"This book does serve a very useful purpose in returning power to the centre of the feminist stage. . . . This book makes clear the ways in which the machinations of power are more subtle, widespread, and multiform than it sometimes appears. Further, the clarity of presentation means that it is also a text that can usefully be included on student bibliographies." --Women's Philosophy Review "The Gender of Power, which announces itself in the first line of its Preface as (...) a scholarly treatment of the 'battle of the sexes,' is a fine contribution to this promising dialogue of understanding." --The Journal of Men's Studies "This well-edited book addresses the problem of gender in theories of power directly, incisively, and succinctly. It is as joyfully free of jargon and prolixity, as it is of dogma and flag-waving.". (shrink)
The central claim of Monique Roelofs’s wide-ranging examination of the aesthetic is that it “hold[s] out the promise of a shared culture... people and objects [connected] in flourishing collective and material bonds”. Roelofs acknowledges Kant’s and Hume’s commitment to shared human faculties that allow judgements of taste “to attain intersubjective validity”; but her argument quickly develops from this “promise” to one with social and political consequences—of a harmonious and egalitarian society—and to radically different theoretical formulations and conclusions. Roelofs then (...) also starts from a now familiar “everyday aesthetics” position—although it is not explicitly... (shrink)
Although Judith Butler's theorization of violence has begun to receive growing scholarly attention, the feminist theoretical background of her notion of violence remains unexplored. In order to fill this lacuna, this article explicates the feminist genealogy of Butler's notion of violence. I argue that Butler's theorization of violence can be traced back to Gender Trouble, to her discussion of Monique Wittig's argument that the binary categorization of sex can be conceived as a form of discursive violence. I contend, first, (...) that Butler starts to develop her notion of “gender violence” on the basis of her reading of Wittig, and second, that Butler's more recent writings on military violence and the ethics of nonviolence build on her early interpretation of Wittig. On the basis of my reading, I suggest, in contrast to recent criticism, that Butler's later critique of violence is not at odds with but rather expands upon her prior work on violence. (shrink)
: Ross examines the relation between thought and madness within the practical and theoretical wings of Kant's critical philosophy. She argues that the notion of critique is formulated as a guard against the tendency of thought to madness. She locates the significance of David-Ménard's essay on Kant's pre-critical works in the idea that Kant's own tendency to madness functions in these early works as a motivational principle for the mature, critical system.
La démocratie est certainement le fil conducteur de l’ensemble de l’œuvre – a priori épars – de l’économiste et philosophe Amartya Sen. D’une part, sa foi en la démocratie apparaît comme la raison première de sa volonté de défier le « théorème d’impossibilité » établi par Kenneth Arrow au début des années cinquante, et comme une ligne directrice dans sa recherche en théorie du choix social. D’autre part, dans ses analyses de problèmes sociaux plus empiriques, comme la famine ou les (...) inégalités.. (shrink)
Ross examines the relation between thought and madness within the practical and theoretical wings of Kant's critical philosophy. She argues that the notion of critique is formulated as a guard against the tendency of thought to madness. She locates the significance of David-Ménard's essay on Kant's pre-critical works in the idea that Kant's own tendency to madness functions in these early works as a motivational principle for the mature, critical system.