Results for 'Mikhail Bakhtin'

867 found
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  1.  19
    Mikhail Bakhtin: Creation of a Prosaics.Gary Saul Morson, Caryl Emerson, Michael F. Bernard-Donals, L. A. Gogotišvili & P. S. Gurevič - 1997 - Studies in East European Thought 49 (4):305-317.
  2.  24
    Mikhail Bakhtin: Between Phenomenology and Marxism.Michael F. Bernard-Donals - 1995 - Cambridge University Pres.
    The language theory of Mikhail Bakhtin does not fall neatly under any single rubric - 'dialogism,' 'marxism,' 'prosaics,' 'authorship' - because the philosophic foundation of his writing rests ambivalently between phenomenology and Marxism. The theoretical tension of these positions creates philosophical impasses in Bakhtin's work, which have been neglected or ignored partly because these impasses are themselves mirrored by the problems of antifoundationalist and materialist tendencies in literary scholarship. In Mikhail Bakhtin: Between Phenomenology and Marxism (...)
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  3.  21
    Mikhail Bakhtin: A Theory of Dialogue.Dimitri Nikulin - 1998 - Constellations 5 (3):381-402.
  4.  18
    Mikhail Bakhtin's Body Politic: A Phenomenological Dialogics. [REVIEW]Hwa Yol Jung - 1990 - Man and World 23 (1):85-99.
  5.  50
    Mikhail Bakhtin, Vyacheslav Ivanov, and the Rhetorical Culture of the Russian Third Renaissance.Filipp Sapienza - 2004 - Philosophy and Rhetoric 37 (2):123-142.
  6.  10
    Mikhail Bakhtin and Biblical Scholarship: An Introduction.Adele Berlin & Barbara Green - 2002 - Journal of the American Oriental Society 122 (1):130.
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  7.  1
    Mikhail Bakhtin and Ancient Greek Culture.João Vianney Cavalcanti Nuto - 2009 - Archai: Revista de Estudos Sobre as Origens Do Pensamento Ocidental 3:69-73.
    This essay analyses the contribution of the knowledge of Greek culture in Antiquity for Mikhail Bakhtin’s achievement. It shows how the Socratic dialogue and serious-comic genres contributed to forming the novel – according do Bakhtin’s conceptions – by developing its carnavalized line. It concludes that, although Bakhtin was not properly a Hellenist, he has contributed to Ancient Greece studies, by exploring the literary creativity of Hellenist period.
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  8.  16
    John Rawls, Mikhail Bakhtin, and the Praxis of Toleration.Brian Walker - 1995 - Political Theory 23 (1):101-127.
  9.  18
    Answering as Authoring: Mikhail Bakhtin's Trans-Linguistics.Michael Holquist - 1983 - Critical Inquiry 10 (2):307-319.
    All of Mikhail Bakhtin’s work stands under the sign of plurality, the mystery of the one and the many. Unlike the third eye of Tibetan Buddhism, which gives those who possess it a vision of the secret unity holding creation together, Bakhtin seems to have had a third ear that permitted him to hear differences where others perceived only sameness, especially in the apparent wholeness of the human voice. The obsessive question at the heart of Bakhtin’s (...)
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  10. Mikhail Bakhtin: The Word in the World.Graham Pechey - 2007 - Routledge.
    Mikhail Bakhtin is one of the most influential theorists of philosophy as well as literary studies. His work on dialogue and discourse has changed the way in which we read texts – both literary and cultural – and his practice of philosophy in literary refraction and philological exploration has made him a pioneering figure in the twentieth-century convergence of the two disciplines. In this book, Graham Pechey offers a commentary on Bakhtin’s texts in all their complex and (...)
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  11.  5
    Mikhail Bakhtin’s “First” Philosophy and Aesthetics as an Attempt to Overcoming the Transcendental Approach in Philosophical Thought.Alexander Yudin - 2012 - Sententiae 27 (2):18-28.
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  12.  18
    Mikhail Bakhtin: Creation of a Prosaics (Review).Denis B. Walker - 1992 - Philosophy and Literature 16 (1):180-181.
  13.  20
    Mikhail Bakhtin: An Aesthetic for Democracy.George Weinschenk - 2003 - International Studies in Philosophy 35 (2):145-147.
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  14.  2
    Mikhail Bakhtin: seu tempo e o nosso.Clive Thomson - 2016 - Bakhtiniana 11 (1):4-17.
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  15. Review: Mikhail Bakhtin: Creation of a Prosaics. [REVIEW]David Roberts - 1993 - Thesis Eleven 34 (1):186-191.
