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Noël Carroll [175]Noel Edward Carroll [1]
  1. The Wheel of Virtue: Art, Literature, and Moral Knowledge.Noël Carroll - 2002 - Journal of Aesthetics and Art Criticism 60 (1):3–26.
    In this essay, then, I would like to address what I believe are the most compelling epistemic arguments against the notion that literature (and art more broadly) can function as an instrument of education and a source of knowledge.
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  2. Beyond Aesthetics: Philosophical Essays.Noël Carroll - 2001 - Cambridge University Press.
    Beyond Aesthetics brings together philosophical essays addressing art and related issues by one of the foremost philosophers of art at work today. Countering conventional aesthetic theories - those maintaining that authorial intention, art history, morality and emotional responses are irrelevant to the experience of art - Noël Carroll argues for a more pluralistic and commonsensical view in which all of these factors can play a legitimate role in our encounter with art works. Throughout, the book combines philosophical theorizing with illustrative (...)
     
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  3. Moderate Moralism.Noël Carroll - 1996 - British Journal of Aesthetics 36 (3):223-238.
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  4. Art and Ethical Criticism: An Overview of Recent Directions of Research.Noël Carroll - 2000 - Ethics 110 (2):350-387.
  5. Narrative Closure.Noël Carroll - 2007 - Philosophical Studies 135 (1):1 - 15.
    In this article, “Narrative Closure,” a theory of the nature of narrative closure is developed. Narrative closure is identified as the phenomenological feeling of finality that is generated when all the questions saliently posed by the narrative are answered. The article also includes a discussion of the intelligibility of attributing questions to narratives as well as a discussion of the mechanisms that achieve this. The article concludes by addressing certain recent criticisms of the view of narrative expounded by this article.
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  6. A Philosophy of Mass Art.Noel Carroll - 1997 - Clarendon Press.
    Few today can escape exposure to mass art. Nevertheless, despite the fact that mass art provides the primary source of aesthetic experience for the majority of people, mass art is a topic that has been neglected by analytic philosophers of art. The Philosophy of Mass Art addresses that lacuna. It shows why philosophers have previously resisted and/or misunderstood mass art and it develops new frameworks for understanding mass art in relation to the emotions, morality, and ideology.
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  7. Hume's Standard of Taste.Noel Carroll - 1984 - Journal of Aesthetics and Art Criticism 43 (2):181-194.
  8. The Philosophy of Motion Pictures.Noël Carroll - 2007 - Wiley-Blackwell.
    _Philosophy of Motion Pictures_ is a first-of-its-kind, bottom-up introduction to this bourgeoning field of study. Topics include film as art, medium specificity, defining motion pictures, representation, editing, narrative, emotion and evaluation. Clearly written and supported with a wealth of examples Explores characterizations of key elements of motion pictures –the shot, the sequence, the erotetic narrative, and its modes of affective address.
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  9.  48
    On Criticism.Noël Carroll - 2008 - Routledge.
    Drawing on his knowledge of the worlds of art, criticism, and philosophy, Noèel Carroll argues that appraisal and evaluation of art are an indispensable part of the conversation of life.
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    Ethics and Comic Amusement.Noël Carroll - 2014 - British Journal of Aesthetics 54 (2):241-253.
    This article explores several views on the relation of humour, especially tendentious humour, to morality, including comic amoralism, comic ethicism, comic immoralism, and moderate comic moralism. The essay concludes by defending moderate comic moralism.
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  11. Is Analytic Philosophy the Cure for Film Theory?Cynthia A. Freeland, Thomas E. Wartenberg, Richard Allen, Murray Smith, Noël Carroll & Oxford Clarendon - 1999 - Philosophy of the Social Sciences 29 (3):416-440.
  12.  3
    On Criticism.Noël Carroll - 2009 - Journal of Aesthetics and Art Criticism 67 (4):421-423.
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  13. Theorizing the Moving Image.Noël Carroll - 1996 - Cambridge University Press.
    A selection of essays written by one of the leading critics of film over the last two decades, this volume examines theoretical aspects of film and television through penetrating analyses of such genres as soap opera, documentary, comedy, and such topics as 'sight gags', film metaphor, point-of-view editing, and movie music. Throughout, individual films are considered in depth. Carroll's essays, moreover, represent the cognitivist turn in film studies, containing in-depth criticism of existing approaches to film theory, and heralding a new (...)
  14. Philosophy of Art: A Contemporary Introduction.Noël Carroll - 1999 - Routledge.
