38 found
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  1.  27
    Semiotics of Cultural History.Peeter Torop - 2017 - Sign Systems Studies 45 (3/4):317-334.
    The interpretation of cultural history in the context of cultural semiotics, especially interpretation of semiotics of cultural history as a semiotics of culture, and semiotics of culture as a semiotics of cultural history, gives us, first, a deeper understanding of the analysability of cultural history and, at the same time, of the importance of history and different aspects of temporality for the semiotics of culture. Second, the history of the semiotics of culture, especially the semiotics of culture of the Tartu-Moscow (...)
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  2.  13
    Text Dynamics: Renewing Challenges for Semiotics of Literature.Katalin Kroó & Peeter Torop - 2018 - Sign Systems Studies 46 (1):143-167.
    The paper examines the problem of textual/cultural dynamics linked to the issue of semiotic literariness, to be further investigated by the authors in later papers on literary semiotics. This scientific project aims to get closer to reaching an adequate disciplinary identification for semiotics of literature and a relatively precise definition of the status of this field in relation to semiotics of culture. The first step for the project is to reveal the interrelationhip between text and culture using the notion of (...)
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  3.  71
    Семиотика опосредования. Резюме.Peeter Torop - 2012 - Sign Systems Studies 40 (3/4):556-556.
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  4.  1
    Teoria Russa E Semiótica da Cultura: História E Perspectivas.Peeter Torop - 2019 - Bakhtiniana 14 (4):18-41.
    RESUMO A Escola de Tártu-Moscou aceitou, como atitude profissional, reconstruir a tradição e ligar-se com as realizações - esquecidas ou reprimidas cultural e cientificamente - das primeiras décadas do séc. XX. Uma missão de Lotman como um de seus líderes foi conhecer e mediar a herança esquecida. Na situação de censura muitos contatos entre Lotman e a teoria russa não estavam visíveis. Dessa forma, a síntese de Lotman, Tynianov, Bakhtin, Vygotsky, Eisenstein e outros, num intenso diálogo implícito, pode ser a (...)
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  5.  84
    Translation as Translating as Culture.Peeter Torop - 2002 - Sign Systems Studies 30 (2):593-604.
    The most common difficulty in translation studies has traditionally been the dilemma between the historical and synchronic approaches in the analysis and description of the culture of translation. On the one hand the culture of translation might be presented as the sum of various kinds of translated texts (repertoire of culture), on the other hand it might be described as the hierarchy of the various types of translations themselves. The first approach assumes plenty of languages for such description, in the (...)
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  6.  21
    The Institution of Semiotics in Estonia.Kalevi Kull, Silvi Salupere, Peeter Torop & Mihhail Lotman - 2011 - Sign Systems Studies 39 (2/4):314-341.
    The article gives a historical overview of the institutional development of semiotics in Estonia during two centuries, and describes briefly its current status. The key characteristics of semiotics in Estonia include: (1) seminal role of two world-level classics of semiotics from the University of Tartu, Juri Lotman and Jakob von Uexkull; (2) the impact of Tartu–Moscow school of semiotics, with a series of summer schools in Kaariku in 1960s and the establishment of semiotic study of culture; (3) the publication of (...)
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  7.  32
    Semiosphere and/as the Research Object of Semiotics of Culture.Peeter Torop - 2005 - Sign Systems Studies 33 (1):159-171.
    Since 1984 when J. Lotman’s article “On semiosphere” was published, this concept has been moving from one terminological field to another. In the disciplinary terminological field of the Tartu–Moscow School semiotics of culture, ‘semiosphere’ is connected with terms ‘language — secondary modelling system — text — culture’. From interdisciplinary terminological fields, the associations either with biosphere and noosphere, or with logosphere, are more important. As a metadisciplinary concept, semiosphere belongs to the methodology of culture studies and is associated with the (...)
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  8.  28
    Translation as Communication and Auto-Communication.Peeter Torop - 2008 - Sign Systems Studies 36 (2):375-396.
    If one wants to understand translation, it is necessary to look at all its aspects from the psychological to the ideological. And it is necessary to see the process of translation, on the one hand, as a complex of interlinguistic, intralinguistic, and intersemiotic translations, and on the other hand, as a complex of linguistic, cultural, economic, and ideological activities. Translators work at the boundaries of languages, cultures, and societies. They position themselves between the poles of specificity and adaptation in accordance (...)
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  9.  8
    The Ideological Aspect of Intersemiotic Translation and Montage.Peeter Torop - 2013 - Sign Systems Studies 41 (2/3):241-265.
