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Noël Carroll [166]Noel Edward Carroll [1]
  1. The Wheel of Virtue: Art, Literature, and Moral Knowledge.Noël Carroll - 2002 - Journal of Aesthetics and Art Criticism 60 (1):3–26.
    In this essay, then, I would like to address what I believe are the most compelling epistemic arguments against the notion that literature (and art more broadly) can function as an instrument of education and a source of knowledge.
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  2. Is Analytic Philosophy the Cure for Film Theory?Cynthia A. Freeland, Thomas E. Wartenberg, Richard Allen, Murray Smith, Noël Carroll & Oxford Clarendon - 1999 - Philosophy of the Social Sciences 29 (3):416-440.
  3. Hume's Standard of Taste.Noel Carroll - 1984 - Journal of Aesthetics and Art Criticism 43 (2):181-194.
  4. A Philosophy of Mass Art.Noel Carroll - 1997 - Clarendon Press.
    Few today can escape exposure to mass art. Nevertheless, despite the fact that mass art provides the primary source of aesthetic experience for the majority of people, mass art is a topic that has been neglected by analytic philosophers of art. The Philosophy of Mass Art addresses that lacuna. It shows why philosophers have previously resisted and/or misunderstood mass art and it develops new frameworks for understanding mass art in relation to the emotions, morality, and ideology.
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  5. Moderate Moralism.Noël Carroll - 1996 - British Journal of Aesthetics 36 (3):223-238.
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  6. Art and Ethical Criticism: An Overview of Recent Directions of Research.Noël Carroll - 2000 - Ethics 110 (2):350-387.
  7.  24
    On Criticism.Noël Carroll - 2008 - Routledge.
    Drawing on his knowledge of the worlds of art, criticism, and philosophy, Noèel Carroll argues that appraisal and evaluation of art are an indispensable part of the conversation of life.
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  8. The Philosophy of Motion Pictures.Noël Carroll - 2008 - Blackwell.
    _Philosophy of Motion Pictures_ is a first-of-its-kind, bottom-up introduction to this bourgeoning field of study. Topics include film as art, medium specificity, defining motion pictures, representation, editing, narrative, emotion and evaluation. Clearly written and supported with a wealth of examples Explores characterizations of key elements of motion pictures –the shot, the sequence, the erotetic narrative, and its modes of affective address.
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  9. Martin Mcdonagh's the Pillowman , or the Justification of Literature.Noël Carroll - 2011 - Philosophy and Literature 35 (1):168-181.
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  10. Narrative Closure.Noël Carroll - 2007 - Philosophical Studies 135 (1):1 - 15.
    In this article, “Narrative Closure,” a theory of the nature of narrative closure is developed. Narrative closure is identified as the phenomenological feeling of finality that is generated when all the questions saliently posed by the narrative are answered. The article also includes a discussion of the intelligibility of attributing questions to narratives as well as a discussion of the mechanisms that achieve this. The article concludes by addressing certain recent criticisms of the view of narrative expounded by this article.
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  11. Theorizing the Moving Image.Noël Carroll - 1996 - Cambridge University Press.
    A selection of essays written by one of the leading critics of film over the last two decades, this volume examines theoretical aspects of film and television through penetrating analyses of such genres as soap opera, documentary, comedy, and such topics as 'sight gags', film metaphor, point-of-view editing, and movie music. Throughout, individual films are considered in depth. Carroll's essays, moreover, represent the cognitivist turn in film studies, containing in-depth criticism of existing approaches to film theory, and heralding a new (...)
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  12. Philosophy of Art: A Contemporary Introduction.Noël Carroll - 1999 - Routledge.
    Philosophy of Art is a textbook for undergraduate students interested in the topic of philosophical aesthetics. It aims to introduce the techniques of analytic philosophy in addition to a selection of the major topics in this field of inquiry. These include the representational theory of art, formalism, neo-formalism, aesthetic theories of art, neo-Wittgensteinism, the Institutional Theory of Art, as well as historical approaches to the nature of art. Throughout the book, abstract philosophical theories are illustrated by examples of both traditional (...)
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  13.  81
    Architecture and Ethics: Autonomy, Architecture, Art.Noël Carroll - 2015 - Architecture Philosophy 1 (2):139-156.
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  14.  49
    The Philosophy of Horror or Paradoxes of the Heart.G. B. & Noel Carroll - 1991 - Philosophical Quarterly 41 (165):519.
