This paper analyses a hitherto unknown technique of using logic diagrams to create argument maps in eristic dialectics. The method was invented in the 1810s and -20s by Arthur Schopenhauer, who is considered the originator of modern eristic. This technique of Schopenhauer could be interesting for several branches of research in the field of argumentation: Firstly, for the field of argument mapping, since here a hitherto unknown diagrammatic technique is shown in order to visualise possible situations of arguments (...) in a dialogical controversy. Secondly, the art of controversy or eristic, since the diagrams do not analyse the truth of judgements and the validity of inferences, but the persuasiveness of arguments in a dialogue. (shrink)

Reism or concretism are the labels for a position in ontology and semantics that is represented by various philosophers. As Kazimierz Ajdukiewicz and Jan Woleński have shown, there are two dimensions with which the abstract expression of reism can be made concrete: The ontological dimension of reism says that only things exist; the semantic dimension of reism says that all concepts must be reduced to concrete terms in order to be meaningful. In this paper we argue for the following two (...) theses: (1) Arthur Schopenhauer has advocated a reistic philosophy of language which says that all concepts must ultimately be based on concrete intuition in order to be meaningful. (2) In his semantics, Schopenhauer developed a theory of logic diagrams that can be interpreted by modern means in order to concretize the abstract position of reism. Thus we are not only enhancing Jan Woleński’s list of well-known reists, but we are also adding a diagrammatic dimension to concretism, represented by Schopenhauer. (shrink)

This chapter provides a survey of issues about diagrams in traditional geometrical reasoning. After briefly refuting several common philosophical objections, and giving a sketch of diagram-based reasoning practice in Euclidean plane geometry, discussion focuses first on problems of diagram sensitivity, and then on the relationship between uniform treatment and geometrical generality. Here, one finds a balance between representationally enforced unresponsiveness (to differences among diagrams) and the intellectual agent's contribution to such unresponsiveness that is somewhat different from what one (...) has come to expect in modern logic. Finally, challenges and opportunities for further work are indicated. (shrink)

This paper explores the question of what makes diagrammatic representations effective for human logical reasoning, focusing on how Euler diagrams support syllogistic reasoning. It is widely held that diagrammatic representations aid intuitive understanding of logical reasoning. In the psychological literature, however, it is still controversial whether and how Euler diagrams can aid untrained people to successfully conduct logical reasoning such as set-theoretic and syllogistic reasoning. To challenge the negative view, we build on the findings of modern diagrammatic (...) logic and introduce an Euler-style diagrammatic representation system that is designed to avoid problems inherent to a traditional version of Euler diagrams. It is hypothesized that Euler diagrams are effective not only in interpreting sentential premises but also in reasoning about semantic structures implicit in given sentences. To test the hypothesis, we compared Euler diagrams with other types of diagrams having different syntactic or semantic properties. Experiment compared the difference in performance between syllogistic reasoning with Euler diagrams and Venn diagrams. Additional analysis examined the case of a linear variant of Euler diagrams, in which set-relationships are represented by one-dimensional lines. The experimental results provide evidence supporting our hypothesis. It is argued that the efficacy of diagrams in supporting syllogistic reasoning crucially depends on the way they represent the relational information contained in categorical sentences. (shrink)

This article puts forward the notion of “evolving diagram” as an important case of mathematical diagram. An evolving diagram combines, through a dynamic graphical enrichment, the representation of an object and the representation of a piece of reasoning based on the representation of that object. Evolving diagrams can be illustrated in particular with category-theoretic diagrams (hereafter “diagrams*”) in the context of “sketch theory,” a branch of modern category theory. It is argued that sketch theory provides a (...) diagrammatic* theory of diagrams*, that it helps to overcome the rivalry between set theory and category theory as a general semantical framework, and that it suggests a more flexible understanding of the opposition between formal proofs and diagrammatic reasoning. Thus, the aim of the paper is twofold. First, it claims that diagrams* provide a clear example of evolving diagrams, and shed light on them as a general phenomenon. Second, in return, it uses sketches, understood as evolving diagrams, to show how diagrams* in general should be re-evaluated positively. (shrink)

In early modernity, one can find many spatial logic diagrams whose geometric forms share a family resemblance with religious art and symbols. The family resemblance these diagrams bear in form is often based on a vesica piscis or on a cross: Both logic diagrams and spiritual symbols focus on the intersection or conjunction of two or more entities, e.g. subject and predicate, on the one hand, or god and man, on the other. This paper deals with the (...) development and function of logic diagrams, their analogy to religious art and symbols, and their modern application in artificial intelligence. (shrink)

