Springer Nature signed its first transformative read and publish agreement in 2015. This Springer compact agreement with VSNU was the first agreement of its kind to combine reading and publishing fees with the aim of transitioning traditional library subscription payments into central funding to support open access publishing. It has proved to be a pivotal moment in the transition to OA. Since then, Springer Nature has agreed many such national agreements all around the world, including the world’s largest with Projekt (...) DEAL in Germany. Through a series of case studies, this article will examine the role these agreements have played in facilitating the transition to OA – to bring centralized funding for OA – and analyse how their nature and characteristics have evolved and adapted to reflect the differing needs of individual customers, as well as changing views. The paper will also consider the challenges faced by publishers, institutions, and funders in agreeing transformative agreements, consider how these ‘blockers’ can be overcome, and evaluate the future role of transformative agreements as a critical precursor to achieving open science. (shrink)

This article examines what the work of New Delhi-based artist Mithu Sen brings to thinking about being a postcolonial feminist. Using images from Sen's solo exhibit in New Delhi and New York titled Half Full, I theorize on the complexities that proliferate when thinking about postcolonial feminism. Sen's images play with “an” identity to showcase the hybrid and mobile configuration of postcolonial subjectivity. Sen's provocative aesthetic urges us to rethink defining a set of conditions or tenets for postcolonial feminism. (...) Rather, her aesthetic politics propels through humor and provides a prism to constantly reimagine postcolonial feminist subjectivity by urging a consideration of maps that intersect and overlap. (shrink)

Testimony and Engagement: Towards a Re-assessment of the Distinction between Fiction and Non-Fiction in Literary Narratives This article approaches the cognitive value of literary works from the perspective of the distinction between fiction and non-fiction. This examination takes as a starting point the philosophy of Peter Lamarque who bases the distinction between fiction and non-fiction on the intention of the author. I question this position from the perspective of the reader’s experience of a literary text. I argue that the distinction (...) between fiction and non-fiction plays a major role in our appreciation of literary works, but that the intention of the author is not sufficient to account for it. In order to assess the relevance of the distinction between fiction and non-fiction in the reader’s experience of literary narratives, I introduce the notions of testimony and engagement. Testimony narratives are considered to be non-fiction, narratives of engagement are not. In analyzing some aspects of the stories If This Is a Man (Primo Levi), Nausea (Jean-Paul Sartre) and Identitti (Mithu Sanyal), I show that testimony and engagement are both involved, however in different ways, in the reader’s appreciation of these stories. (shrink)