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  1.  47
    Nishida Kitaro's First Notion of Beauty.Montserrat Crespín Perales - 2008 - Proceedings of the Xxii World Congress of Philosophy 29:129-138.
    Although we cannot find any Aesthetics system in the works of NISHIDA Kitarõ (1870-1945), the most significant and influential Japanese philosopher of the twentieth-century, one of his central themes is the role of art and aesthetics in relation with morality and religion. His aesthetics approaches are magnificent examples of his aim to overcome the innate dualism that sustains modern epistemology and a door, apparently hidden, to a better understanding of all his speculative scheme of philosophy. This paper attempts to throw (...)
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  2.  39
    Nishida Kitarô's First Notion of Beauty.Montserrat Crespín Perales - 2008 - Proceedings of the Xxii World Congress of Philosophy 1:43-53.
    Although we cannot find any Aesthetics system in the works of NISHIDA Kitarõ (1870-1945), the most significant and influential Japanese philosopher of the twentieth-century, one of his central themes is the role of art and aesthetics in relation with morality and religion. His aesthetics approaches are magnificent examples of his aim to overcome the innate dualism that sustains modern epistemology and a door, apparently hidden, to a better understanding of all his speculative scheme of philosophy. This paper attempts to throw (...)
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  3.  31
    Tosaka Jun y las funciones epistémicas de la cultura: materiales para un estudio sobre transhistoricidad e identidades colectivas.Montserrat Crespín Perales - 2021 - Logos. Anales Del Seminario de Metafísica [Universidad Complutense de Madrid, España] 54 (1):55-80.
    La obra del filósofo japonés Tosaka Jun permanece todavía muy desconocida, tanto en el entramado acotado de los estudios japoneses, como en el campo filosófico. Y esto a pesar de la importancia de sus reflexiones para el ayer al que perteneció y el ahora que se resignifica, en parte, con los materiales residuales del siglo pasado. Dentro de su proyecto filosóficamente polifónico, Tosaka se empeñó en clarificar las relaciones entre nacionalismo cultural, capitalismo, totalitarismo y vida cotidiana. Este trabajo presenta su (...)
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