    _Philosophy of Art_ is a textbook for undergraduate students interested in the topic of philosophical aesthetics. It introduces the techniques of analytic philosophy as well as key topics such as the representational theory of art, formalism, neo-formalism, aesthetic theories of art, neo-Wittgensteinism, the Institutional Theory of Art. as well as historical approaches to the nature of art. Throughout, abstract philosophical theories are illustrated by examples of both traditional and contemporary art including frequent reference to the avant-garde in this way enriching (...)
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  15. Martin Mcdonagh's the Pillowman , or the Justification of Literature.Noël Carroll - 2011 - Philosophy and Literature 35 (1):168-181.
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  16. Moderate Moralism Versus Moderate Autonomism.Noel Carroll - 1998 - British Journal of Aesthetics 38 (4):419-424.
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  17.  77
    Art, Narrative, and Moral Understanding.Noël Carroll - 1998 - In Jerrold Levinson (ed.), Aesthetics and Ethics: Essays at the Intersection. Cambridge University Press. pp. 126--60.
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  18. Historical Narratives and the Philosophy of Art.Noel Carroll - 1993 - Journal of Aesthetics and Art Criticism 51 (3):313-326.
  19. Art in Three Dimensions.Noël Carroll - 2010 - Oxford University Press.
    Art in Three Dimensions is a collection of essays by one of the most eminent figures in philosophy of art.
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  20. Horror and Humor.Noel Carroll - 1999 - Journal of Aesthetics and Art Criticism 57 (2):145-160.
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  21.  82
    The Philosophy of Horror or Paradoxes of the Heart.G. B. & Noel Carroll - 1991 - Philosophical Quarterly 41 (165):519.
    Noel Carroll, film scholar and philosopher, offers the first serious look at the aesthetics of horror. In this book he discusses the nature and narrative structures of the genre, dealing with horror as a "transmedia" phenomenon. A fan and serious student of the horror genre, Carroll brings to bear his comprehensive knowledge of obscure and forgotten works, as well as of the horror masterpieces. Working from a philosophical perspective, he tries to account for how people can find pleasure in having (...)
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  22. Aesthetic Experience Revisited.Noël Carroll - 2002 - British Journal of Aesthetics 42 (2):145-168.
    In this article I divide theories of aesthetic experience into three sorts: the affectoriented approach, the axiologically oriented approach, and the content-oriented approach. I then go on to defend a version of the content-oriented approach.
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  23. Recent Approaches to Aesthetic Experience.Noël Carroll - 2012 - Journal of Aesthetics and Art Criticism 70 (2):165-177.
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  24. 10. Charles W. Mills, Blackness Visible: Essays on Philosophy and Race Charles W. Mills, Blackness Visible: Essays on Philosophy and Race (Pp. 432-434). [REVIEW]Hugh LaFollette, Elijah Millgram, David McCabe, Richard J. Arneson & Noël Carroll - 2000 - Ethics 110 (2).
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    Art and Mood.Noël Carroll - 2003 - The Monist 86 (4):521-555.
  26.  6
    Time, Narrative, and History.Noel Carroll & David Carr - 1988 - History and Theory 27 (3):297.
  27. The Nature of Horror.Noel Carroll - 1987 - Journal of Aesthetics and Art Criticism 46 (1):51-59.
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  28. Art, Intention, and Conversation.Noël Carroll - 1992 - In Gary Iseminger (ed.), Intention and Interpretation. Temple University Press. pp. 97--131.
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  29.  21
    A Philosophy of Mass Art.Dominic M. McIver Lopes & Noel Carroll - 2000 - Philosophical Review 109 (4):614.
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  30.  74
    Humour: A Very Short Introduction.Noël Carroll - 2014 - Oxford University Press.
    Humour is a universal feature of human life. In this Very Short Introduction Noel Carroll considers the nature and value of humour, from its leading theories and its relation to emotion and cognition, to ethical questions of its morality and its significance in shaping society.
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  31. Review: On the Aesthetic Function of Art. [REVIEW]Noël Carroll - 2008 - Philosophical Quarterly 58 (233):732 - 740.
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  32. Ethics and Aesthetics: Replies to Dickie, Stecker, and Livingston.Noël Carroll - 2006 - British Journal of Aesthetics 46 (1):82-95.
    Both my deflationary approach to aesthetic experience and what I call moderate moralism have been challenged recently in the pages of the British Journal of Aesthetics by Paisley Livingston, Robert Stecker, and George Dickie. In this essay, I attempt to deal with their objections while also trying to move the debate to new ground.
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  33. The Power of Movies.Noel Carroll - 2004 - In Peter Lamarque & Stein Haugom Olsen (eds.), Aesthetics and the Philosophy of Art: The Analytic Tradition: An Anthology. Blackwell. pp. 21.
     