From the mid-1600s to the beginning of the eighteenth century, there were two main circles of German scholars which focused extensively on diagrammatic reasoning and representation in logic. The first circle was formed around Erhard Weigel in Jena and consists primarily of Johann Christoph Sturm and Gottfried Wilhelm Leibniz; the second circle developed around Christian Weise in Zittau, with the support of his students, particularly Samuel Grosser and Johann Christian Lange. Each of these scholars developed an original form of using (...) geometric diagrams in logic. In this paper, I will trace the historical notes of John Venn and other modern logicians back to the original works published in the Weigel and Weise circles and describe the development of using geometric figures for logical reasoning and representation in that period of time. (shrink)

Why are diagrams sometimes so useful, while other times unhelpful and even misguiding? There are systematic reasons for this. Drawing on modern research in logic, Artificial Intelligence, cognitive psychology, and graphic design, "Semantic Properties of Diagrams and their Cognitive Potentials" shows that diagrams' cognitive functions are rooted in the characteristic ways they carry information about their targets. The analysis leads to an answer for the deeper question of What makes a diagram a diagram?, which is of (...) crucial importance to the foundation of a collective science of diagrams. ". (shrink)

For Viennese artist Florian Pumhösl »abstraction is a method«, not a category. Or rather, if abstraction is the defining category of modernism, the objective is to reproduce modernism's problems and limits and exploit relationships among its parts. Considering what Pumhösl calls the »textile complex« of modernism, this essay examines the artist's work in parallel with Charles Sanders Peirce's diagram concept and Gottfried Semper's use of textile diagrams throughout Style in the Technical and Tectonic Arts. _German_ »Abstraktion« ist für den (...) Wiener Künstler Florian Pumhösl eine »Methode«, keine Kategorie. Oder vielmehr, wenn Abstraktion die bestimmende Kategorie der Moderne ist, dann ist das Ziel, die Probleme und Beschränkungen der Moderne zu reproduzieren und die Beziehungen zwischen ihren Elementen auszunutzen. Vor dem Hintergrund dessen, was Pumhösl den »Gewebekomplex« der Moderne nennt, untersucht dieser Bei trag das Werk des Künstlers und führt es mit Charles Sanders Peirces Diagramm Konzept und Gottfried Sempers Einsatz von »textilen« Diagrammen in seinem Werk Der Stil in den technischen und tektonischen Künsten eng. (shrink)

In this article, the role of abductive reasoning within Peirce's diagrammatic reasoning is discussed. Both abduction and diagrammatic reasoning bring in elements of discovery but it is not clear if abduction should be a part of a fully developed diagrammatic system or not for Peirce. This relates to Peirce's way of interpreting abduction in his later writings. Iconicity and perceptual elements as a basis for discoveries are analyzed, both in deductive and abductive reasoning. At the end, the role of (...) class='Hi'>modern ideas of distributed cognition applied to the Peircean scheme is shortly delineated. (shrink)

Logic, the discipline that explores valid reasoning, does not need to be limited to a specific form of representation but should include any form as long as it allows us to draw sound conclusions from given information. The use of diagrams has a long but unequal history in logic: The golden age of diagrammatic logic of the 19th century thanks to Euler and Venn diagrams was followed by the early 20th century's symbolization of modern logic by Frege (...) and Russell. Recently, we have been witnessing a revival of interest in diagrams from various disciplines - mathematics, logic, philosophy, cognitive science, and computer science. This book aims to provide a space for this newly debated topic - the logical status of diagrams - in order to advance the goal of universal logic by exploring common and/or unique features of visual reasoning. (shrink)

This dissertation explores the reasons why structured graphics have been largely ignored in the representation and reasoning components of contemporary theories of axiomatic systems. In particular, it demonstrates that for the case of modern logic and geometry, there are systematic forces in the intellectual history of these disciplines which have driven the adoption of sentential representational styles over diagrammatic ones. These forces include: the changing views of the role of intuition in the procedures and formalisms of formal proof; the (...) historical contrast between the universalist subject matter of logic and the specific subject matter of geometry; and the ways in which both logic and geometry were affected by the changes that swept through mathematics during the nineteenth century. This dissertation traces the effects of each of these influences in the evolution of logic and geometry from antiquity to the early twentieth-century work of David Hilbert. For each discipline, it examines the historical factors impacting the creation and development of important diagrammatic systems, the reasons for the adoption or abandonment of these systems, and the philosophical context and debates surrounding the use of these systems. It concludes by arguing that the history of diagrammatic representations in logic and geometry cannot be adequately understood without essential reference to their philosophical background. (shrink)

