Results for 'Motion pictures Philosophy'

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  1. The Philosophy of Motion Pictures.Noël Carroll - 2007 - Wiley-Blackwell.
    _Philosophy of Motion Pictures_ is a first-of-its-kind, bottom-up introduction to this bourgeoning field of study. Topics include film as art, medium specificity, defining motion pictures, representation, editing, narrative, emotion and evaluation. Clearly written and supported with a wealth of examples Explores characterizations of key elements of motion pictures –the shot, the sequence, the erotetic narrative, and its modes of affective address.
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  2.  13
    The Philosophy of Motion Pictures.Katherine Thomson-Jones - 2008 - Journal of Aesthetics and Art Criticism 66 (4):401-403.
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  3. Philosophy of Film and Motion Pictures: An Anthology.Noël Carroll & Jinhee Choi (eds.) - 2009 - Wiley-Blackwell.
    Designed for classroom use, this authoritative anthology presents key selections from the best contemporary work in philosophy of film. The featured essays have been specially chosen for their clarity, philosophical depth, and consonance with the current move towards cognitive film theory Eight sections with introductions cover topics such as the nature of film, film as art, documentary cinema, narration and emotion in film, film criticism, and film's relation to knowledge and morality Issues addressed include the objectivity of documentary films, (...)
     
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  4. Philosophy of Film and Motion Pictures: An Anthology.Jinhee Choi (ed.) - 2005 - Wiley.
     
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  5.  33
    The Palgrave Handbook of the Philosophy of Film and Motion Pictures.Noël Carroll, Laura T. Di Summa & Shawn Loht (eds.) - 2019 - Springer.
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  6.  94
    The Philosophy of Motion Pictures • by Noël Carroll.Andrew Kania - 2009 - Analysis 69 (1):194-195.
    Book review of _The Philosophy of Motion Pictures_ by Noël Carroll.
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    A Rejoinder to Noèl Carrol's The Philosophy of Motion Pictures.Daniel Shaw - 2008 - Film-Philosophy 12 (2):142-151.
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    The Philosophy of Motion Pictures.T. E. Wartenberg - 2009 - British Journal of Aesthetics 49 (1):83-85.
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  9.  57
    Looking at Motion Pictures (Revised) [.Richard Allen - 2001 - Film-Philosophy 5 (1).
    I shall begin this essay by sketching some Wittgenstein-influenced arguments as to why the causal theory of perception is inadequate. However my main concern is to explore the ramifications for pictorial perception of understanding perception in terms of the causal theory. When 'our ordinary notion of perceiving' is characterized in terms of the existence of a causal connection between an object perceived and our sensory experience of that object the case of pictorial perception generates a paradox.
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  10. Philosophy of Film and Motion Pictures: An Anthology.NoË Carroll, L. & Jinhee Choi (eds.) - 2009 - Wiley-Blackwell.
     
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  11. The Philosophy of Motion Pictures.NoË Carroll & L. - 2007 - Wiley-Blackwell.
     
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  12.  2
    The Philosophy of Motion Pictures: Book Reviews. [REVIEW]Thomas E. Wartenberg - 2009 - British Journal of Aesthetics 49 (1):83-85.
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  13. The Philosophy of Motion Pictures[REVIEW]Landon Schurtz - 2011 - American Society for Aesthetics Graduate E-Journal 3 (1):24-25.
     
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  14.  71
    The Philosophy of Motion Pictures, by Noël Carroll.Ward E. Jones - 2013 - Mind 122 (486):fzt066.
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  15.  52
    Norbert Elias’s Motion Pictures: History, Cinema and Gestures in the Process of Civilization.Gadi Algazi - 2008 - Studies in History and Philosophy of Science Part A 39 (3):444-458.
    Norbert Elias’s project in The process of civilization involved reconstructing invisible movement—both the slow tempoof long-term historical change and the modification of psychic structures and embodied dispositions. To do this, he resorted to uncommon devices: treating historical texts as constituting a series amenable to a rudimentary discourse analysis, he constructed an imagined ‘curve of civilization’ serving as an approximation of the hidden process of change. Elias’s curve was not supposed to represent single past states, but movement itself, its direction and (...)
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  16. Philosophy of Literature, and Philosophy of Film and Motion Pictures, 2 Book Pack.Eileen John, Dominic McIver Lopes, Noël Carroll & Jinhee Choi (eds.) - 2008 - Wiley-Blackwell.
    Pack includes 2 titles from the popular Blackwell Philosophy Anthologies Series: _ _ Philosophy of Literature_: Contemporary and Classic Readings_ _Edited by Eileen John and Dominic McIver Lopes ISBN: 9781405112086 _ Philosophy of Film and Motion Pictures_: An Anthology _Edited by No ë l Carroll and Jinhee Choi ISBN: 9781405120272.
     
