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Murray Smith [30]Murray E. G. Smith [7]
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Murray Smith
University of Kent
  1. Engaging Characters: Fiction, Emotion, and the Cinema. [REVIEW]Murray Smith - 1999 - Journal of Aesthetics and Art Criticism 57 (1):88-89.
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  2.  24
    Is Psychology Relevant to Aesthetics?Sherri Irvin, Bence Nanay, Elisabeth Schellekens & Murray Smith - forthcoming - Estetika.
    A symposium on Bence Nanay, Aesthetics as Philosophy of Art and Murray Smith, Film, Art, and the Third Culture. Commentaries on the two books by two critics, followed by responses by the two book authors.
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  3.  4
    A Tale of Two Gaps.Murray Smith - 2018 - Australasian Philosophical Review 2 (2):189-193.
    In ‘Rethinking Nature,’ Shaun Gallagher makes the case for a non-reductive, naturalized phenomenology. In doing so, he seeks to close the metaphysical gap between world and mind by pursuing a ‘world > mind’ strategy, conforming the natural world to the world of reason and experience. Here I assess the merits of this approach by comparison with the alternative ‘mind > world’ strategy, whereby the the world of reason and experience is conformed to the natural world. This latter approach is exemplified (...)
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  4. Is Analytic Philosophy the Cure for Film Theory?Cynthia A. Freeland, Thomas E. Wartenberg, Richard Allen, Murray Smith, Noël Carroll & Oxford Clarendon - 1999 - Philosophy of the Social Sciences 29 (3):416-440.
  5. Film, Art, and the Third Culture: A Naturalized Aesthetics of Film.Murray Smith - 2017 - Oxford, UK: Oxford University Press.
    Murray Smith presents an original approach to understanding film. He brings the arts, humanities, and sciences together to illuminate artistic creation and aesthetic experience. His 'third culture' approach roots itself in an appreciation of scientific innovation and how this has shaped the moving media.
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  6.  80
    Film Art, Argument, and Ambiguity.Murray Smith - 2006 - Journal of Aesthetics and Art Criticism 64 (1):33–42.
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  7. Film Theory and Philosophy.Richard Allen & Murray Smith (eds.) - 1997 - Oxford University Press.
    This volume of new essays energizes a growing movement in film theory which questions and seeks to overturn many of the assumptions that have governed film theory for the last twenty years. The book brings together film scholars and philosophers in a united commitment to the standards of argumentation that characterize analytic philosophy rather than a single doctrinal approach. The essays address such topics as authorship, emotion, ideology, representation, and expression in film.
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  8.  50
    Empathy, Expansionism, and the Extended Mind.Murray Smith - 2011 - In Amy Coplan & Peter Goldie (eds.), Empathy: Philosophical and Psychological Perspectives. Oxford University Press. pp. 99.
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  9.  19
    Profitability and the Roots of the Global Crisis: Marx’s ‘Law of the Tendency of the Rate of Profit to Fall’ and the US Economy, 1950–2007.Murray E. G. Smith & Jonah Butovsky - 2012 - Historical Materialism 20 (4):39-74.
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  10. Imagining From the Inside: POV, Imagining Seeing, and Empathy.Murray Smith - 1997 - In Richard Allen & Murray Smith (eds.), Film Theory and Philosophy. Oxford University Press. pp. 412--30.
     
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  11.  40
    Just What Is It That Makes Tony Soprano Such an Appealing, Attractive Murderer?Murray Smith - 2011 - In Ward E. Jones & Samantha Vice (eds.), Ethics at the Cinema. Oxford University Press. pp. 66--90.
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  12.  60
    Film Spectatorship and the Institution of Fiction.Murray Smith - 1995 - Journal of Aesthetics and Art Criticism 53 (2):113-127.
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  13.  11
    Film Theory and Philosophy. [REVIEW]Cynthia A. Freeland, Richard Allen & Murray Smith - 2000 - Philosophical Review 109 (1):144-7.
    This substantial book presents essays by nineteen authors exploring intersections between film theory and philosophy on topics of representation, authorship, ideology, aesthetics, and emotion. The editors explain that film studies has reached a crisis of method after a growth period founded on structural linguistics, psychoanalysis, and Continental philosophy. They wish to alter this foundation and “give momentum to work in an analytic vein”, which requires them to correct the misconception of analytic philosophy in film studies as narrow and conservative, a (...)
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  14.  19
    Against Dualism: Marxism and the Necessity of Dialectical Monism.Murray E. G. Smith - 2009 - Science and Society 73 (3):356 - 385.
    The controversy surrounding the status of dialectics in Marxist thought has failed to take the full measure of the persistent influence of ontological dualism and its corollary, dualistic social ontology. Yet an explicit critique of dualism is essential to materialist dialectics and to a Marxist-socialist theory and pedagogy that discloses the specific role of capitalist social relations in impeding human progress. A dialectical-monistic ontology associated with Marx's "new" (historical) materialism requires systematic conceptual elaboration, as illuminated by a dialecticalontological triad embracing (...)
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  15.  25
    The Necessity of Value Theory: Brenner's Analysis of the 'Long Downturn' and Marx's Theory of Crisis.Murray Smith - 1999 - Historical Materialism 4 (1):149-169.
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  16.  30
    Productivity, Valorization and Crisis: Socially Necessary Unproductive Labor in Contemporary Capitalism.Murray E. G. Smith - 1993 - Science and Society 57 (3):262 - 293.
    Discussion surrounding Marx's distinction between productive and unproductive labor too often fails to distinguish between the various forms that unproductive labor may assume and is too hasty to subsume the income of workers "unproductively" employed by capital as a non-profit component of social surplus-value. Against this, it may be argued that many forms of unproductive labor are socially necessary to the social capital and are therefore properly viewed as systemic overhead costs. As such, they should be treated, in value-theoretical terms, (...)
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  17.  38
    The Aesthetics of Football.Steffen Borge, Murray Smith & Margrethe Bruun Vaage - 2015 - Sport, Ethics and Philosophy 9 (2):93-96.
  18. Invisible Leviathan: The Marxist Critique of Market Despotism Beyond Postmodern Ism.Murray E. G. Smith - 1998 - Science and Society 62 (2):287-289.
  19. Imagining From the Inside: POV, Imagining Seeing, and Empathy.Murray Smith - 1997 - In Richard Allen & Murray Smith (eds.), Film Theory and Philosophy. Oxford University Press.
     
