We review the status of bouncing cosmologies as alternatives to cosmological inflation for providing a description of the very early universe, and a source for the cosmological perturbations which are observed today. We focus on the motivation for considering bouncing cosmologies, the origin of fluctuations in these models, and the challenges which various implementations face.
Patrick ffrench 'Potential Not To Be: Bersani and Dutoit's _Forms of Being_' _Film-Philosophy_, vol. 9 no. 3, January 2005 Peter Caws 'Theory as Criticism: Bersani and Dutoitπs _Forms of Being_' _Film-Philosophy_, vol. 9 no. 4, January 2005.
A review of Peter Steele’s Plenty, a book in which each poem is faced by a colour plate of the painting or object which sparked it off. Hollander’s ecphrasis and Krieger’s ekphrasis are held in – possibly unresolvable – dialectic by Steele’s poems. The only resolution which one can find is one of wit rather than of philosophy.
This paper is a personal and theoretic commemoration of Peter McHugh’s life and commitment through the prism of the writer’s discovery of, and involvement in, the effort from the late 1960s to diagnose and respond to the failure of positivism in sociology. Peter’s work (with that of Alan Blum) formed a central component of that effort. I trace the genealogy of Peter’s teaching and conversational practice, to his roots in ethnomethodology and his involvement with Harold Garfinkel. This (...) is followed by an account of how Peter developed and transformed the ethnomethodological impulse, from the uninterestingly enforceable towards the invitation to share in the discovery and reconstruction of interest. The paper concludes by situating the time that is its focus, acknowledging the depth of Peter’s impact, and opening for future engagement the subsequent development of his work, in the context of various debates and questions (briefly alluded to) that form a part of the life of theorizing in the early twenty-first century. (shrink)
A review of Peter Steele’s: The Whispering Gallery: Art into Poetry, in which Steele writes poems on and to paintings and the sculpture Black Sun in the National Gallery of Victoria, Melbourne, Australia. Each work on which there is a poem is reproduced. In this book Steele writes more to the ‘contour’ of the topic-work than he did in Plenty. His poems – as ever sidenoted – are tensed between the topicality of the work of art in question, and (...) Kant’s aesthetic which involves ‘the free play of the cognitive faculties’. In ths tension lies the particular pleasure of Steele’s poetry. (shrink)
Peter Viereck and the imaginative conservation of order -- The Nazi revolt against decency -- Arbitrary caprice -- The crux of civilization -- Ahistorical rationality and human nature -- Will and the ethical imperative of inner action -- The moral imagination -- The dream-nexus -- An imaginative conservatism -- The standardless threat to liberty -- The unadjusted incarnation of order.