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Philip Hardie [59]P. R. Hardie [13]P. Hardie [13]
  1. Lucretius and the Early Modern.David Norbrook, Stephen Harrison & Philip Hardie (eds.) - 2015 - Oxford University Press UK.
    The rediscovery in the fifteenth century of Lucretius's De rerum natura was a challenge to received ideas. The poem offered a vision of the creation of the universe, the origins and goals of human life, and the formation of the state, all without reference to divine intervention. It has been hailed in Stephen Greenblatt's best-selling book, The Swerve, as the poem that invented modernity. But how modern did early modern readers want to become? From Lucretius' contemporary audience to the European (...)
     
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  2.  27
    Imago Mundi: Cosmological and Ideological Aspects of the Shield of Achilles.P. R. Hardie - 1985 - Journal of Hellenic Studies 105:11-31.
    The Homeric description of the shield made for Achilles by Hephaestus is the type for all later ecphrases of works of art in ancient literature. It stands out as an extravagant example of the epic poet's powers of elaborate and vivid description, so extravagant that one notable ancient critic at least, Zenodotus, felt that it was more comfortable simply to athetize the greater bulk of the passage. More symphathetic commentators of modern times have sought ways of integrating the scenes displayed (...)
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  3.  84
    The Speech of Pythagoras in Ovid Metamorphoses 15: Empedoclean Epos.Philip Hardie - 1995 - Classical Quarterly 45 (01):204-.
    Ovidians continue to be puzzled by the 404-line speech put into the mouth of Pythagoras in book 15 of the Metamorphoses. Questions of literary decorum and quality are insistently raised: how does the philosopher's popular science consort with the predominantly mythological matter of the preceding fourteen books? Do Pythagoras' revelations provide some kind of unifying ground, a ‘key’, for the endless variety of the poem? Can one take the Speech as a serious essay in philosophical didactic, or is it all (...)
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  4.  38
    The Cambridge Companion to Lucretius.Stuart Gillespie & Philip Hardie (eds.) - 2007 - Cambridge University Press.
    Lucretius' didactic poem De rerum natura ('On the Nature of Things') is an impassioned and visionary presentation of the materialist philosophy of Epicurus, and one of the most powerful poetic texts of antiquity. After its rediscovery in 1417 it became a controversial and seminal work in successive phases of literary history, the history of science, and the Enlightenment. In this Cambridge Companion experts in the history of literature, philosophy and science discuss the poem in its ancient contexts and in its (...)
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  5.  56
    Ovid's Theban History: The First 'Anti- Aeneid'?Philip Hardie - 1990 - Classical Quarterly 40 (01):224-.
    The magnificence of Augustan Rome is the indispensable setting for Ovid the urbane love poet, rusticitas is the one unforgivable sin. Yet in Ovid's perpetuum carmen cities are for the most part invisible, at best incidental backdrops; the countryside, present in many vividly drawn landscapes, constantly thrusts itself on our attention, a place where mysterious powers menace the individual's identity. This neglect of the city makes a striking, and deliberate, contrast with the Aeneid, a ktistic epic whose meaning is governed (...)
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  6.  16
    Der Athenahymnus des Ailios Aristeides mit einem Anhang zum Hohenkult der Athena und Testimonien zur allegorischen Deutung der Athena. [REVIEW]P. R. Hardie, Aristides & G. Johrens - 1985 - Journal of Hellenic Studies 105:194-195.
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  7.  17
    Atlas and Axis.P. R. Hardie - 1983 - Classical Quarterly 33 (01):220-.
    Pease ad loc.: ‘Roman writers often use axis… in a figurative sense… for the caelum as a whole, and in our passage, while the force is applied by Atlas to the axis of the sphere, yet the whole sphere is apparently in mind, as the phrase stellis ardentibus aptum indicates.’ It is lexicographical commonplace that axis is used, especially in the poets, as a synonym for the sky, yet the oddity of the synecdoche by which a scientific, or pseudoscientific, term (...)
