Xenophon of Athens has long been considered an uncritical admirer of Sparta who hero-worships the Spartan King Agesilaus and eulogises Spartan practices in his Lacedaimoniôn Politeia. By examining his own self-descriptions - especially where he portrays himself as conversing with Socrates and falling short in his appreciation of Socrates' advice - this book finds in Xenophon's overall writing project a Socratic response to his exile and situates his writings about Sparta within this framework. It presents a detailed reading of the (...) Lacedaimoniôn Politeia as a critical and philosophical examination of Spartan socio-cultural practices. Evidence from his own Hellenica, Anabasis and Agesilaus is shown to confirm Xenophon's analysis of the weaknesses in the Spartan system, and that he is not enamoured of Agesilaus. Finally, a comparison with contemporary Athenian responses to Sparta, shows remarkable points of convergence with his fellow Socratic Plato, as well as connections with Isocrates too. (shrink)

Este artículo analiza la estructura genérica y los fundamentos de la Lacedaimonion Politeia de Jenofonte. La Lac. ha sido frecuentemente considerada como un elogio o defensa de Esparta. Sin embargo, su retórica y estructura narrativa tienen poca similitud con prácticas contemporáneas para la composición de encomios o defensas. Aun cuando esto no impide un motivo elogioso o defensivo, examinar el tipo de retórica y los patrones narrativos de Jenofonte revela distintas afiliaciones genéricas, mostrando que la Lac., al igual que muchos (...) otros escritos de Jenofonte, es un trabajo híbrido con características de la literatura de politeiai y de la investigación filosófica. En efecto, una cuidadosa pesquisa, en particular, de la manera en que Jenofonte utiliza interlocutores imaginarios sugiere que el encomio no puede haber sido el objetivo de este tratado. (shrink)

Written by leading scholars in the field, this collection analyses the notion of travel writing as a genre, while tracing significant examples of Mediterranean travel writing that return us to Ancient Greece, to Medieval pilgrimages, to Venetians diplomatic missions, to an Egyptian's account of Paris in the nineteenth century, to French artistic journeys in North Africa and to contemporary narratives of privileged resettlement, death and dislocation.

This paper examines the generic structure and underpinnings of Xenophon's Lacedaimonion Politeia. The Lac. has frequently been regarded as a praise or defence of Sparta yet its rhetoric and narrative structure bear little resemblance to contemporary practices for composing encomia or defense speeches. Although this does not preclude an encomiastic or defensive purpose, an examination of the type of rhetoric Xenophon employs and the narrative patterns and structures in the work reveal different generic affiliations, showing that the Lac., like many (...) of Xenophon’s other writings, is a hybrid work with features belonging to politeia- literature and philosophical enquiry. Further, careful examination, in particular, of the way Xenophon makes use of imaginary interlocutors suggests that praise cannot have been the aim of this treatise. (shrink)