Governmental response to the 1988 Thames Television documentary Death on the Rock, on the killing of three IRA operatives in Gibraltar, provides a case study for the examination of the British government's alleged attempts at media control. The Stalker affair further suggests this policy. Media restraints in Britain are numerous, including articles in the Emergency Provisions Act, the Prevention of Terrorism Act, the Offenses Against the State Act, and the new Broadcasting Act. It is argued that individual citizens are being (...) deprived of basic human rights on political grounds and the reporting of such abuses is deliberately impeded by the government. (shrink)
This article summarises the views of 222 grant‐maintained school's head teachers’ experience of, and reasons for, their schools opting out of local authority control. The survey was conducted on the first 499 secondary schools to go GM. The article investigates issues such as admissions, finances and also the effects of GM status on the relationships with, and roles of, local education authorities, the Department for Education, parents and governors. The article provides an overview of moves to GMS and highlights (...) prior aims and reflections. (shrink)
" This collection proves otherwise, for the letters illuminate virtually every aspect of Reid's life and career and, in some instances, provide us with invaluable evidence about activities otherwise undocumented in his manuscripts or ...
The inspiration for this paper came rather unexpectedly. In February 2006, I made the long trip from my home in Sioux City, Iowa, to Torino, Italy in order to witness the Olympic Winter Games. Barely a month later, I found myself in California at the newly-renovated Getty Villa, home to one of the world's great collections of Greco-Roman antiquities. At the Villa I attended a talk about a Roman mosaic depicting a boxing scene from Virgil's Aeneid. The tiny tiles showed (...) not only two boxers, but a wobbly looking ox. ‘What is wrong with this ox?’ asked the docent. ‘Why is he there at the match?’ The answer, of course, is that he is the prize. And the reason he is wobbly is because the victor has just sacrificed this prize to the gods in thanksgiving, by punching him between the eyes. A light went on in my head; I turned to my husband and whispered, ‘Just like Joey Cheek in Torino.’ My husband smiled indulgently, but my mind was already racing. I realized that by donating his victory bonus to charity, Cheek had tapped into one of the oldest and most venerable traditions in sport: individual sacrifice for the benefit of the larger community. It is a tradition that derives from the religious function of the ancient Olympic Games and it deserves to be revived the modern world. (shrink)
Don't look for the meaning; look for the use. A few years back the Yale deconstructionist Paul de Man wasposthumously discovered to have written repeatedly for a Belgiancollaborationist journal during the Nazi occupation. So far as I amaware, de Man in his American period espoused no particular politics. Indeed, the Left frequently regarded this as a cause for complaint, since most of them thought of de Man and deconstruction as being their natural allies.
Roger Scruton's 530-page blockbuster The Aesthetics of Music was published by Oxford University Press in 1997. A paperback edition followed two years later. Neither received more than a handful of notices, a few appreciative, but some grudging and some actually hostile. As its quality has come to be recognized, and as the resentments it provoked have either died down or found newer targets, the book has gradually achieved a certain canonical, even classic, status. Students of the subject now seem to (...) feel that, however unpalatable some of its conclusions may have been, it can no longer safely be ignored. The questions, it appears, are the right ones, even if we don't care for Scruton's answers. (shrink)
For anyone acquainted with Reid’s works and the literature on them, the idea of proposing a hypothesis to explain contradictory comments on his philosophy, and the further idea of borrowing this hypothesis from Hume’s threefold account of scepticism will not only appear ironical but quite unlikely. Yet, this is what I propose to do in showing that Reid’s sceptical admissions can be seen as a form of “mitigated scepticism.” And while I acknowledge the irony of my hypothesis, I (...) do not grant that it lacks plausibility. (shrink)
Reid said little in his published writings about his contemporary Joseph Priestley, but his unpublished work is largely devoted to the latter. Much of Priestley's philosophical thought- his materialism, his determinism, his Lockean scientific realism- was as antithetical to Reid's as was Hume's philosophy in a very different way. Neither Reid nor Priestley formulated a full response to the other. Priestley's response to Reid came very early in his career, and is marked by haste and immaturity. (...) In his last decade Reid worried much about Priestley's materialism, but that concern never reached publication. I document Reid's unpublished response to Priestley, and also view Reid's response from Priestley's perspective, as deduced from his published works. Both thinkers attempted to base their arguments on Newtonian method. Reid's position is the more puzzling of the two, since he nowhere makes clear how Newtonian method favours mind-body dualism over materialism, which is the central debate between them. (shrink)