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  17.  5
    Affect and Motion Pictures.Jesse Prinz - 2019 - In Noël Carroll, Laura T. Di Summa & Shawn Loht (eds.), The Palgrave Handbook of the Philosophy of Film and Motion Pictures. Springer. pp. 893-921.
    Emotions play at least three key roles in cinema. First, many motion pictures present highly emotional situations, involving characters who fall in love, who endure unbearable loss, and who become hell-bent on revenge. To make sense of movies, we must identify the emotions that drive their characters. Second, motion pictures seem to arouse emotions. We go to tearjerkers that make us cry, splatter films that make us writhe, and action films that keep us at the edges (...)
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  18.  17
    Review: N. Carroll and J. Choi, Eds., Philosophy of Film and Motion Pictures[REVIEW]Anna Christina Ribeiro - 2006 - British Journal of Aesthetics 46 (3):317-319.
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    The Phenomenological Movement in Context of the Philosophy of Film and Motion Pictures.Shawn Loht - 2019 - In Noël Carroll, Laura T. Di Summa & Shawn Loht (eds.), The Palgrave Handbook of the Philosophy of Film and Motion Pictures. Springer. pp. 285-313.
    This chapter surveys foundational concepts in the history of phenomenology for the purpose of highlighting their relevance for key contemporary issues in the philosophy of film. A central argument concerns phenomenology’s capacity for unraveling the ontology of film, given phenomenology’s emphasis on accounting for the ontology of phenomena through description based in first-person experience. On this ground, the chapter defends the claim that film’s ontology stems from the projective intentionality of the film viewer, where the communicative nature of embodied (...)
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  20. Philosophy of Literature, and Philosophy of Film and Motion Pictures, 2 Book Pack.Dominic Mciver Lopes, No?L. Carroll & Jinhee Choi - 2008 - Wiley.
     
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  21. Philosophy of Literature, and Philosophy of Film and Motion Pictures, 2 Book Pack.Dominic Mciver Lopes, NoëL Carroll & Jinhee Choi - 2008 - Wiley.
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  22. Looking at Motion Pictures.Richard Allen - 1997 - In Richard Allen & Murray Smith (eds.), Film Theory and Philosophy. Clarendon Press.
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  23.  14
    The Economics of the Motion Picture Industry: A Survey.J. C. Strick - 1978 - Philosophy of the Social Sciences 8 (4):406-417.
  24.  25
    Legends in Our Own Time: How Motion Pictures and Television Shows Fulfill the Functions of Myth.Elizabeth C. Hirschman - 2001 - American Journal of Semiotics 17 (3):7-46.
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  25.  32
    The Problem With the Technology of Time: Understanding the Ethics of Erazim Kohak's Concept of Authentic Time Through An Analysis of the Motion Picture Cast Away.John Scott Gray - 2005 - Essays in Philosophy 6 (1):11.
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  26. Film Theory and Philosophy.Richard Allen & Murray Smith (eds.) - 1997 - Oxford University Press.
    This volume of new essays energizes a growing movement in film theory which questions and seeks to overturn many of the assumptions that have governed film theory for the last twenty years. The book brings together film scholars and philosophers in a united commitment to the standards of argumentation that characterize analytic philosophy rather than a single doctrinal approach. The essays address such topics as authorship, emotion, ideology, representation, and expression in film.
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  27. Minerva's Night Out: Philosophy, Pop Culture, and Moving Pictures.Noël Carroll - 2013 - Wiley-Blackwell.
    _Minerva’s Night Out_ presents series of essays by noted philosopher and motion picture and media theorist Noël Carroll that explore issues at the intersection of philosophy, motion pictures, and popular culture. Presents a wide-ranging series of essays that reflect on philosophical issues relating to modern film and popular culture Authored by one of the best known philosophers dealing with film and popular culture Written in an accessible manner to appeal to students and scholars Coverage ranges from (...)
     
