Results for 'Motion pictures Philosophy.'

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  1. The Philosophy of Motion Pictures.Noël Carroll - 2007 - Oxford: Wiley-Blackwell.
    _Philosophy of Motion Pictures_ is a first-of-its-kind, bottom-up introduction to this bourgeoning field of study. Topics include film as art, medium specificity, defining motion pictures, representation, editing, narrative, emotion and evaluation. Clearly written and supported with a wealth of examples Explores characterizations of key elements of motion pictures –the shot, the sequence, the erotetic narrative, and its modes of affective address.
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  2. The Philosophy of Motion Pictures.NoË Carroll & L. - 2007 - Oxford: Wiley-Blackwell.
     
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  3. The philosophy of motion pictures • by Noël Carroll.Andrew Kania - 2009 - Analysis 69 (1):194-195.
    Book review of _The Philosophy of Motion Pictures_ by Noël Carroll.
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    The Philosophy of Motion Pictures.Katherine Thomson-Jones - 2008 - Journal of Aesthetics and Art Criticism 66 (4):401-403.
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  5. Philosophy of Film and Motion Pictures: An Anthology.Noël Carroll & Jinhee Choi (eds.) - 2009 - Wiley-Blackwell.
    Designed for classroom use, this authoritative anthology presents key selections from the best contemporary work in philosophy of film. The featured essays have been specially chosen for their clarity, philosophical depth, and consonance with the current move towards cognitive film theory Eight sections with introductions cover topics such as the nature of film, film as art, documentary cinema, narration and emotion in film, film criticism, and film's relation to knowledge and morality Issues addressed include the objectivity of documentary films, fear (...)
     
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  6.  17
    Philosophy of Film and Motion Pictures: An Anthology.NoË Carroll, L. & Jinhee Choi (eds.) - 2009 - Wiley-Blackwell.
    Designed for classroom use, this authoritative anthology presentskey selections from the best contemporary work in philosophy offilm. The featured essays have been specially chosen for theirclarity, philosophical depth, and consonance with the current movetowards cognitive film theory Eight sections with introductions cover topics such as thenature of film, film as art, documentary cinema, narration andemotion in film, film criticism, and film's relation to knowledgeand morality Issues addressed include the objectivity of documentary films,fear of movie monsters, and moral questions surrounding the (...)
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  7. Philosophy of Film and Motion Pictures: An Anthology.Jinhee Choi (ed.) - 2005 - Wiley.
     
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  8.  15
    The Philosophy of Motion Pictures.T. E. Wartenberg - 2009 - British Journal of Aesthetics 49 (1):83-85.
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  9. The Philosophy of Motion Pictures, by Noël Carroll.Ward E. Jones - 2013 - Mind 122 (486):fzt066.
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  10. The Palgrave Handbook of the Philosophy of Film and Motion Pictures.Noël Carroll, Laura T. Di Summa & Shawn Loht (eds.) - 2019 - Springer.
    This handbook brings together essays in the philosophy of film and motion pictures from authorities across the spectrum. It boasts contributions from philosophers and film theorists alike, with many essays employing pluralist approaches to this interdisciplinary subject. Core areas treated include film ontology, film structure, psychology, authorship, narrative, and viewer emotion. Emerging areas of interest, including virtual reality, video games, and nonfictional and autobiographical film also have dedicated chapters. Other areas of focus include the film medium’s intersection with (...)
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  11.  11
    Philosophy of Literature & Philosophy of Film and Motion Pictures, 2 Book Set.Dominic Mciver Lopes, No?L. Carroll & Jinhee Choi - 2008 - Wiley-Blackwell.
    Pack includes 2 titles from the popular Blackwell Philosophy Anthologies Series: Philosophy of Literature: Contemporary and Classic Readings - An Anthology Edited by Eileen John and Dominic McIver Lopes ISBN: 9781405112086 Essential readings in the philosophy of literature are brought together for the first time in this anthology. Contains forty-five substantial and carefully chosen essays and extracts Provides a balanced and coherent overview of developments in the field during the past thirty years, including influential work on fiction, interpretation, metaphor, literary (...)
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    Philosophy of Literature, and Philosophy of Film and Motion Pictures, 2 Book Pack.Eileen John, Dominic McIver Lopes, Noël Carroll & Jinhee Choi (eds.) - 2008 - Wiley-Blackwell.
    Pack includes 2 titles from the popular Blackwell Philosophy Anthologies Series: _ _ Philosophy of Literature_: Contemporary and Classic Readings_ _Edited by Eileen John and Dominic McIver Lopes ISBN: 9781405112086 _ Philosophy of Film and Motion Pictures_: An Anthology _Edited by No ë l Carroll and Jinhee Choi ISBN: 9781405120272.
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  13.  13
    The Philosophy of Motion Pictures: Book Reviews. [REVIEW]Thomas E. Wartenberg - 2009 - British Journal of Aesthetics 49 (1):83-85.
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  14. The Philosophy of Motion Pictures[REVIEW]Landon Schurtz - 2011 - American Society for Aesthetics Graduate E-Journal 3 (1):24-25.
     