    Noel Carroll, film scholar and philosopher, offers the first serious look at the aesthetics of horror. In this book he discusses the nature and narrative structures of the genre, dealing with horror as a "transmedia" phenomenon. A fan and serious student of the horror genre, Carroll brings to bear his comprehensive knowledge of obscure and forgotten works, as well as of the horror masterpieces. Working from a philosophical perspective, he tries to account for how people can find pleasure in having (...)
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  15. 10. Charles W. Mills, Blackness Visible: Essays on Philosophy and Race Charles W. Mills, Blackness Visible: Essays on Philosophy and Race (Pp. 432-434). [REVIEW]Hugh LaFollette, Elijah Millgram, David McCabe, Richard J. Arneson & Noël Carroll - 2000 - Ethics 110 (2).
  16. Moderate Moralism Versus Moderate Autonomism.Noel Carroll - 1998 - British Journal of Aesthetics 38 (4):419-424.
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  17.  39
    Art, Narrative, and Moral Understanding.Noël Carroll - 1998 - In Jerrold Levinson (ed.), Aesthetics and Ethics: Essays at the Intersection. Cambridge University Press. pp. 126--60.
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  18. Horror and Humor.Noël Carroll - 1999 - Journal of Aesthetics and Art Criticism 57 (2):145-160.
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  19.  58
    Ethics and Comic Amusement.Noël Carroll - 2014 - British Journal of Aesthetics 54 (2):241-253.
    This article explores several views on the relation of humour, especially tendentious humour, to morality, including comic amoralism, comic ethicism, comic immoralism, and moderate comic moralism. The essay concludes by defending moderate comic moralism.
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  20.  41
    Humour: A Very Short Introduction.Noël Carroll - 2014 - Oxford University Press.
    Humour is a universal feature of human life. In this Very Short Introduction Noel Carroll considers the nature and value of humour, from its leading theories and its relation to emotion and cognition, to ethical questions of its morality and its significance in shaping society.
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  21. Historical Narratives and the Philosophy of Art.Noël Carroll - 1993 - Journal of Aesthetics and Art Criticism 51 (3):313-326.
  22. The Nature of Horror.Noël Carroll - 1987 - Journal of Aesthetics and Art Criticism 46 (1):51-59.
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  23.  10
    Art Appreciation.Noël Carroll - 2016 - Journal of Aesthetic Education 50 (4):1-14.
    There seem to be at least two leading conceptions of art appreciation. The first, and by far the most popular, it seems to me, regards “appreciation” as a synonym for “approbation,” which itself can be a synonym for affection or even love. “To appreciate,” in this sense, is “to cherish.” This is the notion of appreciation that most plain speakers have in mind when they say things such as “I appreciate what you’ve done with your garden.” They mean “I like (...)
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  24. Art in Three Dimensions.Noël Carroll - 2010 - Oxford University Press.
    Art in Three Dimensions is a collection of essays by one of the most eminent figures in philosophy of art.
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  25. Review: On the Aesthetic Function of Art. [REVIEW]Noël Carroll - 2008 - Philosophical Quarterly 58 (233):732 - 740.
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  26. Recent Approaches to Aesthetic Experience.Noël Carroll - 2012 - Journal of Aesthetics and Art Criticism 70 (2):165-177.
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  27.  66
    Art and Mood.Noël Carroll - 2003 - The Monist 86 (4):521-555.
  28. The Intentional Fallacy: Defending Myself.Noël Carroll - 1997 - Journal of Aesthetics and Art Criticism 55 (3):305-309.
  29. On the Necessity of Theater.Noël Carroll - 2009 - Philosophy and Literature 33 (2):pp. 435-441.
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  30. Aesthetic Experience Revisited.Noël Carroll - 2002 - British Journal of Aesthetics 42 (2):145-168.
    In this article I divide theories of aesthetic experience into three sorts: the affectoriented approach, the axiologically oriented approach, and the content-oriented approach. I then go on to defend a version of the content-oriented approach.
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  31. Art, Intention, and Conversation.Noël Carroll - 1992 - In Gary Iseminger (ed.), Intention and Interpretation. Temple University Press. pp. 97--131.
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  32.  82
    Music, Mind, and Morality: Arousing the Body Politic.Philip Alperson & Noël Carroll - 2008 - Journal of Aesthetic Education 42 (1):1-15.
