms by Frederick Jones.Michael Squire - 2018 - American Journal of Philology 139 (1):161-165.
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  7.  13
    The disegni of the artemidorus papyrus. Adornato intorno al papiro di artemidoro. III. I disegni. Atti Del convegno internazionale Del 4 febbraio 2011 presso il gabinetto disegni E Stampe degli uffizi, firenze. Pp. 170, b/w & colour ills, pls. Milan: Edizioni universitarie di lettere economia diritto, 2016. Paper, €34. Isbn: 978-88-7916-757-4. [REVIEW]Michael Squire - 2018 - The Classical Review 68 (1):217-220.
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  8.  12
    Gülru Necipoğlu and Alina Payne, Eds. Histories of Ornament: From Global to Local. Princeton, N.J.: Princeton University Press, 2016. 464 Pp. [REVIEW]Michael Squire - 2018 - Critical Inquiry 44 (3):612-613.
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  9.  13
    Matteo D’Acunto, Il Mondo Del Vaso Chigi. Pittura, Guerra E Società a Corinto Alla Metà Del VII Secolo A. C.Michael Squire - 2016 - Klio 98 (1):315-322.
    Name der Zeitschrift: Klio Jahrgang: 98 Heft: 1 Seiten: 315-322.
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  10.  20
    Athenian Hunting J. M. Barringer: The Hunt in Ancient Greece . Pp. XIII + 296, Ills. Baltimore and London: The Johns Hopkins University Press, 2002. Cased, £33. Isbn: 0-8018-6656-. [REVIEW]Michael Squire - 2004 - The Classical Review 54 (01):164-.
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  11.  3
    The "Tabulae Iliacae" in Their Hellenistic Literary Context: Texts on the Tables.Michael Squire - 2010 - Journal of Hellenic Studies 130:67-96.
    This article re-evaluates the 22 so-called Tabulae Iliacae. Where most scholars (especially in the English speaking world) have tended to dismiss these objects as 'trivial' and 'confused', or as 'rubbish' intended for the Roman 'nouveaux riches', this article relates them to the literary poetics of the Hellenistic world, especially Greek ecphrastic epigram. Concentrating on the tablets' verbal inscriptions, the article draws attention to three epigraphic features in particular. First, it explores the various literary allusivenesses of the two epigrammatic invocations inscribed (...)
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  12.  7
    Athenian Hunting. [REVIEW]Michael Squire - 2004 - The Classical Review 54 (1):164-166.
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  13.  2
    Hegel, ‘The Father of Art History’?Michael Squire - 2020 - Philosophy Now 140:14-18.
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  14.  6
    Winckelmann and the Invention of Antiquity: History and Aesthetics in the Age of Altertumswissenschaft.Michael Squire - 2015 - British Journal of Aesthetics 55 (4):518-522.
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