71 found
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  1.  11
    Sophie's World: A Novel About the History of Philosophy.Patrick Hutchings, Paulette Møller & Jostein Gaarder - 1995 - Sophia 34 (2):120-121.
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  2.  25
    Postlude: Panentheism. [REVIEW]Patrick Hutchings - 2010 - Sophia 49 (2):297-300.
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  3.  85
    ‘Why Is There Something Rather Than Nothing?’ The Big Question: Review of Leszek Kołakowski’s Why Is There Something Rather Than Nothing?: Questions From Great Philosophers, Trans. Agnieszka Kołakowski, Penguin Books, 2008.Patrick Hutchings - 2009 - Sophia 48 (4):479-489.
    A review article on Leszek Kołakowski’s, ‘ Why is There Something Rather Than Nothing ?’ centering on Leibniz’s famous Question.
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  4. Australian Aboriginal Art.Patrick Hutchings - 2005 - Literature & Aesthetics 15 (1):175-194.
  5.  48
    The Sublimes and Natural Theology-Kant as a Criticalvisionary? Lyotard as the Discoverer of a New Sublime? And That Sublime Both Leibnizian and Crypto-Thomist?Patrick Hutchings - 1999 - Sophia 38 (2):15-35.
  6.  14
    Works of Art and the Ontology of Analogy.Patrick Æ Hutchings - 1967 - Philosophical Studies (Dublin) 16:82-103.
  7.  14
    11 September and the 's[Ublime]' Word.Patrick Hutchings - 2002 - Sophia 41 (1):71-72.
  8.  6
    Works of Art and the Ontology of Analogy.Patrick Æ Hutchings - 1967 - Philosophical Studies (Dublin) 16:82-103.
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  9.  39
    Book Reviews. [REVIEW]Zain Ali, Max Charlesworth, Hans-Georg Moeller, Christopher W. Gowans, Shalom Goldman, Dmitry A. Olshansky, Sor-Hoon Tan & Patrick Hutchings - 2005 - Sophia 44 (2):71-87.
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  10.  35
    Book Reviews. [REVIEW]Joseph A. Bulbulia, Kristen Kingfield Kearns, Ilsup Ahn, Peter Forrest, Stephen R. Napier, Graeme Marshall & Patrick Hutchings - 2003 - Sophia 42 (1):125-126.
    Book Review. . ???aop.label???. doi: 10.1080/00048402.2014.929720.
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  11.  18
    Obituary: Graeme Donald Marshall.Christopher Cordner & Patrick Hutchings - 2015 - Sophia 54 (3):403-404.
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  12.  32
    Antonello da Messina: L’ Opera Completa: Exhibition Curated by Mauro Lucco, with the Technical Cooperation of Giovanni Carlo Federico Villa: Catalogue with Essays by Various Hands Published by Silvana Editoriale, Milano, 2006.Patrick Hutchings - 2009 - Sophia 48 (1):59-76.
    Antonello da Messina’s Annunciation with the Blessèd Virgin sola breaks with iconic convention, so inviting new interpretations of the theme. The Rome exhibition of 2006 allowed one to compare Antonello with van Eyck: Antonello seemed pre-modern. This review discusses three important essays on the Annunciation. All three perceptive essays raise theological and phenomenological issues directly related to the almost unique iconic representation which Antonello gives us.
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  13.  30
    A Note on ‘Heidegger’s Temple: How Truth Happens When Nothing is Portrayed’, by Shane Mackinlay, in Sophia 49, No.4 : 499–507. [REVIEW]Patrick Hutchings - 2014 - Sophia 53 (1):145-150.
    He’s a terrible fellow, but at least he’s got substance.—Erich Auerbach on HeideggerMy esteemed colleague Purushottama Bilimoria drew my attention to Shane Mackinlay’s ‘Heidegger’s Temple: How Truth Happens when Nothing is Portrayed’. My friend wondered whether my piece on ‘The Origin of the Work of Art: Heidegger’ in Sophia 51, no.4 (2012): 465–478 was a reply to Mackinlay. It was not.I had not in fact read Shane Mackinlay’s elegant essay. Having read it now, I do not entirely agree with it: (...)
