Results for 'Oleg Victorowitch Bychkov'

214 found
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  1.  8
    The Philosophy of John Duns Scotus (Review).Oleg Bychkov - 2009 - Franciscan Studies 67:526-531.
    In lieu of an abstract, here is a brief excerpt of the content:It is difficult to do justice to a monumental study such as PJDS in a short review: only time will determine its real significance. We can only offer some preliminary comments, and in spite of anything we have to say, the mere fact that the book contains such a wealth of information justifies for it a permanent place on a bookshelf of a student of medieval thought.The title of (...)
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  2.  10
    Intentionality, Cognition, and Mental Representation in Medieval Philosophy Ed. By Gyula Klima, And: Bero Magni de Ludosia, Questions on the Soul. A Medieval Swedish Philosopher on Life by Robert Andrews.Oleg Bychkov - 2018 - Franciscan Studies 76 (1):359-372.
    Intentionality, mental representation, sensory perception and its reliability, sensory illusions, and the concomitant issue of epistemological skepticism are becoming an important cluster of related topics in research on medieval cognitive psychology. It is no wonder, because these topics are much more relevant to present-day discussions of cognition and sensory perception, as many of these issues remain unexplained to this date, and therefore any observations in these areas could still be of interest, while many other topics traditionally discussed in studies on (...)
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  3.  40
    Bonaventure Commentary on the Sentences [of Peter Lombard]: Prologue.Saint Bonaventure & Oleg Bychkov - 2008 - Franciscan Studies 66:75-83.
  4.  9
    The Status of the Phenomenal Appearance of the Sensory in Fourteenth-Century Franciscan Thought After Duns Scotus.Oleg V. Bychkov - 2018 - Franciscan Studies 76 (1):267-285.
    Franciscan thought in the 1300's, starting with Duns Scotus, is quite a revolution in terms of a shift to relying on sensory and phenomenal experience in the construction of cognitive theories.1 However, we do not yet understand the full extent of its convergence with modern and contemporary thought. In what follows, we intend to advance this understanding. The experiential tendency in early fourteenth-century thought is undermined by a Cartesian-style doubt about the reliability of sensory perception and phenomenal experience that stems (...)
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  5.  1
    The Reflection of Some Traditional Stoic Ideas in the Thirteenth-Century Scholastic Theories of Beauty.Oleg Bychkov - 1996 - Vivarium 34 (2):141-160.
  6.  35
    Peter of John Olivi The Sum of Questions on The Sentences [of Peter Lombard].Peter of John Olivi, O. F. M. Flood & Oleg Bychkov - 2008 - Franciscan Studies 66:83-99.
  7.  17
    Antike Ästhetik. Eine Einführung in Die Prinzipien des Schönen. [REVIEW]Oleg V. Bychkov - 2007 - The Classical Review 57 (2):308-309.
  8.  32
    What Does Beauty Have to Do with the Trinity? From Augustine to Duns Scotus.Oleg V. Bychkov - 2008 - Franciscan Studies 66:197 - 212.
    The issue of why God, the Trinity and Christ in Christianity can be called "beautiful" has been muddled in literature on theological aesthetics. John Duns Scotus’s detailed discussion of relations within the Trinity helps resolve this issue. The Trinity can be called "beautiful" in at least three senses, depending on whether one considers Trinitarian relations at all, whether one looks at the relation of equality, or whether one analyzes relations of origin.
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  9.  21
    Neoplatonic Aesthetics (V.O.) Lobsien, (C.) Olk (Edd.) Neuplatonismus Und Ästhetik. Zur Transformationsgeschichte des Schönen. (Transformationen der Antike 2.) Pp. Viii + 256. Berlin and New York: Walter de Gruyter, 2007. Cased, €78, US$105.30. ISBN: 978-3-11-019225-. [REVIEW]Oleg Bychkov - 2009 - The Classical Review 59 (2):436-.
  10.  46
    The Reflection of Some Traditional Stoic Ideas in the Thirteenth-Century.Oleg Bychkov - 1996 - Vivarium 34 (2):141-160.
  11.  17
    Alexander of Hales, The Sum of Theology.Alexander of Hales & Oleg Bychkov - 2008 - Franciscan Studies 66:63-74.
