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  1. Literature, Knowledge, and Value.Oliver Conolly & Bashar Haydar - 2007 - Philosophy and Literature 31 (1):111-124.
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  2. Pleasure and Pain in Literature.Oliver Conolly - 2005 - Philosophy and Literature 29 (2):305-320.
  3. Literature, Politics, and Character.Conolly Oliver & Haydar Bashshar - 2008 - Philosophy and Literature 32 (1):87-101.
  4.  99
    Narrative Art and Moral Knowledge.Oliver Conolly & Bashshar Haydar - 2001 - British Journal of Aesthetics 41 (2):109-124.
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  5.  58
    Aesthetic Principles.Oliver Conolly & Bashshar Haydar - 2003 - British Journal of Aesthetics 43 (2):114-125.
    We give reasons for our judgements of works of art. (2) Reasons are inherently general, and hence dependent on principles. (3) There are no principles of aesthetic evaluation. Each of these three propositions seems plausible, yet one of them must be false. Illusionism denies (1). Particularism denies (2). Generalism denies (3). We argue that illusionism depends on an unacceptable account of the use of critical language. Particularism cannot account for the connection between reasons and verdicts in criticism. Generalism comes in (...)
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  6.  68
    The Case Against Faction.Conolly Oliver & Haydar Bashshar - 2008 - Philosophy and Literature 32 (2):347-358.
    "Faction" is a hybrid genre, aiming at the factual accuracy of journalism on the one hand and the literary form of the novel on the other. There is a fundamental tension however between those two aims, given the constraints which factual accuracy places on characterization, plot, and thematic exploration characteristic of the novel. Further, faction cannot be defended on the grounds that factual accuracy is a literary value in faction. Finally, some aspects of faction, such as its inability to refer (...)
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  7.  73
    Decadent Subjects: The Idea of Decadence in Art, Literature, Philosophy and Culture of the Fin de Siècle in Europe.Oliver Conolly - 2004 - British Journal of Aesthetics 44 (2):199-202.
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  8.  32
    Reports on Philosophy, No. 19, 1999: Reconsidering Aesthetics.Oliver Conolly - 2003 - British Journal of Aesthetics 43 (2):201-203.
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  9.  27
    Irreversible Generalism: A Reply to Dickie.Oliver Conolly & Bashshar Haydar - 2005 - British Journal of Aesthetics 45 (3):289-295.
    Irreversible generalism, the view that reasons given for the evaluation of art are general and do not admit of exceptions, is defended from the criticisms levelled against it by George Dickie in ‘Reading Sibley’. The authors' view that Frank Sibley adhered to a form of reversible generalism, the view that reasons given for the evaluation of art are general but can sometimes become reasons to disvalue artworks, according to which there a criterion for distinguishing valenced from neutral aesthetic properties, is (...)
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    Pity, Tragedy and the Pathos of Distance.Oliver Conolly - 1998 - European Journal of Philosophy 6 (3):277–296.
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  11. Pity, Tragedy and the Pathos of Distance.Oliver Conolly - 1998 - European Journal of Philosophy 6 (3):277-296.
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