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  16.  8
    Mikhaïl Bakhtine et la théorie de l’énoncé.Tzvetan Todorov - 1981 - In Jürgen Trabant (ed.), Geschichte der Sprachphilosophie Und der Sprachwissenschaft. De Gruyter. pp. 289-300.
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  17.  45
    Language and Philosophical Anthropology in the Work of Mikhail Bakhtin and the Bakhtin Circle.Sergeiy Sandler - 2013 - Rivista Italiana di Filosofia Del Linguiaggio 7 (2):152-165.
    The Bakhtin Circle’s conception of language is very much still alive, still productive, in the language sciences today. My claim in this paper is that to understand the Bakhtin Circle’s continuing relevance to the language sciences, we have to look beyond the linguistic theory itself, to the philosophical groundwork laid for this project by Bakhtin in what he himself referred to as his philosophical anthropology. This philosophical anthropology, at the center of which stands an architectonics of self—other (...)
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  18.  73
    Mikhail Bakhtin: The Dialogical Principle. By Tzvetan Todorov.Walter B. Mead - 1986 - Modern Schoolman 64 (1):69-70.
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  19.  67
    Mikhail Bakhtin and the Dialogical Dimensions of the Novel.David Patterson - 1985 - Journal of Aesthetics and Art Criticism 44 (2):131-139.
  20.  16
    Mikhail Bakhtin.Martina Bjorklund - 2011 - In Marina Sbisà, Jan-Ola Östman & Jef Verschueren (eds.), Philosophical Perspectives for Pragmatics. John Benjamins. pp. 10--38.
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  21.  7
    Mikhail Bakhtin E Manoel de Barros: Entre o Cronotopo E a Inf'ncia.Paloma Dias Silveira & Margarete Axt - 2015 - Bakhtiniana 10 (1):176-192.
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  22. Mikhail Bakhtin's Life and Philosophical Idea.Natal’ia Konstantinova Bonetskaia - 2003 - Russian Studies in Philosophy 43 (1):5-34.
     
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  23. Mikhail Bakhtin: An Aesthetic for Democracy. [REVIEW]Craig Brandist - 2000 - Radical Philosophy 104.
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  24.  25
    Language for Those Who Have Nothing: Mikhail Bakhtin and the Landscape of Psychiatry.Peter Good - 2001 - Kluwer Academic/Plenum.
    The aim of Language for those who have Nothing is to think psychiatry through the writings of Mikhail Bakhtin. Using the concepts of Dialogism and Polyphony, the Carnival and the Chronotope, a novel means of navigating the clinical landscape is developed. Bakhtin offers language as a social phenomenon and one that is fully embodied. Utterances are shown to be alive and enfleshed and their meanings realised in the context of given social dimensions. The organisation of this book (...)
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  25.  37
    Mikhail Bakhtin and the Dialogic Word in Literary Art: What Sort of Fiction is This?Caryl Emerson - 2005 - Graduate Faculty Philosophy Journal 26 (1):107-143.
    In this essay I will argue that verbal dialogue, when realized successfully in a novel and measured by the tools appropriate to it, approximates that moment in real life we recognize as a “quickening of consciousness.”.
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  26. The Cambridge Introduction to Mikhail Bakhtin.Ken Hirschkop - 2021 - Cambridge University Press.
    In this introduction to Mikhail Bakhtin, Ken Hirschkop presents a compact, readable, detailed, and sophisticated exposition of all of Bakhtin's important works. Using the most up-to-date sources and the new, scholarly editions of Bakhtin's texts, Hirschkop explains Bakhtin's influential ideas, demonstrates their relevance and usefulness for literary and cultural analysis, and sets them in their historical context. In clear and concise language, Hirschkop shows how Bakhtin's ideas have changed the way we understand language and (...)
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  27. Problems of Dostoevsky’s Poetics.Mikhail Bakhtin - 1984 - Univ of Minnesota Press.
    This book is not only a major twentieth-century contribution to Dostoevsky’s studies, but also one of the most important theories of the novel produced in our century. As a modern reinterpretation of poetics, it bears comparison with Aristotle.“Bakhtin’s statement on the dialogical nature of artistic creation, and his differentiation of this from a history of monological commentary, is profoundly original and illuminating. This is a classic work on Dostoevsky and a statement of importance to critical theory.” Edward Wasiolek“Concentrating on (...)
     
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  28.  57
    The Rabbit and the Duck : Antinomic Unity in Dostoevskij, the Russian Religious Tradition, and Mikhail Bakhtin.Ksana Blank - 2007 - Studies in East European Thought 59 (1-2):21 - 37.
