Amongst the most treated questions in Western research on the works of Svetlana Aleksievich is the question of the genre of Aleksievich’s prose works, followed closely by the question of the historical authenticity of her method of collecting oral information about the Soviet period of history from witnesses of that history. The questions treated, such as the problem of genre, aesthetic authenticity and the relationship of history and fiction, can be distilled into the question of the authority of the literary (...) text. If the Nobel Prize for literature is awarded on the assumption that Aleksievich’s work is literature—and no one, including the author, has questioned that assumption—then it is justifiable to pose the question of the authority of the literary text as an aesthetic message—as literary truth—using the tools of literary analysis, not of historiography or sociology. In this essay, the claim that Secondhand Time [Vremia second hend] is a novel will be examined in the context of the narratological model of the literary text of Russian Formalism and Prague Structuralism and by applying the test of “artistic quality” (khudozhestvennost’), which validates the aesthetic value of texts of the literary canon. This examination will allow us to answer the question about what kind of text has been created using oral testimonies as material for a work of fiction. (shrink)

Ethics teaching in engineering can be problematic because of student perceptions of its subjective, ambiguous and philosophical content. The use of discipline-specific case studies has helped to address such perceptions, as has practical decision making and problem solving approaches based on some ethical frameworks. However, a need exists for a wider range of creative methods in ethics education to help complement the variety of activities and learning experiences within the engineering curriculum. In this work, a novel approach is presented in (...) which first-year undergraduate students are responsible for proposing ethics education activities of relevance to their peers and discipline area. The students are prepared for the task through a short introduction on engineering ethics, whereby generic frameworks for moral and professional conduct are discussed, and discipline and student-relevance contexts provided. The approach has been used in four departments of engineering at Imperial College London, and has led to the generation of many creative ideas for wider student engagement in ethics awareness, reflection and understanding. The paper presents information on the premise of the introductory sessions for supporting the design task, and an evaluation of the student experience of the course and task work. Examples of proposals are given to demonstrate the value of such an approach to teachers, and ultimately to the learning experiences of the students themselves. (shrink)