THE LIMITS OF PHILOSOPHY. NIKOLAI FEDOROV AND THE PROJECT OF THE COMMON TASK This paper is a presentation of Nikolai Fedorov’s main and only idea: the abolition of death and the resurrection of the dead of all generations. Fedorov’s philosophy is a unique mix of theological and futuristic-utopian narratives. Firstly, I take a look at Fedorov’s religious assumptions: the relation between God and man and the meaning of Lazarus' resurrection for mankind. Secondly, I examine the social and technological conditions which (...) have to be fulfilled in order to animate the dead bodies of our forefathers. Then, I try to characterize Fedorov’s thinking as a deontological moral philosophy based on the concept of imperative. I arrive at the conclusion that Fedorov’s project, on the one hand, exceeds and, on the other hand, extends the limits of what we call “philosophy”. Additionally, some recent contexts of Fedorov’s idea in modern Russia will be mentioned in the article: Strategic Social Initiative 2045 and political party Evolution 2045. (shrink)

I first characterize a moral mistake in coercion. The principle of independence with which I criticize coercion seems also to condemn exchange. I propose an account of exchange from which it follows that exchange upholds independence after all. In support of that account I argue that, of the accounts of exchange that occur to me, only this one has the consequence that, on general assumptions, a person can take part in exchange while acting, intending, and believing with sufficient reason. I (...) argue that the hiring of very poor people by very rich people for labor from which the rich draw a substantial surplus does not give rise to an exchange of this kind. These instances of the wage labor relation resemble coercion insofar as they violate independence. (shrink)

Substantial evidence indicates that cognitive training can be efficacious for older adults, but findings regarding training-related brain plasticity have been mixed and vary depending on the imaging modality. Recent years have seen a growth in recognition of the importance of large-scale brain networks on cognition. In particular, task-induced deactivation within the default mode network is thought to facilitate externally directed cognition, while aging-related decrements in this neural process are related to reduced cognitive performance. It is not yet clear whether task-induced (...) deactivation within the DMN can be enhanced by cognitive training in the elderly. We previously reported durable cognitive improvements in a sample of healthy older adults who completed 6 weeks of process-based object-location memory training compared to an active control training group. The primary aim of the current study is to evaluate whether these cognitive gains are accompanied by training-related changes in task-related DMN deactivation. Given the evidence for heterogeneity of the DMN, we examine task-related activation/deactivation within two separate DMN branches, a ventral branch related to episodic memory and a dorsal branch more closely resembling the canonical DMN. Participants underwent functional magnetic resonance imaging while performing an untrained object-location memory task at four time points before, during, and after the training period. Task-induced activation values were extracted for the ventral and dorsal DMN branches at each time point. Relative to visual fixation baseline: the dorsal DMN was deactivated during the scanner task, while the ventral DMN was activated; the object-location memory training group exhibited an increase in dorsal DMN deactivation relative to the active control group over the course of training and follow-up; changes in dorsal DMN deactivation did not correlate with task improvement. These results indicate a training-related enhancement of task-induced deactivation of the dorsal DMN, although the specificity of this improvement to the cognitive task performed in the scanner is not clear. (shrink)

La nature de la conscience est au centre de la discussion actuelle sur la personne humaine. Bien que certains philosophes fassent de la conscience la clef fondamentale et de toute l'épistémologie, la plupart des scientifiques la réduisent aux intéractions complexes du cerveau. Le présent article tire sa matière de l'analyse que saint Thomas d'Aquin fait de cette notion dans son De Veritate . Il caractérise la conscience en termes de connaissance et d'application de la connaissance à l'agir. L'A. cherche à (...) donner une définition pour montrer que la conscience dépend directement d'un syllogisme pratique. (shrink)

Author: Domaradzki Mikołaj Title: HUMANISTIC INTERPRETATION AND THE PROBLEM OF ANCIENT ALLEGORESIS (Interpretacja humanistyczna a problem starożytnej alegorezy) Source: Filo-Sofija year: 2011, vol:.12, number: 2011/1, pages: 361-372 Keywords: ANCIENT ALLEGORESIS, HERMENEUTICS, METRODORUS OF LAMPSACUS, HUMANISTIC INTERPRETATION, JERZY KMITA Discipline: PHILOSOPHY Language: POLISH Document type: ARTICLE Publication order reference (Primary author’s office address): E-mail: www:The purpose of the article is to present the phenomenon of allegorical interpretation as one of most important cultural events that has ultimately resulted in the emergence (...) of modern hermeneutics. More specifically, the paper argues that the hermeneutical activity of Metrodorus of Lampsacus embodies the practice that is nowadays commonly referred to as ‘humanistic interpretation’. Having established that the exegesis of Metrodorus can be characterized as a type of humanistic interpretation, the article proceeds to demonstrate that the allegoresis in question was in fact adaptive in its nature. While Metrodorus’ ideas are suggested to have possibly contributed to the philosophical overcoming of the so called syncretic-magical thinking, the allegorical support of the transformation of mythos into logos is analyzed within the framework of Jerzy Kmita’s theory of culture. (shrink)

Author: Domaradzki Mikołaj Title: SYMBOL AND ALLEGORY IN THE PHILOSOPHICAL EXEGESIS OF THE STOICS (Symbol i alegoria w filozoficznej egzegezie stoików) Source: Filo-Sofija year: 2011, vol:.13/14, number: 2011/2-3, pages: 719-736 Keywords: STOIC EXEGESIS, SYMBOL, ALLEGORY, CHRYSIPPUS, CORNUTUS, HERACLITUS THE ALLEGORIST Discipline: PHILOSOPHY Language: POLISH Document type: ARTICLE Publication order reference (Primary author’s office address): E-mail: www:The present paper aims to ascertain whether, and if so, to what extent the modern distinction between the concepts of ‘symbol’ and ‘allegory’ can be (...) applied to Stoic hermeneutical activity. The philosophy of the Stoics invites such a discussion, since the philosophers were the first thinkers in antiquity to actually have used the terms with reference to the process of retrieving the hidden meaning of various literary constructions. Thus, Chrysippus’ interpretation of the myth of Athena’s birth provides the point of departure for our considerations, since it is in the philosopher’s exegesis that we find the very first use of the word ‘symbol’ understood as a theoretical tool for interpreting texts. Subsequently, the article proceeds to discuss the interpretations of the same myth that were presented by Cornutus and Heraclitus who use the words ‘symbol’ and ‘allegory’ interchangeably. While the paper argues that in none of the cases analyzed do we find an understanding of the terms ‘symbol’ or ‘allegory’ that would entirely correspond to modern definitions of the terms, it also stresses that the impossibility of classifying Stoic interpretations as either solely ‘symbolical’ or solely ‘allegorical’ does not diminish the cultural import of Stoic hermeneutical activity. (shrink)

According to the acousmatic thesis defended by Roger Scruton and others, to hear sounds as music is to divorce them from the source or cause of their production. Non-acousmatic experience involves attending to the worldly cause of the sound; in acousmatic experience, sound is detached from that cause. The acousmatic concept originates with Pythagoras, and was developed in the work of 20th century musique concrète composers such as Pierre Schaeffer. The concept yields important insights into the nature of musical experience, (...) but Scruton's version of the acousmatic thesis cannot overcome objections arising from timbral and spatial aspects of music, which seem to relate sounds to the circumstances of their production. These objections arise in part from music's status as a performing art rooted in human gesture and behaviour. Hence I defend a two-fold thesis of "hearing-in", which parallels Richard Wollheim's concept of "seeing-in": both acousmatic and.. (shrink)