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  14. Barnett Newman: The 'Zip' and Specious Presents, or Presence. What Am I Doing Here?Patrick Hutchings - 2003 - Literature & Aesthetics 13 (1):71-87.
     
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  15.  11
    Booknote on Johann August Eberhard and Immanuel Kant, Preparation for Natural Theology: With Kant’s Notes and the Danzig Rational Theology Transcript, Ed. & Trans. Courtney D. Fugate & John Hymers: London & New York: Bloomsbury, 2016, ISBN: 978-1474213837, Hb, 328 Pp. [REVIEW]Patrick Hutchings - 2017 - Sophia 56 (3):537-538.
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  16. Book Review. [REVIEW]Patrick Hutchings - 1999 - Literature and Aesthetics 9:212-215.
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  17.  24
    Confronting Power and Sex in the Catholic Church: Reclaiming the Spirit of Jesus , by Bishop Geoffrey Robinson, Victoria, 32 Glenvale Crescent, Mulgrave, 3170, Garrett Publishing, 2007: (First Edition & Reprint). [REVIEW]Patrick FitzGerald Hutchings - 2008 - Sophia 47 (2):231-239.
  18.  7
    Do We Talk That Nonsense?Patrick Hutchings - 1963 - Sophia 2 (2):6-13.
  19.  29
    EQUUS and the Concept of Worship.Patrick Hutchings - 1994 - Sophia 33 (1):14-31.
  20. Flowers as 'Free Beauties of Nature'.Patrick Hutchings - 1994 - Literature & Aesthetics 4:17-30.
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  21.  30
    Hans Küng, Can We Save the Catholic Church!? London, William Collins, 2013, 345 Pp. An Open Letter to Pope Francis? Or ‘Sleepers Awake!’. [REVIEW]Patrick Hutchings - 2014 - Sophia 53 (3):401-410.
    Hans Küng is a well-known, and harsh, critic of doctrine of papal infallibility declared at Vatican I, 1870–1871. It leads—he argues—not to transparent certainty, but away from it. A propos ‘infallibility’ and the still-running scandals of child sexual abuse by members of the Catholic clergy, he writes:…While Rome no longer dares to proclaim formally infallible doctrines, it still envelopes all of its doctrinal pronouncements with an aura of infallibility, as though the Pope’s words were a direct expression of God’s will (...)
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  22.  29
    Hazel Rowley: Obituary.Patrick Hutchings - 2011 - Sophia 50 (2):313-313.
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  23. ‘Is and Ought’: Yet Again.Patrick Hutchings - 2019 - In Peter Wong, Sherah Bloor, Patrick Hutchings & Purushottama Bilimoria (eds.), Considering Religions, Rights and Bioethics: For Max Charlesworth. Springer Verlag. pp. 155-173.
    Hume was wrong about getting an ‘ought’ out of an ‘is’: We do it all the time. The precaution which ‘authors do not commonly use’ is a relevant principle which we insert between mere is and axiological ought. Pamela in Richardson’s Pamela had one notable principle: qv. Kant’s later insistence that we ‘Act only on that maxim that you can at the same time will be an universal law’ sinks Hume.
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  24.  22
    Imagination: "As the Sun Paints in the Camera Obscura".Patrick Ae Hutchings - 1970 - Journal of Aesthetics and Art Criticism 29 (1):63-76.
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  25.  6
    In Memoriam: Maxwell John Charlesworth.Patrick Hutchings - 2014 - Sophia 53 (4):425-426.
    Maxwell John Charlesworth, cofounder with Graeme E. de Graaff, of Sophia , died suddenly and peacefully at home on the second of June 2014. Born on the thirtieth of December 1925 in Numurkah, Victoria, Max took his MA in Philosophy at the University of Melbourne in 1948. At that time, the Melbourne Department of Philosophy was the preeminent school in Australasia. He married Stephanie Armstrong in 1950. Between 1950 and 1952, he was hospitalized for TB. On his recovery, he studied—1953–1955—at (...)