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  28.  77
    Cinema, Philosophy, Bergman: On Film as Philosophy.Paisley Livingston - 2009 - Oxford University Press.
    The increasingly popular idea that cinematic fictions can "do" philosophy raises some difficult questions. Who is actually doing the philosophizing? Is it the philosophical commentator who reads general arguments or theories into the stories conveyed by a film? Could it be the film-maker, or a group of collaborating film-makers, who raise and try to answer philosophical questions with a film? Is there something about the experience of films that is especially suited to the stimulation of worthwhile philosophical reflections? In (...)
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  29.  43
    New Philosophies of Film: Thinking Images.Robert Sinnerbrink - 2011 - Continuum.
    Introduction: why did philosophy go to the movies? -- The analytic-cognitivist turn. The empire strikes back: critiques of "grand theory" -- The rules of the game: new ontologies of film -- Adaptation: philosophical approaches to narrative -- From cognitivism to film-philosophy. A.I.: cognitivism goes to the movies -- Bande à part: Deleuze and Cavell as film-philosophers -- Scenes from a marriage: film as philosophy -- Cinematic thinking. Hollywood in trouble: David Lynch's Inland empire -- "Chaos reigns": anti-cognitivism (...)
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  30. Image and Mind: Film, Philosophy and Cognitive Science.Gregory Currie - 1995 - Cambridge University Press.
    This is a book about the nature of film: about the nature of moving images, about the viewer's relation to film, and about the kinds of narrative that film is capable of presenting. It represents a very decisive break with the semiotic and psychoanalytic theories of film which have dominated discussion. The central thesis is that film is essentially a pictorial medium and that the movement of film images is real rather than illusory. A general theory of pictorial representation is (...)
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  31. Philosophy of the Film: Epistemology, Ontology, Aesthetics.I. C. Jarvie - 1987 - Routledge & Kegan Paul.
    Examines the overlap between film and philosophy in three distinct ways: epistemological issues in film-making and viewing; aesthetic theory and film; and film as a medium of philosophical expression. This title available in eBook format. Click here for more information . Visit our eBookstore at: www.ebookstore.tandf.co.uk.
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  32.  83
    Philosophy Through Film.Mary M. Litch - 2002 - Routledge.
    Do humans have free Will? What distinguishes morally right from morally wrong action? Does God exist? Does life have meaning? What is the ultimate nature of reality? What are the limits of human knowledge? Philosophy through Film offers a stimulating new way to explore the basic questions of philosophy. Each chapter uses a popular film to examine one such topic- from free will and skepticism to personal identity and artificial intelligence- in an approachable yet philosophically rigorous manner. A (...)
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  33. Thinking Through Film: Doing Philosophy, Watching Movies.Damian Cox & Michael P. Levine - 2011 - Wiley-Blackwell.
    An introduction to philosophy through film, _Thinking Through Film: Doing Philosophy, Watching Movies_ combines the exploration of fundamental philosophical issues with the experience of viewing films, and provides an engaging reading experience for undergraduate students, philosophy enthusiasts and film buffs alike. An in-depth yet accessible introduction to the philosophical issues raised by films, film spectatorship and film-making Provides 12 self-contained, close discussions of individual films from across genres Films discussed include Total Recall, Minority Report, La Promesse, Funny (...)
     