  12.  5
    Sophocles Trachiniae 419.P. T. Eden, A. Rijksbaron, W. M. Clarke, Martin Korenjak, Wendell Clausen, Ingrid A. R. De Smet, Oleg V. Bychkov & Michael Hendry - 1995 - Mnemosyne 48 (4):197-211.
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  13.  7
    “Metaphysics as Aesthetics”: Aquinas' Metaphysics in Present-Day Theological Aesthetics.Oleg V. Bychkov - 2015 - Modern Theology 31 (1):147-178.
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  14.  8
    Ἡ Του̑ Κάλλους Ἀπορροή: A Note on Achilles Tatius 1.9. 4-5, 5.13. 4.Oleg Bychkov - 1999 - Classical Quarterly 49 (1).
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  15.  5
    Ἡ Τοῦ Κάλλος Ἀπορροή: A Note on Achilles Tatius 1.9.4–5, 5.13.4.Oleg Bychkov - 1999 - Classical Quarterly 49 (01):339-341.
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  16.  6
    The Nature of Theology in Duns Scotus and His Franciscan Predecessors.Oleg Bychkov - 2008 - Franciscan Studies 66:5-62.
  17.  3
    Duns Scotus's Theory of Cognition by Richard Cross.Oleg V. Bychkov - 2016 - Franciscan Studies 74:392-401.
    R. Pasnau once commented that the present-day academic area of cognitive theory suits medieval thought better than epistemology. The comment seems to the point, and the focus of R. Cross’s book is thus appropriately placed. Scotus’s theory of cognition is worth a new treatment both because Scotus represents a new stage in medieval cognitive theory and because his positions are “sometimes rather fluid” and “not always as clear”. This lack of clarity extends to the most important subject in this book, (...)
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  18.  2
    Decor ex praesentia mali.Oleg V. Bychkov - 2001 - Recherches de Theologie Et Philosophie Medievales 68 (2):245-269.
    One of the important theological issues for ancient and medieval thought was to account for the existence of evil. Augustine provided an aesthetic explanation: evil exists for contrast, to let the good stand out more prominently. Thus, just as a painting that uses both dark and bright colors, the universe that contains both good and evil is beautiful as a whole. The argument was debated in the twelfth and thirteenth centuries. Alexander of Hales, as well as the Franciscan tradition in (...)
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  19.  16
    Greek and Roman Aesthetics.Oleg V. Bychkov & Anne Sheppard (eds.) - 2010 - Cambridge University Press.
    This anthology of philosophical texts by Greek and Roman authors brings together works from the late fifth century BC to the sixth century AD that comment on major aesthetic issues such as the perception of beauty and harmony in music and the visual arts, structure and style in literature, and aesthetic judgement. It includes important texts by Plato and Aristotle on the status and the role of the arts in society and in education, and Longinus' reflections on the sublime in (...)
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  20. H Του~ Καλλουw Α'ποuuοη: A Note on Achilles Tatius 1.9. 4–5, 5.13. 4.Oleg Bychkov - 1999 - Classical Quarterly 49:339-41.
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  21. Review of Oleg V. Bychkov and Anne Sheppard (Ed., and Transl.), Greek and Roman Aesthetics (2010). [REVIEW]Vlad Ionescu - 2011 - Tijdschrift Voor Filosofie 73 (3):544-545.
     
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  22.  12
    Balthasar: A Guide for the Perplexed. By Rodney A. Howsare and Theological Aesthetics After von Balthasar. Edited by Oleg V. Bychkov and James Fodor. [REVIEW]Robert P. Imbelli - 2011 - Heythrop Journal 52 (6):1062-1063.
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  23.  7
    Aesthetic Revelation: Reading Ancient and Medieval Texts After Hans Urs von Balthasar – By Oleg V. Bychkov.Bo Helmich - 2011 - Modern Theology 27 (4):704-706.
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  24.  13
    Review of Oleg V. Bychkov, Anne Sheppard (Eds., Trs.), Greek and Roman Aesthetics[REVIEW]James I. Porter - 2011 - Notre Dame Philosophical Reviews 2011 (3).
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  25.  9
    Greek and Roman Aesthetics by Bychkov, Oleg V. And Anne Sheppard.Rebecca Bensen Cain - 2012 - Journal of Aesthetics and Art Criticism 70 (2):242-245.