    At the core of Dostoevskij's philosophy and theology lies a concept according to which the Truth (Istina) is antinomical: it contains both a thesis and its antithesis without expectation of synthesis. This concept can be traced to Eastern Patristics. After Dostoevskij, the theory of antinomies was elaborated by 20th century Russian religious thinkers such as Pavel Florenskij, Sergej Bulgakov, Nikolaj Berdjaev, Semën Frank, and Vladimir Losskij. Their ideas help us to understand that Dostoevskij's dialogism, made famous in its secular guise (...)
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  29.  17
    The Rabbit and The Duck: Antinomic Unity in Dostoevskij, the Russian Religious Tradition, and Mikhail Bakhtin.Ksana Blank - 2007 - Studies in East European Thought 59 (1-2):21-37.
    At the core of Dostoevskij's philosophy and theology lies a concept according to which the Truth is antinomical: it contains both a thesis and its antithesis without expectation of synthesis. This concept can be traced to Eastern Patristics. After Dostoevskij, the theory of antinomies was elaborated by 20th century Russian religious thinkers such as Pavel Florenskij, Sergej Bulgakov, Nikolaj Berdjaev, Semën Frank, and Vladimir Losskij. Their ideas help us to understand that Dostoevskij's dialogism, made famous in its secular guise by (...)
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  30.  21
    A Response to the Forum on Mikhail Bakhtin.Ken Hirschkop - 1985 - Critical Inquiry 11 (4):672.
    Critical Inquiry’s Forum on Mikhail Bakhtin [Critical Inquiry 10 : 225-319] is the latest contribution to the spectacular effort of interpretation and assimilation that is being applied to the work of this recently recovered critic. In such a situation, analysis proceeds with one eye on the work in question and the other on current debates in the field; in the case of Bakhtin, interpretation is at the same time an attempt to come to grips with challenges posed (...)
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  31.  20
    Dialogue, Responsibility and Literary Writing: Mikhail Bakhtin and His Circle.Susan Petrilli - 2016 - Semiotica 2016 (213):307-343.
    Name der Zeitschrift: Semiotica Jahrgang: 2016 Heft: 213 Seiten: 307-343.
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  32. Tzvetan Todorov, Mikhail Bakhtin: The Dialogical Principle. [REVIEW]Mary Wiseman - 1986 - Philosophy in Review 6:404-406.
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  33.  10
    On Bringing Mikhail Bakhtin Into the Social Sciences.Anthony Wall - 2001 - Semiotica 2001 (133).
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  34.  15
    BIALOSTOSKY, Don. Mikhail Bakhtin. Rhetoric, Poetics, Dialogics, Rhetoricality [Mikhail Bakhtin: Retórica, Poética, Dialógica, Retoricalidade]. Anderson, South Carolina: Parlor Press, 2016. 191 P. [REVIEW]Pistori Maria Helena Cruz - 2017 - Bakhtiniana 12 (3):153-161.
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  35. Tzvetan Todorov, Mikhail Bakhtin: The Dialogical Principle Reviewed By.Mary Bittner Wiseman - 1986 - Philosophy in Review 6 (8):404-406.
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  36. Eugen Rosenstock-Huessy & Mikhail Bakhtin : Speech, The Spirit, and Social Change.Harold M. Stahmer - 1997 - Forum Philosophicum: International Journal for Philosophy 2:156-158.
  37.  15
    Isaiah Berlin and Mikhail Bakhtin: Relativistic Affiliations.Caryl Emerson - 1999 - Symploke 7 (1):139-164.
  38.  16
    Clive Thomson, Ed., Mikhail Bakhtin and the Epistemology of Discourse (Critical Studies, Vol. 2 No. 1/2).Thomas Kent - 1994 - International Studies in Philosophy 26 (2):148-149.
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  39.  17
    Clive Thomson, Ed., Mikhail Bakhtin and the Epistemology of Discourse.Thomas Kent - 1994 - International Studies in Philosophy 26 (2):148-149.
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  40.  10
    BAKHTIN, Mikhail. Teoria do romance II: As formas do tempo e do cronotopo. Tradução, posfácio e notas de Paulo Bezerra; organização da edição russa de Serguei Botcharov e Vadim Kójinov. São Paulo: Editora 34, 2018. 272p. [REVIEW]Maria Elizabeth da Silva Queijo - 2019 - Bakhtiniana 14 (2):150-158.
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  41.  15
    Intersections Between Paul Ricoeur’s Conception of Narrative Identity and Mikhail Bakhtin’s Notion of the Polyphony of Speech.Małgorzata Hołda - 2016 - Forum Philosophicum: International Journal for Philosophy 21 (2):225-247.