This contribution examines the role of diagrams in early modern pedagogy. It begins with an analysis of images from the 1632 Dialogo and 1638 Discorsi. I claim that Galileo often employed images in a pedagogical context, illustrating to readers through his dialogue how he may have used images in his own teaching. Building on the work of previous historians, I argue that a classification of Galileo’s images should include not only heuristic images and images used for virtual witnessing, (...) but also pedagogical images designed to illustrate to the reader (or student) how to reach conclusions about a given question. I then turn to the way Galileo’s readers at the University of Pisa employed Galileo’s images in their own teaching. I argue that Galileo’s readers employed his images in their own works in ways which reflected their training and the genre in which they wrote and taught. (shrink)

The past twenty years have witnessed extensive collaborative research between computer scientists, logicians, linguists, philosophers, and psychologists. These interdisciplinary studies stem from the realization that researchers drawn from all fields are studying the same problem. Specifically, a common concern amongst researchers today is how logic sheds light on the nature of information. Ancient questions concerning how humans communicate, reason and decide, and modern questions about how computers should communicate, reason and decide are of prime interest to researchers in various (...) disciplines. _Words, Proofs and Diagrams_ is a collection of papers covering active research areas at the interface of logic, computer science, and linguistics. Readers of the volume will find traditional research on process logics, issues in formal semantics, and language processing. In addition, the volume also highlights a particularly new area where all three disciplines meet—the study of images and graphics as information carriers and the diagrammatic reasoning supported by them. (shrink)

Greek ancient and early modern geometry necessarily uses diagrams. Among other things, these enter geometrical analysis. The paper distinguishes two sorts of geometrical analysis and shows that in one of them, dubbed “intra-confgurational” analysis, some diagrams necessarily enter as outcomes of a purely material gesture, namely not as result of a codifed constructive procedure, but as result of a free-hand drawing.

Modern formal accounts of the constructive nature of elementary geometry do not aim to capture the intuitive or concrete character of geometrical construction. In line with the general abstract approach of modern axiomatics, nothing is presumed of the objects that a geometric construction produces. This study explores the possibility of a formal account of geometric construction where the basic geometric objects are understood from the outset to possess certain spatial properties. The discussion is centered around Eu , a (...) recently developed formal system of proof (presented in Mumma (Synthese 175:255–287, 2010 )) within which Euclid’s diagrammatic proofs can be represented. (shrink)

It is of common use in modern Venn diagrams to mark a compartment with a cross to express its non-emptiness. Modern scholars seem to derive this convention from Charles S. Peirce, with the assumption that it was unknown to John Venn. This paper demonstrates that Venn actually introduced several methods to represent existentials but felt uneasy with them. The resistance to formalize existentials was not limited to diagrammatic systems, as George Boole and his followers also failed to (...) provide a satisfactory symbolic representation for them. This difficulty points out issues that are inherent to the very nature of existentials. This paper assesses the various methods designed for the representation of existential statements with Venn diagrams. First, Venn’s own attempts are discussed and compared with other solutions proposed by his contemporaries and successors, notably Lewis Carroll and Peirce. Since disjunctives hold an important role in an effective representation of existentials, their representation is also discussed. Finally, recent methods for the diagrammatic representation of existing individuals, rather than mere existence, are surveyed. (shrink)

Logicians commonly speak in a relatively undifferentiated way about pre-euler diagrams. The thesis of this paper, however, is that there were three periods in the early modern era in which euler-type diagrams (line diagrams as well as circle diagrams) were expansively used. Expansive periods are characterized by continuity, and regressive periods by discontinuity: While on the one hand an ongoing awareness of the use of euler-type diagrams occurred within an expansive period, after a subsequent (...) phase of regression the entire knowledge about the systematic application and the history of euler-type diagrams was lost. I will argue that the first expansive period lasted from Vives (1531) to Alsted (1614). The second period began around 1660 with Weigel and ended in 1712 with lange. The third period of expansion started around 1760 with the works of Ploucquet, euler and lambert. Finally, it is shown that euler-type diagrams became popular in the debate about intuition which took place in the 1790s between leibnizians and Kantians. The article is thus limited to the historical periodization between 1530 and 1800. (shrink)