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  8.  6
    Lucretius 'Prayer for Peace and the Date of de Rerum Natura'.S. Gillespie & P. Hardie - 2010 - Classical Quarterly 60:127-131.
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  9.  17
    AUGUSTINE'S VIRGIL S. MacCormack: The Shadows of Poetry. Vergil in the Mind of Augustine . Pp. Xx + 258, 16 Ills. Berkeley, Los Angeles, and London: University of California Press, 1998. Cased, £30. ISBN: 0-520-21187-. [REVIEW]Philip Hardie - 2000 - The Classical Review 50 (01):91-.
  10.  25
    Aeneid XI N. Horsfall: Virgil , Aeneid 11. A Commentary ( Mnemosyne Supplementum 244.) Pp. Xxviii + 505. Leiden and Boston: Brill, 2003. Cased, €110, US$128. ISBN: 90-04-12934-. [REVIEW]Philip Hardie - 2005 - The Classical Review 55 (01):120-.
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  11.  29
    Bare Ruined Choirs. [REVIEW]Philip Hardie - 1997 - The Classical Review 47 (1):37-38.
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  12. Conington's Virgil: Aeneid Books I - Ii.Philip Hardie & Anne Rogerson (eds.) - 2008 - Liverpool University Press.
    John Conington was a towering figure in Victorian scholarship, not least because of his remarkably sensitive and literate commentaries on Virgil’s _Aeneid. _The three-volume cloth edition of _The Works of Virgil_, begun by Conington in 1852, has been unavailable for over a century, except in rare second-hand sets. Now, for the first time, the whole of Conington’s work is being reissued in a set of six paperback volumes. Each volume includes a new introduction by an established scholar, setting Conington's commentary (...)
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  13. Conington's Virgil: Eclogues.Philip Hardie & Brian W. Breed (eds.) - 2008 - Liverpool University Press.
    John Conington was a towering figure in Victorian scholarship, not least because of his remarkably sensitive and literate commentaries on Virgil’s _Aeneid. _The three-volume cloth edition of _The Works of Virgil_, begun by Conington in 1852, has been unavailable for over a century, except in rare second-hand sets. Now, for the first time, the whole of Conington’s work is being reissued in a set of six paperback volumes. Each volume includes a new introduction by an established scholar, setting Conington's commentary (...)
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  14. Conington's Virgil: Georgics.Philip Hardie & Monica R. Gale (eds.) - 2008 - Liverpool University Press.
    John Conington was a towering figure in Victorian scholarship, not least because of his remarkably sensitive and literate commentaries on Virgil’s _Aeneid. _The three-volume cloth edition of _The Works of Virgil_, begun by Conington in 1852, has been unavailable for over a century, except in rare second-hand sets. Now, for the first time, the whole of Conington’s work is being reissued in a set of six paperback volumes. Each volume includes a new introduction by an established scholar, setting Conington's commentary (...)
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  15.  18
    Emma Gee, Ovid, Aratus and Augustus: Astronomy in Ovid's Fasti. Cambridge Classical Studies. Cambridge: Cambridge University Press, 2000. Pp. XI+226. Isbn 0-521-65187-5. $54.95. [REVIEW]Philip Hardie - 2001 - British Journal for the History of Science 34 (2):233-250.
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  16.  39
    Eckhard Lefèvre: Das Bild-Programm des Apollo-Tempels auf dem Palatin. (Xenia, Konstanzer Althistorische Vorträge und Forschungen, 24.) Pp. 60; 29 plates. Constance: Universitätsverlag Konstanz, 1989. Paper, DM 26.80. [REVIEW]Philip Hardie - 1990 - The Classical Review 40 (2):520-520.
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  17.  23
    E. McCrorie (Trans.), V. J. Cleary (Foreword): Virgil: The Aeneid. Pp. Xvi + 290, 1 Map. Ann Arbor: University of Michigan Press, 1995. Cased $39.50 (Paper, $14.95). ISBN: 0-472-09595-5 (0-472-06595-5 Pbk). [REVIEW]Philip Hardie - 1998 - The Classical Review 48 (01):193-194.
