We review the status of bouncing cosmologies as alternatives to cosmological inflation for providing a description of the very early universe, and a source for the cosmological perturbations which are observed today. We focus on the motivation for considering bouncing cosmologies, the origin of fluctuations in these models, and the challenges which various implementations face.
Patrick ffrench 'Potential Not To Be: Bersani and Dutoit's _Forms of Being_' _Film-Philosophy_, vol. 9 no. 3, January 2005 Peter Caws 'Theory as Criticism: Bersani and Dutoitπs _Forms of Being_' _Film-Philosophy_, vol. 9 no. 4, January 2005.
A review of Peter Steele’s Plenty, a book in which each poem is faced by a colour plate of the painting or object which sparked it off. Hollander’s ecphrasis and Krieger’s ekphrasis are held in – possibly unresolvable – dialectic by Steele’s poems. The only resolution which one can find is one of wit rather than of philosophy.
Flannery O'Connor is considered one of America's greatest fiction writers. The immensely talented Robert Giroux, editor-in-chief of Harcourt, Brace & Company and later of Farrar, Straus & Giroux, was her devoted friend and admirer. He edited her three books published during her lifetime, plus Everything that Rises Must Converge, which she completed just before she died in 1964 at the age of thirty-nine, the posthumous The Complete Stories of Flannery O'Connor, and the subsequent award-winning collection of her letters titled The (...) Habit of Being. When poet Robert Lowell first introduced O'Connor to Giroux in March 1949, she could not have imagined the impact that meeting would have on her life or on the landscape of postwar American literature. Flannery O'Connor and Robert Giroux: A Publishing Partnership sheds new light on an area of Flannery O?Connor?s life?her relationship with her editors?that has not been well documented or narrated by critics and biographers. Impressively researched and rich in biographical details, this book chronicles Giroux?s and O?Connor?s personal and professional relationship, not omitting their circle of friends and fellow writers, including Robert Lowell, Caroline Gordon, Sally and Robert Fitzgerald, Allen Tate, Thomas Merton, and Robert Penn Warren. As Patrick Samway explains, Giroux guided O'Connor to become an internationally acclaimed writer of fiction and nonfiction, especially during the years when she suffered from lupus at her home in Milledgeville, Georgia, a disease that eventually proved fatal. Excerpts from their correspondence, some of which are published here for the first time, reveal how much of Giroux's work as editor was accomplished through his letters to Milledgeville. They are gracious, discerning, and appreciative, just when they needed to be. In Father Samway's portrait of O'Connor as an extraordinarily dedicated writer and businesswoman, she emerges as savvy, pragmatic, focused, and determined. This engrossing account of O'Connor's publishing history will interest, in addition to O'Connor's fans, all readers and students of American literature. (shrink)
This paper is a personal and theoretic commemoration of Peter McHugh’s life and commitment through the prism of the writer’s discovery of, and involvement in, the effort from the late 1960s to diagnose and respond to the failure of positivism in sociology. Peter’s work (with that of Alan Blum) formed a central component of that effort. I trace the genealogy of Peter’s teaching and conversational practice, to his roots in ethnomethodology and his involvement with Harold Garfinkel. This (...) is followed by an account of how Peter developed and transformed the ethnomethodological impulse, from the uninterestingly enforceable towards the invitation to share in the discovery and reconstruction of interest. The paper concludes by situating the time that is its focus, acknowledging the depth of Peter’s impact, and opening for future engagement the subsequent development of his work, in the context of various debates and questions (briefly alluded to) that form a part of the life of theorizing in the early twenty-first century. (shrink)
A review of Peter Steele’s: The Whispering Gallery: Art into Poetry, in which Steele writes poems on and to paintings and the sculpture Black Sun in the National Gallery of Victoria, Melbourne, Australia. Each work on which there is a poem is reproduced. In this book Steele writes more to the ‘contour’ of the topic-work than he did in Plenty. His poems – as ever sidenoted – are tensed between the topicality of the work of art in question, and (...) Kant’s aesthetic which involves ‘the free play of the cognitive faculties’. In ths tension lies the particular pleasure of Steele’s poetry. (shrink)
Peter Viereck and the imaginative conservation of order -- The Nazi revolt against decency -- Arbitrary caprice -- The crux of civilization -- Ahistorical rationality and human nature -- Will and the ethical imperative of inner action -- The moral imagination -- The dream-nexus -- An imaginative conservatism -- The standardless threat to liberty -- The unadjusted incarnation of order.