We frequently use single words or expressions to mean multiple things, depending upon context. I argue that a plausible model of this phenomenon, known as lakṣaṇā by Indian philosophers, emerges in the work of ninth-century Kashmiri Mukulabhaṭṭa. His model of lakṣaṇā is sensitive to the lexical and syntactic requirements for sentence meaning, the interpretive unity guiding a communicative act, and the nuances of creative language use found in poetry. After outlining his model of lakṣaṇā, I show how arthāpatti, or (...) presumption, forms the basis of both semantic and pragmatic processes in this approach. I employ a model from contemporary linguist James Pustejovsky as one way of reconstructing Mukulabhaṭṭa’s analysis. Finally, I argue that presumption is responsible for the wide range of interpretations in creative uses of language, and that our interpretations are constrained, through defeasible in a way that our decodings of literal meanings typically are not. (shrink)