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  15.  26
    Affect and Motion Pictures.Jesse Prinz - 2019 - In Noël Carroll, Laura T. Di Summa & Shawn Loht (eds.), The Palgrave Handbook of the Philosophy of Film and Motion Pictures. Springer. pp. 893-921.
    Emotions play at least three key roles in cinema. First, many motion pictures present highly emotional situations, involving characters who fall in love, who endure unbearable loss, and who become hell-bent on revenge. To make sense of movies, we must identify the emotions that drive their characters. Second, motion pictures seem to arouse emotions. We go to tearjerkers that make us cry, splatter films that make us writhe, and action films that keep us at the edges (...)
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  16.  36
    A Rejoinder to Noèl Carrol's The Philosophy of Motion Pictures.Daniel Shaw - 2008 - Film-Philosophy 12 (2):142-151.
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  17.  26
    The Phenomenological Movement in Context of the Philosophy of Film and Motion Pictures.Shawn Loht - 2019 - In Noël Carroll, Laura T. Di Summa & Shawn Loht (eds.), The Palgrave Handbook of the Philosophy of Film and Motion Pictures. Springer. pp. 285-313.
    This chapter surveys foundational concepts in the history of phenomenology for the purpose of highlighting their relevance for key contemporary issues in the philosophy of film. A central argument concerns phenomenology’s capacity for unraveling the ontology of film, given phenomenology’s emphasis on accounting for the ontology of phenomena through description based in first-person experience. On this ground, the chapter defends the claim that film’s ontology stems from the projective intentionality of the film viewer, where the communicative nature of embodied vision (...)
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  18. Looking at Motion Pictures.Richard Allen - 1997 - In Richard Allen & Murray Smith (eds.), Film theory and philosophy. New York: Oxford University Press.
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  19. The Lived Experience of Motion Pictures: A Phenomenological Approach to Cinema.Hanna Trindade - 2019 - In Christina Rawls, Diana Neiva & Steven S. Gouveia (eds.), Philosophy and Film: Bridging Divides. Routledge Press, Research on Aesthetics.
     
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  20.  18
    The economics of the motion picture industry: A survey.J. C. Strick - 1978 - Philosophy of the Social Sciences 8 (4):406-417.
  21.  93
    Looking at Motion Pictures (Revised) [.Richard Allen - 2001 - Film-Philosophy 5 (1).
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  22. Music and motion pictures.Noël Carroll & Margaret Moore - 2011 - In Theodore Gracyk & Andrew Kania (eds.), The Routledge Companion to Philosophy and Music. Routledge.
     