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  18.  22
    Empowering the Reader L. Edmunds: Intertextuality and the Reading of Roman Poetry . Pp. XX + 201. Baltimore and London: The Johns Hopkins University Press, 2001. Cased. £32.50. Isbn: 0-8018-6511-. [REVIEW]Philip Hardie - 2002 - The Classical Review 52 (02):296-.
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  19.  24
    Five Easy Exercises.Philip Hardie - 1998 - The Classical Review 48 (2):297-298.
  20.  38
    Ian McAuslan, Peter Walcot (Edd.): Virgil. (Greece & Rome Studies.) Pp. Vi + 202. Oxford University Press (for the Classical Association), 1990. £25 (Paper, £9.95). [REVIEW]Philip Hardie - 1991 - The Classical Review 41 (02):482-483.
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  21.  27
    In the Birdcage of the Muses Nicholas Horsfall: Virgilio: LΈpopea in Alambicco. (Biblioteca, Forme Materiali E Ideologie Del Mondo Antico, 31.) Pp. 164. Naples: Liguori, 1991. Paper, L. 20,000. [REVIEW]Philip Hardie - 1994 - The Classical Review 44 (01):41-43.
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  22.  41
    K. W. Gransden: Virgil, The Aeneid. Pp. Vii + 118. Cambridge University Press, 1990. £12.95.Philip Hardie - 1991 - The Classical Review 41 (2):482-482.
  23. Lucretius and Later Latin Literature in Antiquity.Philip Hardie - 2007 - In Stuart Gillespie & Philip R. Hardie (eds.), The Cambridge Companion to Lucretius. Cambridge University Press.
  24.  30
    Labyrinthine Texts Penelope Reed Doob: The Idea of the Labyrinth: From Classical Antiquity Through the Middle Ages. Pp. Xviii + 355; 25 Plates. Ithaca and London: Cornell University Press, 1990. $34.95. [REVIEW]Philip Hardie - 1991 - The Classical Review 41 (02):365-366.
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  25.  29
    Monumenta Aere Perenniora? M. von Albrecht: Geschichte der römischen Literatur von Andronicus bis Boethius mit Berücksichtigung ihrer Bedeutung für die Neuzeit. 2 Vols. Pp. xviii+704; Pp. xiv+762. Bern: Francke Verlag, 1992. Cased. [REVIEW]Philip Hardie - 1995 - The Classical Review 45 (01):57-59.
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  26.  25
    Monumenta Aere Perenniora? [REVIEW]Philip Hardie - 1995 - The Classical Review 45 (1):57-59.
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  27.  8
    Maïté Billoré and Myriam Soria, Eds., La Rumeur au Moyen Âge: Du Mépris À la Manipulation . Rennes: Presses Universitaires de Rennes, 2011. Paper. Pp. 352. €18. ISBN: 978-2-7535-1285-6. [REVIEW]Philip Hardie - 2015 - Speculum 90 (3):776-777.
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  28.  24
    M. R. Cittadini : Presenze classiche nelle letterature occidentali: il mito dall’età antica all’età moderna e contemporanea: Convegno Internazionale di Didattica, Perugia, 7–10 novembre 1990. Pp.xliii + 567. Perugia: Istituto Regionale di Ricerca, Sperimentazione e Aggiornamento Educativi dell’Umbria, 1995. [REVIEW]Philip Hardie - 1999 - The Classical Review 49 (2):583-584.
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  29.  5
    Nisus'choice: Bovillae at Aeneid 9.387–8.P. Hardie & J. J. O’Hara - 2001 - Classical Quarterly 51:183-189.
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  30.  21
    Poets as Literary Historians E. S. Schmidt (Ed.): L'histoire Littéraire Immanente Dans la Poésie Latine . (Entretiens Sur l'Antiquitè Classique 47.) Pp. XVIII + 406. Geneva: Fondation Hardt, 2001. Cased. Isbn: 2-600-00747-. [REVIEW]Philip Hardie - 2003 - The Classical Review 53 (02):355-.