    The Estonian film The Last Relic offers an interesting case of ideological intersemiotic translation. At the same time, it is an innovative film from the point of view of text composition as well as combination of traditional montage with intersemiotic montage in which the speech of the heroes, the messages of the songs and repetition of visual and musical motifs are juxtaposed to create historical and ideological ambiguity. The specificity of this film is very close to later tendencies in using (...)
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  10. Cultural Semiotics and Culture.Peeter Torop - 1999 - Sign Systems Studies 27:9-23.
     
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  11.  9
    Methodological Remarks on the Study of Translation and Translating.Peeter Torop - 2007 - Semiotica 2007 (163):347-364.
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  12.  18
    Processual Boundaries of Translation: Semiotics and Translation Studies.Elin Sütiste & Peeter Torop - 2007 - Semiotica 2007 (163):187-207.
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  13.  13
    Перевод как коммуникация и автокоммуникация. Резюме.Peeter Torop - 2008 - Sign Systems Studies 36 (2):396-397.
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  14. Semiotics in Tartu.Peeter Torop - 1998 - Σημιοτκή-Sign Systems Studies 1:9-14.
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  15.  8
    Introduction.Peeter Torop - 2002 - Sign Systems Studies 30 (2):395-404.
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  16.  7
    Towards the Semiotics of Translation.Peeter Torop - 2000 - Semiotica 128 (3-4):597-610.
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  17.  15
    Translation and Semiotics.Peeter Torop - 2008 - Sign Systems Studies 36 (2):253-257.
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  18.  5
    Culture as Education: From Transmediality to Transdisciplinary Pedagogy.Maarja Ojamaa, Peeter Torop, Alexandr Fadeev, Alexandra Milyakina, Tatjana Pilipovec & Merit Rickberg - 2019 - Sign Systems Studies 47 (1/2):152-176.
    For the past three years, the Transmedia Research Group at the Department of Semiotics, University of Tartu, has been developing open access online materials for supporting the teaching of humanities-related subjects in Estonian- and Russianlanguage secondary schools. This paper maps the theoretical and conceptual starting points of these materials. The overarching goal of the educational platforms is to support cultural coherence and autocommunication by cultivating literacies necessary for holding meaningful dialogues with cultural heritage. To achieve the goal, the authors have (...)
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  19.  34
    Semiosfäär ja/kui kultuurisemiootika uurimisobjekt. Kokkuvõte.Peeter Torop - 2005 - Sign Systems Studies 33 (1):172-173.
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  20.  10
    Language, Text, Structure, Model,(Secondary) Modeling System Are These Notions the Dynamism of Which—in the Volume of Their Meaning—Gives a Good Overview of the Semiotics of Lotman and the Tartu–Moscow Semiotic School Until the Birth of Cultural Semiotics in 1973. K. Eimermacher has Called Lotmans Ability to Conjoin Different Terms and to Provide Them with Novel Meanings Integrativity, and to This He Also Dedicated an Article “JM Lotman: Semiotic Version of Integrative Culturology”(Eimermacher 1998 ... [REVIEW]Peeter Torop - 1999 - Sign Systems Studies 27:9-23.
  21.  38
    Semiotics, Anthropology and the Analysability of Culture.Peeter Torop - 2006 - Sign Systems Studies 34 (2):285-314.
    For each culture-studying discipline, the problem of culture’s analysability stems from disciplinary identity. One half of analysability consists of the culture's attitude and the ability of the discipline's methods of description and analysis to render the culture analysable. The other half of analysability is shaped by the discipline’s own adaptation to the characteristics of culture as the object of study and the development of a suitable descriptive language. The ontologisation and epistemologisation of culture as the subject of analysis is present (...)
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  22. Границы Перевода (Социосемиотический Аспект Семиотики Перевода).Peeter Torop - 1998 - Σημιοτκή-Sign Systems Studies 1:136-150.
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  23.  19
    Semiotics of Mediation. Theses.Peeter Torop - 2012 - Sign Systems Studies 40 (3/4):547-555.
    Semiotics of mediation is based on comparative analysis of mediation processes, on typology of forms of mediation and on the subsequent complementary analysis of culture. Not only does cultural analysis that is based on semiotics of mediation proceed from communication processes, it also searches for possibilities of correlation between concepts of describability, analysability, translatability. Depending on the strategy of mediation semiotics it is possible to create an overview of the main parameters of cultural analysis and to specify the boundaries of (...)
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  24.  22
    Tõlge kui kommunikatsioon ja autokommunikatsioon. Kokkuvõte.Peeter Torop - 2008 - Sign Systems Studies 36 (2):397-397.
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  25.  17
    Cемиосферическое понимание.Peeter Torop - 2003 - Sign Systems Studies 31 (2):338-339.