    This article is a book review. I provide a detailed summary and critical assessment of the anthology by Bychkov and Sheppard.
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  26.  20
    Art Between Scylla and Charybdis.Victor V. Bychkov - 2012 - Russian Studies in Philosophy 51 (1):80-87.
    In his opening address at a discussion of the book: V. V. Bychkov, N. B. Mankovskaya, and V. V. Ivanov, Trialogue: Living Aesthetics and the Contemporary Philosophy of Art , held on 27 February 2012 at the S. Gerasimov All-Russia State University of Cinematography , the author shows that Trialogue came into existence as a result of interpretation, polemical debate, and further development of ideas formulated in his early fundamental work. The Artistic Apocalypse of Culture . The key idea (...)
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  27.  97
    The Symbolology of Dionysius the Areopagite.Victor V. Bychkov - 2012 - Russian Studies in Philosophy 51 (1):28-63.
    The article discusses the aesthetic aspects of the symbolology introduced by the Byzantine author of the Corpus Areopagiticum that was signed in the name of the pupil of the Apostle Paul, Dionysius the Areopagite. The symbolology is understood to mean knowledge of both symbols and symbolic type of consciousness and worldview, which is implicitly present in Dionysius's works. Based on the analysis of the Corpus texts, it is shown that all levels of symbol theory developed by Dionysius—like likenesses, unlike likenesses, (...)
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  28. Russian Religious Aesthetics.Viktor Bychkov & O. V. Bychkov - 1998 - In Michael Kelly (ed.), Encyclopedia of Aesthetics. Oxford University Press. pp. 4--195.
     
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  29.  14
    Symbolization in Art as an Aesthetic Principle.Victor V. Bychkov - 2012 - Russian Studies in Philosophy 51 (1):64-79.
    The author analyzes artistic symbolization as the process by which the artist creatively embodies metaphysical reality in the work of art and evokes a spiritual and emotional response in the recipient.
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  30.  10
    On the Question of Contemporary Symbolization in Art.Victor V. Bychkov - 2012 - Russian Studies in Philosophy 51 (1):88-98.
    The present text is Letter No. 187 written for the Trialogue Project, whose first volume, containing 170 letters, was published in Moscow in 2012., Addressed to Nadežda B. Mankovskaya and Vladimir V. Ivanov, the letter uncovers the chief line of the artistic symbolism in a monumental film tetralogy by Aleksandr Sokurov, a famous Russian filmmaker. The author shows how through the artistic interpretation of such historical personalities as Lenin, Hitler, and Japanese emperor Hirohito as well as such cultural-mythological characters as (...)
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  31.  6
    The Post-Nonclassical Sense of Contemporary Aesthetics.Victor V. Bychkov - 2015 - Russian Studies in Philosophy 53 (1):8-26.
    This essay provides a conceptual account of contemporary aesthetics defining it as post-nonclassical. The author shows that this aesthetics, which is the direct consequence of the current state of a technogenic, globalizing civilization and is its self-consciousness, is composed of three parts: classic aesthetic metaphysics; opposed to it nonclassical aesthetics, which emerged on the base of a verbal fixation on twentieth-century art practice ; and aesthetic virtualistics, which generalizes the experience of emerging digital and network art experiments. The author introduces (...)
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  32.  5
    International Aesthetics in Seventeenth Century Russia (in Serbo Croation).Viktor V. Bychkov - 1990 - Filozofska Istrazivanja 36 (3):697-714.
    This article analyzes the fundamental aesthetic views of two major representatives of European culture, the Croation Juraj Krizanic and the Moldavian Nicolai Spatarul, who worked in Russia in the second half of the 17th century, and who through their works made it possible for Russian culture of the time to adopt the ideas of Western European aesthetics. (edited).
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  33. Aleksandrova Sloboda: Territorii͡a Arkheomoderna.R. V. Bychkov - 2011
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  34. Khudozhestvennyĭ Apokalipsis Kulʹtury: Stromaty Xx Veka: Neparadigmaticheskiĭ Giperproekt Viktora Bychkova: Superroman s Xx Vekom.V. V. Bychkov - 2008
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  35. Russkai͡a Teurgicheskai͡a Ėstetika.V. V. Bychkov - 2007 - Ladomir.
