85 found
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  1. Book Reviews. [REVIEW]Paul Crowther - 1989 - British Journal of Aesthetics 29 (3):79-81.
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  2. Book Reviews. [REVIEW]Paul Crowther - 1985 - British Journal of Aesthetics 25 (4):79-81.
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  3. Book Reviews. [REVIEW]Paul Crowther - 1987 - British Journal of Aesthetics 27 (4):79-81.
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  4. Book Reviews. [REVIEW]Paul Crowther - 1982 - British Journal of Aesthetics 22 (1):79-81.
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  5. Cultural Exclusion, Normativity, and the Definition of Art.Paul Crowther - 2003 - Journal of Aesthetics and Art Criticism 61 (2):121-131.
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  6. The Significance of Kant's Pure Aesthetic Judgement.Paul Crowther - 1996 - British Journal of Aesthetics 36 (2):109-121.
  7. The Experience of Art: Some Problems and Possibilities of Hermeneutical Analysis.Paul Crowther - 1983 - Philosophy and Phenomenological Research 43 (3):347-362.
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  8.  46
    Imagination, Language, and the Perceptual World: A Post-Analytic Phenomenology. [REVIEW]Paul Crowther - 2013 - Continental Philosophy Review 46 (1):37-56.
    This paper seeks to integrate analytic philosophy and phenomenology. It does so through an approach generated, specifically, in relation to imagination and its cognitive significance. As an Introduction, some reservations about existing phenomenological approaches to imagination—in the work of Sartre and Edward S. Casey—are considered. It is argued that their introspective psychological approach needs to be qualified through a more analytic orientation that determines essence, initially, on the basis of public discourse concerning the term ‘imagination.’ Part One then articulates this (...)
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  9.  1
    Defining Art, Creating the Canon: Artistic Value in an Era of Doubt.Paul Crowther - 2008 - Journal of Aesthetics and Art Criticism 66 (3):317-319.
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  10. Book-Reviews.Paul Crowther - 1988 - British Journal of Aesthetics 28 (1):79-81.
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  11. Book Reviews. [REVIEW]Paul Crowther - 1993 - British Journal of Aesthetics 33 (4):79-81.
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  12. Greenberg's Kant and the Problem of Modernist Painting.Paul Crowther - 1985 - British Journal of Aesthetics 25 (4):317-325.
    This paper analyzes the kantian aspects of greenberg's theory of modernism. It is argued first that the distinctiveness of greenberg's theory lies not in a kantian-Style aesthetic formalism, But rather in an intellectualist notion of aesthetic value which greenberg associates with a kantian-Style self-Critical method. It is then argued that greenberg's use of this kantian notion of self-Criticism in order to explain the development of modernist painting, Leads him into insuperable problems.
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  13. Book Reviews. [REVIEW]Paul Crowther - 1992 - British Journal of Aesthetics 32 (4):79-81.
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  14. Book Reviews. [REVIEW]Paul Crowther - 1983 - British Journal of Aesthetics 23 (4):79-81.
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  15.  75
    Defining Art, Defending the Canon, Contesting Culture.Paul Crowther - 2004 - British Journal of Aesthetics 44 (4):361-377.
    This paper criticizes contemporary relativist scepticism concerning the universal validity of the concepts ‘art’ and the ‘aesthetic’. As an alternative, it offers a normative definition of art based on intrinsic aesthetic meaning contextualized by innovation and refinement in the diachronic history of art media. In section I, anti-foundationalist relativism, and softer versions (found in the Institutional definitions of art) are expounded in relation to art and the aesthetic. In section II, it is argued that antifoundationalism is conceptually flawed and tacitly (...)
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  16.  30
    Painting, Abstraction, Metaphysics.Paul Crowther - 2004 - Symposium: Canadian Journal of Continental Philosophy/Revue canadienne de philosophie continentale 8 (3):633-646.
