22 found
Order:
  1.  38
    Sensing The World.Moreland Perkins - 1983 - Indianapolis: Hackett.
    PREFACE In Berkeley's language, the question from which this book arises is this one: Is what we immediately perceive by the senses something that depends ...
    Direct download  
     
    Export citation  
     
    My bibliography   14 citations  
  2. Notes on the Pragmatic Theory of Truth.Moreland Perkins - 1952 - Journal of Philosophy 49 (18):573-587.
    No categories
    Direct download (6 more)  
     
    Export citation  
     
    My bibliography  
  3. Analyticity.Moreland Perkins & Irving Singer - 1951 - Journal of Philosophy 48 (16):485-497.
  4.  57
    Emotion and Feeling.Moreland Perkins - 1966 - Philosophical Review 75 (April):139-160.
    Direct download (5 more)  
     
    Export citation  
     
    My bibliography   6 citations  
  5.  62
    The Knowing in Seeing.Moreland Perkins - 1970 - Analysis 30 (4):125 - 131.
    Direct download (5 more)  
     
    Export citation  
     
    My bibliography  
  6.  42
    The Definition of 'More Valuable'.Moreland Perkins & Irving Singer - 1952 - Analysis 13 (6):140 - 143.
    No categories
    Direct download (5 more)  
     
    Export citation  
     
    My bibliography  
  7.  80
    Seeing and Hearing Emotions.Moreland Perkins - 1966 - Analysis 26 (June):193-197.
    Direct download (7 more)  
     
    Export citation  
     
    My bibliography  
  8.  16
    On Expressing Feeling.Moreland Perkins - 1979 - Studies in Philosophy and Education 9 (4):332-344.
    Direct download (6 more)  
     
    Export citation  
     
    My bibliography  
  9. An Indirectly Realistic, Representational Account of Pain(Ed) Perception.Moreland Perkins - 2005 - In Murat Aydede (ed.), Pain: New Essays on its Nature and the Methodology of its Study. Cambridge Ma: Bradford Book/Mit Press.
     
    Export citation  
     
    My bibliography   1 citation  
  10.  36
    Intersubjectivity and Gestalt Psychology.Moreland Perkins - 1952 - Philosophy and Phenomenological Research 13 (June):437-451.
    Direct download (5 more)  
     
    Export citation  
     
    My bibliography  
  11.  23
    Matter, Sensation, and Understanding.Moreland Perkins - 1970 - American Philosophical Quarterly 8 (1):1-12.
  12.  27
    Two Arguments Against a Private Language.Moreland Perkins - 1965 - Journal of Philosophy 62 (17):443-459.
  13.  22
    The Picturing in Seeing.Moreland Perkins - 1970 - Journal of Philosophy 67 (10):321-339.
  14.  20
    Sentience.Moreland Perkins - 1971 - Journal of Philosophy 68 (June):329-37.
  15.  5
    Emotion and the Concept of Behavior.Moreland Perkins - 1966 - American Philosophical Quarterly 3 (October):291-298.
    Direct download  
     
    Export citation  
     
    My bibliography  
  16. Seeing and hearing emotions.Moreland Perkins - 1966 - Erkenntnis 26 (6):193.
    No categories
    Translate
     
     
    Export citation  
     
    My bibliography  
  17. Sensing The World.Moreland Perkins - 1990 - Noûs 24 (5):782-792.
    No categories
     
    Export citation  
     
    My bibliography  
  18. The Definition of More Valuable.Moreland Perkins & Alonso Church - 1952 - Analysis 13:140.
    No categories
     
    Export citation  
     
    My bibliography  
  19. The Definition of More Valuable.Moreland Perkins - 1952 - Erkenntnis 13:140.
    No categories
    Translate
     
     
    Export citation  
     
    My bibliography  
  20. The knowing in seeing.Moreland Perkins - 1970 - Erkenntnis 30 (4):125.
    No categories
    Translate
     
     
    Export citation  
     
    My bibliography  
  21. Modes of Creativity: Philosophical Perspectives.Irving Singer & Moreland Perkins - 2010 - MIT Press.
    Philosophical reflections on creativity in science, humanities, and human experience as a whole.
    Direct download (2 more)  
     
    Export citation  
     
    My bibliography  
  22. Modes of Creativity: Philosophical Perspectives.Irving Singer & Moreland Perkins - 2013 - MIT Press.
    In this philosophical exploration of creativity, Irving Singer describes the many different types of creativity and their varied manifestations within and across all the arts and sciences. Singer's approach is pluralistic rather than abstract or dogmatic. His reflections amplify recent discoveries in cognitive science and neurobiology by aligning them with the aesthetic, affective, and phenomenological framework of experience and behavior that characterizes the human quest for meaning. Creativity has long fascinated Singer, and in Modes of Creativity he carries forward investigations (...)
    Direct download  
     
    Export citation  
     
    My bibliography