    Proposing his conception of narrative identity in Oneself as Another, Paul Ricoeur holds that human life is comprehensible, once the story of a man’s life has actually been told, and it is the narrative of one’s life which constructs one’s identity. Developing his theory of heteroglossia and the polyphony of human speech, explicated chiefly in Speech Genres and The Dialogic Imagination, Mikhail Bakhtin recognizes the intrinsically intertwining character of utterance and response. According to him, utterance is always addressed (...)
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  42. Intersections Between Paul Ricœur’s Conception of Narrative Identity and Mikhail Bakhtin’s Notion of the Polyphony of Speech.Małgorzata Hołda - 2017 - Forum Philosophicum: International Journal for Philosophy 21 (2):227-249.
    Proposing his conception of narrative identity in Oneself as Another, Paul Ricœur holds that human life is comprehensible, once the story of a man’s life has actually been told, and it is the narrative of one’s life which constructs one’s identity. Developing his theory of heteroglossia and the polyphony of human speech, explicated chiefly in Speech Genres and The Dialogic Imagination, Mikhail Bakhtin recognizes the intrinsically intertwining character of utterance and response. According to him, utterance is always addressed (...)
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  43.  3
    Paul Ricoeur’s Narrative Identity and Mikhail Bakhtin’s Polyphony of Speech – the Intersections Resubmission.Małgorzata Hołda - 1970 - Forum Philosophicum: International Journal for Philosophy 21 (2):227-249.
    Proposing his conception of narrative identity in Oneself as Another, Paul Ricœur holds that human life is comprehensible, once the story of a man’s life has actually been told, and it is the narrative of one’s life which constructs one’s identity. Developing his theory of heteroglossia and the polyphony of human speech, explicated chiefly in Speech Genres and The Dialogic Imagination, Mikhail Bakhtin recognizes the intrinsically intertwining character of utterance and response. According to him, utterance is always addressed (...)
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  44.  4
    A Concepção da Palavra Em Mikhail Bakhtin No Contexto da Crítica Literária Contempor'nea.Elina Sventsitskaya - 2020 - Bakhtiniana 15 (4):8-26.
    RESUMO O artigo é dedicado a um dos problemas centrais da ciência filológica moderna - o problema da palavra artística, no entendimento do qual vemos a interseção e interação frutífera da crítica literária e da linguística. O trabalho sistematiza conceitos relevantes para o estudo moderno da palavra artística, revelando sua natureza específica, bem como define as tendências gerais que são características de cada uma das abordagens existentes. A autora enfoca no conceito de palavra de Mikhail Bakhtin, que supera (...)
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  45.  16
    Hilary P. B. Bagshaw Religion in the Thought of Mikhail Bakhtin. . Pp. Xi+159. £50.00 . ISBN 978 1 4094 6240 8.Oliver Davies - 2014 - Religious Studies 50 (3):387-391.
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  46.  25
    Diálogo, alteridade e agir ético na educação: um encontro entre Martin Buber, Mikhail Bakhtin e Paulo Freire.Alexandra Coelho Pena - 2017 - Educação E Filosofia 31 (62):751-781.
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  47.  2
    The Aesthetics of Hermann Cohen and the Aesthetics of Mikhail Bakhtin: Conceptual Borrowings and Their Rethinking.Alexander Yudin - 2014 - Sententiae 31 (2):157-186.
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  48.  3
    The Attempt of Surmounting the Subject-Object Approach in Mikhail Bakhtin's Philosophy and Aesthetics.Alexander Yudin - 2013 - Sententiae 29 (2):114-126.
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  49.  19
    A produção social da linguagem: uma leitura do texto de Mikhail Bakhtin , Marxismo e filosofia da linguagem.Lauro Frederico Barbosa da Silveira - 1981 - Trans/Form/Ação 4:15-39.
    Diante do problema de fundamentar criticamente a produção semiótica no interior da formação econômica e social capitalista e mesmo da fase inicial de implantação do socialismo, BAKHTIN, ou seu discípulo VOLOCHINOV, discute as proposições da lingüística de tradição saussuriana e do subjetivismo individualista dos vosslerianos e, evitando o mecanicismo pretensamente marxista, propõe o estabelecimento da instância social e ideológica da formação do discurso. Após elaborar os fundamentos gerais da produção social dos signos, detém-se na análise dos discursos indiretos progressivamente (...)
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  50. Tones and Overtones of the Serious in Mikhail Bakhtin's Philosophy.E. V. Volkova & S. Z. Orudzheva - 2003 - Russian Studies in Philosophy 43 (1):35-61.
     
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