This volume treats the evolution of the object of metaphysics from being to the concept of being to, finally, the object. It examines metaphysics and ontology, and the history of these terms. It is relevant to scholars and philosophers.

This book represents an attempt to distinguish and define what beauty is in metaphysical terms, to arrive at a better understanding of beauty as a transcendental property of being, and to establish beauty's place in philosophy alongside truth and the good through an exploration of whether there can truly be a philosophy of beauty, or whether beauty is merely a type of aesthetic. The first part of this work outlines the history of philosophical thought on the subject, through an introduction (...) to three great theories of beauty - harmony, form, and relationism - and a discussion of the evolution of the fine arts. The second part introduces first the theory of aesthetics, then the relationship between nature, being, and beauty, and finally the controversy over whether beauty is natural or a product of human knowledge and experience. The third part moves towards a philosophy of beauty in a first sense: something that is real but immaterial, something that can be understood but not seen. This idea is constructed through an examination of beauty's relation to beings and existence, and finally through a juxtaposition of beauty with ugliness. (shrink)

This is a monograph on the philosophy of culture. Based on philosophical realism, the book's classical-philosophy approach to culture allows it to embark on a journey through the centuries to show human culture as an ongoing drama of nature and person, and evaluate its main actors.

This monograph represents a rare, classical-philosophical approach to culture. It is grounded in philosophical realism and emphasizes personalism as a true achievement of philosophical anthropology. Employing the apparatus of the history of philosophy, science and religion, the author demonstrates the immense scope of the drama unfolding within human culture. In a classical approach, evaluation is inevitable-with regard to various theories of culture, human culture as such, and all its main actors. Jaroszyński's work shows that realistic study of what it means (...) to be a human person leads to the most comprehensive understanding of culture as it is and should be. (shrink)