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  23.  61
    Norbert Elias’s Motion Pictures: history, cinema and gestures in the process of civilization.Gadi Algazi - 2008 - Studies in History and Philosophy of Science Part A 39 (3):444-458.
    Norbert Elias’s project in The process of civilization involved reconstructing invisible movement—both the slow tempoof long-term historical change and the modification of psychic structures and embodied dispositions. To do this, he resorted to uncommon devices: treating historical texts as constituting a series amenable to a rudimentary discourse analysis, he constructed an imagined ‘curve of civilization’ serving as an approximation of the hidden process of change. Elias’s curve was not supposed to represent single past states, but movement itself, its direction and (...)
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    Review: N. Carroll and J. Choi, eds., Philosophy of Film and Motion Pictures[REVIEW]Anna Christina Ribeiro - 2006 - British Journal of Aesthetics 46 (3):317-319.
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  25.  78
    Depicting Motion in a Static Image: Philosophy, Psychology and the Perception of Pictures.Luca Marchetti - 2022 - British Journal of Aesthetics 62 (3):353-371.
    This paper focuses on whether static images can depict motion. It is natural to say that pictures depicting objects caught in the middle of a dynamic action—such as Henri Cartier-Bresson’s (1932) Behind the Gare St. Lazare—are pictures of movement, but, given that pictures themselves do not move, can we make sense of such an idea? Drawing on results from experimental psychology and cognitive sciences, I show that we can. Psychological studies on implicit motion and representational (...)
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    Legends in Our Own Time: How Motion Pictures and Television Shows Fulfill the Functions of Myth.Elizabeth C. Hirschman - 2001 - American Journal of Semiotics 17 (3):7-46.
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  27.  97
    Cinema, philosophy, Bergman: on film as philosophy.Paisley Livingston - 2009 - New York: Oxford University Press.
    The increasingly popular idea that cinematic fictions can "do" philosophy raises some difficult questions. Who is actually doing the philosophizing? Is it the philosophical commentator who reads general arguments or theories into the stories conveyed by a film? Could it be the film-maker, or a group of collaborating film-makers, who raise and try to answer philosophical questions with a film? Is there something about the experience of films that is especially suited to the stimulation of worthwhile philosophical reflections? In the (...)
  28. Minerva's Night Out: Philosophy, Pop Culture, and Moving Pictures.Noël Carroll - 2013 - Malden, MA: Wiley-Blackwell.
    _Minerva’s Night Out_ presents series of essays by noted philosopher and motion picture and media theorist Noël Carroll that explore issues at the intersection of philosophy, motion pictures, and popular culture. Presents a wide-ranging series of essays that reflect on philosophical issues relating to modern film and popular culture Authored by one of the best known philosophers dealing with film and popular culture Written in an accessible manner to appeal to students and scholars Coverage ranges from the (...)
     