This book marks the inauguration of the Historia Logicae book series, which seeks to publish high-quality monographs, dissertations, textbooks, proceedings, and anthologies on the history of logic in either German or English. Serving as the inaugural volume in this series, the book explores the contemporary interpretation of logic across many centuries and cultures. The first section of the volume comprises a compilation of papers dedicated to ancient and medieval logic, examining prominent thinkers such as Plato, Aristotle, Seneca, Porphyry, Proclus, Boethius, (...) Buridan, and Kilwardby. The second section shifts focus towards early-modern and contemporary logics, including the works of Caramuel, Kant, Drobisch, Husserl, and Jaskowski. Topics of discussion encompass the relationship between mathematics and logic, natural deduction, intuitionism, graph theory, categorical judgments, theories of truth, modal logic, opposition relations, logic diagrams, definitions of formal logic, many-sorted logic, model theory, and paraconsistent logic. (shrink)

This paper aims to give a substantive account of how Feynman used diagrams in the first lectures in which he explained his new approach to quantum electrodynamics. By critically examining unpublished lecture notes, Feynman’s use and interpretation of both "Feynman diagrams" and other visual representations will be illuminated. This paper discusses how the morphology of Feynman’s early diagrams were determined by both highly contextual issues, which molded his images to local needs and particular physical characterizations, and an (...) overarching common diagrammatic style, which facilitated Feynman’s movement between different diagrams despite their divergent forms and significance. (shrink)

You ask if metaphysics is possible after modernity, or after Barth and Wittgenstein and Derrida and the critique of foundationalism? May I invite you, by way of response, to listen in on a conversation? It is a dialogue between what I will call a postcritical philosopher ("P") and a postcritical scriptural theologian —— I'll label the latter a "textualist" ("T"). What I mean by "postcritical" would be displayed as the pattern of inquiry traced by this dialogue. I take the term (...) "postcritical" from George Lindbeck, whose theological work is described by his commentators as more properly "textualist" rather than "philosophic." I believe my usage is, however, true to Lindbeck's discourse. This means that one of the arguments of this essay is that there is a mode of philosophic inquiry proper to the postcritical orientation in theology that we may associate with such Christian theologians as Hans Frei, etc., as well as Lindbeck. A second argument, offered indirectly, is that there is a family of Jewish thinkers whose work may also be labeled "postcritical" on the model of these Christian thinkers, and that this Jewish postcritical theology would also be displayed in dialogues between philosophic and textualist tendencies. A third argument is that, if we listen in on the philosophic side of any of these dialogues, we will hear a postcritical philosophy. By philosophy, I mean primarily logic, defined as an inquiry that examines problematic rules of reasoning and recommends testable ways of correcting them. Secondarily, philosophy includes metaphysics, defined as an inquiry that, for the sake of assuring people about the reliability of a given logic, constructs pictures of the world whose existence would warrant this logic. We need not assume either that logic and metaphysics can be conducted only in the manner of modern and scholastic foundationalism, or that non-foundationalist theology must be "textualist" in a manner that excludes any philosophic generalization. I will argue that there are, indeed, non-foundationalist ways of conceiving of both logical and metaphysical inquiry and that these ways contribute to the dialogic activity of postcritical inquiry. (shrink)

This book examines the transmission processes of the Aristotelian Mechanics. It does so to enable readers to appreciate the value of the treatise based on solid knowledge of the principles of the text. In addition, the book’s critical examination helps clear up many of the current misunderstandings about the transmission of the text and the diagrams. The first part of the book sets out the Greek manuscript tradition of the Mechanics, resulting in a newly established stemma codicum that illustrates (...) the affiliations of the manuscripts. This research has led to new insights into the transmission of the treatise, most importantly, it also demonstrates an urgent need for a new text. A first critical edition of the diagrams contained in the Greek manuscripts of the treatise is also presented. These diagrams are not only significant for a reconstruction of the text but can also be considered as a commentary on the text. Diagrams are thus revealed to be a powerful tool in studying processes of the transfer and transformation of knowledge. This becomes especially relevant when the manuscript diagrams are compared with those in the printed editions and in commentaries from the early modern period. The final part of the book shows that these early modern diagrams and images reflect the altered scope of the mechanical discipline in the sixteenth century. (shrink)