  33.  4
    Comments on Strange Tools by Alva Noë.Noël Carroll - 2017 - Philosophy and Phenomenological Research 94 (1):214-221.
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  34.  10
    Theories of Art Today.Noel Carroll (ed.) - 2000 - University of Wisconsin Press.
    What is art? The philosophers and historians contributing to this volume address the assertion that the term "art" no longer holds meaning.
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  35. The Paradox of Junk Fiction.Noël Carroll - 1994 - Philosophy and Literature 18 (2):225-241.
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  36. Anglo-American Aesthetics and Contemporary Criticism: Intention and the Hermeneutics of Suspicion.Noël Carroll - 1993 - Journal of Aesthetics and Art Criticism 51 (2):245-252.
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  37.  85
    On Jokes.Noël Carroll - 1991 - Midwest Studies in Philosophy 16 (1):280-301.
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  38. At the Crossroads of Ethics and Aesthetics.Noël Carroll - 2010 - Philosophy and Literature 34 (1):pp. 248-259.
    Art, Emotion, and Ethics is a brilliant book with many important, useful, insightful, and even profound things to say about a range of topics including the relation of the imagination to art, understanding, and ethics, and the paradox of fiction, as well as sensitive and in-depth interpretations of masterpieces by the likes of Rembrandt and Nabokov. It is very convincing in its jousts with autonomists for people like me who favor the view that sometimes ethical blemishes are aesthetic blemishes and (...)
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  39.  97
    Monsters, Disgust and Fascination.Susan L. Feagin & Noel Carroll - 1992 - Philosophical Studies 65 (1-2):75 - 84.
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  40. Ethics and Aesthetics: Replies to Dickie, Stecker, and Livingston.Noël Carroll - 2006 - British Journal of Aesthetics 46 (1):82-95.
    Both my deflationary approach to aesthetic experience and what I call moderate moralism have been challenged recently in the pages of the British Journal of Aesthetics by Paisley Livingston, Robert Stecker, and George Dickie. In this essay, I attempt to deal with their objections while also trying to move the debate to new ground.
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  41.  42
    Defending the Content Approach to Aesthetic Experience.Noël Carroll - 2015 - Metaphilosophy 46 (2):171-188.
    This article defends the content approach to aesthetic experience. It begins by sketching this approach to aesthetic experience. It then rehearses certain recent criticisms of the view by Alan Goldman and attempts to rebut them. One of those criticisms raises a long-standing concern about the author's account that has recently been called the “qua” problem. The article concludes by putting this issue to rest.
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  42. Enjoying Horror Fictions: A Reply to Gaut.Noël Carroll - 1995 - British Journal of Aesthetics 35 (1):67-72.
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  43.  75
    Review: On Kendall Walton's Mimesis as Make-Believe. [REVIEW]Noel Carroll - 1991 - Philosophy and Phenomenological Research 51 (2):383 - 387.
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  44. Movies, the Moral Emotions, and Sympathy.Noël Carroll - 2010 - Midwest Studies in Philosophy 34 (1):1-19.
  45. The Power of Movies.Noel Carroll - 2004 - In Peter Lamarque & Stein Haugom Olsen (eds.), Aesthetics and the Philosophy of Art: The Analytic Tradition: An Anthology. Blackwell. pp. 21.
     
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  46.  77
    Art, Practice, and Narrative.Noël Carroll - 1988 - The Monist 71 (2):140-156.
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  47.  35
    Can Government Funding of the Arts Be Justified Theoretically?Noël Carroll - 1987 - Journal of Aesthetic Education 21 (1):21.
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  48.  48
    On a Paradox of the Heart.Alex Neill & Noel Carroll - 1992 - Philosophical Studies 65 (1-2):53 - 65.
  49. The Image of Women in Film: A Defense of a Paradigm.Noël Carroll - 1990 - Journal of Aesthetics and Art Criticism 48 (4):349-360.
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  50.  81
    Non-Perceptual Aesthetic Properties: Comments for James Shelley.Noël Carroll - 2004 - British Journal of Aesthetics 44 (4):413-423.
    James Shelley has raised the important question of whether it is possible to have aesthetic experiences of imperceptible artworks. This issue is important for determining whether or not the aesthetic theory of art can deal with certain cases of conceptual art. Shelley has argued that it is possible to have aesthetic experiences of imperceptibilia. And in this article, I concur with him, though for reasons different from his. Nevertheless, I go on to argue that this still fails to vindicate the (...)
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