  17. Creativity and Originality in Art.Paul Crowther - 1991 - British Journal of Aesthetics 31 (4):301-309.
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  18.  45
    The Kantian Aesthetic: From Knowledge to the Avant-Garde.Paul Crowther - 2010 - Oxford University Press.
    This is done by exploring some of his other ideas concerning how critical comparisons inform our cultivation of taste, and art's relation to genius.
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  19. Space, Place, and Sculpture: Working with Heidegger. [REVIEW]Paul Crowther - 2007 - Continental Philosophy Review 40 (2):151-170.
    Heidegger’s paper ‘Art and Space’ (1969, Man and world 6. Bloomington: Indiana university Press) is the place where he gives his fullest discussion of a major art medium which is somewhat neglected in aesthetics, namely sculpture. The structure of argument in ‘Art and Space’ is cryptic even by Heidegger’s standards. The small amount of literature tends to focus on the paper’s role within Heidegger’s own oeuvre as an expression of changes in his understanding of space. This is ironic; for Heidegger’s (...)
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  20. Merleau–Ponty: Perception Into Art.Paul Crowther - 1982 - British Journal of Aesthetics 22 (2):138-149.
  21.  15
    Beauty and Transcendence: From Plato to the Ideal.Paul Crowther - 2016 - Estetika 53 (2):132-148.
    The Greek notion of beauty encompasses not only nature and artifice, but also the Good. This paper explains the connection by interpreting Plato in a way that allows his theory to be developed beyond the confines of his philosophy. It is argued that we could read his theory of beauty as based on fineness of appearance. This arises when a sensory particular transcends itself and suggests the presence of its sustaining Form, or when sophrosynē in human agency discloses the Good’s (...)
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  22.  85
    Ontology and Aesthetics of Digital Art.Paul Crowther - 2008 - Journal of Aesthetics and Art Criticism 66 (2):161–170.
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  23.  75
    Art and Autonomy.Paul Crowther - 1981 - British Journal of Aesthetics 21 (1):12-21.
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  24.  56
    The Kantian Sublime: From Morality to Art.Paul Crowther - 1989 - Oxford University Press.
    With this, the first volume in the Oxford Philosophical Monographs series, Paul Crowther breaks new ground by providing what is probably the first study in any language to be devoted exclusively to Kant's theory of the sublime. It fills a gap in an area of scholarship where Kant makes crucial links between morality and aesthetics and will be particularly useful for Continental philosophers, among whom the Kantian sublime is currently receiving widespread discussion in debates about the nature of postmodernism. Crowther's (...)
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  25.  68
    Review: Performing Live: Aesthetic Alternatives for the Ends of Art. [REVIEW]Paul Crowther - 2002 - Mind 111 (444):909-912.
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  26.  43
    Kant and Greenberg's Varieties of Aesthetic Formalism.Paul Crowther - 1984 - Journal of Aesthetics and Art Criticism 42 (4):442-445.
  27.  62
    Pictorial Space and the Possibility of Art.Paul Crowther - 2008 - British Journal of Aesthetics 48 (2):175-192.
    This paper addresses the cognitive status of making pictures, rather than their informational function. Discussion centres on the structure of pictorial space. Space of this kind is constituted from the relation between pictorial content's modal plasticity (that is, its capacity to represent actualities, possibilities, and nomological and metaphysical impossibilities) and the formative role of planar structure and idioms of recessional organization. On the basis of this, it is argued that alternative creative realizations and aesthetic significance are inherent to the structure (...)
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  28.  1
    The Kantian Sublime: From Morality to Art.Paul Crowther - 1991 - Journal of Aesthetics and Art Criticism 49 (4):379-381.
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  29. Beyond Formalism: Kant's Theory of Art.Paul Crowther - 1991 - Filozofski Vestnik 12 (1):27-40.
     