What is logical relevance? Anderson and Belnap say that the “modern classical tradition [,] stemming from Frege and Whitehead-Russell, gave no consideration whatsoever to the classical notion of relevance.” But just what is this classical notion? I argue that the relevance tradition is implicitly most deeply concerned with the containment of truth-grounds, less deeply with the containment of classes, and least of all with variable sharing in the Anderson–Belnap manner. Thus modern classical logicians such as Peirce, Frege, Russell, (...) Wittgenstein, and Quine are implicit relevantists on the deepest level. In showing this, I reunite two fields of logic which, strangely from the traditional point of view, have become basically separated from each other: relevance logic and diagram logic. I argue that there are two main concepts of relevance, intensional and extensional. The first is that of the relevantists, who overlook the presence of the second in modern classical logic. The second is the concept of truth-ground containment as following from in Wittgenstein’s Tractatus. I show that this second concept belongs to the diagram tradition of showing that the premisses contain the conclusion by the fact that the conclusion is diagrammed in the very act of diagramming the premisses. I argue that the extensional concept is primary, with at least five usable modern classical filters or constraints and indefinitely many secondary intensional filters or constraints. For the extensional concept is the genus of deductive relevance, and the filters define species. Also following the Tractatus, deductive relevance, or full truth-ground containment, is the limit of inductive relevance, or partial truth-ground containment. Purely extensional inductive or partial relevance has its filters or species too. Thus extensional relevance is more properly a universal concept of relevance or summum genus with modern classical deductive logic, relevantist deductive logic, and inductive logic as its three main domains. (shrink)

Taking into consideration the concepts of „knowledge” and „power”, whose correlation authored the very idea of modernity, this study on Foucault traces their evolution through two cultural patterns: the archive and the diagram. A world picture can be constructed only by making appeal to the archives of knowledge. In every historical moment the structure and the quality of the archive actuate the initiatives of power, that is, the play of forces between actors, institutions, centres of decision in society, and between (...) agents and patients. The play of these forces, ever reshaping, allows the temporary drawing of the power diagram. It is in the precarious balance realized by a diagram that the social play happens, which, by reverting to its archive sources, transforms the cycle of knowledge. As a central idea, it can be asserted that it is between knowledge and power, between archive and diagram and that it is according to the actual schemes of their correlation that the evolutionary curve of a human world is decided. (shrink)

This book is written for those who wish to learn some basic principles of formal logic but more importantly learn some easy methods to unpick arguments and assess their value for truth and validity. -/- The first section explains the ideas behind traditional logic which was formed well over two thousand years ago by the ancient Greeks. Terms such as ‘categorical syllogism’, ‘premise’, ‘deduction’ and ‘validity’ may appear at first sight to be inscrutable but will easily be understood with examples (...) bringing the subjects to life. Traditionally, Venn diagrams have been employed to test arguments. These are very useful but their application is limited and they are not open to quantification. The mid-section of this book introduces a methodology that makes the analysis of arguments accessible with the use of a new form of diagram, modified from those of the mathematician Leonhard Euler. These new diagrammatic methods will be employed to demonstrate an addition to the basic form of syllogism. This includes a refined definition of the terms ‘most’ and ‘some’ within propositions. This may seem a little obscure at the moment but one will readily apprehend these new methods and principles of a more modern logic. (shrink)

From the beginning of the 16th century to the end of the 18th century, there were not less than ten philosophers who focused extensively on Venn’s ostensible analytical diagrams, as noted by modern historians of logic (Venn, Gardner, Baron, Coumet et al.). But what was the reason for early modern philosophers to use logic or analytical diagrams? Among modern historians of logic one can find two theses which are closely connected to each other: M. Gardner (...) states that since the Middle Ages certain logic diagrams were used just in order to teach “dull-witted students”. Therefore, logic diagrams were just a means to an end. According to P. Bernhard, the appreciation of logic diagrams had not started prior to the 1960s, therefore the fact that logic diagrams become an end the point of research arose very late. The paper will focus on the question whether logic resp. analytical diagrams were just means in the history of (early) modern logic or not. In contrast to Gardner, I will argue that logic diagrams were not only used as a tool for “dull-witted students”, but rather as a tool used by didactic reformers in early modern logic. In predating Bernhard’s thesis, I will argue that in the 1820s logic diagrams had already become a value in themselves in Arthur Schopenhauer’s lectures on logic, especially in proof theory. (shrink)