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  29.  7
    Isaac Beeckman on matter and motion: mechanical philosophy in the making.Klaas van Berkel - 2013 - Baltimore: The Johns Hopkins University Press.
    Historians of science and the philosophy of science find the substance and stance of Isaac Beeckman's thought highly interesting, for it represented an early attempt to develop a comprehensive picture of the world by means of mechanistic theory, that is, forces acting upon one another. Besides possibly influencing Descartes, this view broke away from medieval religious assumptions and belief in occult forces. Berkel teases out Beeckman's evolving approach to nature by means of his extensive journals, explaining the leading concept of (...)
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  30.  20
    Minerva's Night Out: Philosophy, Pop Culture, and Moving Pictures.NoË Carroll & L. - 2013 - Malden, MA: Wiley-Blackwell.
    Minerva’s Night Out presents series of essays by noted philosopher and motion picture and media theorist Noël Carroll that explore issues at the intersection of philosophy, motion pictures, and popular culture.
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  31.  13
    Danto, Paul Roth, and others. The paper argues that the notion of an Ideal Chronicle, a notion first introduced by Danto, can in fact be seen as one way of representing the objective narrative to which good history aspires.Mark Motion - 1993 - European Journal of Philosophy 1 (1).
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  32.  5
    Falsafah-ʼi film: barʹrasī-i taḥlīlī va intiqādī-i naẓarīyahʹhā-yi film-i dawrān-i kilāsīk = Philosophy of film.Aḥmad Riz̤ā Muʻtamidī - 2016 - Tihrān: Pizhūhishgāh-i Farhang va Andīshah-i Islāmī. Edited by Riz̤ā Dāvarī, M. R. Rikhtegran & Aḥmad Z̤ābiṭī Jahrumī.
    Motion pictures - Philosophy ; Motion pictures -- History and criticism ; Motion picture plays -- History and criticism.
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  33.  27
    Where Film Meets Philosophy: Godard, Resnais, and Experiments in Cinematic Thinking.Hunter Vaughan - 2013 - New York: Columbia University Press.
    Hunter Vaughan interweaves phenomenology and semiotics to analyze cinema's ability to challenge conventional modes of thought. Merging Maurice Merleau-Ponty's phenomenology of perception with Gilles Deleuze's image-philosophy, Vaughan applies a rich theoretical framework to a comparative analysis of Jean-Luc Godard's films, which critique the audio-visual illusion of empirical observation (objectivity), and the cinema of Alain Resnais, in which the sound-image generates innovative portrayals of individual experience (subjectivity). Both filmmakers radically upend conventional film practices and challenge philosophical traditions to alter our understanding (...)
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  34.  94
    The brain is the screen: Deleuze and the philosophy of cinema.Gregory Flaxman (ed.) - 2000 - Minneapolis: University of Minnesota Press.
    Composed of a substantial introduction, twelve original essays produced for this volume, and a new English translation of a personal, intriguing, and little ...
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  35.  19
    Transformational Ethics of Film: Thinking the Cinemakeover in the Film-Philosophy Debate.Martin P. Rossouw - 2021 - Boston: Brill | Rodopi.
    Charting new routes for film ethics, _Transformational Ethics of Film_ develops a critical account of the ethics of personal transformation at work within the ‘film as philosophy’ debate.
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  36.  8
    Après Deleuze: philosophie et esthétique du cinéma.Jacinto Lageira (ed.) - 1997 - Paris: Dis voir.
    Ces rencontres témoignent de l'histoire des réflexions sur le cinéma dans l'optique de la philosophie depuis la démarche de G. Deleuze. Ce recueil présente une réflexion historique et théorique du rapprochement du cinéma avec la philosophie ou l'esthétique, et procède à des analyses philosophiques ou esthétiques sur tel ou tel aspect du cinéma.
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  37.  22
    Finding Ourselves at the Movies: Philosophy for a New Generation.Paul W. Kahn - 2013 - New York: Columbia University Press.
    Academic philosophy may have lost its audience, but the traditional subjects of philosophy--love, death, justice, knowledge, and faith--remain as compelling as ever. To reach a new generation, Paul W. Kahn argues that philosophy must take up these fundamental concerns as we find them in contemporary culture. He demonstrates how this can be achieved through a turn to popular film. Discussing such well-known movies as _Forrest Gump_ (1994), _The American President_ (1995), _The Matrix_ (1999), _Memento_ (2000), _The History of Violence_ (2005), (...)
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  38.  72
    New Philosophies of Film: Thinking Images.Robert Sinnerbrink - 2011 - Continuum.
    Introduction: why did philosophy go to the movies? -- The analytic-cognitivist turn. The empire strikes back: critiques of "grand theory" -- The rules of the game: new ontologies of film -- Adaptation: philosophical approaches to narrative -- From cognitivism to film-philosophy. A.I.: cognitivism goes to the movies -- Bande à part: Deleuze and Cavell as film-philosophers -- Scenes from a marriage: film as philosophy -- Cinematic thinking. Hollywood in trouble: David Lynch's Inland empire -- "Chaos reigns": anti-cognitivism in Lars von (...)
  39. Image and Mind: Film, Philosophy and Cognitive Science.Gregory Currie - 1995 - New York, NY: Cambridge University Press.
    This is a book about the nature of film: about the nature of moving images, about the viewer's relation to film, and about the kinds of narrative that film is capable of presenting. It represents a very decisive break with the semiotic and psychoanalytic theories of film which have dominated discussion. The central thesis is that film is essentially a pictorial medium and that the movement of film images is real rather than illusory. A general theory of pictorial representation is (...)
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  40.  11
    Blockbuster: philosophie et cinéma.Laura Odello (ed.) - 2013 - Paris: Les prairies ordinaires.
    Le blockbuster, c'est de l'explosif. A l'origine du mot, une bombe utilisée pendant la Seconde Guerre mondiale, capable de détruire tout un pâté de maisons. Et il n'y a sans doute pas d'image plus typique du blockbuster que celle d'une gigantesque explosion. Les déflagrations dont il s'agit dans ce livre ne sont pas uniquement celles que racontent les films. Produit grand public, confectionné grâce à d'immenses investissements financiers, le blockbuster s'apparente à une bombe à fragmentation, pulvérisant l'objet filmique dans des (...)