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  20.  13
    The Value Abstraction and the Dialectic of Social Development.Murray E. G. Smith - 1992 - Science and Society 56 (3):261 - 290.
    The idea that human history evinces a pattern of development rooted in the propensity of human beings toward technical forms of rationality is fundamental to Marx's materialist conception of history. Yet the "dialectic of forces and relations of production" as traditionally conceived in historical-materialist discourse has found only weak expressions in social formations dominated by precapitalist modes of production. The hypothesis is advanced that the role of simple commodity production and exchange in such formations may be decisive to the emergence (...)
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  21. Film Theory Meets Analytic Philosophy; Or, Film Studies And L’Affaire Sokal.Murray Smith - 2010 - Cinema:111-117.
     
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  22.  5
    Aesthetic Pursuits: Essays in the Philosophy of Art By Jerrold Levinson Oxford: Oxford University Press, 2016, Pp. 197, £35 ISBN-13: 978-0198767213. [REVIEW]Murray Smith - 2018 - Philosophy 93 (3):464-470.
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  23.  8
    The Bad and the Beautiful.Murray Smith - 2002 - Film-Philosophy 6 (1).
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  24.  54
    Rhetoric and Representation in Non-Fiction Film.Murray Smith - 2001 - British Journal of Aesthetics 41 (2):222-225.
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  25.  39
    Regarding Film Spectatorship: A Reply to Richard Allen.Murray Smith - 1998 - Journal of Aesthetics and Art Criticism 56 (1):63-65.
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  26.  15
    Against Nature? Or, Confessions of a Darwinian Modernist.Murray Smith - 2014 - Royal Institute of Philosophy Supplement 75:151-182.
    A few years ago I gave a paper on the aesthetics of ‘noise,’ that is, on the ways in which non-musical sounds can be given aesthetic shape and structure, and thereby form the basis of significant aesthetic experience. Along the way I made reference to Arnold Schoenberg's musical theory, in particular his notion of Klangfarbenmelodie, literally ‘sound colour melody,’ or musical form based on timbre or tonal colour rather than on melody, harmony or rhythm. Schoenberg articulated his ideas about Klangfarbenmelodie (...)
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  27.  27
    Feeling Prufish.Murray Smith - 2010 - Midwest Studies in Philosophy 34 (1):261-279.
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  28.  14
    Review of Paisley Livingston, Cinema, Philosophy, Bergman: On Film as Philosophy[REVIEW]Murray Smith - 2010 - Notre Dame Philosophical Reviews 2010 (5).
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  29.  11
    The "Intentional Primacy" of the Relations of Production: Further Reflections on the Dialectic of Social Development.Murray E. G. Smith - 1994 - Science and Society 58 (1):72 - 78.
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  30.  10
    Unproductive Labor and Profit Rate Trends: A Rejoinder.Murray E. G. Smith - 1994 - Science and Society 58 (4):489 - 494.
  31.  1
    Rhetoric and Representation in Non‐fiction Film. [REVIEW]Murray Smith - 2001 - British Journal of Aesthetics 41 (2):222-225.
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  32. Film Theory and Philosophy.Richard Allen, Murray Smith, Carl Plantinga & Greg M. Smith - 2001 - Philosophical Quarterly 51 (203):277-280.
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  33. Marx, the Video a Politics of Revolting Bodies.Rick Maxwell, Marilyn Wulff, Chuck France, Murray Smith & Yvonne Schofer - 1990 - Video Data Bank [Distributor].
     
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  34. Film.Murray Smith - 2001 - In Berys Nigel Gaut & Dominic Lopes (eds.), The Routledge Companion to Aesthetics. Routledge.
     
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  35. "Psychology and Psychiatry Today: A Marxist View" by Joseph Nahem.Murray Smith - 1985 - Philosophy of the Social Sciences 15 (2):216.
     
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  36. The Logic and Legacy of Brechtianism.Murray Smith - 1996 - In David Bordwell Noel Carroll (ed.), Post-Theory: Reconstructing Film Studies. University of Wisconsin Press. pp. 130--48.
     
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