It is commonplace to view the rigor of the mathematics in Euclid's Elements in the way an experienced teacher views the work of an earnest beginner: respectable relative to an early stage of development, but ultimately flawed. Given the close connection in content between Euclid's Elements and high-school geometry classes, this is understandable. Euclid, it seems, never realized what everyone who moves beyond elementary geometry into more advanced mathematics is now customarily taught: a fully rigorous proof cannot rely on geometric (...) intuition. In his arguments he seems to call illicitly upon our understanding of how objects like triangles and circles behave rather than grounding everything rigorously in axioms.Though widespread, the attitude is in a historical sense puzzling. For over two millenia, mathematicians of all levels studied the arguments in Elements and found nothing substantial missing. The book, on the contrary, represented the limit of mathematical explicitness. It served as the paradigm for careful and exact reasoning. How it could enjoy this reputation for so long is mysterious if careful and exact reasoning demands that all inferences be grounded in a modern axiomatic theory in the way Hilbert did in his famous Foundations of Geometry. By these standards, Euclid's work is deeply flawed. The holes in his arguments are not minor and excusable, but massive and cryptic.With his book Euclid and His Twentieth Century Rivals, Nathaniel Miller makes substantial progress in clearing this mystery up. The book is an explication of FG , a formal system of proof developed by Miller which reconstructs Euclid's deductions as essentially diagrammatic. The holes in Euclid's arguments are taken to appear precisely at those steps which are unintelligible without an accompanying geometric diagram. Interpreting the reasoning in the Elements in terms of a modern axiomatization , …. (shrink)

This paper presents an analysis of Seneca's 58th letter to Lucilius and Porphyry's Isagoge, which were the origin of the tree diagrams that became popular in philosophy and logic from the early Middle Ages onwards. These diagrams visualise the extent to which a concept can be understood as a category, genus, species or individual and what the method of dihairesis (division) means. The paper explores the dissimilarities between Seneca's and Porphyry's tree structures, scrutinising them through the perspective of (...) modern graph theory. Although traditional trees can be interpreted in a modern way, their terms and definitions defy modern standardisation. These distinctions are not only useful for differentiating between Seneca's and Porphyry's trees, but also for comprehending the evolution of this philosophical tradition. Thus the paper highlights the continued significance of these tree diagrams in analysing concepts and categories in philosophy and structuring objects and information in modern fields such as artificial intelligence, computer science, bioinformatics, graph theory, and many more. (shrink)

Summary By using the example of a single proposition and its diagrams, this paper makes explicit a number of the processes in effect in the textual transmission of works in the exact sciences of the ancient and medieval periods. By examining the diagrams of proposition 13 as they appear in the Greek, Arabic, and Latin traditions of Aristarchus's On the Sizes and Distances of the Sun and Moon, we can see a number of ways in which medieval, and (...) early modern, scholars interpreted their sources in an effort to understand and transmit canonical ancient texts. This study highlights the need for modern scholars to take into consideration all aspects of the medieval transmission in our efforts to understand ancient practices. (shrink)

Charlotte Angas Scott (1858–1932) was an internationally renowned geometer, the first British woman to earn a doctorate in mathematics, and the chair of the Bryn Mawr mathematics department for forty years. There she helped shape the burgeoning mathematics community in the United States. Scott often motivated her research as providing a “geometric treatment” of results that had previously been derived algebraically. The adjective “geometric” likely entailed many things for Scott, from her careful illustration of diagrams to her choice of (...) references and citations. This article will focus on Scott’s striking and consistent use of geometric to describe a reality of dynamic points, lines, planes, and spaces that could be manipulated analogously to physical objects. By providing geometric interpretations of algebraic derivations, Scott committed to an early-nineteenth-century aesthetic vision of a “whole” analytical geometry that she adapted to modern research areas. (shrink)

Modern poetics takes one crucial turn through Ezra Pound’s notion of the “ideogram,” a concept that had a lasting impact through the Imagists andtheir influence. The ideogram borrows from Pound’s ideas about Chinese characters, their ability to condense complex representation into a figuredform in an economic but resonant image. By contrast, the compositional technique embodied in French poet Stéphane Mallarmé’s unique work, UnCoup de Dés, can be characterized as “diagrammatic,” driven by semantic relations expressed spatially in a distributed field. (...) This essay explores thatdiagrammatic work and it implications as a compositional technique. (shrink)

