16 found
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  1.  26
    Creative Cognition and Brain Network Dynamics.Roger E. Beaty, Mathias Benedek, Paul J. Silvia & Daniel L. Schacter - 2016 - Trends in Cognitive Sciences 20 (2):87-95.
  2.  12
    Individual Differences in the Executive Control of Attention, Memory, and Thought, and Their Associations with Schizotypy.Michael J. Kane, Matt E. Meier, Bridget A. Smeekens, Georgina M. Gross, Charlotte A. Chun, Paul J. Silvia & Thomas R. Kwapil - 2016 - Journal of Experimental Psychology: General 145 (8):1017-1048.
  3.  52
    Music to the Inner Ears: Exploring Individual Differences in Musical Imagery.Roger E. Beaty, Chris J. Burgin, Emily C. Nusbaum, Thomas R. Kwapil, Donald A. Hodges & Paul J. Silvia - 2013 - Consciousness and Cognition 22 (4):1163-1173.
    In two studies, we explored the frequency and phenomenology of musical imagery. Study 1 used retrospective reports of musical imagery to assess the contribution of individual differences to imagery characteristics. Study 2 used an experience sampling design to assess the phenomenology of musical imagery over the course of one week in a sample of musicians and non-musicians. Both studies found episodes of musical imagery to be common and positive: people rarely wanted such experiences to end and often heard music that (...)
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  4.  35
    Are the Sources of Interest the Same for Everyone? Using Multilevel Mixture Models to Explore Individual Differences in Appraisal Structures.Paul J. Silvia, Robert A. Henson & Jonathan L. Templin - 2009 - Cognition and Emotion 23 (7):1389-1406.
  5.  12
    Aesthetic Emotions and Aesthetic People: Openness Predicts Sensitivity to Novelty in the Experiences of Interest and Pleasure.Kirill Fayn, Carolyn MacCann, Niko Tiliopoulos & Paul J. Silvia - 2015 - Frontiers in Psychology 6.
  6.  26
    ""Individual Differences in the Executive Control of Attention, Memory, and Thought, and Their Associations with Schizotypy": Correction to Kane Et Al.Michael J. Kane, Matt E. Meier, Bridget A. Smeekens, Georgina M. Gross, Charlotte A. Chun, Paul J. Silvia & Thomas R. Kwapil - 2016 - Journal of Experimental Psychology: General 145 (12):1603-1603.
  7.  52
    Appraisal Components and Emotion Traits: Examining the Appraisal Basis of Trait Curiosity.Paul J. Silvia - 2008 - Cognition and Emotion 22 (1):94-113.
  8.  7
    On the Dependability and Feasibility of Layperson Ratings of Divergent Thinking.Richard W. Hass, Marisa Rivera & Paul J. Silvia - 2018 - Frontiers in Psychology 9.
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  9.  15
    Nuanced Aesthetic Emotions: Emotion Differentiation is Related to Knowledge of the Arts and Curiosity.Kirill Fayn, Paul J. Silvia, Yasemin Erbas, Niko Tiliopoulos & Peter Kuppens - 2017 - Cognition and Emotion 32 (3):593-599.
    The ability to distinguish between emotions is considered indicative of well-being, but does emotion differentiation in an aesthetic context also reflect deeper and more knowledgeable aesthetic experiences? Here we examine whether positive and negative ED in response to artistic stimuli reflects higher fluency in an aesthetic domain. Particularly, we test whether knowledge of the arts and curiosity are associated with more fine-grained positive and negative aesthetic experiences. A sample of 214 people rated their positive and negative feelings in response to (...)
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  10.  15
    The Effects of a Single Night of Sleep Deprivation on Fluency and Prefrontal Cortex Function During Divergent Thinking.Oshin Vartanian, Fethi Bouak, J. L. Caldwell, Bob Cheung, Gerald Cupchik, Marie-Eve Jobidon, Quan Lam, Ann Nakashima, Michel Paul, Henry Peng, Paul J. Silvia & Ingrid Smith - 2014 - Frontiers in Human Neuroscience 8.
  11.  62
    Self-Awareness and Emotional Intensity.Paul J. Silvia - 2002 - Cognition and Emotion 16 (2):195-216.
  12.  29
    Exploring Alternative Deterrents to Emotional Intensity: Anticipated Happiness, Distraction, and Sadness.Paul J. Silvia & Jack W. Brehm - 2001 - Cognition and Emotion 15 (5):575-592.
  13.  26
    Can Positive Affect Induce Self-Focused Attention? Methodological and Measurement Issues.Paul J. Silvia & Andrea E. Abele - 2002 - Cognition and Emotion 16 (6):845-853.
  14.  27
    Aesthetic Meanings and Aesthetic Emotions: How Historical and Intentional Knowledge Expand Aesthetic Experience.Paul J. Silvia - 2013 - Behavioral and Brain Sciences 36 (2):157-158.
    This comment proposes that Bullot & Reber's (B&R's) emphasis on historical and intentional knowledge expands the range of emotions that can be properly viewed as aesthetic states. Many feelings, such as anger, contempt, shame, confusion, and pride, come about through complex aesthetic meanings, which integrate conceptual knowledge, beliefs about the work and the artist's intentions, and the perceiver's goals and values.
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  15. Self-Awareness, Self-Motives, and Self-Motivation.Paul J. Silvia & Thomas Shelley Duval - 2004 - In Wright, Rex A. (Ed); Greenberg, Jeff (Ed); Brehm, Sharon S. (Ed). (2004). Motivational Analyses of Social Behavior: Building on Jack Brehm's Contributions to Psychology. (Pp. 57-75). Mahwah, NJ, US.
  16. Wright, Rex A. (Ed); Greenberg, Jeff (Ed); Brehm, Sharon S. (Ed). (2004). Motivational Analyses of Social Behavior: Building on Jack Brehm's Contributions to Psychology. (Pp. 57-75). Mahwah, NJ, US. [REVIEW]Paul J. Silvia & Thomas Shelley Duval - 2004
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