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  1.  35
    Literature and Evolution.Paul Hernadi - 2001 - Substance 30 (1/2):55.
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  2.  11
    Reconceiving Notation and Performance.Paul Hernadi - 1991 - Journal of Aesthetic Education 25 (1):47.
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  3.  17
    What Is Criticism?Tom Conley & Paul Hernadi - 1983 - Substance 12 (3):99.
  4.  35
    H. Porter Abbott is Professor of English at the University of California, Santa Barbara and Acting Director of the UCSB Interdisciplinary Humanities Center. He is the Author of Two Books on the Work of Samuel Beckett, a Book on the Diary Strategy in Fiction, and a Forthcoming Book, Narrative: An Introduction (Cambridge, 2001). Several of His Recent Articles Have Adapted Evolutionary and Cognitive Approaches to the Study of Narrative. [REVIEW]Ellen Dissanayake, N. Katherine Hayles, Paul Hernadi, Patrick Colm Hogan & Steven Mithen - 2001 - Substance 94:95.
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  5.  12
    Book Review: Cultural Transactions: Nature, Self, Society. [REVIEW]Paul Hernadi - 1996 - Philosophy and Literature 20 (2).
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  6.  21
    Literary Theory: A Compass for Critics.Paul Hernadi - 1976 - Critical Inquiry 3 (2):369-386.
    Ferdinand de Saussure's distinction between parole and langue has greatly helped linguists to clarify the relationship between particular speech events and the underlying reservoir of verbal signs and combinatory rules. The relationship emerges from Saussure's Cours de linguistique générale as one between concrete instances of employed language and a slowly but permanently changing virtual system.1 It seems to me that the more recent literary distinctions between the implied author of a work and its actual author and between the implied and (...)
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    More Questions Concerning Quotation.Paul Hernadi - 1981 - Journal of Aesthetics and Art Criticism 39 (3):271-273.
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    On the How, What, and Why of Narrative.Paul Hernadi - 1980 - Critical Inquiry 7 (1):201-203.
    Why, then, do we huddle in the dark around the campfires of our flickering narratives? There are obviously many different reasons for doing so. Yet, having heard various récits—whether "stories" or "accounts"—during the narrative conference, I am more inclined than ever to see self-assertive entertainment and self-transcending commitment as two kinds of ultimate motivation for our countless narratives. Stories and histories and other narrative or descriptive accounts help us to escape boredom and indifference—ours as well as that of other people. (...)
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  9.  24
    The Rhetoric of Interpretation and the Interpretation of Rhetoric.Paul Hernadi (ed.) - 1989 - Duke University Press.
    The Rhetoric of Interpretation Hayden White Contemporary thought about the nature of interpretation, especially in the human and social sciences, ...
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