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  34. The Intentional Fallacy: Defending Myself.Noel Carroll - 1997 - Journal of Aesthetics and Art Criticism 55 (3):305-309.
  35. On the Necessity of Theater.Noël Carroll - 2009 - Philosophy and Literature 33 (2):pp. 435-441.
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  36. At the Crossroads of Ethics and Aesthetics.Noël Carroll - 2010 - Philosophy and Literature 34 (1):pp. 248-259.
    Art, Emotion, and Ethics is a brilliant book with many important, useful, insightful, and even profound things to say about a range of topics including the relation of the imagination to art, understanding, and ethics, and the paradox of fiction, as well as sensitive and in-depth interpretations of masterpieces by the likes of Rembrandt and Nabokov. It is very convincing in its jousts with autonomists for people like me who favor the view that sometimes ethical blemishes are aesthetic blemishes and (...)
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  37.  97
    Architecture and Ethics: Autonomy, Architecture, Art.Noël Carroll - 2015 - Architecture Philosophy 1 (2):139-156.
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  38.  15
    On Some Affective Relations Between Audiences and the Characters in Popular Fictions.Noël Carroll - 2011 - In Amy Coplan & Peter Goldie (eds.), Empathy: Philosophical and Psychological Perspectives. Oxford University Press. pp. 162.
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  39.  57
    Rough Heroes: A Response to A.W. Eaton.Noël Carroll - 2013 - Journal of Aesthetics and Art Criticism 71 (4):371-376.
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  40.  3
    The Philosophy of Motion Pictures.Noël Carroll - 2008 - Journal of Aesthetics and Art Criticism 66 (4):401-403.
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  41.  20
    Theories of Art Today.Noel Carroll (ed.) - 2000 - University of Wisconsin Press.
    What is art? The philosophers and historians contributing to this volume address the assertion that the term "art" no longer holds meaning.
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  42.  84
    Interpretation, History and Narrative.Noël Carroll - 1990 - The Monist 73 (2):134-166.
  43.  76
    A Paradox of the Heart: A Response to Alex Neill.Noel Carroll - 1992 - Philosophical Studies 65 (1/2):67 - 74.
  44. The Paradox of Junk Fiction.Noël Carroll - 1994 - Philosophy and Literature 18 (2):225-241.
  45. Cognitivism, Psychology and Neuroscience: Movies as Attentional Engines.William Seeley & Noel Carroll - 2013 - In Arthur Shimamura (ed.), Psychocinematics: Exploring Cognition at the Movies. New York, NY, USA: pp. 53-75.
    Artworks are attentional engines, or artifacts intentionally designed to direct attention to formal features that are diagnostic for their artistically salient aesthetic, expressive, and semantic content. This is nowhere more true than the movies. Moving pictures are constructed from a suite of formal and narrative devices carefully developed to capture, hold, and direct our attention. These devices are tools for developing content by controlling the way information is presented throughout the duration of our engagement with a movie. In this respect (...)
     
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  46. Beauty and the Genealogy of Art Theory.Noël Carroll - 1991 - Philosophical Forum 22 (4):307-334.
     
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  47. Philosophy of Film and Motion Pictures: An Anthology.Noël Carroll & Jinhee Choi (eds.) - 2005 - Wiley-Blackwell.
     
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  48. On Jokes.Noël Carroll - 1991 - Midwest Studies in Philosophy 16 (1):280-301.
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  49. Monsters, Disgust and Fascination.Susan L. Feagin & Noel Carroll - 1992 - Philosophical Studies 65 (1-2):75 - 84.
  50.  97
    Review: On Kendall Walton's Mimesis as Make-Believe. [REVIEW]Noel Carroll - 1991 - Philosophy and Phenomenological Research 51 (2):383 - 387.
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