The article investigates the role of symbolic means of knowledge representation in concept development using the historical example of medieval diagrams of change employed in early modern work on the motion of fall. The parallel cases of Galileo Galilei, Thomas Harriot, and René Descartes and Isaac Beeckman are discussed. It is argued that the similarities concerning the achievements as well as the shortcomings of their respective work on the motion of fall can to a large extent be attributed (...) to their shared use of means of knowledge representation handed down from antiquity and the Middle Ages. While the interpretation of medieval diagrams was unproblematic in the scholastic context from which they arose, in the early modern context, which was characterized by the confluence of natural philosophy and practical mathematics, it became ambiguous. It was the early modern mathematicians’ work within this contradictory framework that brought about a new conceptualization of motion which, in particular, eventually led to an infinitesimal concept of velocity. In this process, the diagrams themselves remained largely unchanged and thus functioned as a catalyst for concept development. (shrink)

In his late writings Husserl emphasizes how the semiotic properties of writing, and of mathematical formulae and diagrams, are crucial for the historical, cross-generational survivability of meaning and specifically indispensable to the operation of scientific knowledge. However, the demand for objectivity, exactitude, and repeatability insidiously interferes with the meaning that such signs seek to express. This leads to a duality of objectivity encapsulated in the notion “the sedimentation of meaning”. On this view, the transmission of objectivity established in an (...) original sense-constituting act cannot survive unless being deposited in some external form, which at the same time risks the original sense being irrevocably lost in a web of signification that amounts to nothing more than empty and meaningless symbol manipulation. I discuss Husserl’s analysis and propose that it is limited by its one-sided focus on the negative impact of modernity. I compare Husserl’s account with Heidegger’s even more radical critique of modern society as one where a so-called “technological” mode of “revealing” reigns supreme at the expense of eradicating other, and more authentic ways to apprehend the world. I critically reconstruct the respective position of both thinkers and show how they point not only to a criticism of the instrumentalization and formalization of knowledge in modern society, but that they are just as importantly highlighting essential semiotic properties of signs. (shrink)

The "textbook explosion" in recent years in the field of logic has frequently been deplored on the grounds that it has resulted in a proliferation of repetitious and sometimes antiquated material. A sober evaluation of this volume, unfortunately, supports this thesis. Despite the subtitle, the bulk of the material in this book wasn't "modern" two centuries ago. Why should 196 pages of a 355 page text be devoted to such topics as "Logic and Psychology," "Types of Statements in Logical (...) English," "The Syllogism," "Translation into Logical English," and "Informal Fallacies"? Philosophic issues are often obscured by the unmanageable clutter of syllogistic form, squares of opposition, sorites, and other baggage. Moreover, why should an entire appendix be devoted to a "block diagram" of a machine which computes the logical relationship between any two sentences? Especially when it is known that no such machine is possible. There is material of genuine philosophical interest in this book and there is a rather desultory treatment of elementary symbolic logic by means of a confused set of natural deduction rules.—H. P. K. (shrink)

The novel use of symbolism in early modern mathematics poses both philosophical and historical questions. How can we trace its development and transmission through manuscript sources? Is it intrinsically related to the emergence of symbolic algebra? How does symbolism relate to the use of diagrams? What are the consequences of symbolic reasoning on our understanding of nature? Can a symbolic language enable new forms of reasoning? Does a universal symbolic language exist which enable us to express all knowledge? (...) This book brings together a collection of papers that address all these and related questions which were initially posed at a conference held in Ghent (Belgium) in August 2009. Scholars working on philosophy of science, history of philosophy and history of mathematics provide an insight into the role and function of symbolic representations in the development of early modern mathematics. The papers cover the period from early abbaco arithmetic and algebra (14h century) up to Leibniz (early 18th century). (shrink)

To the student familiar with the dialogues this book offers a fresh, wide, and daring perspective on Plato; to the scholar it offers a welcome alternative to dogmatic views. Concentrating on the interplay between Plato's life, work, and times, Brumbaugh sees three stages in the dialogues: 1) the early commitment to philosophy as shared inquiry, 2) a mature and systematic vision, 3) criticism and application of the system. The dialogues make sense if they are interpreted self-referentially; that is, the characters, (...) action, and aesthetic wholeness of the dialogues "concretize" their philosophical or theoretical import. With handy charts, diagrams, and an annotated bibliography, the return to Plato is made easier--and more adventurous.--A. B. (shrink)