    The semiospherical approach to semiotics and especially to semiotics of culture entails the need of juxtaposing several terminological fields. Among the most important, the fields of textuality, chronotopicality, and multimodality or multimediality should be listed. Textuality in this paper denotes a general principle with the help of which it is possible to observe and to interpret different aspects of the workings of culture. Textuality combines in itself text as a well-defined artefact and textualization as an abstraction. In culture, we can (...)
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  26.  16
    The intersemiotic space.Peeter Torop - 2000 - Sign Systems Studies 28:116-133.
    The intersemiotic space: Adrianopol in F. Dostoevsky's "Crime and punishment" St. Petersburg. The article focuses on the peculiarities of the intertextual space of culture and the means of its analysis. Level analysis, compositional analysis and chronotopical analysis are juxtaposed in the paper. Textual and intertextual chronotopical analyses are considered separately. Two aspects of textual processuality are juxtaposed: the history of text production and the role of the manuscript page structure as a reflection of the writer's style and mode of thinking (...)
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  27.  14
    Tõlge kui tõlkimine kui kultuur. Kokkuvõte.Peeter Torop - 2002 - Sign Systems Studies 30 (2):605-605.
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  28.  10
    Semiosfääriline Mõistmine.Peeter Torop - 2003 - Sign Systems Studies 31 (2):339-339.
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  29.  11
    Semiootika institutsioon Eestis. Kokkuvõte.Kalevi Kull, Silvi Salupere, Peeter Torop & Mihhail Lotman - 2011 - Sign Systems Studies 39 (2/4):342-342.
    The article gives a historical overview of the institutional development of semiotics in Estonia during two centuries, and describes briefly its current status. The key characteristics of semiotics in Estonia include: seminal role of two world-level classics of semiotics from the University of Tartu, Juri Lotman and Jakob von Uexküll; the impact of Tartu–Moscow school of semiotics, with a series of summer schools in Kääriku in 1960s and the establishment of semiotic study of culture; the publication of the international journal (...)
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  30.  9
    Semiootika, antropoloogia ja kultuuri analüüsitavus. Kokkuvõte.Peeter Torop - 2006 - Sign Systems Studies 34 (2):315-315.
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  31.  10
    Intersemiootiline ruum.Peeter Torop - 2000 - Sign Systems Studies 28:133-133.
    The intersemiotic space: Adrianopol in F. Dostoevsky's "Crime and punishment" St. Petersburg. The article focuses on the peculiarities of the intertextual space of culture and the means of its analysis. Level analysis, compositional analysis and chronotopical analysis are juxtaposed in the paper. Textual and intertextual chronotopical analyses are considered separately. Two aspects of textual processuality are juxtaposed: the history of text production and the role of the manuscript page structure as a reflection of the writer's style and mode of thinking (...)
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  32.  9
    Semiotics of Mediation. Theses.Peeter Torop - 2012 - Sign Systems Studies 40 (3):547-556.
    Semiotics of mediation is based on comparative analysis of mediation processes, on typology of forms of mediation and on the subsequent complementary analysis of culture. Not only does cultural analysis that is based on semiotics of mediation proceed from communication processes, it also searches for possibilities of correlation between concepts of describability, analysability, translatability. Depending on the strategy of mediation semiotics it is possible to create an overview of the main parameters of cultural analysis and to specify the boundaries of (...)
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  33.  8
    Intercommunication.Peeter Torop, Mihhail Lolman & Kalevi Kull - 2000 - Sign Systems Studies 28:11-14.
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  34.  9
    Семиосфера и/как объект исследования семиотики культуры. Резюме.Peeter Torop - 2005 - Sign Systems Studies 33 (1):171-172.
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  35.  6
    Семиотика, антропология и анализируемость культуры. Резюме.Peeter Torop - 2006 - Sign Systems Studies 34 (2):314-315.
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  36. Интерсемиотическое пространство: Адрианополь в петербурге „преступления и наказания “фм достоевского.Peeter Torop - 2000 - Σημιοτκή-Sign Systems Studies 1:116-133.
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  37. Semiootika Tartus.Peeter Torop - 1998 - Σημιοτκή-Sign Systems Studies 1:14-19.
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  38.  20
    Semiospherical Understanding: Textuality.Peeter Torop - 2003 - Sign Systems Studies 31 (2):323-338.
    The semiospherical approach to semiotics and especially to semiotics of culture entails the need of juxtaposing several terminological fields. Among the most important, the fields of textuality, chronotopicality, and multimodality or multimediality should be listed. Textuality in this paper denotes a general principle with the help of which it is possible to observe and to interpret different aspects of the workings of culture. Textuality combines in itself text as a well-defined artefact and textualization as an abstraction. In culture, we can (...)
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