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  31.  16
    Poets As Literary Historians. [REVIEW]Philip Hardie - 2003 - The Classical Review 53 (2):355-357.
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  32.  21
    Political Power in the Aeneid.P. R. Hardie - 1989 - The Classical Review 39 (01):26-.
  33.  21
    Political Power in the Aeneid Jean-Luc Pomathios: Le Pouvoir Politique Et Sa Représentation Dans l'Énéide de Virgile. (Collection Latomus, 199.) Pp. 421. Brussels: Latomus, 1987. Paper, B.Frs. 1,900. [REVIEW]P. R. Hardie - 1989 - The Classical Review 39 (01):26-27.
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  34.  24
    Review. Aeneid 3. Virgilio. Il libro terzo dell' Eneide. PV Cova.P. Hardie - 1996 - The Classical Review 46 (2):241-242.
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  35.  18
    Review. Epic in Republican Rome. SM Goldberg.P. Hardie - 1997 - The Classical Review 47 (1):37-38.
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  36.  21
    Respice Finem. [REVIEW]Philip Hardie - 1996 - The Classical Review 46 (2):239-241.
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  37.  22
    Review. Kommentar zum 9. Buch der Aeneis Vergils. J Dingel.P. Hardie - 1999 - The Classical Review 49 (2):385-386.
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  38.  22
    Roman Landscapes.P. R. Hardie - 1990 - The Classical Review 40 (02):306-.
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  39.  27
    Roman Landscapes Eleanor Winsor Leach: The Rhetoric of Space: Literary and Artistic Representations of Landscape in Republican and Augustan Rome. Pp. Xiv + 493; 45 Illustrations. Princeton University Press, 1988. $65. [REVIEW]P. R. Hardie - 1990 - The Classical Review 40 (02):306-307.
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  40. Review: L'histoire litteraire immanente dans la poesie latine. [REVIEW]P. Hardie - 2003 - The Classical Review 53 (2):355-357.
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  41.  24
    Review. Respice Finem. Virgil's Aeneid. Interpretation and Influence. M C J Putnam.P. Hardie - 1996 - The Classical Review 46 (2):239-241.
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  42. Review: Virgil,< It> Aeneid 11. A Commentary. [REVIEW]Philip Hardie - 2005 - The Classical Review 55 (1):120-122.
     
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  43.  21
    Statian and Senecan Shocks.Philip Hardie - 1993 - The Classical Review 43 (02):274-.
  44.  16
    Servius - Casali, Stok Servius. Exegetical Stratifications and Cultural Models. Pp. 280. Brussels: Éditions Latomus, 2008. Paper, €42. ISBN: 978-2-87031-258-2. [REVIEW]Philip Hardie - 2010 - The Classical Review 60 (2):443-445.
  45.  33
    Sabine Grebe: Die Vergilische Heldenschau: Tradition Und Fortwirken. (Studien Zur Klassischen Philologie, 47.) Pp. 315. Frankfurt Am Main, Berne, New York and Paris: Peter Lang, 1989. Paper, DM 28. [REVIEW]Philip Hardie - 1991 - The Classical Review 41 (1):232-232.
  46.  16
    Songs of Innocence and Experience.Philip Hardie - 1998 - The Classical Review 48 (2):303-305.
  47.  21
    The Cchild and the Hero. Coming of Age in Catullus and Vergil. M Petrini.P. Hardie - 1998 - The Classical Review 48 (2):303-305.
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  48.  19
    The Case for the Prosecution. [REVIEW]P. Hardie - 1996 - The Classical Review 46 (1):27-28.
  49.  23
    The Criticism of Didactic Poetry: Essays on Lucretius, Virgil, and Ovid. A Dalzell.P. Hardie - 1998 - The Classical Review 48 (2):297-298.
  50.  18
    The Mirror of Man.Philip Hardie - 1993 - The Classical Review 43 (02):264-.
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