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  1. Emotional Responses to Music: The Need to Consider Underlying Mechanisms.Patrik N. Juslin & Daniel Västfjäll - 2008 - Behavioral and Brain Sciences 31 (5):559-575.
    Research indicates that people value music primarily because of the emotions it evokes. Yet, the notion of musical emotions remains controversial, and researchers have so far been unable to offer a satisfactory account of such emotions. We argue that the study of musical emotions has suffered from a neglect of underlying mechanisms. Specifically, researchers have studied musical emotions without regard to how they were evoked, or have assumed that the emotions must be based on the mechanism for emotion induction, a (...)
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  2.  38
    Handbook of Music and Emotion: Theory, Research, Applications.Patrik N. Juslin & John Sloboda (eds.) - 2011 - Oxford University Press.
    A successor to the acclaimed 'Music and Emotion', The Handbook of Music and Emotion provides comprehensive coverage of the field, in all its breadth and depth. As well as summarizing what is currently known about music and emotion, it will also stimulate further research in promising directions that have been little studied.
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  3. Emotional Responses to Music.Patrik N. Juslin - 2008 - In Susan Hallam, Ian Cross & Michael Thaut (eds.), Oxford Handbook of Music Psychology. Oxford University Press.
     
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  4. Mind the Gap: The Mediating Role of Emotion Mechanisms in Social Bonding Through Musical Activities.Patrik N. Juslin - 2021 - Behavioral and Brain Sciences 44.
    I support the music and social bonding framework, but submit that the authors' predictions lack discriminative power, and that they do not engage sufficiently with the emotion mechanisms that mediate between musical features and social bonding. I elaborate on how various mechanisms may contribute, in unique ways, to social bonding at various levels to help account for the socio-emotional effects of music.
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  5. How Does Music Evoke Emotions? Exploring the Underlying Mechanisms.Patrik N. Juslin, Simon Liljeström, Daniel Västfjäll & Lundqvist & Lars-Olov - 2011 - In Patrik N. Juslin & John Sloboda (eds.), Handbook of Music and Emotion: Theory, Research, Applications. Oxford University Press.
  6.  66
    Are Musical Emotions Invariant Across Cultures?Patrik N. Juslin - 2012 - Emotion Review 4 (3):283-284.
    Cross-cultural studies of music and emotion are needed to assess the generalizability of results and also have important implications for theory development. However, progress requires that the domain is broken down into smaller constituents based on key distinctions. For example, a multilevel theory of emotion-causation implies that the relative contributions made by culture and biology differ depending on the underlying mechanism involved, which precludes general conclusions. Such an account of emotions to music might be cross-culturally valid at the level of (...)
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  7. Emotion in Music Performance.Patrik N. Juslin - 2008 - In Susan Hallam, Ian Cross & Michael Thaut (eds.), Oxford Handbook of Music Psychology. Oxford University Press.
     
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  8.  30
    All Emotions Are Not Created Equal: Reaching Beyond the Traditional Disputes.Patrik N. Juslin & Daniel Västfjäll - 2008 - Behavioral and Brain Sciences 31 (5):600-621.
    Most commentators have agreed with our thesis, that musical emotions cannot be studied without regard to underlying mechanisms. However, some commentators have expressed concerns that are addressed in this response. Others have suggested directions for future research. Topics discussed in our response include terminology, elaborations on particular mechanisms, possible additional mechanisms, ways of distinguishing among emotions and mechanisms, the prevalence of musical emotions, the relationship between perceived and felt emotions, developmental issues, and evolutionary perspectives. We end our response with a (...)
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    Resilience: Mediated by Not One but Many Appraisal Mechanisms.Patrik N. Juslin - 2015 - Behavioral and Brain Sciences 38.
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    MUSIC has Been Linked to the Emotions at Least Since Ancient Greece, and Emotions Do Figure Prominently in People's Reported Motives for Listening to Music. People Use.Patrik N. Juslin - 2008 - In Susan Hallam, Ian Cross & Michael Thaut (eds.), Oxford Handbook of Music Psychology. Oxford University Press.
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