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  26.  7
    Is There a Case Against Being a Human Being? Reappraising David Benatar’s Better Never to Have Been : Can Late Capitalism Halt Climate Change? If Not, Who Wants to Be a Human, or Posthuman?Patrick Hutchings - 2020 - Sophia 59 (4):809-819.
    Benatar has a principle of asymmetry, i.e. that coming into existence as a human being is coming into a world in which harm is more likely than well-being. This is Thesis 1. Thesis 2 is that thesis 1 entails that one should not procreate. The threat of the end of civilization and the extinction of humanity by climate change renders ‘do not procreate’ a notion no longer counter-intuitive. Thesis 3 concerns ‘population and extinction’: he envisages ‘population zero’ as a desirable (...)
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  27.  40
    In the Beginning… Was a Cyclostyled Sophia.Patrick Hutchings - 2012 - Sophia 51 (4):417-418.
  28. Kant on Absolute Value.Patrick Æ Hutchings - 1972 - Detroit: Wayne State University Press.
  29.  13
    Laudato Si’: Climate Change Action: Si!Patrick Hutchings - 2015 - Sophia 54 (4):405-410.
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  30.  24
    Listening to Pictures.Patrick Hutchings - 2007 - Sophia 46 (2):193-198.
    A review of Peter Steele’s: The Whispering Gallery: Art into Poetry, in which Steele writes poems on and to paintings and the sculpture Black Sun (By Inge King) in the National Gallery of Victoria, Melbourne, Australia. Each work on which there is a poem is reproduced. In this book Steele writes more to the ‘contour’ of the topic-work than he did in Plenty. His poems – as ever sidenoted – are tensed between the topicality of the work of art in (...)
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  31.  11
    Listening to Pictures A Review of Peter Steele’s The Whispering Gallery: Art Into Poetry ; Melbourne, Macmillan, 2006, 128 Pp., ISBN: 1876832851, Hb. [REVIEW]Patrick Hutchings - 2007 - Sophia 46 (2):193-198.
    A review of Peter Steele’s: The Whispering Gallery: Art into Poetry, in which Steele writes poems on and to paintings and the sculpture Black Sun in the National Gallery of Victoria, Melbourne, Australia. Each work on which there is a poem is reproduced. In this book Steele writes more to the ‘contour’ of the topic-work than he did in Plenty. His poems – as ever sidenoted – are tensed between the topicality of the work of art in question, and Kant’s (...)
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  32. McCloskey, M. A.: "Kant's Aesthetic". [REVIEW]Patrick Hutchings - 1990 - Australasian Journal of Philosophy 68:467.
     
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  33.  33
    Nature and Nature’s God.Patrick FitzGerald Hutchings - 2006 - Sophia 45 (1):1-4.
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  34.  29
    Natural Theology: Wit, the Electric Shock, the Aesthetic Idea—and a Belated Acknowledgment of Points Made by the Late MR Gershon Weiler.Patrick Hutchings - 2003 - Sophia 42 (1):9-26.
    The paper concludes the argument that certain aesthetic objects conduce to a feeling of radical contingency, and to an openness to St Thomas's Third Way proof for the existence of God. Much is conceded to the late Mr Gershon Weiler's criticism of an earlier discussion. The upshot is (a) that Necessary Being as converse of radical contingency may be an Aesthetic Idea/Sublime of Kant's kind, and (b) that without the ‘I AM that I am’, it is empty. The ‘inference’ from (...)
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  35.  58
    Peter Hurd's Fences and the Boundaries of Surrealism.Patrick Æ Hutchings - 1969 - British Journal of Aesthetics 9 (1):39-59.
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  36.  29
    Postscript to Bishop Geoffrey Robinson Book Review.Patrick FitzGerald Hutchings - 2008 - Sophia 47 (2):241-241.
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  37. Reflections and Boredom and the Sublime.Patrick Hutchings - 1995 - Literature & Aesthetics 5:104-122.