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  41. Philosophy through film.Mary M. Litch - 2002 - New York: Routledge. Edited by Amy Karofsky.
    Do humans have free Will? What distinguishes morally right from morally wrong action? Does God exist? Does life have meaning? What is the ultimate nature of reality? What are the limits of human knowledge? Philosophy through Film offers a stimulating new way to explore the basic questions of philosophy. Each chapter uses a popular film to examine one such topic- from free will and skepticism to personal identity and artificial intelligence- in an approachable yet philosophically rigorous manner. A wide range (...)
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  42. Philosophy of the film: epistemology, ontology, aesthetics.Ian Charles Jarvie - 1987 - New York: Routledge & Kegan Paul.
    Examines the overlap between film and philosophy in three distinct ways: epistemological issues in film-making and viewing; aesthetic theory and film; and film as a medium of philosophical expression. This title available in eBook format. Click here for more information . Visit our eBookstore at: www.ebookstore.tandf.co.uk.
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  43.  24
    Philosophy and the moving image: refractions of reality.John Mullarkey - 2009 - New York: Palgrave-Macmillan.
    ... the first book to examine all the central issues surrounding the vexed relationship between the film-image and philosophy. In it, John Mullarkey tackles the work of particular philosophers and theorists (Žižei, Deleuze, Cavell, Bordwell, Badiou, Branigan, Rancière, Frampton, and many others) as well as general philosophical positions (Analytical and Continental, Cognitivist and Culturalist, Pyschoanalytic and phenomenological). Moreover, he also offers an incisive analysis and explanation of several prominent forms of film theorizing, providing a metalogical account of their mutual advantages (...)
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  44.  18
    The Motion in Quality as the Scientific Alternative to Ideas of Creationism.Igor I. Kondrashin - 2008 - Proceedings of the Xxii World Congress of Philosophy 17:97-106.
    Rethinking “philosophy” to-day, it is necessary to think first of all about ontological foundations of the modern scientific universe description and rethink them on the ground of modern scientific knowledge, because until now there is no any precise scientific conception of the structure of the universe, of reasons and movingforces of its permanent evolution. All of it create basis to propose various unscientific ideas of creationism. Until now most of philosophers associate the motion of Matter on the whole only (...)
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  45.  9
    Love in motion: erotic relationships in film.Reidar Due - 2013 - London: Wallflower Press.
    This book is about film's encounter with love throughout the medium's history. It is also about the philosophy of love... [it] outlines a new metaphysics and ontology of love as a reciprocal erotic relationship. This study argues that film's special narrative language is particularly well suited to depicting love in this way. It begins with early silent directors, such as Joseph von Sternberg, and concludes with contemporary filmmakers, such as Sophia Coppola; it also compares classical French and American love films (...)
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  46. A Film-Philosophy of Ecology and Enlightenment.Rupert J. Read - 2019 - New York & Oxon, UK: Routledge.
    Inspired by the philosophy of Wittgenstein and his idea that the purpose of real philosophical thinking is not to discover something new, but to show in a strikingly different light what is already there, this book provides philosophical readings of a number of ‘arthouse’ and Hollywood films. Each chapter contains a discussion of two films—one explored in greater detail and the other analyzed as a minor key which reveals the possibility for the book's ideas to be applied across different films, (...)
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  47.  20
    Philosophie et cinéma.Jean-Louis Déotte (ed.) - 2011 - Paris: L'Harmattan.
    En l'occurrence, au XXe siècle, le cinéma, alors que le XIXe était appareillé par la photographie. Dans une radicale philosophie de la temporalité comme la sienne, les appareils font chacun leur tour époque sans pourtant s'éliminer.
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  48.  10
    Philosophy-screens: from cinema to the digital revolution.Mauro Carbone - 2019 - Albany: State University of New York Press. Edited by Marta Nijhuis.
    In The Flesh of Images, Mauro Carbone analyzed Merleau-Ponty's interest in film as it relates to his aesthetic theory. Philosophy-Screens broadens the work undertaken in this earlier book, looking at the ideas of other twentieth-century thinkers concerning the relationship between philosophy and film, and also extending that analysis to address the wider proliferation of screens in the twenty-first century. In the first part of the book, Carbone examines the ways that Sartre, Merleau-Ponty, Lyotard, and Deleuze grappled with the philosophical significance (...)
  49. Thinking Through Film: Doing Philosophy, Watching Movies.Damian Cox & Michael P. Levine - 2011 - Malden, MA: Wiley-Blackwell. Edited by Michael P. Levine.
    An introduction to philosophy through film, _Thinking Through Film: Doing Philosophy, Watching Movies_ combines the exploration of fundamental philosophical issues with the experience of viewing films, and provides an engaging reading experience for undergraduate students, philosophy enthusiasts and film buffs alike. An in-depth yet accessible introduction to the philosophical issues raised by films, film spectatorship and film-making Provides 12 self-contained, close discussions of individual films from across genres Films discussed include Total Recall, Minority Report, La Promesse, Funny Games, Ikuru, The (...)
     
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  50. Film theory and philosophy.Richard Allen & Murray Smith (eds.) - 1997 - New York: Oxford University Press.
    This volume of new essays energizes a growing movement in film theory which questions and seeks to overturn many of the assumptions that have governed film theory for the last twenty years. The book brings together film scholars and philosophers in a united commitment to the standards of argumentation that characterize analytic philosophy rather than a single doctrinal approach. The essays address such topics as authorship, emotion, ideology, representation, and expression in film.
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