28 found
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Nicole Anderson [27]Nicole D. Anderson [3]
  1.  13
    The Effects of Divided Attention on Encoding and Retrieval Processes in Human Memory.Fergus I. M. Craik, Richard Govoni, Moshe Naveh-Benjamin & Nicole D. Anderson - 1996 - Journal of Experimental Psychology: General 125 (2):159.
  2.  4
    Derrida: Ethics Under Erasure.Nicole Anderson - 2012 - Continuum.
    The 'ethics of deconstruction'? -- Ethical (im)possibilities -- Ethics under erasure -- Ethical experience : a cinematic example.
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  3.  19
    Memory in the Aging Brain.Nicole D. Anderson & Fregus Im Craik - 2000 - In Endel Tulving (ed.), The Oxford Handbook of Memory. Oxford University Press.
  4.  26
    The Ethics of Consensual Cannibalism : Deconstructing the Human-Animal Dichotomy.Nicole Anderson - unknown
    How can anyone consent to being eaten? This was, and still is, a common question and response to the cannibalism case that took place in Germany in 2001. It was a case that took 6 years to resolve because the notion of 'consent' entailed, at the time, legal and moral complications.
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  5.  3
    Journal Editing and Ethical Research Practice: Perspectives of Journal Editors.Holly Randell-Moon, Nicole Anderson, Tracey Bretag, Anthony Burke, Sue Grieshaber, Anthony Lambert, David Saltmarsh & Nicola Yelland - 2011 - Ethics and Education 6 (3):225 - 238.
    This article offers perspectives from academics with recent journal editing experience on a range of ethical issues and dilemmas that regularly pose challenges for those in editorial roles. Each contributing author has provided commentary and reflection on a select topic that was identified in the research literature concerning academic publishing and journal editing. Topics discussed include the ethical responsibilities of working with international and early career contributors to develop work for publication, balancing influence and responsibility to a journal's disciplinary field (...)
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  6.  56
    The Ethical Possibilities of the Subject as Play: In Nietzsche and Derrida.Nicole Anderson - 2003 - Journal of Nietzsche Studies 26 (1):79-90.
    In "The Ends of Man," when talking about a deconstructive process of writing, Jacques Derrida says that "what we need, perhaps, as Nietzsche said, is a change of "style," and if there is style, Nietzsche reminds us, it must be plural". On his debt to Nietzsche, Derrida remains elusive, although it is obvious that there are many manifestations of Nietzsche's presence throughout Derrida's writings. As this quote suggests, if there is not a similarity in style between Nietzsche and Derrida, there (...)
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  7.  32
    Introduction: The Meeting of Deconstruction and Science.Nicole Anderson & H. Peter Steeves - 2010 - Derrida Today 3 (2):175-177.
  8.  6
    General Editors' Note.Nicole Anderson & Nick Mansfield - 2012 - Derrida Today 5 (1).
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  9.  6
    General Editors' Note.Nicole Anderson & Nick Mansfield - 2013 - Derrida Today 6 (1).
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  10.  20
    General Editors' Note.Nicole Anderson - 2009 - Derrida Today 2 (2):v-v.
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  11.  5
    General Editors' Note.Nicole Anderson & Nick Mansfield - 2010 - Derrida Today 3 (1):v-v.
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  12. Eating the Other : Deconstructing the "Ethics" of Cannibalism.Nicole Anderson - 2008 - In Nicole Anderson & Katrina Schlunke (eds.), Cultural Theory in Everyday Practice. Oxford University Press.
     
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  13.  9
    General Editors' Note.Nick Mansfield & Nicole Anderson - 2009 - Derrida Today 2 (1):v-v.
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  14.  4
    General Editors' Note.Nicole Anderson & Nick Mansfield - 2015 - Derrida Today 8 (1).
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  15.  4
    General Editors' Note.Nicole Anderson & Nick Mansfield - 2011 - Derrida Today 4 (1).
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  16.  4
    General Editors' Note.Nicole Anderson & Nick Mansfield - 2014 - Derrida Today 7 (1).
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  17.  12
    Supplementing Claire Colebrook: A Response to “Creative Evolution and the Creation of Man”.Nicole Anderson - 2010 - Southern Journal of Philosophy 48 (s1):133-146.
    In her paper “Creative Evolution and the Creation of Man,” one of the arguments Colebrook puts forth is that as a means of challenging the mechanistic and teleological conception of Darwinian evolution, creative evolution takes an antihumanist position by positing that there is an absence of end, thus “man” is able to create his own end. But in taking this position, Colebrook points out that creative evolution re-establishes the humanistic discourse on the human that it was attempting to challenge. To (...)
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  18.  1
    Special Issue Introduction.Nicole Anderson - 2016 - Derrida Today 9 (2):95-96.
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  19.  2
    Immunity : The Deconstruction and Politics of 'Bio-Art' and Criticism.Nicole Anderson - unknown
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  20.  2
    Subjectivity and Alterity, Alterity and the Other.Nicole Anderson - unknown
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  21. Cultural Theory in Everyday Practice.Nicole Anderson & Katrina Schlunke (eds.) - 2008 - Oxford University Press.
     
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  22. General Editors' Note.Nicole Anderson & Nick Mansfield - 2017 - Derrida Today 10 (1):v-v.
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  23. General Editors' Note.Nicole Anderson & Nick Mansfield - 2017 - Derrida Today 10 (1):v-v.
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  24. General Editors' Note.Nicole Anderson & Nick Mansfield - 2016 - Derrida Today 9 (1):v-v.
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  25. General Editors' Note.Nicole Anderson & Nick Mansfield - 2016 - Derrida Today 9 (1):v-v.
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  26. General Editors' Note.Nicole Anderson & Nick Mansfield - 2016 - Derrida Today 9 (2):v-v.
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  27. General Editor's Note.Nicole Anderson - 2017 - Derrida Today 10 (2):v-v.
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  28. Teaching Signal Detection Theory with Pseudoscience.Nicole D. Anderson - 2015 - Frontiers in Psychology 6.
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