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  34.  2
    Philosophy and the Moving Image: Refractions of Reality.John Mullarkey - 2009 - Palgrave-Macmillan.
    Preface : The film-envy of philosophy -- Introduction : nobody knows anything! -- Illustrating manuscripts -- Bordwell and other cogitators -- Žižek and the cinema of perversion -- Deleuze's kinematic philosophy -- Cavell, Badiou and other ontologists -- Extended cognitions and the speeds of cinema -- Fabulation, process and event -- Refractions of reality, or, What is thinking anyway? -- Conclusion : code unknown - a bastard theory for a bastard act.
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  35.  17
    Minerva's Night Out: Philosophy, Pop Culture, and Moving Pictures.NoË Carroll & L. - 2013 - Wiley-Blackwell.
    Minerva’s Night Out presents series of essays by noted philosopher and motion picture and media theorist Noël Carroll that explore issues at the intersection of philosophy, motion pictures, and popular culture.
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  36. The Routledge Companion to Philosophy and Film.Paisley Nathan Livingston & Carl Plantinga (eds.) - 2008 - Routledge.
    _The Routledge Companion to Philosophy and Film_ is the first comprehensive volume to explore the main themes, topics, thinkers and issues in philosophy and film. The _Companion_ features sixty specially commissioned chapters from international scholars and is divided into four clear parts: • issues and concepts • authors and trends • genres • film as philosophy. Part one is a comprehensive section examining key concepts, including chapters on acting, censorship, character, depiction, ethics, genre, interpretation, narrative, reception and (...)
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  37.  97
    The Philosophy of Film: Introductory Text and Readings.Thomas E. Wartenberg & Angela Curran (eds.) - 2005 - Wiley-Blackwell.
    Organized around a series of philosophic questions about film,The Philosophy of Film: Introductory Text and Readingsoffers an accessible and engaging overview of the discipline. Provides thorough selection of readings drawn from philosophy,film studies, and film criticism Multiple points of view highlighted in discussion of filmtheory, narration, authorship, film and emotion, and the socialvalues of cinema Presents thought-provoking reading questions as well as clearand helpful introductions for each section More information about this text along with further resourcesare available from (...)
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  38.  81
    The Brain is the Screen: Deleuze and the Philosophy of Cinema.Gregory Flaxman (ed.) - 2000 - University of Minnesota Press.
    Composed of a substantial introduction, twelve original essays produced for this volume, and a new English translation of a personal, intriguing, and little ...
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  39.  6
    New Takes in Film-Philosophy.Havi Carel & Greg Tuck (eds.) - 2011 - Palgrave-Macmillan.
    New Takes in Film-Philosophy offers a space for the advancement of the film-philosophy debate by some of its major figures. Fifteen leading academics from Philosophy and Film Studies develop new approaches to film-philosophy, broaden theoretical analyses of the topic and map out problems and possibilities for its future. The collection examines theoretical issues about the relationship between film and philosophy; looks at the relationships film-philosophy has to other media such as photography and literature; and (...)
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  40. Projecting Illusion: Film Spectatorship and the Impression of Reality.Richard Allen - 1995 - Cambridge University Press.
    Projecting Illusion offers a systematic analysis of the impression of reality in the cinema and the pleasure it gives to the film spectator. Film provides a compelling experience that can be considered as a form of illusion akin to the experience of day-dream and dream. Examining the concept of illusion and its relationship to fantasy in the experience of visual representation, Richard Allen situates his explanation within the context of an analytical criticism of contemporary film and critical theory. He argues (...)
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  41.  27
    Afterimages of Gilles Deleuze's Film Philosophy.David Norman Rodowick (ed.) - 2009 - University of Minnesota Press.
    Since their publication, these books have had a profound impact on the study of film and philosophy. Film, media, and cultural studies scholars still grapple today with how they can most productively incorporate Deleuze's thought.
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  42.  11
    The Motion in Quality as The Scientific Alternative to Ideas of Creationism.Igor I. Kondrashin - 2008 - Proceedings of the Xxii World Congress of Philosophy 17:97-106.
    Rethinking “philosophy” to-day, it is necessary to think first of all about ontological foundations of the modern scientific universe description and rethink them on the ground of modern scientific knowledge, because until now there is no any precise scientific conception of the structure of the universe, of reasons and movingforces of its permanent evolution. All of it create basis to propose various unscientific ideas of creationism. Until now most of philosophers associate the motion of Matter on the whole (...)
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  43.  74
    Concepts in Film Theory.Dudley Andrew - 1984 - Oxford University Press.
    Concepts in Film Theory is a continuation of Dudley Andrew's classic, The Major Film Theories. In writing now about contemporary theory, Andrew focuses on the key concepts in film study -- perception, representation, signification, narrative structure, adaptation, evaluation, identification, figuration, and interpretation. Beginning with an introductory chapter on the current state of film theory, Andrew goes on to build an overall view of film, presenting his own ideas on each concept, and giving a sense of the interdependence of these concepts. (...)
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  44.  13
    Deleuze and World Cinemas.David Martin-Jones - 2011 - Continuum International Publishing Group.
    Introduction : deterritorializing Deleuze -- Spectacle I : attraction-image -- History : Deleuze after dictatorship -- Space : geopolitics and the action-image -- Spectacle II : Masala-image -- Conclusion : the continuing adventures of Deleuze and world cinemas.
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  45.  14
    Philosophie Et Cinéma.Jean-Louis Déotte (ed.) - 2011 - L'harmattan.
    En l'occurrence, au XXe siècle, le cinéma, alors que le XIXe était appareillé par la photographie. Dans une radicale philosophie de la temporalité comme la sienne, les appareils font chacun leur tour époque sans pourtant s'éliminer.
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  46. Philosophy and Film.Cynthia A. Freeland & Thomas E. Wartenberg (eds.) - 1995 - Routledge.
    _Philosophy and Film_ moves from broad theoretical reflections on film as a medium to concrete examinations of individual films.
     
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  47.  1
    Film & Philosophy.K. Gopinathan (ed.) - 2003 - University of Calicut.
    Papers presented at the International Seminar on Film & Philosophy, held at Kozhikode during 26-30 September 2000.
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  48.  57
    Puzzle Films: Complex Storytelling in Contemporary Cinema.Warren Buckland (ed.) - 2009 - Wiley-Blackwell.
    Drawing upon the expertise of film scholars from around the world, Puzzle Films investigates a number of films that sport complex storytelling--from Memento, ...
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  49.  35
    Stanley Cavell: Philosophy's Recounting of the Ordinary.Stephen Mulhall - 1994 - Clarendon Press.
    Stephen Mulhall presents the first full philosophical study of the work of Stanley Cavell. Cavell, a leading contemporary American thinker, is best known for his highly influential contributions to the fields of film studies, Shakespearian literary criticism, and the confluence of psychoanalysis and literary theory; Mulhall examines the broad spectrum of his thought, elucidating its essentially philosophical roots and trajectory.
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  50.  21
    Motion Pictures as Metaphoric Consumption: How Animal Narratives Teach Us to Be Human.Elizabeth C. Hirschman & Clinton R. Sanders - 1997 - Semiotica 115 (1-2):53-80.
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