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    Krytyka artystyczna dwudziestolecia międzywojennego. Między estetyką filozoficzną i sztuką nowoczesną.Agnieszka Rejniak-Majewska & Paweł Polit - 2020 - Acta Universitatis Lodziensis. Folia Philosophica. Ethica-Aesthetica-Practica 36:7-12.
    By the late 1920s in Europe new art directions were regarded as already completed phenomena, a part of “avant-garde tradition.” Such views were expressed by Jean Arp and El Lissitzky’s in their book Kuntismen, and by Amédée Ozenfant’s in Art. Bilan des arts modernes en France. Similar opinions were also voiced by Jan Brzękowski, a Polish poet and critic, who regarded this time as a period of “establishing certain values” rather than new breakthroughs. In this article I discuss Brzękowski’s strategies (...)
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