     
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  38.  6
    Review of Eiichi Tosaki, Mondrian’s Philosophy of Visual Rhythm: Phenomenology, Wittgenstein, and Eastern Thought: Dordrecht: Springer, 2017, ISBN: 978-94-024-1196-6, hb, xxvii+260 pp. [REVIEW]Patrick Hutchings - 2020 - Sophia 59 (2):387-388.
  39.  27
    Review of Kirk Varnedoe, Pictures of Nothing: Abstract Art Since Pollock. [REVIEW]Patrick Hutchings - 2007 - Sophia 46 (3):313-314.
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  40.  36
    Review of Peter Steele, White Knight with Beebox: New and Selected Poems: John Leonard Press, PO Box 1083, Elwood, Victoria 3184, Australia, 2008, ISBN: 9780980526905, Pb, 344 Pp. [REVIEW]Patrick Hutchings - 2009 - Sophia 48 (4):517-518.
    Keywords Voltaire - Jesuit - Religious poems.
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  41.  9
    Second Order Repentance: Official: A Review Discussion of The Name of God is Mercy: A Conversation with Andrea Tornilli, by HH Pope Francis, Translated From the Italian by Oonagh Stransky, Bluebird Books for Life, an Imprint of Pan Macmillan, London, 2016, Hb, ISBN:978-1-5098-2493-9, Xx + 151 Pp.Patrick Hutchings - 2017 - Sophia 56 (3):527-532.
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  42.  18
    S T Coleridge and the Desolation of Aesthetics.Patrick Æ Hutchings - 1966 - Philosophical Studies (Dublin) 15:7-27.
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  43.  7
    S T Coleridge and the Desolation of Aesthetics.Patrick Æ Hutchings - 1966 - Philosophical Studies (Dublin) 15:7-27.
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  44. S T Coleridge and the Desolation of Aesthetics.Patrick Æ Hutchings - 1966 - Philosophical Studies (Dublin) 15:7-27.
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  45.  22
    Speaking to Pictures.Patrick Hutchings - 2007 - Sophia 46 (1):79-89.
    A review of Peter Steele’s Plenty, a book in which each poem is faced by a colour plate of the painting or object which sparked it off. Hollander’s ecphrasis and Krieger’s ekphrasis are held in – possibly unresolvable – dialectic by Steele’s poems. The only resolution which one can find is one of wit rather than of philosophy.
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  46.  8
    Speaking to Pictures: Peter Steele, Plenty: Art Into Poetry, with an Introduction by Patrick McCaughey, Melbourne, Macmillan Art Publishing, 2003, 128 Pp., ISBN: 1876832975, Hb. [REVIEW]Patrick Hutchings - 2007 - Sophia 46 (1):79-89.
    A review of Peter Steele’s Plenty, a book in which each poem is faced by a colour plate of the painting or object which sparked it off. Hollander’s ecphrasis and Krieger’s ekphrasis are held in – possibly unresolvable – dialectic by Steele’s poems. The only resolution which one can find is one of wit rather than of philosophy.
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  47.  20
    ‘The Catholic Church and Condoms’: His Eminence Alfonso Lopez Cardinal Trujilo Appears on ‘BBC Panorama’ in 2003 and 2004.Patrick FitzGerald Hutchings - 2004 - Sophia 43 (2):1-3.
    The Theological Consequence is of a more scandalous nature for Catholic ‘insiders’—the literate laity etc.etc.—than is the ‘mere’ ‘Humanist’ one. The pair together can to ‘Evangalisation’ no good at all.The Eminence, who on the BBC programme looks slightly comic. is, when one reflects a very disquieting figure indeed. So: A squib is comic: a serious one is, serious.Note the ‘BBC Panorama’ presentations have been seen in Australia, and so, possibly, in other countries in which this Journal is read.
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  48. The Language of Criticism.Patrick Æ Hutchings - 1967 - Philosophical Studies (Dublin) 16:323-325.
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  49.  17
    The Language of Criticism.Patrick Æ Hutchings - 1967 - Philosophical Studies (Dublin) 16:323-325.
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  50.  7
    The Language of Criticism. [REVIEW]Patrick Æ Hutchings - 1967 - Philosophical Studies (Dublin) 16:323-325.
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