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  36. Ėsteticheskai͡a Aura Bytii͡a: Sovremennai͡a Ėstetika Kak Nauka I Filosofii͡a Iskusstva.V. V. Bychkov - 2010
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  37. Ėstetika: Vchera, Segodni͡a, Vsegda.V. V. Bychkov (ed.) - 2005 - Ifran.
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  38. Trialog: Zhivai͡a Ėstetika I Sovremennai͡a Filosofii͡a Iskusstva.V. V. Bychkov - 2012
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  39.  9
    The Report of the Paris Lecture, Reportatio IV-A by John Duns Scotus.Mary Beth Ingham - 2016 - Franciscan Studies 74:402-403.
    In 2008, the late Allan B. Wolter, OFM worked with Oleg V. Bychkov, Ph.D. to publish a ‘safe’ version of the Reportatio IA of Franciscan Master John Duns Scotus. The publication of this first book of Scotus’s Commentary on the Sentences from his Paris teaching offered scholars an opportunity to follow the Subtle Doctor’s reasoning throughout his entire teaching career: from the earliest Lectura texts, through the Ordinatio teaching, to what many consider his final say on certain matters (...)
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  40. Duns Scotus, the Natural Law, and the Irrelevance of Aesthetic Explanation.Jeffrey Steele - 2016 - Oxford Studies in Medieval Philosophy 4:78-99.
    According to Duns Scotus, the First Table of the Decalogue contains only those moral propositions whose truth value is known from their terms alone, or conclusions that necessarily follow from them. As such, God cannot make a dispensation from them. In contrast, God can make dispensations from the Second Table precepts, since these precepts are not logical deductions following necessarily from the First Table. Nevertheless, they are “highly consonant” with it. However, Scotus does not explain what he means by saying (...)
     
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  41.  12
    Muqarnas: An Annual on Islamic Art and Architecture, Vol. 10: Essays in Honor of Oleg Grabar Contributed by His Students.Estelle Whelan & Oleg Grabar - 1998 - Journal of the American Oriental Society 118 (3):421.
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  42.  15
    Oleg B. Zaslavskii. The Little in a Non-Euclidean World: On the Artistic Space in Tom Stoppard's Film and Play “Rosencrantz and Guildenstern Are Dead”. Abstract. [REVIEW]Oleg B. Zaslavskii - 2005 - Sign Systems Studies 33 (2):343-343.
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  43.  28
    The Mediation of Ornament.Oleg Grabar.John Rhodes - 1994 - Speculum 69 (4):1178-1179.
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  44.  24
    City in the Desert: Qasr Al-Hayr East. Oleg Grabar, Renata Holod, James Knustad, William Trousdale.Andrew Watson - 1982 - Speculum 57 (1):128-131.
  45. Oleg gelikman.Benjamin'S. Ground Benjamin - forthcoming - Angelaki.
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  46.  17
    The Illustrations of the "Maqamat". Oleg Grabar.Walter Denny - 1986 - Speculum 61 (3):659-660.
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  47.  16
    Oleg A. Godin;, David R. Palmer . History of Russian Underwater Acoustics. Xx + 1,211 Pp., Illus., Figs., Tables. Hackensack, N.J.: World Scientific Publishing, 2008. $170. [REVIEW]Elena Aronova & Naomi Oreskes - 2010 - Isis 101 (3):662-663.
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  48.  24
    Aesthetics Bychkov Aesthetic Revelation. Reading Ancient and Medieval Texts After Hans Urs von Balthasar. Pp. Xviii + 349. Washington, D.C.: The Catholic University of America Press, 2010. Cased, US$79.95. ISBN: 978-0-8132-1731-4. Bychkov, Sheppard Greek and Roman Aesthetics. Pp. Xlii + 249. Cambridge: Cambridge University Press, 2010. Paper, £17.99, US$30.99 . ISBN: 978-0-521-54792-5. [REVIEW]Stephen Halliwell - 2012 - The Classical Review 62 (2):428-431.
  49.  15
    The Coinage of the Ṭūlūnids. Oleg Grabar.H. A. R. Gibb - 1959 - Speculum 34 (3):467-468.
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  50.  14
    Epic Images and Contemporary History: The Illustrations of the Great Mongol "Shahnama". Oleg Grabar, Sheila Blair.Jerome Clinton - 1982 - Speculum 57 (4):891-893.
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