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  1.  10
    Introduction.David F. Bell, Pierre Cassou-Noguès, Paul A. Harris & Eric Méchoulan - 2019 - Substance 48 (1):3-4.
    Periodically, we take stock of SubStance and provide a brief statement regarding initiatives and priorities in the journal's interests. Three years ago, we announced that "Exploring hybrid writing with theoretical impact is at the center of our current preoccupations."1 Since that time, the journal has made significant changes. This issue marks our fourth issue of publishing with Johns Hopkins University Press in a transition that recognizes our new publisher as a leader among university presses.Our plan also expressed our intent to (...)
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  2.  4
    CO-MODIFIED: Rocks on Vinyl Nine Studies in GeoMedia.Richard Turner & Paul A. Harris - 2018 - Substance 47 (2):69-70.
    CO-MODIFIED: Rocks on Vinyl comprises nine 6' x 3' banners displayed like convention signage. They are presented as a series of speculative geomedia landscapes that explore contemporary human entanglements and collaborations with the lithosphere, activities that are transforming the earth's surface and registering in its stratified depths. Animated by an affective, aesthetic appreciation of stone, these works invite reflection and discernment in a historical moment defined as the geologic now.1The stories of earth and humans are written in stone, from tectonic (...)
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  3.  20
    David Mitchell in the Labyrinth of Time.Paul A. Harris - 2015 - Substance 44 (1):3-7.
  4.  21
    The Itinerant Theorist: Nature and Knowledge/Ecology and Topology in Michel Serres.Paul A. Harris - 1997 - Substance 26 (2):37.
  5.  31
    Introduction: The Editors of SubStance.David F. Bell, Pierre Cassou-Noguès, Paul A. Harris & Éric Méchoulan - 2016 - Substance 45 (1):3-5.
    This issue of SubStance is the first since 2010 not dedicated to a specific theme or author; it features ten eclectic essays submitted from different disciplines and countries by well-established as well as emerging scholars. We wish to take this opportunity to emphasize the importance of these varia, which illustrate the range of our speculative and critical interests, and to signal directions we anticipate the journal moving in the near future. Beyond its interest in French literature and theory, SubStance has (...)
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  6.  29
    Spiritual Politics After Deleuze: Introduction.Joshua Delpech-Ramey & Paul A. Harris - 2010 - Substance 39 (1):3-7.
  7.  22
    Deleuze's Cinematic Universe of Light: A Cosmic Plane of Luminance.Paul A. Harris - 2010 - Substance 39 (1):115-124.
  8.  31
    David Mitchell’s Fractal Imagination: The Bone Clocks.Paul A. Harris - 2015 - Substance 44 (1):148-153.
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  9.  24
    David Mitchell in the Laboratory of Time: An Interview with the Author.Paul A. Harris - 2015 - Substance 44 (1):8-17.
  10.  19
    Epistemocritique: A Synthetic Matrix.Paul A. Harris - 1993 - Substance 22 (2/3):185.
  11.  9
    Introduction: Rock Records.Paul A. Harris, Richard Turner & A. J. Nocek - 2018 - Substance 47 (2):3-7.
    Rock Records explores the intricate entanglements between Anthropos and Geos through a wide range of writings about stone, from media theory and ecophilosophy to the role of stones in art and the aesthetics of viewing stones. Authors engage the activity, vitality, and relationality of lithic matter and articulate multiple modalities of 'geo-affection,' as well as forms of geo-mythology, geo-sociality, and occult lithography. As the initial issue in a new digital/intermedial series of SubStance aimed at interweaving creative and critical work, Rock (...)
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  12.  1
    President's Address Cosmic Epics and Global Ethics.Paul A. Harris - 2010 - In Jo Alyson Parker, Paul Harris & Christian Steineck (eds.), Time: Limits and Constraints. Brill. pp. 13--3.
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  13.  2
    Preview: The Petriverse of Pierre Jardin.Paul A. Harris - 2019 - Substance 48 (1):118-119.
    PETRIVERSE. Noun.1) A world composed of rocks; e.g., a rock garden.2) Words composed of rocks; i.e., verse written in stone.The Petriverse of Pierre Jardin is a born-digital work of speculative theory that documents a decade of work on stone in a variety of media, from collecting cobble and composing displays in a contemplative rock garden, to conducting research, traveling, and photographing and writing about stones. This work has been undertaken as an apprenticeship to stone, in Deleuze's sense of apprenticeship of (...)
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  14.  2
    Preface to Section I: Fracture and Rupture.Paul A. Harris - 2004 - In Paul Harris & Michael Crawford (eds.), Time and Uncertainty. Brill. pp. 11--3.
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  15.  21
    Stone: An Ecology of the Inhuman by Jeffrey Jerome Cohen.Paul A. Harris - 2016 - Substance 45 (2):183-189.
    In this landmark book, Jeffrey Jerome Cohen combines and culminates the two strands of his substantial scholarly work: ecology and Medieval and Early Modern studies. Stone is ambitiously synthetic and syncretic, framed not as critical exegesis but “a thought experiment, attempting to discern in the most mundane of substances a liveliness”. Rather than developing an ecological theory and applying it to particular texts, or practicing an ecocriticism that reads nature “in” texts, Cohen attempts to stage something like a symbiotic textual (...)
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  16.  3
    Stoned Thinking: The Petriverse of Pierre Jardin.Paul A. Harris - 2018 - Substance 47 (2):119-148.
    PETRIVERSE. Noun.A world composed of rocks; e.g., a rock garden.Words composed of rocks; i.e., verse written in and/or about stone. [Latin petra, rock; Old English vers, from Latin versus a furrow]The Petriverse of Pierre Jardin is a xeriscape in the California Heights neighborhood of Long Beach, California, where many residents have taken advantage of a city program that subsidizes the conversion of grass lawns into drought-tolerant landscapes. The garden was conceived in 2009 when Pierre Jardin coined the neologism 'petriverse' to (...)
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  17. The Invention of Forms: Perec's Life A User's Manual and a Virtual Sense of the Real.Paul A. Harris - 1994 - Substance 74 (23):2.
     
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  18.  15
    The Invention of Forms: Perec's "Life A User's Manual" and a Virtual Sense of the Real.Paul A. Harris - 1994 - Substance 23 (2):56.
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  19.  4
    Viewing Stones: A Virtual Exhibition.Paul A. Harris & Richard Turner - 2018 - Substance 47 (2):68-68.
    The term "viewing stones" is primarily associated with two traditions of stone appreciation: Chinese Gongshi and Japanese suiseki. Today, viewing-stone associations around the world take inspiration from these traditions and are creating new ways of displaying stones. Petraphiles, whether ancient or contemporary, are often drawn to express their appreciation of favored stones in writing.The Petraphiles represented in this virtual exhibition are diverse in their expressions of geo-affection. They are, by turns, both scholarly and poetic. In each entry there is a (...)
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  20.  4
    Design, Analysis, Power, and Sample Size Calculation for Three‐Phase Interrupted Time Series Analysis in Evaluation of Health Policy Interventions.Bo Zhang, Wei Liu, Stephenie C. Lemon, Bruce A. Barton, Melissa A. Fischer, Colleen Lawrence, Elizabeth J. Rahn, Maria I. Danila, Kenneth G. Saag, Paul A. Harris & Jeroan J. Allison - 2020 - Journal of Evaluation in Clinical Practice 26 (3):826-841.
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