In his last great philosophical essay, 'Of Power', Reid makes the plausible claim that 'our first exertions are instinctive' and made 'without any distinct conception of the event that is to follow'. According to Reid, these instinctive exertions allow us to form beliefs about correlations between exertions and consequential events. Such instinctive exertions also explain the origin of our conception of power. In this paper, I argue that we can use the notion of instinctive exertions to address several (...) objections that have been raised concerning Reid's rejection of the claim that sensations possess spatial content. (shrink)
Reid argues that Hume’s claim that justice is an artificial virtue is inconsistent with the fact that gratitude is a natural sentiment. This chapter shows that Reid’s argument succeeds only given a philosophy of mind and action that Hume rejects. Among other things, Reid assumes that one can conceive of one of a pair of contradictories only if one can conceive of the other—a claim that Hume denies. So, in the case of justice, the disagreement between Hume (...) and Reid is, at bottom, a disagreement over their respective conceptions of how the human mind works at its most fundamental level. (shrink)
Thomas Reid’s influence on continental and especially on French philosophy at the beginning of the 19th century has to be considered against the background of the crisis of the philosophical project of the moderns. This project, which is intimately related to the rise of the modern scientific world image, has one of its major tenets in the so called “theory of ideas” introduced by Descartes and developed further by Locke. By emphasizing the role of our active faculties in the (...) formulation of judgements, Reid rejects this theory. One of the consequences of this rejection is the distinction Reid makes between sensations, which are passive, and perceptions, which are active. Maine de Biran picks up Reid’s emphasis on our active powers but reinterprets it on the light of his theory of the “primitive fact” that external objects resist our efforts to move them, thus providing a unifying principle for Reid’s “principles of common sense”. (shrink)
Thomas Reid’s epistemological ambitions are decisively at the center of his work. However, if we take such ambitions to be the whole story, we are apt to overlook the theory of mind that Reid develops and deploys against the theory of ideas. Reid’s philosophy of mind is sophisticated and strikingly contemporary, and has, until recently, been lost in the shadow of his other philosophical accomplishments. Here I survey some aspects of Reid’s theory of mind that I (...) find most interesting. I examine whether Reid is a mysterian about the mind, whether Reid has a direct realist theory of perception, and whether Reid has a higher-order, or “inner-sense,” view of consciousness. Along the way I will mention portions of the secondary literature that examine these aspects and point out whether and to what degree I part ways with the interpretations present in the literature. (shrink)
In An Inquiry into the Human Mind and in Essays on Intellectual Powers, Thomas Reid discusses what kinds of things perceivers are related to in perception. Are these things qualities of bodies, the bodies themselves, or both? This question places him in a long tradition of philosophers concerned with understanding how human perception works in connecting us with the external world. It is still an open question in the philosophy of perception whether the human perceptual system is providing us (...) with representations as of bodies, or only as of their properties. My project in this article is to explain how, on Reid's view, we can have perceptual representations as of bodies. This, in turn, enables him to argue that we have a robust understanding of the world around us, an understanding that would be missing if our perceptual system only supplied us with representations as of free-floating properties of bodies. (shrink)
In his account of visual perception, Thomas Reid describes visible figure as both ‘real and external’ to the eye and as the ‘immediate object of sight’. These claims appear to conflict with Reid's direct realism, since if the ‘immediate’ object of vision is also its direct object, then sight would be perceptually indirect due to the role of visible figure as a perceptual intermediary. I argue that this apparent threat to Reid's direct realism may be resolved by (...) understanding visible figure as the set of geometrical properties that holds between an object's visible surfaces and some particular perspective or point of view. On this relational interpretation of visible figure, and once an ambiguity over the use of the term ‘object’ is resolved, Reid's account of vision is both epistemically and perceptually direct, as well as consistent with his account of the other senses and doctrine of signs. (shrink)