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  30. Merleau-Ponty: Vision and Painting in Art and Philosophy: Mutual Connections and Inspirations.Paul Crowther - 1988 - Dialectics and Humanism 15 (1-2):107-118.
     
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  31.  52
    The Aesthetic Domain: Locating the Sublime.Paul Crowther - 1989 - British Journal of Aesthetics 29 (1):21-31.
  32.  46
    Aesthetic Aspects.Paul Crowther - 1987 - British Journal of Aesthetics 27 (1):9-19.
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  33.  15
    Fundamental Ontology and Transcendent Beauty: An Approach to Kant's Aesthetics.Paul Crowther - 1985 - Kant-Studien 76 (1-4):55-71.
  34.  30
    Book Reviews. [REVIEW]Paul Crowther - 1997 - British Journal of Aesthetics 37 (4):79-81.
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  35.  11
    Autonomy and Authenticity: A Prelude to Educational Hermeneutics.Paul Crowther - 1981 - Educational Philosophy and Theory 13 (1):15–22.
  36.  23
    Books Articles Review s Papers Presented.Paul Crowther - unknown
    This is the first volume of an impressive project on the relation of art, philosophy and social change. In an on-going argument and review ing several important aesthetic theories Paul Crow ther in this book argues for the idea that aesthetics should be a kind of critical assessment of art w orks' experiential consequences. Although I go along w ith his resistance against postmodernist reasoning, w hich functions as the starting point of his book, beyond that, our w ays often (...)
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  37.  10
    The Poetry of ‘Flesh’ or the Reality of Perception? Merleau-Ponty’s Fundamental Error.Paul Crowther - 2015 - International Journal of Philosophical Studies 23 (2):255-278.
    The present paper argues that Merleau-Ponty’s notion of Flesh/reversibility intellectually is significantly flawed, and leads phenomenology into something of a dead end. This is shown through the following strategy. First Merleau-Ponty’s account of originary perception and his critique of the reflective attitude are expounded. They are shown to culminate in rejection of the subject-object relation as an ontological fundamental in favour of a ‘hyper-reflective method’. A critique of Merleau-Ponty’s position is then offered. It argues that originary perception is not logically (...)
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  38. Les Immatériaux and the Postmodern Sublime.Paul Crowther - 1992 - In Andrew E. Benjamin (ed.), Judging Lyotard. Routledge. pp. 192--205.
     
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  39.  4
    The Claims of Perfection: A Revisionary Defence of Kant’s Theory of Dependent Beauty.Paul Crowther - 1986 - International Philosophical Quarterly 26 (1):61-74.
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  40.  11
    The Claims of Perfection.Paul Crowther - 1986 - International Philosophical Quarterly 26 (1):61-74.
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  41.  4
    Critical Aesthetics and Postmodernism.Art and Embodiment.Edward Winters & Paul Crowther - 1995 - Philosophical Quarterly 45 (178):103.
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  42.  4
    Art, Knowledge and Historicity.Paul Crowther - 1993 - Nordic Journal of Aesthetics 6 (10).
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  43.  1
    Art and Embodiment: From Aesthetics to Self-Consciousness.Paul Crowther - 1995 - Journal of Aesthetics and Art Criticism 53 (1):87-89.
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  44. Art and Embodiment: From Aesthetics to Self-ConsciousnessCritical Aesthetics and Postmodernism.Charles Altieri & Paul Crowther - 1995 - Journal of Aesthetics and Art Criticism 53 (1):87.
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  45. Autonomy and Authenticity: A Prelude to Educational Hermeneutics.Paul Crowther - 1981 - Educational Philosophy and Theory 13 (1):15-22.
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  46.  87
    Art and Embodiment: From Aesthetics to Self-Consciousness.Paul Crowther - 1993 - Oxford University Press.
    In his Critical Aesthetics and Postmodernism, Paul Crowther argued that art and aesthetic experiences have the capacity to humanize. In Art and Embodiment he develops this theme in much greater depth, arguing that art can bridge the gap between philosophy's traditional striving for generality and completeness, and the concreteness and contingency of humanity's basic relation to the world. As the key element in his theory, he proposes an ecological definition of art. His strategy involves first mapping out and analyzing the (...)
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  47. Art and Embodiment: From Aesthetics to Self-Consciousness.Paul Crowther - 2001 - Oxford University Press.
    Paul Crowther argues that art can bridge the gap between philosophy's traditional striving for generality and completeness, and the concreteness and contingency of humanity's basic relation to the world. He proposes an ecological definition of art: by making sensible or imaginative material into symbolic form, it harmonizes and conserves what is unique and what is general about human experience.
     
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  48. Artistic Creativity: Illusions, Realities, Futures.Paul Crowther - 2009 - In Francis Halsall, Julia Jansen & Tony O'Connor (eds.), Rediscovering Aesthetics: Transdisciplinary Voices From Art History, Philosophy, and Art Practice. Stanford University Press.
     
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  49. After Heidegger: The Place of Sculpture.Paul Crowther - 2006 - Filozofski Vestnik 27 (3):45 - +.
     
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  50. A Rediscovered Contemporary Full-Length Sketch-Portrait Of Schopenhauer By Frederic, Lord Leighton.Paul Crowther & Miruna Cuzman - 2011 - Schopenhauer Jahrbuch:301-306.
     
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