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  1.  7
    Entrances and Exits: Performing the Psalms in Goscelin's "Liber Confortatorius".Monika Otter - 2008 - Speculum 83 (2):283-302.
  2.  28
    1066: The Moment of Transition in Two Narratives of the Norman Conquest.Monika Otter - 1999 - Speculum 74 (3):565-586.
    The year 1066, touted in the British humor classic 1066 and All That as one of only two truly “historical” dates , has assumed for us the character of a watershed in English history, a crucial moment of change and transformation. Indeed, the date is so memorable that the number 1066 itself can stand on its own, metonymically implying the Battle of Hastings, the accession of William to the English throne, the Norman Conquest, the end of Anglo-Saxon culture, the realignment (...)
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  3.  10
    He Written World: Past and Place in the Work of Orderic Vitalis. [REVIEW]Monika Otter - 2012 - Speculum 87 (3):879-881.
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  4.  11
    Laura Ashe, Fiction and History in England, 1066–1200. Cambridge, Eng., and New York: Cambridge University Press, 2007. Pp. Xii, 244; 4 Black-and-White Figures. $95. [REVIEW]Monika Otter - 2010 - Speculum 85 (3):633-635.
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    The Neapolitan Moresche: Impersonation and Othering.Monika Otter - 2010 - Mediaevalia 31 (1):143-169.
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