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  1.  8
    In the Absence of Noise, Nothing Sounds: Blanchot and the Performance of Harsh Noise Wall.Paul Hegarty - 2018 - Angelaki 23 (3):112-124.
    Blanchot took Mallarmé’s “Book” as the paradigm for an artwork that aspired to such excess it could not exist. And yet it partly did, in the form of the poem Un coup de dés jamais n’abolira le hasard. For Blanchot, this ultimate literary work acted as a model for a relentless deconstructing not just of what existed but also of that which did not. His emptying theoretical perspective is ideally suited to analyse the phenomenon that is harsh noise wall music. (...)
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  2.  4
    Bataille, Conceiving Death.Paul Hegarty - 2000 - Paragraph 23 (2):173-190.
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  3.  21
    Formless: Ways in and Out of Form.Patrick Crowley & Paul Hegarty (eds.) - 2005 - Peter Lang.
    The paper in this volume challenge the concept of form and aim to set out, explore and develop different theories and examples of 'the formless'.
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  4. Reverberations: The Philosophy, Aesthetics and Politics of Noise.Michael Goddard, Benjamin Halligan & Paul Hegarty (eds.) - 2012 - Continuum Intl Pub Group.
    Noise permeates our highly mediated and globalised cultures. Noise as art, music, cultural or digital practice is a way of intervening so that it can be harnessed for an aesthetic expression not caught within mainstream styles or distribution. This wide-ranging book examines the concept and practices of noise, treating noise not merely as a sonic phenomenon but as an essential component of all communication and information systems. The book opens with ideas of what noise is, and then works through ideas (...)
     
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  5. Georges Bataille.Paul Hegarty - 2000 - Sage Publications.
    Long recognized in France as a central figure in French cultural thought, the range and significance of Batille's ideas are now being grasped in the English speaking world. His influence on Derrida, Foucault, Kristeva and Baudrillard is now more clearly understood and Bataille has emerged as a front-rank cultural theorist who posed questions and paradoxes that were extraordinarily prescient. This book offers a comprehensive and detailed presentation and analysis of the full range of his writings - political, philosophical, aesthetic, literary, (...)
     
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  6. Supposing the Impossibility of Silence and Sound, of Voice: Bataille, Agamben, and the Holocaust.Paul Hegarty - 2005 - In Andrew Norris (ed.), Politics, Metaphysics, and Death: Essays on Giorgio Agamben's Homo Sacer. Duke University Press.